View allAll Photos Tagged slicer
Name: Slice (Misery when in Nightmare form)
Level Rank: Max. (overpowered when in Nightmare form)
Color: Black/Green (Pitch Black and Neon Green when in Nightmare Form)
Kanohi: Great Shelek (Jutlin 2nd, Rod 3rd, olmak 4th)
Gender: Male
Personality: Weird, always Going Agents those whom he dislike's, wild, doing anything he love's doing, has a Guilty conscience, Rebel's
agent's those who tells him what to do.
Immune to: Banishment Spell's and power's, some Light based Magic, all Shadow Magic and Energy Magic,
Toa of: Shadow's and the Moon
Element: Shadow/Energy
Age: around 1000 or more, is immortal
Weakness: Can't use Energy based Power's in water, Unknown, will do anything for Green Emerald's only, will not hurt or attack Female's unless they are the same or higher rank as him
Power's: Have all Rahi Power's, can telaport anywhere in the World, can sense when other Makuta or Toa are around, all Makuta Power's, all Shadow Toa power's, can Grant or Take away a Being's nightmare or turn a dream into one, can walk and see thing's in a Being's Dream or Nightmare, Can understand anything and everything for a unknown resend, can breath and run underwater, can use Shadow Power's anywhere in the world even under water, can have Dragon's Vision and eye sight to see better in a area, can Dodge 80% or more Attack's thrown at him, can turn into Living Shadow that None can see or here, can mimic/copycat any being's Power's except light based Power's, can Shape shift into anything and anyone that he seen, met, or/and touched before in his life. Even unliving things. His armor deflects anything and everything
Note: Am giving an Update, I changed the armor on his lower legs and am going to Upload new picture...........................................................................................................Spam.............................................
115 Pictures in 2015. #63 Fungi.
Taken at The Regency, Laguna Woods, California. © 2015 All Rights Reserved.
My images are not to be used, copied, edited, or blogged without my explicit permission.
Please!! NO Glittery Awards or Large Graphics...Buddy Icons are OK. Thank You!
This is Maureen's ingenius method for slicing tofu very thin. She
slides a length of dental floss against two low-profile jewel cases.
"May I tempt you with a slice? Please, I insist. What's that? You're dieting? No problem, it's low in fat! No? Perhaps later th... I'm sorry, what were we talking about? Do you smell windchimes?"
Drawn in Photoshop on the graphic tablet.
Want to see more? Check out my new blog! All the cool kids are doing it!
Flashback
Photo by Dan Scott
AmericanImageGallery.com
Exhibition Dates: September 14 – October 31, 2007
Open Saturdays and by appointment
Exhibition Dates: September 14 – October 31, 2007
Photo by AmericanImageGallery.com
CarlBergGallery.com
Becster.org
PhantomGalleriesLA.com
Phantom Galleries LA is pleased to present Slices, a solo exhibition of work by Rebecca Niederlander. The exhibition will run from September 14-October 31, 2007. A reception will be held on Friday, September 14, 6-9 p.m. at 269 N. Beverly Drive, Beverly Hills, CA. This event will be free and open to the public. The exhibition will be open to the public on Saturdays from 11-6 and by appointment.
“Mobiles are sensitive symbols of Nature, of that profligate Nature which squanders pollen while unloosing a flight of a thousand butterflies; of that inscrutable Nature which refuses to reveal to us whether it is a blind succession of causes and effects, or the timid, hesitant, groping development of an idea." --Jean-Paul Sartre, writing about Alexander Calder’s Mobiles, 1946
Rebecca Niederlander’s sculptures have always reflected an interest in the processes of perception and interpretation, and in the discovery of particulars that often go unnoticed in the rush of events. Though early forms often sat solidly grounded, her later work regularly hovers, floats, or hangs suspended above a surface. The most recent Family Tree series originated in an installation featuring a room-sized vellum mobile that she describes as an attempt to reflect on individual's place in the continuum. All elements in A Family Tree are connected, each bit's activity modulated by the activity of the whole. The 6,000+ small, fluttering forms were created using a Japanese paper cutting technique called Kirigami, which westerners know as "making paper snowflakes." After creating that piece, Niederlander began to experiment with wire because of more complex and abstracted forms that medium makes possible. Also fascinating is the relationship between the lines of the wire forms and their alter-ego shadows.
Many suspended sculptures, and mobiles in particular, lack manageability. They start from a place of equilibrium, but from that point on it’s their nature to shift, to become, to reinvent. Their mutability also makes them a kind of dream space into which viewers can enter or onto which they can project their own discoveries and interpretations. The protean qualities mean that their creator can plan only so far in terms of how they will evolve. She must let go and allow them to find their own form. In this way, a mobile can be seen as a placeholder for the experience of living, perhaps in particular for the process of parenting (an identity Niederlander is still acclimating herself to). By the way, many of the pieces were designed to be effective pull-toys!
Rebecca Niederlander received her MFA from UCLA, and her BFA from California College of the Arts (formerly CCAC). She is represented by Carl Berg Gallery 6018 Wilshire Blvd, Los Angeles, CA 90036: 323 931 6060 www.carlberggallery.com/ carl@carlberggallery.com
In conjunction with Slices, there will be onewindow installation each by David McDonald (davidmcdonaldart.com), Alexis Weidig (alexisweidig.com) and
MORE ABOUT PHANTOM GALLERIES LA
Phantom Galleries LA is a Los Angeles County-based organization that transforms unoccupied storefronts and spaces into temporary art galleries. Exhibits are curated by local arts organizations, Los Angeles-based galleries, independent curators, and Los Angeles-based artists. The project promotes the creative communities of Los Angeles to a broader audience. The spaces are lit and on view 24 hours a day.
Phantom Galleries offers a special thank you to the City of Beverly Hills Economic Development Office for their continued support and assistance in launching the Beverly Hills Phantom Galleries LA program. "In Beverly Hills we believe that a vital economy needs an active art and cultural core." – Alison Maxwell, Director of Economic Development and Marketing for the City. For more about the City of Beverly Hills's Public Art Program see www.beverlyhills.org.
Shots like this are not my usual fare (bad pun intended) but when I saw this sitting there I just had to get the camera out. Does it work? I know some folks really get into shooting food, but I just haven't really tried it yet. It's another item to add to the list of things to learn how to shoot. Boy, that list seems to just be growing...
I cut the apple in two by slicing it ACROSS the core so that a five pointed star is revealed on each half. For each half, I make four cuts around the core and slice up each section into bite-sized pieces. I nibble around the core and discard it, and then cut up the other half. Here you see half an apple, a big piece cut from around the core, and the other big pieces being sliced up. I eat about a fourth of the apple now and put the other pieces into my fruit mix.
My dad's hands, slicing his home-baked bread, on his 79th birthday
When I saw my dad do this, and ever since every time I see the picture, it reminded me of how my grandmother (his mother) used to cut the breath in exactly the same way... She used to make a little cross over the bread with the point of the knife, before she started cutting in - a simple, silent blessing...
Photo made on Oct.11, 2010
Added layers kk-sienna and kk-finale by Kim Klassen www.kimklassencafe.com/
Techniques used - See Beyond Layers day 10
Snapped eleven shots in relatively quick succession (maybe a second apart). Then combined the images, by taking a stripe from each one. The first stripe on the left is the left-most stripe in the first image, and the last stripe on the right is the right-most stripe in the last image. Time goes from left to right, and the wave motion was also from left to right, which is why you can sometimes see a wave pattern duplicated in adjacent slices. The black frames here are to clarify that these are distinct stripes (initially, I just abutted the images [which worked in this image] but because the texture in each of the stripes was so similar, it was hard to see that the stripes were distinct).
Twelve Days of Christmas
Day 10: Jock Zonfrillo
The Restaurant at Meadowood
St. Helena, California
(December 21, 2017)
the ulterior epicure | Twitter | Instagram | Facebook | Bonjwing Photography
Maslin bread is a coarse, fairly dense mixed-grain dough that's perfect for spreading with cream cheese, jam or topping with cold cuts and pickles. This version is on the sweeter side, using both honey and molasses, but it retains it's rich character through additions of seeds, coffee and cocoa powder.
Eden at Lulu's birthday party. The cake was from Something Sweet, at the corner of First Avenue and 11th Street--and it was delicious (according to the kids, who ate it all up).