View allAll Photos Tagged shadow
Shadow Bar : nice bar in Vieux Nice located in the street where my grandmother used to live ( Benoît Bunico ).
As you may or may now know, the word "photography" means "writing with light". I think you have to have to work with it quite a bit to realize how true that is. Anyway, here's a landscape detail I shot earlier today. 1/1000 sec, f/1,8 and ISO 100 at 50mm. I almost never write down any specs, but I know some of you are interested in that kind of stuff.
My legs are huge and thick and muscle-y. Usually I'm not fond of them, but i liked this angle and the effect of the light coming through the blinds.
Shadows and...
"Loss Cat"
— R. Land
Atlanta, Georgia, USA.
1 September 2018.
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53 / 120. Here comes the sun
Early morning sunshine pouring through my dining room window to create these shadows and colors on the wall ...
Bike 180 - Ride 6
It's not really, it's ride +lots, but I'm really rubbish at taking a photo of every ride. This was the third of the day (to work, home from work, then out to Mel's work to pick up the car - hadn't been on the fixed in a while for various reasons, but it wound up being the fastest ride of the day.
Been feeling AWFUL today, but for some reason every time I got on the bike everything washed away...
For Black and White Wednesday. Theme : Shadows. (With added emotion and story)
I had many ideas involving my friends and I making elaborate, emotional stories with shadow hand puppets. But, alas, it was not to be. My first ideas never seem to turn out!
So, Carly and I ended up teasing a very hungry dog with a spoonful of yoghurt.
Emotion : Curiosity and desire, fueled by hunger.
Story : One Pooch's quest for the creamy goodness of the forbidden yoghurt.
His face says it all. (The fact that he let us annoy him with a torch and a lot of "Sit Leon, Sit, Wait!!!" - shows that dogs really will do anything on the quest for food) lol.
Hopefully this fits the challenge. Working with animals is hard! Can't keep him still or stop him walking into shots.
Happy black and white Wednesday everyone!!!
I love the simplicity of my friend Betty’s guest bedroom. The shadows of the brass bed (she recently found at a flea market) and the wall hanging just add to the serene beauty. Using a hatbox instead of pillows to display on the bed is a clever touch.
The light was kind but a little extreme in contrast, the Xtol seems to handle it OK but not as well as TD201 would have I think. The scanner dug down into the shadows for me.
Upload for Strobist Sunday shadow theme.
I took this self portrait at beginning of November as part of my 365 which is now on the back burner. I placed my flash outside the french doors to our garden. We've got opaque vertical blinds and i was trying to get high contrast stripes of light by playing around with angle of the blinds and position of the SB900. Flash is bare bulb on a light stand at head height. about 6' camera left on 1/2 or full power. Triggered with my cheap, not very good Calumet radio triggers.
Thought I'd take a few with the least number of glass elements between the subject and sensor. First try, was with a Spectra Duo-Focus from the 1950s.
Last year a group of us went up to Rainer to climb the Tahoma Glacier. Here you can see us at about 12,000 feet. Ahead you can see the amazing shadow of Rainier.
Washington DC, USA.
The National Gallery of Art's East Building, opened to the public on June 1, 1978.
The Architect was I M Pei. Born in China in 1917, Pei moved to the United States at eighteen to study architecture, and eventually received degrees from the Massachusetts Institute of Technology and Harvard University. He opened his own firm in New York City in 1955.
On July 9, 1968, the trustees of the National Gallery selected Pei to design a building to provide additional space for the permanent collection and temporary exhibitions, as well as a new center for research in the history of art. The building was to be constructed on the plot of land directly east of the West Building that Congress had reserved for the museum at its establishment in 1937.
The architect faced several challenges. The new building had to fit an irregularly shaped, trapezoidal site; conform to the monumental scale of the Mall; and harmonize with John Russell Pope's classicizing West Building, completed in 1941. During the laborious design process, Pei and a small team of young architects explored many creative possibilities for the building's plan, exterior profile, and roofing of the great atrium.