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Better light. Unfortunately, eight layers of paper diffuse some of the light that pass through, so it's difficult to maintain the same level of detail throughout: the cut lines are too sharp in the lighter areas and too muted in the dark.
I'm still working on it.
Cornering tree casting its shadow away from a vineyard. That part of a vineyard was abandoned a few years ago and is rapidly decaying - expected from vines more than a century old. Mid-September 2015.
Taken with panoramic swing-lens Horizon 202 camera, and its MC2.8/28mm lens, on Fujichrome Provia 100F RDPIII slide film.
Scanned with Plustek OpticFilm 8100, with VueScan x64 9.5. Scanned to two scans, stitched with AutoPano.
Washington DC, USA.
The National Gallery of Art's East Building, opened to the public on June 1, 1978.
The Architect was I M Pei. Born in China in 1917, Pei moved to the United States at eighteen to study architecture, and eventually received degrees from the Massachusetts Institute of Technology and Harvard University. He opened his own firm in New York City in 1955.
On July 9, 1968, the trustees of the National Gallery selected Pei to design a building to provide additional space for the permanent collection and temporary exhibitions, as well as a new center for research in the history of art. The building was to be constructed on the plot of land directly east of the West Building that Congress had reserved for the museum at its establishment in 1937.
The architect faced several challenges. The new building had to fit an irregularly shaped, trapezoidal site; conform to the monumental scale of the Mall; and harmonize with John Russell Pope's classicizing West Building, completed in 1941. During the laborious design process, Pei and a small team of young architects explored many creative possibilities for the building's plan, exterior profile, and roofing of the great atrium.
Shadows... Light...
Both sides...
"I`ve looked at love from both sides now
From give and take, and still somehow
It`s love`s illusions I recall
I really don`t know love at all
Tears and fears and feeling proud
To say "I love you" right out loud
Dreams and schemes and circus crowds
I`ve looked at life that way
But now old friends are acting strange
They shake their heads, they say I`ve changed
Well something`s lost, but something`s gained
In living every day..."
(Both sides now - Joni Mitchell)
Para ver e ouvir Joni Mitchell...
Usually we attach the appearance of shadows to Opacity, but transparency can also give birth to shadows (That's why we call it Trans-PARENT)
=
בדרך כלל אנו מייחסים את התופעה של צל לדברים אטומים, אבל גם דברים שקופים יכולים להוליד צללים
#27/52 - 52 Weeks project
Another 52weeks shot executed on film. I am the shadow on the right.
Camera: Pentax K1000
Lens: Sigma Super Wide II 24mm f2.8
Film: Fujicolor C200
Scanner: Minolta Dimage Scan Elite 5400
Painting details:
NAME: Shadow (SOLD)
SIZE: 18" x 24"
DESCRIPTION:
All my paintings are created using high-quality canvases and paints. They are 100% hand made acrylic paintings. All my paintings are coated with varnish to protect them against light and dust for many years.