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Lighting Setup for the following photos:
www.flickr.com/photos/ceejaycee/3234024004/in/set-7215761...
www.flickr.com/photos/ceejaycee/3233175393/in/set-7215761...
www.flickr.com/photos/ceejaycee/3233172929/in/set-7215761...
www.flickr.com/photos/ceejaycee/3234019604/in/set-7215761...
www.flickr.com/photos/ceejaycee/3233170641/in/set-7215761...
Calumet Genesis 200 camera left with shoot through umbrella (half flagged) to light subject.
Calumet Genesis 200 camera right behind subject for rim light.
Canon 430EX gelled on background.
Here's the setup shot for the image: "Surprise!"
- SB-600 snooted & gelled to 3/4CTO on camera left. This was fixed to the back of a dinner-chair using a Joby Gorillapod
- SB-600 on camera right gelled to Blue. Pointed up towards the ceiling and wall to bounce and give a fill-light.
Setup shot #2 - I actually didn't have the red bedsheet underneath yesterday, the mattress was bare since my sheets were in the washer. The setup is sitting on a cardboard Mexx gift box to provide stability.
Definitely happy about christmas.
Nikon D300s with lateral battery pack
Sigma 30mm F1.4 wide angle lens
Nikon SB600 ttl Flash pack
Weird to think that five years ago, when i started this business, I had just a nikon D40.
Very thankful to my folks for helping me with this financially.
Couldnt find another camera to shoot this with, so sorry about the phone quality. :)
Here is the burner setup I use. I got the burners from my local ceramic supply store called Ceramic Store Inc. I bought the rest at a local propne supply company. They had never dealt with a potter before. I just told them what I needed, and they made up for me on the spot. Since then, they have helped build the burner kits for 5 or 6 potter friends. Their name is Green's Blue Flame. I used a high pressure regulator to connect to the 100 pound tanks. There is a burner systems for both tanks that I have. I only use 1 tank for bisqueing and two for a cone 10 firing. I use a Ransome burner on the business end. Ward Burner's supplied the orifice inside the burner. They will size it for you over the phone.
I won an award at work today for my 2007 work performance...so, I did what anyone would do. Try to take a cool picture of it.
Strobist info: ISO-100, f/22, 1/250. SB-28 w/ blue gel (rosco 750) behind star on light stand. SB-800 w/ red gel (rosco 280) under the setup. Both flashes were at full power. For the platform I taped a piece of posterboard under a piece of plexiglass and placed it over the arm of 2 chairs.
Metz 48 with shoot-through umbrella at camera right, one piece of bristol board as a background, and a second one as a reflector. (previously held in place by ducktape, but I started disassembling it before taking a setup shot.)
My typical time-lapse setup on the ski hill. This was my old Canon 20D - Now it'll be the 40D. The 70-200mm lens is attached. The entire thing is wrapped in fleece with warming packs, as it's often below freezing and the camera is out for several hours.
Of course the battery grip is attached and either the time-lapse remote or a regular manual remote. I have several different clamps and specialized tripod heads.
In this case I'm using a clamp-on tripod head. It's attached to a water pipe. Carrying a tripod on the hill is often a task, so using anything attached to the hill helps (telephone pole spikes, trees, pipes, etc.)
"Studio" setup for the dead moth macro shots. Eos 7D, Canon 15-85 IS EF-S, two auto extension tubes, Manfrotto tripod, Speedlite 430 EXII (usually hand-held at different angles). Flash triggered wirelessly from the 7D, whose flash acts as the master but does not fire.
Glasses on white mount board (I still can't find acrylic sheet or plexiglass :( )
SB-600 hidden behind and below glass setup and pointed at white foam sheet.
Voorafgaand aan de Privacyrede kon een kleine groep mensen genieten van het DataDiner bij Fotodok. Tijdens dit diner lieten zij zich verrassen door een culinaire blik op het thema data & gedrag.