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Strobist Info: SB-800 @ 24mm @ 1/64 with DIY Takeout Softbox camera left | Card stock camera right for fill
Camera Info: Nikon D100 | 60mm(Æ’/2.8) 60mm | Æ’/10.0 | ISO 200 | 1/125s
Setup for THIS
so when shooting glass on a white background, it's best to use only as much background as you need to fill the frame - behind that should be black, or at least some darkness, as it'll define the edges of the glass better. The liquid (whisky) in the glass worked against me due to its distorting effect, which is why there's that extra paper on the left side. It didn't come out perfectly (look closely at the right side of the whisky in the glass in the main picture), but it's better than if I hadn't done anything about it.
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You can find me at www.jakefaulkner.com, on Facebook, and on twitter.
iPhone grab of my set up from today's shoot, result is here.
It's my basic clamshell set up - Lastolite Ezybox directly above subject, shoot through umbrella directly below. To camera right there is a snooted, gridded flash which creates the highlight on the background behind the model. To camera right, behind and above the model is a gridded flash creating the highlight in the hair. All flashes were Canon 580EX II triggered by PocketWizard. Background is sky blue seamless paper. The hot light to camera right provides illumination for focusing and is felled to match the flash.
The setup I used for my smoke photos. The camera position is where the tripod is, and its tethered to my laptop using dSLR remote pro.
I probably should cover my home-made snoot with black tape or something.. :x
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Venue Setup. Boxing, Woodstock Reverve Fight For Life Charity Boxing Event. Trusts Stadium, Auckland, New Zealand. Saturday 3rd December 2011. Photo: Anthony Au-Yeung / photosport.co.nz
DEMO Setup - DEMO Fall 2013 at the Santa Clara Convention Center in Santa Clara, California Monday October 14, 2013. Complete coverage of DEMO, the Launchpad for Emerging Technologies and Trends, can be found at bit.ly/DEMOsite.
Two self portraits in my photostream with this setup.
Strobist info:
sb800 1/8 24mm small softbox.
sb800 blue gel 1/4 85mm.
setup shot in my photostream
Shots of the cheap lighting setup I use when taking pics.
You can read the article for this image at www.ultima-i.com/post/1608/cheap-lighting-setup/
Strobist Info: SB-800 @ 1/64 @ 105mm 1/4 CTO | SB-80dx @ 1/64 @ 105mm 1/2 CTO | Aluminum Foil Bounce Back
Camera Info: Nikon D100 | 28-70mm(Æ’/2.8) 70mm | Æ’/6.3 | ISO 200 | 1/125s
Setup for THIS
A quite simple setup here. Folded card and nothing more than a book and camera.
Perfectly flight surface and lots of natural light. :-)
This photo was taken at Insomnia62 #i62.
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Setup for Day Fifty Six.
I've always wanted to have a Volkswagen Lupo. First because it is a very funky looking little car and second because the GTI version is so fast!
So I bought a 1/24 scale model a couple of years ago to have on my desk. One of these days I'll convert this model into the GTI version.
camera info: D300 | 60 f/2.8 AF-D Micro | 10 seconds | f/4.5 | ISO200
strobist info: YN460 @ 1/64 in a DIY mini softbox camera right and a notebook as a reflector camera left. background lights were done with a 2 LED thingy taped over with red and blue electrical tape.
Triggered via Cactus V4
This is the setup that I used for my duckling time-lapse shots.
I mounted the camera (with 15mm fisheye lens on a heavy duty Giottos MH-3300 Pro Ball Head (just the head).
I tethered the camera to my laptop and used. EOS Utility software to control it. Software was set to fire the camera every 5 seconds.
Here are the links to the results
www.flickr.com/photos/craigjewell/5518684343/ www.flickr.com/photos/craigjewell/5519256712/in/photostream/
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