View allAll Photos Tagged setup
This photo was taken at insomnia59
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Photo Credit - David Portass/iEventMedia.co.uk
Social and Editorial Use Only (with photographers credit) / All Rights Reserved. All other use please contact photo@iEventMedia.co.uk
This is my setup for shooting water drops. I made the stand from some scrap lumber and drilled a hole in the top to hold the cup. I stuck a nail through the bottom of the cup for the water to drop from. I added some sheets of coloured paper underneath to add to the effect. I move them, and my flash around as seems appropriate. The flash is fired by the wireless trigger on the camera. To get things in focus I place a 3" deck screw in the bowl where the water is hitting and focus on it. Then its just a case of shooting away until the battery runs down, or the card fills up - whichever comes first !!
This photo was taken at Insomnia60
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Photo Credit - David Portass/iEventMedia
Social and Editorial Use Only (with photographers credit) / All Rights Reserved. All other use please email: photo@iEventMedia.co.uk
Setup for this shot. I used the softbox rather than one of my umbrellas, because I wanted super soft wrap around light on my fingers, and less light spillage into the room.The fairly low power of 1/64 was due to the fact I had the lens wide open at 1.4.
This is my setup on how to make the image of the water droplet frozen in the air.
2 60-watts lamp firing on a white foam care material, a frying pan with water in it, a small tripod, a dropper, and a camera with a built-in flash
This photo was taken at Insomnia Scotland
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Photo by David Portass Photography
setup for this shot.
FYI..I forgot to mention in the setup shot, there was a sheet of Black Bristol Board...the walls in this guest bathroom is blue so I didn't want all that blue showing.
This photo was taken at insomnia55
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Photo by David Portass Photography
Strobist info: One SB-800 bounced into a white Wescott umbrella about a foot from subject, camera right. White card as fill reflector, camera left. Printing paper as seamless backdrop.
This photo was taken at insomnia59
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Photo Credit - David Portass/iEventMedia.co.uk
Social and Editorial Use Only (with photographers credit) / All Rights Reserved. All other use please contact photo@iEventMedia.co.uk
super cheap setup i used to take the pictures of the candy and the cow. the paper and tape u probably got lyin around the house, and the flouresent bulb bendable desk lamp is probably like $15 at an office store.
This photo was taken at insomnia58
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Photo by David Portass/iEventMedia.co.uk
Bueno mande dos fotografias, al concurso de fahernheit 451, donde se trata de una novela de Ray Bradburly, y bueno no se pueden subir las fotografias ya finalizadas, pero puedo subir el setup para que lo vean, la verdad el resultado final me muero de ganas de ponerlo pero eso se podra poner hasta el 15 de septiembre.
Si quieren mas informe del tema. visiten: www.cultura.udg.mx/actividades/672fahrenheit451/convocato...
Photografia: Juventino Jimenez.
Modelo: Miguel Mccormick
Studio setup, X.Y.Zèbres, Huy.
Amp :
Fender Hot Rod Deluxe Texas Red
Microphones :
Neumann U87
Audix OM5
In this pic, you can see the setup we used for my Asher's 1st Studio Shoot series. This was actually set up a couple days before for a client's product shoot. The main difference here is that the umbrella was half closed... NOT in the Asher shoot, and the camera on the right is my dad's old Canon.
Pretty good and inexpensive custom setup package deal from zeropong.com.
blade: LKT Instinct+, 7-layer wood
FH: Gambler Outlaw, black 2.2mm
BH: 729 Cream w/ Transcend sponge, red 2.0mm
The blade weighed in at 95g instead of the 85g as marked. Total weight is 184g, which is turning out to be a touch heavier than I prefer. I've been playing with this for almost a month now and am getting used to the speed. Before this I was playing with a 20yr old butterfly blade and the cheap 729 FX Lightning on both sides of it, so this is a step up. Though I'd like to put faster rubber on that old Butterfly blade to see how that feels.
This photo was taken at insomnia59
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Photo Credit - David Portass/iEventMedia.co.uk
Social and Editorial Use Only (with photographers credit) / All Rights Reserved. All other use please contact photo@iEventMedia.co.uk
Setup photo for the "droplets" photo.
Water ~50mm deep in clear pyrex bowl with blue food colouring (i think i had emptied it before i took this setup shot). bowl sits on a piece of frosted glass (from the door of our buffet unit), raised by 4 large drinking glases.
eyedropper (from kids panadol packet) held in light stand boom, topped up with clear water (take the water to the dropper in a glass so the dropper location remains constant).
YN560II strobes (x2).
one directly below the bowl, diffused through some folded over tracing paper, set to the minimum power. secondary difusion provided by the glass, then the food colouring.
one placed behind, shooting thru some pink tissue paper that i had found lying around the house. also difused thru the glass.
camera is aimed so the top of frame is just below the edge of the glass,
Focus is done manually: put a tooth pick on a blob of bluetack directly under the dropper (release some drops to ensure correct location). focus manually, set camera to MF and dont touch anything.
Camera is triggered by hand remotely as dropper is squeezed.
The setup shot for "Dime".
Nikon 50mm lens with Kenko 12mm & 20mm extension tubes.
Lighting by a single SB-25 on full power zoomed out to 24mm fired into a home made prototype softbox. This consists of a primary diffuser (home made Stofen) fitted over the flash and surrounded by a pyramid of white A4 card, with a tissue paper secondary diffuser on the front. Additional modifications were required for this shoot, which included using straws to give some rigidity to the structure, and a sheet of black card to prevent light leakage towards the subject.
Triggering performed by Elinchrom Skyport.