View allAll Photos Tagged selenium
Forest of Kendenich, taken May 2011, printed Dec 2012
Holga 120N, Efke IR820, Filter 715, eco film developer 2+1+40 20°C 11 mins
Slavich Bromportrait
selenium toned (MT1 1+30 1 minute)
important note: this paper must be hardened before selenium tonings
Also a rencontre fortuite of generations: Holga + Focar, a close up lens made for the Bessa range finder ...
Retro 400s in SLD
Portriga Rapid PRK118 in Se1 + selenium
Converted in Elements then I added a selenium tone in Silver Efex
Renamed to include in my just posted series of images: Start to Finish (1-4)
while awaiting the right light for the Hasselblad shot on the other side of the pond, I made some Holga shots
Holga 120N, Delta 400 rated at 640ASA in Finol
Fotokemika Varycon in Fatman
toning
MT3 Vario Schwefeltoner, bleach 1+50 1 min, toner setting A 30 secs
MT1 Selenium 1+20 2 mins
MT7 Iron blue 5+5+10+5+500ml 1 min
Photograph made the last day this horse, Doc, was alive. The owner knew she had to put him down the next day. Poor horse had cancer in one eye. After surgically removing that eye he was fine for six years and then developed cancer in his remaining eye, so he would be blind.
I hope the print shows just how much she loved her horse.
This 14x14" silver gelatin print will be delivered to the owner on the three year anniversary of Doc's passing.
I had to scan the print in four pieces and stitch them together, so it might look a bit uneven.
Hasselblad camera, Kodak TMY-2 film, processed in Xtol.
Printed on Ilford Warmtone in Ethol LPD, toned in Moersch MT-3 and Selenium.
SFX200 (filter 715nm) rated at 6 ASA, eco film developer
print negative 20x20cm on Wephota FO5 by reversal development (Blue 1+20 - potassium bichromate bleach - SE6 Blue 1+20)
Vandyke print on Arches Velin, Selenium toned
Contax RTS III. Sigma Zoom Master 35~70 mm 1:2.8~4. PelÃcula Argenti Reporter Film 400 ISO forzado a /pushed to 1600 ISO. Reveladore feitoaman / handmade developer Patapalo Puxador 1+9, 15 minutos, 25ºC. Papel Forte Fortezo FN3. Reveladores feitosaman / handmade developers Patapalo Caldolith (1+1+5) + Patapalo Fastone (1+30). Virado al selenio con / Selenium toned with Gago Selentoner. Original 30 x 40 cm.
Soportales da FerrerÃa, Pontevedra. Outono 2011
2008 portrait. 2012 Silver gelatin print.
35mm Fuji Neopan 1600, Ilfotec DD-X 1+4.
6x8" Forte Polygrade, split toned in thiocarbamide and selenium.
Selenium cell meter is still functioning after all these years.
1945-1953
It's available in my Etsy Camera Shop at www.ccstudio2380.com
Thanks, Chris
View over Króksfjarðarnes in Iceland
Hasselblad, 50mm acros film, printed on Ilford warmtone, toned with selenium
As previously stated (in German) the result of Gold tonings are highly dependend on paper and developer. The warmer the print, the cooler the tone after toning. Cool developed papers don´t show an obvious colour change and not much is changed even whith extended toning times.
Adox Variotone Premium
Gold toning (MT10) 3 minutes
for comparison Selenium toning (MT1) 1+10 3 minutes
and Selenium and Gold toning each 3 minutes
After 5 minutes Gold toning (with fresh toner) there is no remaining Silver. One can test this by bleaching the toned print. No change of density and color means that all the Silver has been transferred in full to stable Gold.
Selenium toned image of Vanessa from Saturday's Tye Studio workshop. Profoto head with reflector, triggered from pocket wizard.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Kat Hing Wai, Kam Tin, Hong Kong.
When I was trying to shot from inside of the village, the old women farmer walked in suddenly.
Film: Ilford HP5+, Mimicking selenium and brown tone by Photoshop
Pentax 645NII, Pentax 2.8/55mm, Ilford Delta100 developed in Acurol-N 1:100, Ilford Multigrad Classic MG, Selenium toned
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
No Photoshop involded. Traditional Film Exposure & printing...
Exposure:
- TriX 400
- Mamiya C220, 180mm lens.
Development: D76 1+1, 10min
Print : Fomatone 132, in lith developer 'Easylith' from Moersch Photochemie.
Then Selenium toned.
Honestly, if consuming more than two Brazil nuts per day were dangerous, Belém residents would die young (and they don't).
Match needle selenium light meter with a very ornate flattened chain.Presumably dates from the 1960s, but it was introduced in 1950s. This one has a Scheiner/DIN speed conversion table on the back of the meter. James Ollinger shows the similar scaled (rather than match-needle) version, dating it at 1953. Others refer to the scale model replacing the match needle model, so this one would pre-date 1953, but the Marriot's site shows it in a 1961 Zeiss catalogue, priced at £9-9s-2d.
This one works.
Looking at the picture on Flickr, the meter looks a bit whiter than it should - it ought to be a little yellower.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Mamiya 7ii, Mamiya 43mm f/4.5L, Orange filter, Shanghai GP3. XTOL 1:1 - negative printed on FB Warmtome paper and Selenium toned - this is all detail for my geeksome pleasure and you may forget it entirely.
Firstly, the darkroom is going very well. It is an immensely peaceful activity, very difficult and very time consuming. I revel in it. Please find a scan of a print which doesn't do justice to what is probably a middling sort of print. I am still coming to terms with photographs being physical objects. I've just made the step up to fibre based paper. The photograph becomes a weighty thing.
The tone seems impossible to get right with a scan though.
Secondly, oh dear, what were Yahoo thinking. You think they might have asked a few people. I ask you - how are you supposed to present your sets to people. They aren't going to go looking are they? And the black/white thing is quite visually jarring - the lightbox was fine before when you wanted to do that sort of thing. Tsk. I will be paying 50 bucks a year to get stats? Faaack. Anyway, I won't be going anywhere else but with my beloved Google Reader kicked into touch, it is difficult not to feel like the star's tennis balls innit.
Holga 120N, Delta 400 rated at 640 ASA in Finol
Adox Vario Classic in VGT (two tray)
MT3 Vario Schwefeltoner (thiourea) followed by MT1 Selenium
Selenium is always 1+20 1 min
different hue is depending on dilution of the bleach, bleaching time and alkalinity of the thiourea toner
MT3 bleach 1+15 20 secs, toner setting B reddish brown, medial alkalinity
Climbed to this waterfall in Tungudalur the Westfjords area of Iceland
Hasselblad 50mm acros film printed on Ilford MGWT toned in selenium
Holga 120N, Delta 400 in Finol (1+1+100) rated at 640 ASA, printed on Adox Vario Classic in Fatman (10+10+25+100ml +5ml Finisher Blue - 3 mins)
Toning
MT3 Vario - bleach 1+100 1 min, toner setting A
MT1 Selenium 1+20 1 min
Scan of selenium toned print. My photoshop skills just aren't up to my darkroom when it comes to b&w. All my other posts thus far have been scans from negatives/slides but this scan from my print, though 3rd gen, is better than what I've been able to get out of my digital editing.
This is my new account where I will be posting my biggestfan productions content exclusively.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Ondu 6x6, FP4+, Rod 1:100
Kentmere VC Lustre Paper, Ilford Multidev
Ilford Selenium toned 1:30, 1 minute
dilute ECN2 Bleach selectively brushed on (also works with E6 blix, and likely c41 blix)