View allAll Photos Tagged selenium
Holga 120N, Delta 400 in Finol (1+1+100) rated at 640 ASA, printed on Adox Vario Classic in Fatman (10+10+25+100ml +5ml Finisher Blue - 3 mins)
Toning
MT3 Vario - bleach 1+100 1 min, toner setting A
MT1 Selenium 1+20 1 min
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Ondu 6x6, FP4+, Rod 1:100
Kentmere VC Lustre Paper, Ilford Multidev
Ilford Selenium toned 1:30, 1 minute
dilute ECN2 Bleach selectively brushed on (also works with E6 blix, and likely c41 blix)
New series: Cromer
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
10USD antique store buy. Massive chrome-bodied SLR with an equally large Selenium cell meter playing at center stage. Non-interchangeable lens. Could have been used in fully-automatic mode via the meter cell, or you could set the f-stop and shutter speed with two levers on the bottom of the lens. This example is slowly recovering its ability to shoot with some persistent gentle firing of the shutter.
Zenit-EM (1974)
Helios-44M-4 lens, f=58mm, 1:2
Cloth focal plane shutter. Speeds 1/30-500 and B.
Uncoupled selenium light meter.
35mm film (24x36)
Produced by KMZ (Krasnogorsk) in the former USSR
I have also a chrome version of this one
Here some shots taken with this camera.
You can see it on Camerapedia
Visit my blog at Classic Cameras
Over Owler Tor near Hathersage, seen from the path to Higger Tor, on a slightly murky morning.
The image was given a mild selenium toned effect during processing.
Paper: Kodak Portralure G 1976 (warmtone enlarging paper similar to Ektalure G)
Developer: Ansco 108 1:0 for 2 min (high contrast developer)
Toner: Moersch MT5 (Polysulfide) followed by Ilford Selenium
This is a new interpretation of this rose picture I took in 2007. The negative was underexposed and quite thin so I mixed up some Ansco 108, a high contrast developer. Portralue's contrast supposedly is grade 1-3 with the use of filters (I haven't tried this).
I have started using Moersch's MT4 polysulfide toner for the first time. It's replacing Agfa's Virdon that I briefly experimented with (and later gave up on:). The saturation becomes much greater when followed by a strong selenium bath and becomes warmer.
Oriental_WT_SE5_lith Selenium 1:10 Efke 25 PMK pyro. 4X5
Original here-> www.flickr.com/photos/padraigmerr/6330956984/in/photostream
Pentax 645NII, Pentax 2.8/55mm, Ilford Delta100 developed in Acurol-N 1:100, Ilford Multigrad Classic MG, Selenium toned
Hasselblad 500C, TriX in Rodinal, Ilford Art 300, Catechol/SE6 blue, Bleach 1+50 45s, MT3a 1 minute, Selenium 1+10 1 minute, MT7 10+10+10+10+ 900 mL 2 minutes, clear bath 2 minutes, Alkaline bath 30s, Water 5 minutes.
Scan of a darkroom print, taken on a Minolta X-700 with a 50/1.4 MC lens, Ilford Delta 400, printed on Ilford Multigrade Warmtone FB, developed in Moersch 4812 Sepia and Selenium toned.
26th November 2010
In late afternoon I took the same way for a walk with the dog and Holga. The toy was loaded with Delta 400. Usually this film is rated at 640 ASA in Finol, enough for snow I thought. But the measurement showed that more than 1000 ASA was needed - for normal contrast, not for a twilight like this. However I took some shots without great expectation because experience has shown that 800 ASA is the absolute borderline for this combi. To change the dilution from 1+1+90 to 1+1+50 would increase contrast but not speed. So I tried the normal developing with 1+1+90 and after a short wash efd as a second developer with the half of the normal time for this film. Seems to be a circuitous way, but it worked. The negs look pretty fine, with much detail in lights and shadows.
printed on Ilford MGIV (grade filter 3) in Fatman
lightly toned in MT3 and MT1
bleach 1+60 75 secs, toner 25+7+500ml 30 secs, followed by selenium 1+15 2 mins
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Lith image of a flooded cedar forest taken with a 4x5, printed on Fomatone developed in Rollei lith with light selenium toning
compared to the unfiltered version here the Efke IR 820 with a 715 filter,
printed on Agfa Portriga 118
the negative has a contrast of 1.28 logD, therefore I took a soft working paper developer
Separol Soft 1+5 2,5 mins
MT1 Selenium toner 1+8 30 secs for reinforcing black
view large for paper surface and tonal separation
Vintage Camera Selenium Lightmeter jumps back to life by just applying a little pressure.
This indicates a bad electric contact somewhere. Most probably the contacts to the Selenium Cell itself.
A photo of Uppsala taken in 2014.
Nikon FA, Kentmere 400 film
Darkroom print on Ilford Multigrade IV RC paper, 24x30cm
Selenium toned
Zeiss Ikon
Contina-Matic II - 1958
Pantar 45mm 1:2.8
SLK Spezial shutter 1"-1/300" and B
Selenium meter coupled to the shutter/aperture rings, once established the exposure value the rings auto-lock and move together keeping the correct exposure.
I invite you to visit my camera site at Classic Cameras in english.
Convido-os a visitar o minha página Câmaras & Cia.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Model: Richardo Christian
Photographer: Don Harris
Don Harris Photographics, LLC
www.modelmayhem.com/donharrisphoto
© 2010 All Rights Reserved
16 June 2010
This image was taken on the Hassie using Neopan 400 rrated at 200asa devloped in ID11 1+1.
This is the lith print . Used some Fotospeed tapestry photographic paper that I was given by a friend . Fotospeed Lith 100ml A+B and 2 litres water. Selenium toned. This tapestry is a beautiful triple weight cream fibre based paper with a nice texture. This paper is now defunct so going to use it sparingly.
18 x 18 cm
Adox MCP 310 PE glossy
developed in Moersch SE2 warm 1 + 39 for 4 minutes
Selenium Toning in Moersch MT1 1+15 for 90 seconds
exposed with a Jobo LPL 7450 with a Rodenstock APO-Rodagon 80mm f/4 and Heiland Splitgrade unit
Picture taken with a Hasselblad 500C/M and a Zeiss 50mm Distagon T* on Adox CHS 50 developed for 12 minutes in Rodinal 1+50 for 12 minutes at 16°C.
original negative scan: www.flickr.com/photos/jt-c/8203902610/
Darkroom 8x10 contact print on Adox MCC paper. Split toned with selenium and sepia. A few dust spots which I haven’t spotted out yet.
Just playing around in Lightroom
Camera: Nikon D80
Lens: Nikon105mmVR
Exposure: 0.001 sec (1/2000)
Aperture: f/3.2
Focal Length: 105 mm
ISO Speed: 100
Exposure Bias: 2 EV
Flash: Flash fired, auto mode
(this was before the wedding)