View allAll Photos Tagged selenium
© erin vey
One of my favorite parts on Gracie. I always play with that little hair at the end of her tail.
This is converted with a Selenium tone.
Model: Ester Pires (minha afilhadinha que eu amo!)
Photographer: Daniela Gama
Retoucher: Moe Oliveira
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
This is Italy!! Shot by my father in law, with his French Royer 6x9 folding camera. Printed by me on Foma FB 111 with a little bit of selenium toning.
local suburban creek in a park, Sydney, December 2016. Leica IIIf Summitar 5cm f2 LTM Agfa APX100 in Rodinal 1+50. Modified selenium tone preset in Lightroom 4.
New series: Cromer
Photograph scanned from an original hand-printed, selenium-toned print made with Varycon VC FB paper.
another cyanotype coated lumen print. Expired colour Kodak paper. exposure was around 8 hours, as not a lot of sun at the moment. washed and toned in selenium
Having tried a couple of lithprints, I finally managed to give Portralure a decent use. One of the most exciting toning papers I've had in my hands (thanks Marcus!).
Rollei Retro Tonal in RLS
Silver Print on Kodak Portralure in Catechol/Se2 - split toned in selenium/gold/polysulphid
Hit "L" for a special experience ...
- a distant cousin to the Cheshire cat ;-)
I am off gallavanting but will be back on Sunday to catch up with all of my feline friends and their people.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Cambo SC, 225mm Boyer Saphir Color
Polaroid 55
Fomalux 111 in Ilford WT 1+9. Selenium toned
Straight scan from contact
Olympus XA
Fomapan 400@400 Ilfotech LC29
Print 91/2x12 on Fomatone 133 Moersch 4812.
Split tone MT10 gold/Selenium
Copied with 50D
Part 6 of the New Frontier series
If you like you can view the rest of the series here New Frontier set
As the title of this series suggests, I will use this series as my public playground for experimenting with new techniques and concepts trying to push my own limits...
Recurring subject will be long exposures.
The final part of this series. I've been experimenting a bit with different moods and compositions and also with B&W techniques. Tomorrow I'll start a new series, also with long exposures but I'm trying to add a human element into it. The mood will be a bit darker also...
Technical info:
10 stops ND filter
f/20
ISO100
30s
Software:
Lightroom 2.0
PS CS3 - Silver Efex Pro - Selenium toning
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A selenium tinted high-key monochromatic scape of the now closed Dog Beach at Quiet Waters Park. This particular stretch of land is a playground for us LE fanatics. There were so many interesting items to shoot. Unfurtunately, it is closed, with no trespassing signs posted everywhere. Here is wishing for this area to open again. It would be awesome to shoot sunsets from this stretch of beach.
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All of my images are under protection of all applicable copyright laws. Unauthorized use and/or duplication of this material without express and written permission from myself is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to dK.i Photography and Edward Kreis with appropriate and specific direction to the original content (website). I can be contacted through the contact link provided on this website.
Photographed January 2016.Canon-7 rangefinder & Canon LTM 50mm/1.8 lens.FOMAPAN 200 film rated EI=100 and developed in ParRodinal homebrewed paracetamol developer.Negative was selenium intensified (Kodak rapid selenium 1+2 for 8min).Bute Park,Cardiff.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
A very old, gnarled log surrounded by snow at Upper Falls in Provo Canyon. This is one of many such logs that look almost like driftwood after being constantly pounded by falling water year after year. In the winter, the falls are slower and many of these logs dry out and show a lot of character in their cracks and splits. Scan of an 8x10 silver gelatin print on Ilford Multigrade FB. Selenium toned.
Laguna Beach, CA coastline (see map)
I have more interesting shots of these two surfers paddling on the calm Pacific Ocean of California......ghost effect was not on purpose but I like it. :)
NOTE:
-I processed this with the built-in preset called "Selenium Tone" in Lightroom.
_
Bessa, Efke IR820, eco film developer
Kallitype 20x25cm on Bergger Cot-320
developer sodium citrate
clearing bath citric acid
MT14 Selenium toner 1+100 1,5 mins
ATS alkaline fixer 1+30 2 mins
MT7 Iron Blue toner 10+10+25+10+600ml 1 min
Fuji GSW690 III, TriX, Rodinal, Ilford Art 300, Catechol/SE6 Blue, Bleach 1+50 30s, MT3a 45s, Selenium 1min, Gold 1 minute.
Printnegative: Wephota FO5 by reversal development, eco 1+20 - bleach - eco
Kallitype onto Arches Platine
Developer Sodium acetate
Clearing bath: Citric acid 6% two times 15 mins - after the acetate developer a stronger clearing bath is required to remove the iron completely
Fixer: ATS alkaline 1+5 3 mins
MT14 1+100 3 minutes
press L
sodium citrate dev. and selenium for comparison
Lorsqu'il passe un élément sélénium et une cellule en bon état pour rolleiflex modèle F, il n'y a même pas à se poser la question du prix .... vu que ça ne passe pratiquement plus ...
Petite précision fort intéressante .... Le N°inscrit sur le fronton ne fait pas obligatoirement référence, vu qu'il est amovible .... Certains rolleiflex "réparés" ne comportent pas ce numéros .... Sur les "White Face" le N° étant situé sur la face avant, il y a beaucoup moins de probabilité qu'elle ait été changée ...
Juste pour ne pas parler de ce qu'on ne connaît pas: certains perroquets s'en chargent ... Mais ne font pas de photos ...
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
...in an awkward position...
Dark room print on Agfa Brovira grade 2, slightly toned in selenium 1+19 for 10 seconds, and Foma sepia for 6 seconds bleach and then toned to achieve some warmth.
TriX - XtolR- Leica M3-Zeiss ZM 50mm F/2. Printed on Adox MCC 110 toned with Moersch MT3a and selenium
Yellow toner was ...wrong. It looked awful. Blue toner produced a green toned print that didn't look any better. The addition of selenium produced this. Kinda cool, considering all that this print has gone through.
Zeiss Ikon IKOPHOT Rapid, a match needle selenium light meter in a leather case with a ornate chain. This thingy is from the 1950’s, but I found it at a flea market a couple of years ago. The seller had no idea what it was, she told me it belonged in a set with a camera which had been sold separately. So we gathered it had something to do with photography and as I found it to look truly curious I bought it for a couple of dollars. Googling it later revealed this in fact is a light meter.
About my Corner of Curiosities: A few years ago I bought a little box with drawers, thinking I would collect a few special bits and pieces in there. I parked this little set on top of my IKEA chest of six drawers which stands in a corner of my apartment. In time, I added more small shelfs, drawers and boxes and began to put curious items on display in all the little nooks and crannies. Quirky little things I mostly find on flea markets, but also get off the net. This corner of my home serves as inpiration, and every once in I while I walk up the IKEA dresser, put my elbows on top and rest my chin in my hands while I let my eyes wander through all these curious things. Moments such as these give spark my imagination and spurs my motivation to doodle in my journals. The collection is’nt all that special, as it’s not very easy finding fairly cheap, quirky and curious things, small enough to fit in the corner. My collection is constantly changing, if I find a new collectible, something else has to go or be moved around - as the corner now more or less is full.
Anywho, I thought I’d dedicate a photo album to this Corner of Curiosities, here on Flickr - probably for no other purpose than to tickle my own imagination :)
silver gelatin print
Fabriano Pittura acryllic paper coated with Rollei Black Magic liquid emulsion
sepia & selenium toned
Silver print,selenium toned.
Contact print from 8x10 in camera negative on Ilford MG WT FB paper.
Deardorff V8,HP5+
FP4 in LC29
Lith on Fomatone 133 (current)
SE5 35+35+730+10D+40OB. Selenium.
3 stops over 7.30 min
It's hard to get some colour out of this paper these days. This batch is from Foma direct so probably pretty up to date.
If you look carefully there is a Bee.
Mamiya RZ67 Pro II. Printed on Sepia VC. Developed in Moersch Sepia. Bleach 1-50 + MT3 50-100-850. Selenium + Carbon toner
Rolleiflex and HP5+
Printed on old Agfa paper with Moersch SE5. (30ml A + 30ml B, 25 C )
#
Partly bleached in ferricyanide (1%) and toned in selenium (1:20)
October, 1992
Leica M4-2, 50mm Summicron f/2
Kodak Ektar 25
Lith print Feb 4, 2017 on Fomatone 132 in Moersch SE5 30+30+10/1000ml
Selenium toned
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Adox CHS 50 / Efke R50 in Tanol 1+1+100
printnegative on Wephota FO5 by reversal development: SE6 Blue 1+20 - bichromate bleach - Tanol 1+1+100
Kallitype, masked edges
sodium citrate developer
citric acid clearing bath
alkaline fixer
MT1 Selenium Toner 1+250 1 min
MT7 Iron Blue Toner 2+2+8+3+400ml 2 mins
Selenium only for comparison