View allAll Photos Tagged selenium
Van Dyke, Selenium toned, on St. Armand cotton etching paper. (Some residual stain with this paper, still working on it).
Photograph taken with an OM-4 with the eviscerated lens.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Shen Hao 4x10, 210mm Fujinon W. Ilford FP4+ in Pyrocat HD. Scan from sepia and selenium split-toned contact print on G3 Lodima.
Rescued from an antique dealer. Selenium cell meter has succumbed to time and the auto function does not work. Sad.
December 10, 2016
Super Ikonta C, Tessar 105mm f/3.5
Fomapan 100 in Caffenol
Lith print Jan 22, 2017 on Fomatone 132 in Moersch SE5 30+30+10/1000ml
Selenium toned
It's cold, gray, and wet outside these days, a good time to stay in and play with the lith printing.
Part 8 of the series on long exposures simply called Exposed
Just a series on long exposure daytime shots.
This time no water but the sky exposed.
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Technical info:
10 stops ND filter
Polarization Filter - 2 stops
f/22
ISO100
120s (2 min) exposure
Software:
Lightroom 2.0
PS CS3 - Silver Efex Pro - Orange Filter - Selenium toning
New series: Cromer
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Hürther Berg, Holga 120N, Delta400 @800 in Finol,
Select Shedlight (Forte) 27x27cm,
Easy Lith FT Special 1+20 7:30 minutes followed by Catechol new 10ml + Lith B 10ml + NH4Cl 5ml + 1 litre water 3 minutes.
MT1 Selenium 1+20 2 minutes for reddish shades.
silver gelatin print
watercolor paper coated with Rollei Black Magic liquid emulsion
sepia & selenium toned
This is my son's great grandmother/my husband's grandmother at age 94 (this year, 2015). She is a lovely, intelligent, strong and humorous woman. Normally, she hates to have her picture taken, but this time, she smiled at the camera :)
technical info:
Leica M6TTL, collapsible Summicron 2/50mm
TriX @250, developed in Spur HRX
Print on Foma 132 in Moersch ECO 4812 (a match made in heaven, I tell you!), toned in Selenium (Moersch MT1)
Haystack Rock and the Needles on Cannon Beach - processed as a digital selenium interpretation.
© Daniel Hart Photography
View On Black or Extra Large (contacts only)
Part 9 of the series on long exposures simply called Exposed
Just a series on long exposure daytime shots.
There were 2 birds sitting on each of the 2 posts. Despite the 12 stops in total and the very small aperture of f/25 I had to reduce the exposure to 60 seconds, the sun was just shining too bright on the even brighter water.
Technical info:
10 stops ND filter
Polarization Filter - 2 stops
f/25
ISO100
60s (1 min) exposure
Software:
Lightroom 2.0
PS CS3 - Silver Efex Pro - Green Filter - Selenium toning
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Selenium toned Van Dyke brown print
San Joaquin Valley, California
Shot with the indomitable Kodak No. 2 Folding Cartridge Hawk-Eye Model B with the aperture limiter removed, around f/10
Scanned print.
Mamiya 645 ProTL w/ M-S 45mm/f2.8. Red filter. March 21, 2020.
Fomapan 200 @120 in Rodinal 1+100, semistand 1h.
Printed on Fomabrom Variant IV 123 BO (24x30 cm), toned for several minutes in selenium 1+9 and subsequently bleached to completion. March 23, 2020.
What remains - unhidden selenium.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Another photo taken on a pre-Christmas foggy day - this time once the 'sun' was definitely down.
Post-processed with Lightroom - I used a selenium split-toning preset and then fiddled with the highlights/shadows split. This looks much cooler than the full-colour pic.
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Holga with Kodak Tri-X 400 developed in Pyrocat-HD.
Printed on Oriental New Seagull G2
Two trays lith development
Selenium toned
I love toned dark room prints! So much to learn here. The real thing is much more subtle than the scan, but never mind.
Selenium toning 1:25; Bleach 1:50; Amaloco T40 toning 1+9, no "C component" added (used for variable brown toning).
Please take a look at my most interesting photos Or take a look at my entire portfolio
Leica M6, 50mm, Kodak Tx 400
Printed: BERGGER Variable Contrast Semi-Matte, 24x30cm - Selenium toning
Can you find me?
Båstnäs Car Cemetery, July 2016.
Kallitype on Hahnemühle Platinum Rag 8x10" Feb 18, 2018.
Mamiya 645 ProTL with Mamiya-Sekor 45mm/f2.8 and Hoya R72 filter.
Rollei IR 400 developed in FX-39 and scanned with Epson V850.
Digital internegative.
Developed in Sodium Citrate with 3ml/l of Potassium Dichromate 2%.
Cleared in Citric Acid 3%, fixed in Moersch ATS Alkaline fixer 1+20 (60 s) and rinsed in HCA 1%.
Post fix toning in Adox Selenium 1:200, 5 min.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
This really should be seen Large On Black if you don't want to miss the details...
Part 2 of a new series on day time long exposures called Time Lapse
Time-lapse is a cinematography technique whereby each film frame is captured at a rate much slower than it will be played back.
Although this photo has nothing to do with cinematography the idea behind this has some similarities, and I just thought it was a nice title for a new series.
In this new series the emphasis will be more on architectural shots and combining this with long exposures.
The bridge on this photo is the St. Servaasbridge in Maastricht in Holland and is considered to be the oldest bridge in Holland in the oldest city (0 AD) in Holland. The bridge was built in the 13th century after the original much older Roman bridge collapsed.
I did a long exposure of this shot because I wanted to create a dynamic and dramatic feel. Architectural objects are very often cold, emotionless and even boring. That can be changed by choosing a dramatic angle - very often a low and wide angle - and/or by using the elements at play in your favor. The long exposure on the sky is meant to add the necessary emotion and drama.
Dutch description:
DIt is de bekende St. Servaasbrug in Maastricht en is gebouwd in de 13e eeuw nadat de oudere en originele Romeinse brug in elkaar is gestort.
Ik heb een long-exposure van deze brug gedaan omdat ik een dynamisch en dramatisch effect aan de foto wilde geven. Architectonische objecten zijn vaak koud en emotieloos en soms zelfs saai. Door echter de hoek en het perspectief te veranderen of de elementen die jou ter beschikking staan in jouw voordeel te benutten kan dat anders worden. De long exposure op de lucht is hier bedoeld om de nodige emotie en drama aan de foto toe te voegen.
Technical info:
10 stops ND filter
Polarization Filter - 2 stops
f/22
ISO100
240s (4 min) exposure
Software:
Lightroom 2.0
PS CS3 - Silver Efex Pro - No Filter - Selenium toning
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La Défense, Puteau near Paris.
World'$ compagnies buildings.
1/250 s ; f/3,2 ; 50 mm ; 0 EV ; ISO 200 ; Manuel
b&w and selenium treatment
La Défense is a major business district for the city of Paris. It is at the westernmost extremity of Paris' 10-km long Historical Axis, which starts at the Louvre in Central Paris and continues along the Champs-Élysées, well beyond the Arc de Triomphe before culminating at La Défense.
Around its 100 metres – high Grande Arche and esplanade (le Parvis), the district holds many of the Paris urban area's tallest high-rises. With its 31.4 ha, its 72 glass-and-steel slick buildings including 14 high-rises above 150 metres, its 150 000 daily workers and 3.5 million square metres (37.7 M sqft) of office space, La Défense is Europe's largest business district.
In a series of portraits of strangers I meet walking around making a short portrait session on the spot with what's available. Here Svea is (yes she have a little scar on her cheek) shot with a 7'' Petzval stopped down to about f8 using a homemade Waterhouse stop. The petzval is mounted on a Graflex Speed Graphic loaded with Ilford HP5+ 4x5 sheet film shot at iso800 and then the negative is toned in selenium to pop with some extra contrast. Home developed in Kodak Xtol 1+1. The negative is digitized with my DSLR and have curves adjustments for tones and dust removal.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Rolleiflex sl 66,delta 400, D76 1+1
Ilford multigrade fb classic 5k
Ilford Multigrade develop
24x30cm/ 20x20
stop bath water
Alkaline Fixer
Selenium toner 1+18 2min
Sepia toner 2min
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Hasselblad 501 C/M with Kodak Tri-X 400 developed in Pyrocat-HD.
Printed on Bergger Prestige CM
Developed in SE6 Blue + FB
Selenium / Thiourea
In a series of portraits of strangers I meet walking around making a short portrait session on the spot with what's available. Here Yuliia is shot with a 7'' Petzval mounted on a Graflex Speed Graphic loaded with Ilford HP5+ 4x5 sheet film shot at iso800 and then the negative is toned in selenium to pop with some extra contrast. Home developed in Kodak Xtol 1+1. The negative is digitized with my DSLR and have curves adjustments for tones and dust removal.
Part 3 of a new series on day time long exposures called Time Lapse
Time-lapse is a cinematography technique whereby each film frame is captured at a rate much slower than it will be played back.
Although this photo has nothing to do with cinematography the idea behind this has some similarities, and I just thought it was a nice title for a new series.
In this new series the emphasis will be more on architectural shots and combining this with long exposures.
Now this is clearly not an architectural shot. But I saw this tree when I went on a long trip yesterday to capture some buildings, I didn't capture one single building but a lot of trees and landscapes. Well, sometimes things don't turn out the way you've planned it and I have to say the objects that nature provides us with are far more impressive than any man made object. I had to capture this tree since I've noticed some nice cloud movement and saw that moon.
Technical info:
10 stops ND filter
Polarization Filter - 2 stops
f/18
ISO100
120s (2 min) exposure
Software:
Lightroom 2.0
PS CS3 - Silver Efex Pro - Yellow Filter - Selenium toning
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Warwickshire.
Leica M6 35mm Color Skopar
HP5 Print on ilford MGWT dev in Multigrade Dev Selenium tone.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Forest of Kendenich, taken May 2011, printed Dec 2013 2012
Holga 120N, Efke IR820, Filter 715, eco film developer 2+1+40 20°C 11 mins
Slavich Bromportrait
MT1 Selenium Toner 1+30 40 seconds (after hardening the gelatine)
MT7 Iron Blue Toner 5+5+10+5+500ml 1,5 minutes
followed by an alkaline bath (ammonia conc. out of the toner kit, diluted 1+1000) 40 seconds
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
In a series of portraits of strangers I meet walking around making a short portrait session on the spot with what's available. Here Ebba is shot with a 7'' Petzval stepped down to about f5.6 using a homemade Waterhouse stop. The petzval is mounted on a Graflex Speed Graphic loaded with Ilford HP5+ 4x5 sheet film shot at iso800 and then the negative is toned in selenium to pop with some extra contrast. Home developed in Kodak Xtol 1+1. The negative is digitized with my DSLR and have curves adjustments for tones and dust removal.
Blanche.
Une nouvelle série avec des images non utilisées de mes différents shooting.
Le point commun , un traitement au Sélenium : Se.
A new series featuring unused images from my various photoshoots.
The common thread: a selenium treatment: Se.
Song by Animation.