For more detail and comparison see previous upload. This one is on Adox Varioprint paper, only selenium toning 1:25. I like both this one and the previous toned version, they are so different in real life.

Please take a look at my most interesting photos Or take a look at my entire portfolio

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.

Scanned IR print

Rolleiflex T, Tessar 75 mm 1:3,5 with Rollei Infrarot filter (700 nm)

Rollei IR 400 exp @ iso 2, developed in Tetenal Ultrafin liquid 1+19, 6,5 min

Fomatone MG 132 in Paterson Acugrade FX-31

Toned with selenium (1:5, 10 min)

Think it's usually hard to see what happens to the print when selenium toning, but this time I decided to let it soak for 10 min in a strong 1:5 bath. Obvious reddish hue!

Seven days solargraphy ( and lot of sea humidity and condensation)

Pinhole box + 5"x7" RC paper + Kodak Xtol (1+10, 15°C ) + Selenium bath

www.vincenzocaniparoli.com

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.

Po'ipū, Kaua'i

The last of the mini-series from this location (passageway near Kings Cross Station, London), I quite enjoyed post-processing these alternative versions this week.

A spot of Selenium toning for this version. Really like the figure in the distance, he really suits the image.

Dark room print of 35 mm negative (Adox Silvermax) on Washi paper, using Foma liquid emulsion.

Toning: selenium 1+19 followed by Foma sepia (10 sec bleach).

Camera: Asahi Pentax SPII with SMC Takumar 50/1.8 lens

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.

Selenium toned version of an earlier upload.

Canon EOS 5D Mark II, EF24-105mm f/4L IS USM @ 60mm 20 seconds f13 ISO 400. Tripod

Thanks to Chad for pointing out this made Explore on 25th November. Highest position so far was 78 on 28th November

The position of this flower fascinated me for some reason.

View On Black

A new series on moods. I'm trying to convey a certain mood with different treatments of photos. This will sometimes mean that I will put up 2 photos at the same time with just a different treatment

This one is about light on various levels and about shades of white...

Technical info:

10 stops ND filter

Polarization Filter - 2 stops

f/25

ISO100

150s (2min30s) exposure

Software:

Lightroom 2.0

PS CS3 - Silver Efex Pro - Green Filter - Selenium toning

----------------------------------------------------------------------------------------------------------------------

Dark room print on Fomatone MG 131, toned in Selenium 1+19 to change the greenish colour.

I totally forgot which camera and film were used for this shot.

Camera: Shen Hao 5x7

Lens: Fujinon 180mm

Film: Kodak TMY

Developer: Pyrocat-MC

Print: Adox Lupex Silver Chloride

Toner: Selenium

LOCATION : Cliffs Of Moher, Ireland

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.

Rolleiflex and HP5+

Printed on old Agfa paper with Moersch SE5. (30ml A + 30ml B, 25 C )

#

Partly bleached in ferricyanide (1%) and toned in selenium (1:20)

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

Iceland

--------------------------------------------------------------------------------------------------

Hasselblad 501 C/M with Kodak Tri-X 400 developed in Pyrocat-HD

Printed on Foma 542 II

Developed in Catechol/Sepia

Toned in Selenium / MT3

--------------------------------------------------------------------------------------------------

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

--------------------------------------------------------------------------------------------------

Karlos 6x6 pinhole with Kodak Tri-X 400 developed in Pyrocat-HD.

Printed on Agfa Portriga 118

Two trays lith development

Selenium toned

Blanche.

Song by Ed Sheeran.

youtu.be/Il0S8BoucSA?si=f2T19K7bGEhYLGKe

FP4 4x5 in DDX.

Lith Print 12x16 on Foma Retrobrom in Moersch SE5 1+15

Selenium Tone

Here is the current status of my little Canon 7 project:

www.youtube.com/shorts/1JN9-QcM9l4

In the picture you can see the clamp holder with cold shoe (in silver PLA+) attached exposure meter. The viewfinder hood and the selenium cell protection (black) are attached to the clamp holder

You can view or download the 3D files for private use free:

www.thingiverse.com/thing:6167987

The Canon 7 (here with Leitz Elmarit 2.8/90mm ltm) is a great camera with an excellent viewfinder. It is very quiet, easy to use and of excellent quality. In my opinion, its biggest shortcomings are the lack of a cold shoe. And the fact that the selenium light meter stops working properly in many cases. That's how I came up with my little Canon 7 project. A few other ideas have been added.

I don't know of any rangefinder camera manufacturer that offers a sunshade for the viewfinder window, neither Leica, Fujifilm, Canon nor anyone else. Yet such a sunshade for the viewfinder makes absolute sense. The viewfinder image becomes less contrasty, especially in dark areas and with reflections from the sun. In case of strong light incidence from the side, such a protection is almost necessary. On the Canon 7, such protection is also useful for the small focus window. The small window allows sunlight from the side to enter the viewfinder directly.

Selenium photo elements age due to light. Also, most meters built into cameras are not (anymore) very accurate. Here, the selenium photocell is protected from light. And it is possible to plug an external, more accurate, light meter onto the hot shoe.

The clip-on light shield protects both the viewfinder and the plastic in front of the selenium photocell from slight mechanical damage.

The whole thing consists of 2 parts that I printed with PLA-plus, plain PLA seems a bit too brittle to me. The two parts work fine, but can still be modified or extended.

I am grateful for comments with opinions, ideas or criticism.

Hier ist der aktuelle Status meines Canon 7-Projekts.

Für Kommentare mit Meinungen, Ideen oder Kritik bin ich dankbar.

Olympus OM-4

Zuiko 50mm f/1.4

Extention ring 25

Kodak Tri-X 400

HC-110B

Scan from print

Paper: Fomatone MG 131

Developer: Adox Warmtone

Toned in Adox Selenium toner

Rolleiflex sl 66,delta 400, D76 1+1

Ilford multigrade fb classic 5k

Ilford Multigrade develop

24x30cm/ 20x20

stop bath water

Alkaline Fixer

Split toning selenium sepia

Rescued from an antique dealer. Selenium cell meter has succumbed to time and the auto function does not work. Sad.

Sepia and Selenium split-toned print. G3 Lodima in Ansco 130. Previous posted as straight print: www.flickr.com/photos/carwyn2/18278116432/in/dateposted-p...

Ilford HP5 in LC29

Print on Ilford FB Classic split grade. 2 bath dev Catechol then Multigrade followed by selenium.

New series: Cromer

www.kityoung.co.uk/Cromer

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.

Båstnäs Car Cemetery, July 2016.

Kallitype on Hahnemühle Platinum Rag 8x10" Feb 18, 2018.

Mamiya 645 ProTL with Mamiya-Sekor 45mm/f2.8 and Hoya R72 filter.

Rollei IR 400 developed in FX-39 and scanned with Epson V850.

Digital internegative.

Developed in Sodium Citrate with 3ml/l of Potassium Dichromate 2%.

Cleared in Citric Acid 3%, fixed in Moersch ATS Alkaline fixer 1+20 (60 s) and rinsed in HCA 1%.

Post fix toning in Adox Selenium 1:200, 2 min.

Shen Hao 4x10, 210mm Fujinon W. Ilford FP4+ in Pyrocat HD. Scan from sepia and selenium split-toned contact print on G3 Lodima.

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.

silver gelatin print

watercolor paper coated with Rollei Black Magic liquid emulsion

sepia & selenium toned

View On Black

Part 8 of the series on long exposures simply called Exposed

Just a series on long exposure daytime shots.

This time no water but the sky exposed.

----------------------------------------------------------------------------------------------------------------------

Technical info:

10 stops ND filter

Polarization Filter - 2 stops

f/22

ISO100

120s (2 min) exposure

Software:

Lightroom 2.0

PS CS3 - Silver Efex Pro - Orange Filter - Selenium toning

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.

Toned in copper and selenium.

Photo Emulsion on Watercolour Paper

Selenium Toned

Leica M6, 50mm, Kodak TMax 400

Printed: BERGGER Variable Contrast Semi-Matte, 24x30cm - Selenium toning

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.

Sanjay Gandhi National Park, Maharashtra, India

Intrepid 8x10, Nikkor W 300mm f/5.6, Ilford Delta 100, developed in Adox FX-39 II 1+9 for 6:15 at 21 degrees, printed on Adox Lupex silver chloride paper in Ansco 130 1+1, toned in Selenium 1+19 for 5:00 at 21 degrees, and in Nelson Gold for 20:00 at 40 degrees

www.charlesathomas.com

Another photo taken on a pre-Christmas foggy day - this time once the 'sun' was definitely down.

Post-processed with Lightroom - I used a selenium split-toning preset and then fiddled with the highlights/shadows split. This looks much cooler than the full-colour pic.

film developer test

Rollei ATP 120 in flattec at 16 ASA

Planar 150mm wit extension tube, daylight at the kitchen table, exposed for 3 seconds

printed onto Adox Variotone

toning MT1 Selenium 1+10 10mins, followed by MT4 Siena (polysulfide toner) 1+40 1 min

Hürther Berg, Holga 120N, Delta400 @800 in Finol,

Select Shedlight (Forte) 27x27cm,

Easy Lith FT Special 1+20 7:30 minutes followed by Catechol new 10ml + Lith B 10ml + NH4Cl 5ml + 1 litre water 3 minutes.

MT1 Selenium 1+20 2 minutes for reddish shades.

I love toned dark room prints! So much to learn here. The real thing is much more subtle than the scan, but never mind.

Selenium toning 1:25; Bleach 1:50; Amaloco T40 toning 1+9, no "C component" added (used for variable brown toning).

Please take a look at my most interesting photos Or take a look at my entire portfolio

This is my son's great grandmother/my husband's grandmother at age 94 (this year, 2015). She is a lovely, intelligent, strong and humorous woman. Normally, she hates to have her picture taken, but this time, she smiled at the camera :)

technical info:

Leica M6TTL, collapsible Summicron 2/50mm

TriX @250, developed in Spur HRX

Print on Foma 132 in Moersch ECO 4812 (a match made in heaven, I tell you!), toned in Selenium (Moersch MT1)

B&W version, Selenium toned

Haystack Rock and the Needles on Cannon Beach - processed as a digital selenium interpretation.

© Daniel Hart Photography