View allAll Photos Tagged selenium
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Scan from darkroom print.
Leica M6ttl, Summicron 90 mm, I think - haven’t got EXIF data ;-)
Ilford HP5+ in Xtol.
Printed on Fomatone in Moersch warmtone developer.
Toned in selenium 1 : 20 for 4 min
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Copyrighted material - Do not use, reproduce or alter without the author's written permission.
Reference: FLA-150811-ND800E-26063-bw-selenium
©2015 Fernando Lopez Arbarello - All Rights Reserved
ARBARELLO FINE ART: http://www.arbarello.com.html
An older lumen print from 2008, onto Forte paper. Gold toner, ammonium thiosulfate fixer, followed by a short selenium toning.
September 4, 2016
Nikon FM Micro-Nikkor 55mm
Kodak Technical Pan in TD-3
Lith Print Jan 27, 2017
Selenium toned
6x6 negative taken by Agfa Isolette II with yellow filter on Fomapan 400. Darkroom print on Fomabrom classic 131 FB paper, developed in Amaloco neutral tone developer. Short toning in Selenium 1+9 to enhance the Dmax.
iPhone snapshot of an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Silver gelatin prints available on request
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Shen Hao 4x10". 121mm Schneider Super Angulon. Ilford FP4+ in Pyrocat HD. Scan from Selenium toned contact print.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Wylye river, Wiltshire. Shen Hao 4x10 300mm Nikkor M. Ilford FP4+ in Pyrocat HD. Scan from split sepia and selenium contact print on G3 Lodima
Freitag die Schippe, Samstag die Holga
Delta 400, yellow filter, N+1 development in eco film developer
Lith print on Varycon
MT3 Vario - bleach 1+60 10secs - toner 50 + 15 + 900ml - 30 secs
MT1 Selenium 1+10 1,5 min
Rolleiflex and HP5+
Printed on old Agfa paper with Moersch SE5. (30ml A + 30ml B, 25 C )
#
Partly bleached in ferricyanide (1%) and toned in selenium (1:20)
Most of my light meters in one place. (There are more . . . somewhere.) Some of these are dead, most still living. It's hard to pass by instruments like these when the sellers have no idea what they are and charge only a couple dollars each. Those with active Selenium cells live out their retirement in a quiet, dark drawer; their cells blocked with black cloth tape to preserve sensitivity. The dead ones adorn my shelves, skeletons of their former purpose.
The Shepard flash meter and the Minolta Autometer are both still in active service status. Have had the Autometer for over three decades (hurts to think about), works as well as it did on its first day in my bag.
silver gelatin print
watercolor paper coated with Rollei Black Magic liquid emulsion
sepia & selenium toned
Dark room print on Agfa Brovira grade 2, slightly toned in selenium 1+19 for 10 seconds, and Foma sepia for 6 seconds bleach and then toned to achieve some warmth.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Part 5 of the series on day time long exposures called Time Lapse
Back again with this series.
In this series the emphasis will be more on architectural shots and combining this with long exposures.
This one is about long exposures and combining it with silhouettes. I shot this one while the sun was shining right behind the lighthouse and shed its light on the water.
Technical info:
10 stops ND filter
Polarization Filter - 2 stops
f/22
ISO100
210s (3min30s) exposure
Software:
Lightroom 2.0
PS CS3 - Silver Efex Pro - Orange Filter - Selenium toning
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Minolta X-700, 35-75mm zoom lens
Maco PTC traffic film, f11 1/125, yellow filter
Lith print on Ektalure G, toned with selenium
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Fomabrom 123
SE1 Selenium 1+10 2,5 mins
MT7 Iron 5+5+10+5+1000ml 1,5 mins followed by a weak alkaline after bath to reduce blue and make the selenium toned shadows more visible
#1 MCC - same toners, different times
Dark room print of 35 mm negative (Adox Silvermax) on Washi paper, using Foma liquid emulsion.
Toning: selenium 1+19 followed by Foma sepia (10 sec bleach).
Camera: Asahi Pentax SPII with SMC Takumar 50/1.8 lens
iPhone snapshot of an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
The old lifeboat slip at Ackergill, taken with 10 stop ND filter at high tide and tweaked in silver effex with a nice selenium tint.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
For more detail and comparison see previous upload. This one is on Adox Varioprint paper, only selenium toning 1:25. I like both this one and the previous toned version, they are so different in real life.
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