View allAll Photos Tagged selenium
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Minolta X-700, 58mm
Maco Eagle film, f5.6 1/125 with circular polarizer.
Lith print on Ektalure G with selenium toning.
Pu'u Loa area of Volcano Park, Hawai'i.
Kodak Brownie Hawkeye camera lens flip
Rollei superpan 200 @125 FX-39
gelatin silver print on Ilford Art300
Selenium toned
Print scan
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
$20 buy. Came with it's leather case and some typical accessories (cheap folding flash bracket, cable release, etc.). Works perfectly. Selenium cell meter is spot on. Shares the same shutter as the Kodak Retina Reflex series of cameras. Very familiar to me. Not a SLR, but a LSR (Leaf Shutter Reflex). An amazing amount of gears and springs inside needed to coordinate everything. Just winding it is almost musical. But for some small machining, this camera will take Kodak Retina Reflex lenses. A big bonus for me as I have a few - one I could sacrifice for the cause.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Selenium toned van Dyke print, 8x10-ish.
Taken with Wehman Field Camera, Ilex Acuton 215
on x-ray film.
Scanned LF lith print.
Graflex Crown Graphic (1952) w/ Wollensak Optar 135 mm/f4.7.
Kodak Tmax 100 4x5" in Rodinal 1+100, semistand 1 h.
Cropped neg printed on Fomatone MG 133, underdeveloped in Moersch SE5 and toned for a long time in Selenium (1+9).
PS borders.
To the best of my recollection I didn't do anything else but leaving this underdeveloped and fixed lith print in the Se toner for a long time. The solarization effect came as a surprise.
Perhaps an apt salmon pink colour?
iPhone snapshot of an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
A series about square formats with the horizon exactly in the middle.
There's a man standing on those posts...
Underexposing the sky while slightly over-exposing the water.
Technical info:
10 stops ND filter
f/22
ISO100
15mm
79s (1min20s) exposure
Software:
Lightroom 2.0
PS CS3 - Silver Efex Pro - Red filter - Selenium toning
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Bronica EC-TL
Ilford FP4+ / HC110 dilution D
2-bath lith printed on Slavich paper (+2 stops) :
- Arista 40 + 40 + 1200
- Catechol 15 + ammonium chloride 8 + 1000
Gold toned (left) / Selenium toned (right)
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Copyrighted material - Do not use, reproduce or alter without the author's written permission.
Reference: FLA-150811-ND800E-26063-bw-selenium
©2015 Fernando Lopez Arbarello - All Rights Reserved
ARBARELLO FINE ART: http://www.arbarello.com.html
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Stickers on a downpipe
Nikon F6, 55mm Makro, Kodak TriX in Moersch EFD, Lithprint auf Fomatone MG 131; Moersch SE5 (first tray 50 A , 50 B 1000 H2O, 40 D; second tray 5 Lith Omega 500 H2O), partially bleached, parially selenium and gold toned
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Scan from darkroom print.
Leica M6ttl, Summicron 90 mm, I think - haven’t got EXIF data ;-)
Ilford HP5+ in Xtol.
Printed on Fomatone in Moersch warmtone developer.
Toned in selenium 1 : 20 for 4 min
Wylye river, Wiltshire. Shen Hao 4x10 300mm Nikkor M. Ilford FP4+ in Pyrocat HD. Scan from split sepia and selenium contact print on G3 Lodima
September 4, 2016
Nikon FM Micro-Nikkor 55mm
Kodak Technical Pan in TD-3
Lith Print Jan 27, 2017
Selenium toned
iPhone snapshot of an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
6x6 negative taken by Agfa Isolette II with yellow filter on Fomapan 400. Darkroom print on Fomabrom classic 131 FB paper, developed in Amaloco neutral tone developer. Short toning in Selenium 1+9 to enhance the Dmax.
Part 5 of the series on day time long exposures called Time Lapse
Back again with this series.
In this series the emphasis will be more on architectural shots and combining this with long exposures.
This one is about long exposures and combining it with silhouettes. I shot this one while the sun was shining right behind the lighthouse and shed its light on the water.
Technical info:
10 stops ND filter
Polarization Filter - 2 stops
f/22
ISO100
210s (3min30s) exposure
Software:
Lightroom 2.0
PS CS3 - Silver Efex Pro - Orange Filter - Selenium toning
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Dark room print on Agfa Brovira grade 2, slightly toned in selenium 1+19 for 10 seconds, and Foma sepia for 6 seconds bleach and then toned to achieve some warmth.
Working to improve my 'high-key' printing, really loving Fomatone papers, here 132 with a lovely low-gloss finish, toned in selenium...
Minolta X-700, 35-75mm zoom lens
Maco PTC traffic film, f11 1/125, yellow filter
Lith print on Ektalure G, toned with selenium
silver gelatin print
watercolor paper coated with Rollei Black Magic liquid emulsion
sepia & selenium toned
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Kentmere Pan 400 dev in Ilfotech DDX 1+4
Print 12"x12" on Ilford Art 300 dev in Moersch 4812 Selenium 1+10 2 min
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Most of my light meters in one place. (There are more . . . somewhere.) Some of these are dead, most still living. It's hard to pass by instruments like these when the sellers have no idea what they are and charge only a couple dollars each. Those with active Selenium cells live out their retirement in a quiet, dark drawer; their cells blocked with black cloth tape to preserve sensitivity. The dead ones adorn my shelves, skeletons of their former purpose.
The Shepard flash meter and the Minolta Autometer are both still in active service status. Have had the Autometer for over three decades (hurts to think about), works as well as it did on its first day in my bag.