View allAll Photos Tagged selenium
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
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Mamiya RZ67 Pro II with Kodak Plus-X 125 developed in HC-110 b
Printed on Ektalure (G)
Two trays lith development
Selenium toned
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Perhaps the most famous spot on Big Sur.
Processed with Nate Photographic's X-Chrome presets: Polaroid Type-55 (pulled) + XTOL + selenium 1- + yellow filter.
(DSCF1191)
Leica M6, 50mm, Kodak 400TX, D76, 400 Iso, 20°C.
Printed: ILFORD MG ART 300 24x30,5cm - Selenium toning
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Meknes, Morocco by Hass
Camera: Hasselblad 500 c/m with 2.8/80mm Carl Zeiss Planar
Film: Adox CHS 100 II
Development: R09 1:25 for 6:00 minutes (about 0:30 too long...)
Dark Room Print: Fomabrom 111 in WA developer, toned in 1+19 selenium and very briefly in Foma Sepia (bleach 9 seconds).
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
8x10 contact print with 35mm negatives. Ilford warm tone paper, selenium toned for 5 minutes with 1:9 dilution.
IN ENGLISH BELOW THE LINE
La Voigtländer Vitessa deu ser una de les càmeres de 35mm més inusuals de la seva època, i compta amb més d'una caracteristica força inusual.
Es tracta d'una càmera telemetrica de 35mm plegable i amb fotometre. Fins aquí res d'especial. El fotometre es de seleni d'un tipus una mica inusual però res més. Però la manera com es plega així com avança la pel·licula son especials. L'objectiu es desplega i replega rera unes "portes de graner" dobles, força inusuals. Amb tot, hi ha alguna altra càmera amb "portes de graner", com la Chinon Bellami.
El que sí sembla realment unic és l'avençador de pel·licula/carregador del obturador. Es tracta d'un gran "embol" a la part superior que funciona apretant-lo fins a baix de tot després de càda fotografia. També es plega manualment un cop s'ha tancat l'objectiu rera les "barn doors".
Per tot plegat la Vitessa sembla una curiositat amb més interès com a col·leccionisme que per a fer-la servir com a càmera, però he vist que és obviament prou valida (és una Voigtlander, després de tot). Obviament, com indica el seu nom, es força ràpida de fer anar, amb aquest llarg "carregador".
www.youtube.com/watch?v=CApMpt9hU7c
voigtlander.pagesperso-orange.fr/cameras.htm
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The Voigtländer Vitessa must be one of the most unusual 35mm cameras of its time, and it has more than one rather unusual feature.
Here you can see it folded: to see it fully deployed: flic.kr/p/2oQv5yg
It is a 35mm folding rangefinder camera with photometer. So far nothing special. The light meter is of selenium and of a somewhat unusual type but nothing else. But the way the camera unfolds and advances film are special. The lens unfolds and folds behind some rather unusual double "barn doors". There are only a few of other cameras with "barn doors", such as the Chinon Bellami.
What does seem really unique is the film advancer/shutter loader. It's a big "rod" at the top that works by squeezing it all the way down after each shot. It also can be folded manually once the objective has been closed behind the "barn doors".
All in all the Vitessa seems like a curiosity with more interest as a collectible than for use as a camera, but I've seen that it's obviously valid enough (it's a Voigtlander, after all). Obviously, as the name suggests, it is quite quick to operate, with this long "loader" rod.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Nikon FE
Nikkor 50mm f/2
Kodak Tri-X 400
Developed in HC-110
Scan from print
Paper: Fomaspeed var. 312
Toned in selenium
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
My latest booklet “Rive Gauche” is available as a standard edition and a special edition with a selenium-toned silver gelatin print: “Musée d’Orsay, 2022” (pictured above). While all of the photographs in the book are portrait orientation, the special edition print—a ‘bonus’ image from the series—is in fact in landscape orientation, available only in an edition of just 60: www.kityoung.co.uk/rive-gauche-special-edition
"Kit Young’s series Rive Gauche is an ode to Paris that unreservedly encapsulates the feeling of being in that city. Even if you’ve never been, you’ll instantly be transported to a little café, watching passersby scurrying about their day.
Much like his predecessors André Kertész and Louis Stettner, Kit Young is a guest to Paris, invited in, time and again, to effortlessly capture the subtle glints of light and life that the city provides..."
— Michael Hulett, The Hulett Collection
I am so grateful to everyone who has supported this new publication so far ✨🙏✨
Edition of 600
21cm x 15cm / 28 images / 42 pages
Foreword by Michael Hulett, The Hulett Collection
Design by pete gardner
Published by OneThreeFive Press, 2022
ISBN: 978-1-7391159-0-6
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Scene from the Airport Station Kastrup in Denmark. I was just attracted by the special light there.
Lith printed on Fomatone MG classic and split toned in selenium.
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Mamiya RZ67 Pro II with Kodak 100TMX developed in Pyrocat-HD
Printed on Ektalure (G)
Two trays lith development
Selenium toned
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iPhone snap from darkroom print, 30 x 30 cm.
Taken some years ago. Early and could winter morning.
I wanted this photo... it had to be snow, full moon and “blue” sky. And the moon had to be in southwest so I could get both the moon and the lighthouse. Had to try tree mornings, and I got my photo!
Hasselblad 501, 150 mm, Ilford HP5.
Fomabrom 111, toned in selenium.
Leica M6, 50mm, Kodak TMax 400
Printed: BERGGER Variable Contrast Semi-Matte, 24x30cm - Selenium toning
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Fuji Neopan 400 in Finol
Fotokemika Varycon in Eco4812
toner MT3 Vario thiourea (yellow) and Mt1 Selenium
Rollei 35 S, Kodak TriX in Moersch EFD, Lithprint auf Fomatone MG 131; Moersch SE5 (first tray 20 A , 20 B 600 H2O, 20 D; scnd tray 5 Lith Omega 500 H2O), partially bleached, partially selenium toned
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Zeiss Super Ikonta IV with Kodak Tri-X 400 developed in Pyrocat-HD
Printed on Kentmere Art Classic
Two trays lith development
Selenium toned
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Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Part II of the Long Exposure series on Powerstations.
This is a series inspired by the great work of famous B&W photographer Michael Kenna
If you want to see a great collection of B&W tributes to famous photographers then you should really check the Monochromatic Visions in the likeness of thread . Really a great recommendation for some fantastic tributes by other talented Flickr artists.
Shot taken at the nuclear powerstation in De Doel in the Antwerp area in Belgium.
Technical info:
10 stops ND filter
Polarization Filter - 2 stops
f/25
ISO100
150s (2min30s) exposure
Software:
Lightroom 2.0
PS CS3 - Silver Efex Pro - Orange Filter - Selenium toning
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Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Film: Ilford FP4+, developed in R09 1:25 for 9:00 minutes.
Camera: Yasica-Mat with Lumaxar 3.5/80mm lens.
Darkroom print on Fomabrom 112, toned in selenium 1+19 for a few minutes, followed bt Foma sepia (bleach 20 sec).
Somehow this print reminds me of the fabulous images of native Americans, made by Mr. Curtis. It must be the toning.
A sunny spring afternoon in Holland - but seen in near Infrared...
Leica M7 is ideal for this kind of picture - it's a range finder so one can still frame and focus with the IR filter on. And the light meter gives totally accurate readings too!
Taken with a Leica M7, 50mm Summicron, IR filter, Ilford SFX200, self developed in Tetenal Ultrafin liquid. Printed with a Durst M670 on Ilford MG IV warmtone, developed with Ilford warmtone developer. Selenium toned (a bit)
Zeiss Ikon Contaflex IV with Carl Zeiss 50mm Tessar (both circa. 1958). Arista Premium 100 (rebranded Kodak Plus X). Nikon 9000 scanner.
I love this old camera. It's small (like a rangefinder), light, and takes pretty good pictures. On this day, however, the selenium meter struggled. It overexposed almost every shot.
"Il faut souffler sur quelques lueurs pour faire de la bonne lumière". (René Char, Les Matinaux)
Leica M3, HP5@1600, DDX, MCC110 paper, SE4 moersch, Selenium and lots of burning...
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Selenium Tone is a preset in Lightroom 2. Following the conversion, I used a high pass filter in Saturation blend, 25%.
Eight days solargraphy.
It is very windy ( mistral ) in these days.
Pinhole tin can + 5"x7" RC paper + Kodak Xtol (1+4, 18°C ) + Selenium bath
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
selenium toned liquid emulsion print , handcolored afterwards with hand squeezed plant juice:)
photo digitally photographed, because of my lack of scan:(
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