View allAll Photos Tagged selenium
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Nikon FE
Nikkor 50mm f/2
Kodak Tri-X 400
Developed in HC-110
Scan from print
Paper: Fomaspeed var. 312
Toned in selenium
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
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Mamiya RZ67 Pro II with Kodak 100TMX developed in Pyrocat-HD
Printed on Ektalure (G)
Two trays lith development
Selenium toned
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Voigtländer Bessamatic de luxe (1962-1964)
The Bessamatic is a beautifully made 35 mm SLR with a coupled selenium meter and a leaf shutter.
And by the way, the correct German pronunciation of "Voigtländer" is "Fohkt-lenda". It's easy. No need to force the lower jaw painfully to left and right, quavering something along the lines of "Voyyyygggtlunnder".
Shot with:
Canon EOS600D
Leica Bellows R (16860)
Leica 100mm f/4 Macro Elmar-R, bellows version (11230)
Fuji Neopan 400 in Finol
Fotokemika Varycon in Eco4812
toner MT3 Vario thiourea (yellow) and Mt1 Selenium
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Iceland
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Hasselblad 501 C/M with Kodak Tri-X 400 developed in Pyrocat-HD
Printed on Foma 133
Developed in Catechol / Sepia
Selenium / MT3
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Scene from the Airport Station Kastrup in Denmark. I was just attracted by the special light there.
Lith printed on Fomatone MG classic and split toned in selenium.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
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Zeiss Super Ikonta IV with Kodak Tri-X 400 developed in Pyrocat-HD
Printed on Kentmere Art Classic
Two trays lith development
Selenium toned
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iPhone snap from darkroom print, 30 x 30 cm.
Taken some years ago. Early and could winter morning.
I wanted this photo... it had to be snow, full moon and “blue” sky. And the moon had to be in southwest so I could get both the moon and the lighthouse. Had to try tree mornings, and I got my photo!
Hasselblad 501, 150 mm, Ilford HP5.
Fomabrom 111, toned in selenium.
Leica M6, 50mm, Kodak TMax 400
Printed: BERGGER Variable Contrast Semi-Matte, 24x30cm - Selenium toning
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Title quoted from Depeche Mode – who else!
I need to photograph more churches. When used correctly, they can hand such an amazing, ghostly, haunting, spiritual atmosphere to photos.
That's especially true for this church: ancient architecture with a few crosses outside. The lighting was perfect that day, very strong and I visited at the right time of day.
I especially like the way the shadows fall on the church's wall. I went for something that looks like what Depeche Mode sounds like (if that makes any sense) and think I did really well.
Coincidentally, it was election day here in Germany. I had just voted, it was a beautiful, warm day, so I decided it was the best time to test out my new wide angle lens that I had recently gotten to replace my (literally falling apart) Sigma 24mm. Very nice and handy little lens!
As a side note: I've finally taken more care in proper easel alignment before starting the darkroom session. Good thing I finally did, it's always a pain to notice off-sized borders/tilted images after the fact. Also, I stole the idea of printing part of the film border in order to create a thin black inner frame from Ludwig Römer, love it! ;)
Fomaspeed Variant 313 in Moersch Easy Lith 1+10
Briefly toned in selenium: Moersch MT 1 1+10
Nikon F3 + Ai Nikkor 20mm f3.5 + Kentmere Pan 400 (EI 200)
Developed in Rodinal 1+50 for 13:30 at 20 °C
Print scanned on a Heidelberg/Linotype-Hell Saphir Ultra II using Vuescan.
Part II of the Long Exposure series on Powerstations.
This is a series inspired by the great work of famous B&W photographer Michael Kenna
If you want to see a great collection of B&W tributes to famous photographers then you should really check the Monochromatic Visions in the likeness of thread . Really a great recommendation for some fantastic tributes by other talented Flickr artists.
Shot taken at the nuclear powerstation in De Doel in the Antwerp area in Belgium.
Technical info:
10 stops ND filter
Polarization Filter - 2 stops
f/25
ISO100
150s (2min30s) exposure
Software:
Lightroom 2.0
PS CS3 - Silver Efex Pro - Orange Filter - Selenium toning
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Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Film: Ilford FP4+, developed in R09 1:25 for 9:00 minutes.
Camera: Yasica-Mat with Lumaxar 3.5/80mm lens.
Darkroom print on Fomabrom 112, toned in selenium 1+19 for a few minutes, followed bt Foma sepia (bleach 20 sec).
Somehow this print reminds me of the fabulous images of native Americans, made by Mr. Curtis. It must be the toning.
Eight days solargraphy.
It is very windy ( mistral ) in these days.
Pinhole tin can + 5"x7" RC paper + Kodak Xtol (1+4, 18°C ) + Selenium bath
Camera: Shen Hao 5x7
Lens: Fujinon 180mm
Film: Kodak TMY
Developer: Pyrocat-MC
Print: Adox Lupex Silver Chloride
Toner: Selenium
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Zeiss Ikon Contaflex IV with Carl Zeiss 50mm Tessar (both circa. 1958). Arista Premium 100 (rebranded Kodak Plus X). Nikon 9000 scanner.
I love this old camera. It's small (like a rangefinder), light, and takes pretty good pictures. On this day, however, the selenium meter struggled. It overexposed almost every shot.
"Il faut souffler sur quelques lueurs pour faire de la bonne lumière". (René Char, Les Matinaux)
Leica M3, HP5@1600, DDX, MCC110 paper, SE4 moersch, Selenium and lots of burning...
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Selenium Tone is a preset in Lightroom 2. Following the conversion, I used a high pass filter in Saturation blend, 25%.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Scanned print.
Mamiya 645 ProTL w/ M-S 120 mm f4 Macro (1:1).
Rollei RPX 25 in Rodinal 1+100, semistand 1 h.
Printed on Fotokemika Varycon RC, developed in Moersch Eco 4812 and split toned in Thiourea-Selenium.
Se is not only important as a toner in analog photography, it also exhibits light-sensitive properties and thus was used in light meters (surprisingly correct even after >50 years).
From left: Zeiss Ikophot, Walz Corona and Weston Master II.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
selenium toned liquid emulsion print , handcolored afterwards with hand squeezed plant juice:)
photo digitally photographed, because of my lack of scan:(
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as promised, the contact print version of the previous upload.
- 5x7" expired film, stand developed in 1:100 Rodinal
- Contact printed on Rollei Vintage 111 FB baryta paper, with maximum red dialed in for maximum added contrast
- Toned in 1+19 Selenium and lightly applied Foma Sepia
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Ilford multigrade fb classic 1k 24x30cm/ 20x20cm
PQ universal
stop bath water
Alkaline Fixer
Selenium toner 1+24 2min.
Sepia toner 2min.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Leica M6, 50mm, Kodak Tx 400
Printed: BERGGER Variable contrast warm glossy, 24x30cm - Selenium toning, 40 min
Zeiss Ikon Contaflex IV with Carl Zeiss 50mm Tessar (both circa. 1958). Arista Premium 100 (rebranded Kodak Plus X). Nikon 9000 scanner.
I love this old camera. It's small (like a rangefinder), light, and takes pretty good pictures. On this day, however, the selenium meter struggled. It overexposed almost every shot. But still, not bad for a camera that dates from the late 1950's.