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Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Again a lith print was used as a template for a Kallitype in order to achieve a grainy result.
Bergger Cot-320 MT14 Selenium 1+100 2,5 minutes
The same procedure as the previous one with additional Iron toning.
MT3 Vario (bleach 1+75 2 mins, toner setting "B") followed by MT1 Selenium 1+100 2 mins and MT7 Iron Blue 40+40+80+40+2000ml 1 min
Melon yard potting shed, Heligan Gardens, Cornwall. Shen Hao 4x10, 121mm Schneider Super Angulon. 2:40 @ f/32 Ilford FP4+ in Pyrocat HD. Sepia and Selenium split toned contact print on G3 Lodima in Ansco 130.
Leica M6, 50mm, Kodak 400TX, D76, 400 Iso, 20°C.
Printed: ILFORD MG ART 300 24x30,5cm - Selenium toning
Rolleiflex 3.5E
Planar 75mm 3.5
Rolleinar 2
Ilford HP 5
Developed in Kodak HC-110 (B)
Scan from print
Paper: Fomatone MG 131
Lith developer: Rollei Super Lith
Toned in selenium
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
iPhone snapshot of an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
In this series the emphasis will be more on architectural shots and combining this with long exposures.
Some may question if this is architecture, I think it is, anyway it is man built.
This one is dedicated to one of my Flickr friends Joshua Wyborn. Although only being 17 he's already shown a high level of depth and maturity in his work that other more experienced B&W photographers can only dream of. His understanding of light, contrasts, tonality, mood and all of the finer skills in B&W photography is amazing for someone his age. My word, the world will hear more of him in the years to come. So check out his work.
Technical info:
10 stops ND filter
Polarization Filter - 2 stops
f/25
ISO100
121s (2min) exposure
Software:
Lightroom 2.0
PS CS3 - Silver Efex Pro - Orange Filter - Selenium toning
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iPhone snapshot of an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Visit my Print Shop
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Nikon FE
Nikkor 50mm f/2
Kodak Tri-X 400
Developed in HC-110
Scan from print
Paper: Fomaspeed var. 312
Toned in selenium
My latest booklet “Rive Gauche” is available as a standard edition and a special edition with a selenium-toned silver gelatin print: “Musée d’Orsay, 2022” (pictured above). While all of the photographs in the book are portrait orientation, the special edition print—a ‘bonus’ image from the series—is in fact in landscape orientation, available only in an edition of just 60: www.kityoung.co.uk/rive-gauche-special-edition
"Kit Young’s series Rive Gauche is an ode to Paris that unreservedly encapsulates the feeling of being in that city. Even if you’ve never been, you’ll instantly be transported to a little café, watching passersby scurrying about their day.
Much like his predecessors André Kertész and Louis Stettner, Kit Young is a guest to Paris, invited in, time and again, to effortlessly capture the subtle glints of light and life that the city provides..."
— Michael Hulett, The Hulett Collection
I am so grateful to everyone who has supported this new publication so far ✨🙏✨
Edition of 600
21cm x 15cm / 28 images / 42 pages
Foreword by Michael Hulett, The Hulett Collection
Design by pete gardner
Published by OneThreeFive Press, 2022
ISBN: 978-1-7391159-0-6
For this version, I have gone with a split-tone (selenium) rendition, plus I have added some shadow effects, in order to ramp up the drama.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
My first attempt at shooting this Mill was - or so I thought - spoilt by the lens fogging up toward the end of the exposure so that the star trails softened off and disappeared.
However after a little play and mono treatment with selenium toning I quite like the effect. The small flare from the central bright star works for me and also the mistiness adds some atmosphere. So I am content that I got something out of it!
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
This is my attempt at adding a hue that best matches the results I got when I applied selenium toner to black and white prints.
I used a B+W 091 Dark Red (Wratten#29) filter while taking this image.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Fuji Neopan 400 in Finol
Fotokemika Varycon in Eco4812
toner MT3 Vario thiourea (yellow) and Mt1 Selenium
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
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Mamiya RZ67 Pro II with Kodak Plus-X 125 developed in HC-110 b
Printed on Ektalure (G)
Two trays lith development
Selenium toned
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Meknes, Morocco by Hass
Camera: Hasselblad 500 c/m with 2.8/80mm Carl Zeiss Planar
Film: Adox CHS 100 II
Development: R09 1:25 for 6:00 minutes (about 0:30 too long...)
Dark Room Print: Fomabrom 111 in WA developer, toned in 1+19 selenium and very briefly in Foma Sepia (bleach 9 seconds).
Sky capture [Umbria] [ View On Black ] | ♫♪ |
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Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Using the selenium meter integrated in the camera.
As I already observed concerning the Contaflex III, which is essentially identical but does not contain a meter: I don't find the lens overwhelmingly sharp but the colour rendering is rather pleasing.
I have created a new Flickr group dedicated exclusively to the Zeiss Ikon Contaflex line ---> click here
Zeiss Ikon Contaflex IV with Tessar 50mm f/2.8
Kodak Portra 800 colour negative film
Developed and scanned by www.meinfilmlab.de
All in camera overlays
Two days solargraphy
Pinhole box + 5"x7" RC paper + Kodak Xtol (1+3, 18°C ) + Selenium bath
Voigtländer Bessamatic de luxe (1962-1964)
The Bessamatic is a beautifully made 35 mm SLR with a coupled selenium meter and a leaf shutter.
And by the way, the correct German pronunciation of "Voigtländer" is "Fohkt-lenda". It's easy. No need to force the lower jaw painfully to left and right, quavering something along the lines of "Voyyyygggtlunnder".
Shot with:
Canon EOS600D
Leica Bellows R (16860)
Leica 100mm f/4 Macro Elmar-R, bellows version (11230)
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
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Mamiya RZ67 Pro II with Kodak 100TMX developed in Pyrocat-HD
Printed on Ektalure (G)
Two trays lith development
Selenium toned
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