View allAll Photos Tagged selenium
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Using the selenium meter integrated in the camera.
As I already observed concerning the Contaflex III, which is essentially identical but does not contain a meter: I don't find the lens overwhelmingly sharp but the colour rendering is rather pleasing.
I have created a new Flickr group dedicated exclusively to the Zeiss Ikon Contaflex line ---> click here
Zeiss Ikon Contaflex IV with Tessar 50mm f/2.8
Kodak Portra 800 colour negative film
Developed and scanned by www.meinfilmlab.de
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
This is my attempt at adding a hue that best matches the results I got when I applied selenium toner to black and white prints.
I used a B+W 091 Dark Red (Wratten#29) filter while taking this image.
Sky capture [Umbria] [ View On Black ] | ♫♪ |
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Mamiya RZ67 Pro II with Kodak 100TMX developed in Pyrocat-HD
Printed on Ektalure (G)
Two trays lith development
Selenium toned
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All in camera overlays
Two days solargraphy
Pinhole box + 5"x7" RC paper + Kodak Xtol (1+3, 18°C ) + Selenium bath
Scanned print.
Mamiya 645 ProTL w/ M-S 120 mm f4 Macro (1:1).
Rollei RPX 25 in Rodinal 1+100, semistand 1 h.
Printed on Fotokemika Varycon RC, developed in Moersch Eco 4812 and split toned in Thiourea-Selenium.
Se is not only important as a toner in analog photography, it also exhibits light-sensitive properties and thus was used in light meters (surprisingly correct even after >50 years).
From left: Zeiss Ikophot, Walz Corona and Weston Master II.
Haystack Rock and the Needles on Cannon Beach - processed as a digital selenium interpretation.
© Daniel Hart Photography
Film: Ilford FP4+, developed in R09 1:25 for 9:00 minutes.
Camera: Yasica-Mat with Lumaxar 3.5/80mm lens.
Darkroom print on Fomabrom 112, toned in selenium 1+19 for a few minutes, followed bt Foma sepia (bleach 20 sec).
Somehow this print reminds me of the fabulous images of native Americans, made by Mr. Curtis. It must be the toning.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Iceland
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Hasselblad 501 C/M with Kodak Tri-X 400 developed in Pyrocat-HD
Printed on Foma 133
Developed in Catechol / Sepia
Selenium / MT3
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Zeiss Super Ikonta IV with Kodak Tri-X 400 developed in Pyrocat-HD
Printed on Kentmere Art Classic
Two trays lith development
Selenium toned
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Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
selenium toned liquid emulsion print , handcolored afterwards with hand squeezed plant juice:)
photo digitally photographed, because of my lack of scan:(
behance/redbubble/model mayhem/blog/500px
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Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Ilford multigrade fb classic 1k 24x30cm/ 20x20cm
PQ universal
stop bath water
Alkaline Fixer
Selenium toner 1+24 2min.
Sepia toner 2min.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Title quoted from Depeche Mode – who else!
I need to photograph more churches. When used correctly, they can hand such an amazing, ghostly, haunting, spiritual atmosphere to photos.
That's especially true for this church: ancient architecture with a few crosses outside. The lighting was perfect that day, very strong and I visited at the right time of day.
I especially like the way the shadows fall on the church's wall. I went for something that looks like what Depeche Mode sounds like (if that makes any sense) and think I did really well.
Coincidentally, it was election day here in Germany. I had just voted, it was a beautiful, warm day, so I decided it was the best time to test out my new wide angle lens that I had recently gotten to replace my (literally falling apart) Sigma 24mm. Very nice and handy little lens!
As a side note: I've finally taken more care in proper easel alignment before starting the darkroom session. Good thing I finally did, it's always a pain to notice off-sized borders/tilted images after the fact. Also, I stole the idea of printing part of the film border in order to create a thin black inner frame from Ludwig Römer, love it! ;)
Fomaspeed Variant 313 in Moersch Easy Lith 1+10
Briefly toned in selenium: Moersch MT 1 1+10
Nikon F3 + Ai Nikkor 20mm f3.5 + Kentmere Pan 400 (EI 200)
Developed in Rodinal 1+50 for 13:30 at 20 °C
Print scanned on a Heidelberg/Linotype-Hell Saphir Ultra II using Vuescan.
Eight days solargraphy.
It is very windy ( mistral ) in these days.
Pinhole tin can + 5"x7" RC paper + Kodak Xtol (1+4, 18°C ) + Selenium bath
Scene from the Airport Station Kastrup in Denmark. I was just attracted by the special light there.
Lith printed on Fomatone MG classic and split toned in selenium.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Scan from darkroom print.
Leica M6ttl, Summicron 90 mm, I think - haven’t got EXIF data ;-)
Ilford HP5+ in Xtol.
Printed on Fomatone in Moersch warmtone developer.
Toned in selenium 1 : 20 for 4 min
Scanned 2nd pass selenium-gold toned IR lith print, Jan 5, 2018.
Rolleiflex T with Tessar 75mm/f3.5, Rollei Infrarot filter. Shot in May 27, 2017.
Rollei IR 400 in Tetenal Ultrafin Liquid 1+19, 6,5 min.
Fomatone MG 132 (24x30cm)
1st pass: Paterson Acugrade FX-31.
Bleached in Moersch Copper Bleach for Lith Redevelopment 1+2 with preservation of the deepest shadows (not much of those in this one...)
2nd pass: Moersch Easy Lith 3A+3B+1000H2O (40°C) followed by a 2,5 min long hot (45°C) waterbath to bring out the highlights.
Toned 10 min in Selenium (1+12), followed by 3 min in Thiourea-Gold.
PS borders.
iPhone snap from darkroom print, 30 x 30 cm.
Taken some years ago. Early and could winter morning.
I wanted this photo... it had to be snow, full moon and “blue” sky. And the moon had to be in southwest so I could get both the moon and the lighthouse. Had to try tree mornings, and I got my photo!
Hasselblad 501, 150 mm, Ilford HP5.
Fomabrom 111, toned in selenium.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
"Il faut souffler sur quelques lueurs pour faire de la bonne lumière". (René Char, Les Matinaux)
Leica M3, HP5@1600, DDX, MCC110 paper, SE4 moersch, Selenium and lots of burning...
September 4, 2016
Nikon FM Micro-Nikkor 55mm
Kodak Technical Pan in TD-3
Lith Print Jan 27, 2017
Selenium toned
Leica M6, 50mm, Kodak Tx 400
Printed: BERGGER Variable contrast warm glossy, 24x30cm - Selenium toning, 40 min
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Fes, Morocco
Camera: Hasselblad 500 c/m with 2.8/80mm Carl Zeiss Planar
Film: Ilford FP4+
Development: R09 1:25 for 9:00 minutes
Dark Room Print: Fomabrom 111 in WA developer, toned in 1+19 selenium and very briefly in Foma Sepia (bleach 5 seconds).
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Minolta X-700, 58mm
Maco Eagle film, f5.6 1/125 with circular polarizer.
Lith print on Ektalure G with selenium toning.
Pu'u Loa area of Volcano Park, Hawai'i.
Camera: Shen Hao 5x7
Lens: Fujinon 180mm
Film: Kodak TMY
Developer: Pyrocat-MC
Print: Adox Lupex Silver Chloride
Toner: Selenium
Zeiss Ikon IKOPHOT Rapid, a match needle selenium light meter in a leather case with a ornate chain. This thingy is from the 1950’s, but I found it at a flea market a couple of years ago. The seller had no idea what it was, she told me it belonged in a set with a camera which had been sold separately. So we gathered it had something to do with photography and as I found it to look truly curious I bought it for a couple of dollars. Googling it later revealed this in fact is a light meter.
About my Corner of Curiosities: A few years ago I bought a little box with drawers, thinking I would collect a few special bits and pieces in there. I parked this little set on top of my IKEA chest of six drawers which stands in a corner of my apartment. In time, I added more small shelfs, drawers and boxes and began to put curious items on display in all the little nooks and crannies. Quirky little things I mostly find on flea markets, but also get off the net. This corner of my home serves as inpiration, and every once in I while I walk up the IKEA dresser, put my elbows on top and rest my chin in my hands while I let my eyes wander through all these curious things. Moments such as these give spark my imagination and spurs my motivation to doodle in my journals. The collection is’nt all that special, as it’s not very easy finding fairly cheap, quirky and curious things, small enough to fit in the corner. My collection is constantly changing, if I find a new collectible, something else has to go or be moved around - as the corner now more or less is full.
Anywho, I thought I’d dedicate a photo album to this Corner of Curiosities, here on Flickr - probably for no other purpose than to tickle my own imagination :)