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Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.

selenium tone in lightroom

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.

 

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.

 

www.kityoung.co.uk

Negative shot by Retina IIIS with 35mm Curtagon

Print 30x40 cm, selenium and sepia toned

Personal comment: sharpness is overrated, sometimes

Ireland

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Hasselblad 501 C/M with Kodak Tri-X 400 developed in Pyrocat-HD

 

Printed on Foma 133

 

Developed in Catechol / Sepia

 

Selenium / MT3

 

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Visit my Print Shop

 

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

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Agfa Isola pinhole with Kodak Tri-X 400 developed in Pyrocat-HD.

 

Printed on Adox Variotone

 

Developed in Moersch Blue+FB

 

MT3 / Selenium

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Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

HP5+ Rodinol

This time on Ilford MGFB Gloss Grade 3

in Moersch Eco 4812 Selenium tonÄ™.

Punchier than the Foma version.

Liking Moersch Eco 4812. I think its going to be my go to for normal prints.

The same procedure as the previous one with additional Iron toning.

 

MT3 Vario (bleach 1+75 2 mins, toner setting "B") followed by MT1 Selenium 1+100 2 mins and MT7 Iron Blue 40+40+80+40+2000ml 1 min

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.

iPhone snapshot of an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.

View On Black

 

In this series the emphasis will be more on architectural shots and combining this with long exposures.

 

Some may question if this is architecture, I think it is, anyway it is man built.

This one is dedicated to one of my Flickr friends Joshua Wyborn. Although only being 17 he's already shown a high level of depth and maturity in his work that other more experienced B&W photographers can only dream of. His understanding of light, contrasts, tonality, mood and all of the finer skills in B&W photography is amazing for someone his age. My word, the world will hear more of him in the years to come. So check out his work.

 

Technical info:

10 stops ND filter

Polarization Filter - 2 stops

f/25

ISO100

121s (2min) exposure

 

Software:

Lightroom 2.0

PS CS3 - Silver Efex Pro - Orange Filter - Selenium toning

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Hasselblad 2000 FCW w Carl Zeiss F 80mm f2.8

Kodak TriX in Rodinal 1+50

Kentmere Fineprint VC in Moersch Sepia 1+14 > Moersch Selenium MT4

LPL 7452 enlarger w VCCE head

 

Scanned on Microtek i800

  

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

Melon yard potting shed, Heligan Gardens, Cornwall. Shen Hao 4x10, 121mm Schneider Super Angulon. 2:40 @ f/32 Ilford FP4+ in Pyrocat HD. Sepia and Selenium split toned contact print on G3 Lodima in Ansco 130.

Again a lith print was used as a template for a Kallitype in order to achieve a grainy result.

Bergger Cot-320 MT14 Selenium 1+100 2,5 minutes

For this version, I have gone with a split-tone (selenium) rendition, plus I have added some shadow effects, in order to ramp up the drama.

IN ENGLISH BELOW THE LINE

 

La Voigtländer Vitessa deu ser una de les càmeres de 35mm més inusuals de la seva època, i compta amb més d'una caracteristica força inusual.

 

Es tracta d'una càmera telemetrica de 35mm plegable i amb fotometre, fabricada el 1956. Fins aquí res d'especial. El fotometre es de seleni d'un tipus una mica inusual però res més. Però la manera com es plega així com avança la pel·licula son especials. L'objectiu es desplega i replega rera unes "portes de graner" dobles, força inusuals. Amb tot, hi ha alguna altra càmera amb "portes de graner", com la Chinon Bellami.

 

El que sí sembla realment unic és l'avençador de pel·licula/carregador del obturador. Es tracta d'un gran "embol" a la part superior que funciona apretant-lo fins a baix de tot després de càda fotografia. També es plega manualment un cop s'ha tancat l'objectiu rera les "barn doors".

 

Per tot plegat la Vitessa sembla una curiositat amb més interès com a col·leccionisme que per a fer-la servir com a càmera, però he vist que és obviament prou valida (és una Voigtlander, després de tot). Obviament, com indica el seu nom, es força ràpida de fer anar, amb aquest llarg "carregador".

 

www.youtube.com/watch?v=CApMpt9hU7c

 

camera-wiki.org/wiki/Vitessa

 

voigtlander.pagesperso-orange.fr/cameras.htm

 

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The Voigtländer Vitessa must be one of the most unusual 35mm cameras of its time, and it has more than one rather unusual feature.

 

To see it in folded position: flic.kr/p/2oQtyLJ

 

It is a 35mm folding rangefinder camera with photometer made in 1956. So far nothing special. The light meter is of selenium and of a somewhat unusual type but nothing else. But the way the camera unfolds and advances film are special. The lens unfolds and folds behind some rather unusual double "barn doors". There are only a few of other cameras with "barn doors", such as the Chinon Bellami.

 

What does seem really unique is the film advancer/shutter loader. It's a big "rod" at the top that works by squeezing it all the way down after each shot. It also can be folded manually once the objective has been closed behind the "barn doors".

 

All in all the Vitessa seems like a curiosity with more interest as a collectible than for use as a camera, but I've seen that it's obviously valid enough (it's a Voigtlander, after all). Obviously, as the name suggests, it is quite quick to operate, with this long "loader" rod.

 

www.youtube.com/watch?v=CApMpt9hU7c

 

camera-wiki.org/wiki/Vitessa

 

voigtlander.pagesperso-orange.fr/cameras.htm

iPhone snapshot of an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

or fur (de)focus ...

Trix@1000 in HR-Dev

Lith-Polychrome onto Ekta R

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.

My first attempt at shooting this Mill was - or so I thought - spoilt by the lens fogging up toward the end of the exposure so that the star trails softened off and disappeared.

 

However after a little play and mono treatment with selenium toning I quite like the effect. The small flare from the central bright star works for me and also the mistiness adds some atmosphere. So I am content that I got something out of it!

 

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

Same neg as second last one.

 

Print digitalized with DSLR.

 

Camera: Linhof Technika 13x18

Lens: Voigtländer Heliar 300mm f4.5 @ f16

Film: Fomapan 100 @ 64 asa

Dev.: Moersch Tanol 1:1:100, 10min @ 20°C, Rotation "F" in Jobo CPA 2

 

printed on Fomatone MG 132.

Moersch Easylith 20+20+1000ml,

selenium toning 1:10, 4 min

  

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Hasselblad 501 C/M with Kodak Tri-X 400 developed in Pyrocat-HD

 

Printed on Gevaert Orthobrom K35Z (chamois)

 

Two trays lith development

 

Selenium toned

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Photomatix, Lightroom and Canon DxO

Ilford HP5, orange filter and slight selenium toning.

Rolleiflex 3.5E

Planar 75mm 3.5

Rolleinar 2

Ilford HP 5

Developed in Kodak HC-110 (B)

 

Scan from print

Paper: Fomatone MG 131

Lith developer: Rollei Super Lith

Toned in selenium

My darkroom is alive...

 

Darkroom print on Foma FB 111, selenium toned 1:9 followed by a light sepia (fotospeed). Negative is 6x9 by Royer folder with Angenieux lens. Film: Fomapan 400, developed in Adox Silvermax developer (2nd use) 1:49 for 25 minutes.

 

Bleach 1:50, toning somewhat complicated because of a lack of re-development. Although I like the tone, I'll try another sepia toner next time (maybe Foma).

Vintage 1950's Gossen Selenium Cell Light Meter with Built In Colour Temperature Guide.

Sky capture [Umbria] [ View On Black ] | ♫♪ |

 

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Please don't use this picture on websites, blogs or other media without my permission.

 

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Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.

Using the selenium meter integrated in the camera.

 

As I already observed concerning the Contaflex III, which is essentially identical but does not contain a meter: I don't find the lens overwhelmingly sharp but the colour rendering is rather pleasing.

 

I have created a new Flickr group dedicated exclusively to the Zeiss Ikon Contaflex line ---> click here

 

Zeiss Ikon Contaflex IV with Tessar 50mm f/2.8

Kodak Portra 800 colour negative film

Developed and scanned by www.meinfilmlab.de

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.

All in camera overlays

Two days solargraphy

Pinhole box + 5"x7" RC paper + Kodak Xtol (1+3, 18°C ) + Selenium bath

 

www.vincenzocaniparoli.com

This is my attempt at adding a hue that best matches the results I got when I applied selenium toner to black and white prints.

 

I used a B+W 091 Dark Red (Wratten#29) filter while taking this image.

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.

 

www.kityoung.co.uk

This is a darkroom print.

Siena and selenium toning.

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.

Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper

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