View allAll Photos Tagged selenium
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Silver gelatin prints available on request.
Better View Large On Black
Technical info:
10 stops ND filter
f/22
ISO100
11mm
180s (3min) exposure
5x7 crop
Software:
Lightroom 2.0
PS CS4 - Silver Efex Pro
Selenium toning
Frontpage Explore August 23...
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Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
All of my selenium-toned FB prints are for sale.
Please message me for more information.
Mounted Focomat 1C print.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
My old electric from years ago.
Experiment really but I like it anyway.
Ever wondered what to do with an old Polaroid pack camera if you don't want to pay stupid money for old film. Shoot direct positive in it that's what.
Paper cut to size and held in with homemade card pressure plate.
Harman Direct Positive in Moersch 4812 selenium tone.
Camera: Chamonix 8x20
Lens: Schneider 355mm G-Claron
Film: Kodak TXT (2003)
Developer: Pyrocat-MC
Development: Brush
Contact Print: Ilford Galerie G3
Print Developer: PF130
Toner: Selenium
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Part of an ongoing, untitled box of Paris prints which I hope to turn into a series over the summer...
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Hasselblad 501 and 150 mm. Red filter.
Ilford Delta 400 at box speed in DDX for 8 min.
Ilford WT in Ilford WT developer + selenium 1:5
For a analog, as I am, It’s hard to get the colors right when scanning. So I had to twist the data handle a little bit before posting.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Rolleiflex 3.5f
Fuji pro 160NS
Cumbria photolab
Epson V600 (48bit, 1200dpi, dust)
Aperture
SilverFX
Selenium
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Silver gelatin prints available on request.
iPhone snapshot of an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
iPhone snapshot of an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
And another one: an older negative, printed only now!
I've found this one a bit difficult to print so that it hits my vision for it just right. After quite a few different prints, I ended up with this one and love it a lot. Especially the softness and creamy tone, pure eye candy.
Never before have I used a two bath lith process but I recently read quite a bit about it and decided to try it for myself with this print. To be honest, I couldn't tell you why I mixed my 2nd developer like I did, I was just told it would make sense that way ;)
As was expected, the paper lost its nice and strong warm color in the second developer but I managed to get this nice creamy tone still.
Paper: Agfa Multicontrast Premium MCP 312 RC
Two Bath Lith:
1) Moersch Easy Lith 1+10
2) Rollei RPN Eco + Moersch Lith B 1+1+75
Toned in selenium (Moersch MT 1 1+10) for a few minutes afterwards.
Nikon F3 + Ai-S Nikkor 50mm f1.8 + Ilford XP2 Super
C-41 development by an external lab.
Print scanned on a Heidelberg/Linotype-Hell Saphir Ultra II using Vuescan.
HP5@1600-XtolR- Olympus Pen FT- 38mm1.8 zuiko. Printed on Adox MCC 110 toned with Moersch MT3a and selenium
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Leica M6, 50mm, Kodak TMax, TMax Dev, 400 Iso, 20°C.
Printed: ILFORD MG ART 300 24x30,5cm - Selenium toning
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Iceland
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Horseman SW612 - APO-Grandagon-N 45mm with Tri-X 400 developed in Pyrocat-HD
Printed on Foma 542 II
Developed in Catechol/Sepia
Toned in Selenium
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Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
FP4 35mm in eco film developer (N+1), print negative Fixxons 17,5x25cm,
Kallitype onto Hahnemühle Platinum Rag,
developer Sodium acetate, clearing bath Citric acid, ATS alkaline fixer, toner MT16 Selenium
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Agfa Isola pinhole with Kodak Tri-X 400 developed in Pyrocat-HD.
Printed on Agfa Brovira Crystal 139 (ivory lustre)
Polychrome lith
Selenium toned
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Downtown Chicago, photographed in May 2015, printed in 2020.
Hasselblad 500C/M, 80mm Planar, Ilford HP5+, Replenished Kodak Xtol, Ilford MGWT fiber semimatte, Replenished Ethol LPD, toned in Moersch MT-3 and Harmann Selenium (6x6" on 8x10" paper).
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
iPhone snapshot of two original hand-printed, selenium-toned prints made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Taken in Xizhou, Yunnan Province, China
Hasselblad, 80mm lens
Film: Tmax 400
Printed on Ilford MGWT split- toned in Sepia then selenium toner
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
"And once the storm is over, you won’t remember how you made it through, how you managed to survive. You won’t even be sure, whether the storm is really over. But one thing is certain. When you come out of the storm, you won’t be the same person who walked in. That’s what this storm’s all about." — Haruki Murakami
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My work is for sale via My Chilly Bin, Getty Images and at Redbubble and 500px
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© All rights reserved. Use without permission is illegal ©Todos los derechos reservados. El uso sin permiso es ilegal - ©Alle Rechte vorbehalten. Die Verwendung ohne Genehmigung ist illegal - ©2014 - Tom Raven - Toute reproduction, même partielle INTERDITE
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Hasselblad 501 C/M with Kodak Tri-X 400 developed in Pyrocat-HD.
Printed on Bergger Prestige CM
Developed in SE6 Blue
Selenium / Thiourea
Best viewed on a large screen/monitor. Otherwise, the deatil gets lost and it seems too dark. I got up to close the window and this is the view I had from my living room window. Well, not quite. The view I had was in colour, but I took the liberty of converting it to monochrome (selenium) in Silver Efex 9
As small as it was, the exposure was based on the moon.
IMG_2321 (monochrome)