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IN ENGLISH BELOW THE LINE
La Voigtländer Vitessa deu ser una de les cà meres de 35mm més inusuals de la seva època, i compta amb més d'una caracteristica força inusual.
Es tracta d'una cà mera telemetrica de 35mm plegable i amb fotometre, fabricada el 1956. Fins aquà res d'especial. El fotometre es de seleni d'un tipus una mica inusual però res més. Però la manera com es plega aixà com avança la pel·licula son especials. L'objectiu es desplega i replega rera unes "portes de graner" dobles, força inusuals. Amb tot, hi ha alguna altra cà mera amb "portes de graner", com la Chinon Bellami.
El que sà sembla realment unic és l'avençador de pel·licula/carregador del obturador. Es tracta d'un gran "embol" a la part superior que funciona apretant-lo fins a baix de tot després de cà da fotografia. També es plega manualment un cop s'ha tancat l'objectiu rera les "barn doors".
Per tot plegat la Vitessa sembla una curiositat amb més interès com a col·leccionisme que per a fer-la servir com a cà mera, però he vist que és obviament prou valida (és una Voigtlander, després de tot). Obviament, com indica el seu nom, es força rà pida de fer anar, amb aquest llarg "carregador".
www.youtube.com/watch?v=CApMpt9hU7c
voigtlander.pagesperso-orange.fr/cameras.htm
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The Voigtländer Vitessa must be one of the most unusual 35mm cameras of its time, and it has more than one rather unusual feature.
To see it in folded position: flic.kr/p/2oQtyLJ
It is a 35mm folding rangefinder camera with photometer made in 1956. So far nothing special. The light meter is of selenium and of a somewhat unusual type but nothing else. But the way the camera unfolds and advances film are special. The lens unfolds and folds behind some rather unusual double "barn doors". There are only a few of other cameras with "barn doors", such as the Chinon Bellami.
What does seem really unique is the film advancer/shutter loader. It's a big "rod" at the top that works by squeezing it all the way down after each shot. It also can be folded manually once the objective has been closed behind the "barn doors".
All in all the Vitessa seems like a curiosity with more interest as a collectible than for use as a camera, but I've seen that it's obviously valid enough (it's a Voigtlander, after all). Obviously, as the name suggests, it is quite quick to operate, with this long "loader" rod.
I finally made a final print of this negative, taken in Orkney in 2009, as I had only made a small print when first experimenting with lith printing. Fomatone Classic (before the emulsion changed) on Easylith. Selenium toned to cool down the shadows as they had a greeninsh hue.
Pinhole camera.
Kodak TMax 400 / Xtol
Foma Fomabrom Variant 112 / Ethol LPD / split sepia/selenium toned
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
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Hasselblad SWC 903 with Kodak Tri-X 400 developed in Pyrocat-HD.
Printed on Select Sepia VC
Developed in Ansco 130
Toned in Selenium / MT3 / MT2
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Silver gelatin lith print on Ilford MGWT / Arista LIth / strong Harmann Selenium toner
Leica M2 / 50mm Summitar / Kodak TMax 400 / Replenished Kodak Xtol
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
The black churches can make for great photographs, but I've seen a number of them and I was fascinated with the cemetery surrounding this one.
Hasselblad 50mm lens, Acros film, Ilford multigrade warm tone paper with selenium toning
Ireland
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Hasselblad 501 C/M with Kodak Tri-X 400 developed in Pyrocat-HD
Printed on Foma 133
Developed in Catechol / Sepia
Selenium / MT3
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Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Crown and Spouse, taken at Cimitero Staglieno Genova about 40 years ago.
printed Dec. 2012 onto Slavich Bromportrait
Two tray Catechol & Sepia
multiple toning
MT1 Selenium 1+10 20 secs
MT3 Vario - bleach 1+60 15 secs, toner setting B
MT7 Iron Blue 5+5+10+5+700ml 45 secs
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
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Hasselblad 501 C/M with Kodak Tri-X 400 developed in Pyrocat-HD
Printed on Adox Variotone
Developed in Catechol/Sepia
Selenium / MT3
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Rolleiflex sl 66, Hp5, D76 1+1
Ilford multigrade fb classic 1k 24x30cm/ 20x20cm
PQ universal
stop bath water
Alkaline Fixer
Selenium toner 1+9 2min
Sepia toner.
I would like to prepare a photo exhibition.
If you would like to help me with this project, you can write to me.
The silver print is looking for a new home. ;-)
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Holga 120N loaded with Fujifilm NEOPAN 100 ACROS II developed in Kodak HC-110 and toned negative in selenium for extra contrast. Used close-up filter and blue filter. Scanned the negative with my DSLR.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Iceland
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Hasselblad 501 C/M with Kodak Tri-X 400 developed in Pyrocat-HD
Printed on Foma 542 II
Developed in Catechol/Sepia
Toned in Selenium / MT3
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A super classic, I know, but I love those cliffs
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Hasselblad 501 C/M with Kodak Tri-X 400 developed in Pyrocat-HD
Printed on Ilford Art 300
Developed in Catechol/Sepia
Toned in Selenium / MT3
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Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
I can do romantic shots too....
f/4.5
ISO100
1/60s
PS CS3
Silver Efex Pro
Added selenium and like most of my photos it is uncropped.
Explore #14 March 12 2009
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
One day solargraphy
pinhole box + RC paper + Fomatol P (1+10, 15° ) + Selenium bath for a little intensification
Ireland
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Hasselblad 501 C/M with Kodak Tri-X 400 developed in Pyrocat-HD.
Polychrome print on Kodak Ektalure (38x38)
Selenium 1+50 1min
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Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper
Photograph scanned from an original hand-printed, selenium-toned print made with Ilford MG FB Classic paper.