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These beautiful spiral scrolls are about an inch in size and look absolutely elegant. I have a pair and get comments all of the time. They are simple yet very unique and will go with everything!
Recipe here
They are deeeeeeeeeeeeelicious!!!
natiscakes.blogspot.com/2011/04/capsicum-and-fetta-scroll...
Tokyo National Museum
Ueno Park, Tokyo
Taken with
Olympus OM-D E-M10 Mkii
Panasonic f1.7 25mm
LUMIX G 25/F1.7
OLYMPUS DIGITAL CAMERA
More styrene. Handle end is half round .040" bar, star and round cap are .060, vacuum formed to shape over the handle end. The gems are brass tube and LEDs for shape.
Scroll on Roses, navy jeans clothes with colourful swing lines put the pop up into the tradion.
This impressive scroll work achieves by the meister Idumi Murakami, Kakejiku studio, "REN", Fukushima pref, Japan.
See her meteculous scroll works - blog.livedoor.jp/rennikki/archives/54741484.html
If you like the pictures in this lightbox, please click here to download.
Download Link: ++Scroll paper
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★My Stock Portfolio: www.istockphoto.com/download
Lieutenant-Commander (LCdr) Painchaud and Warrant Officer McDuff present the Canadian Commissioning Script to platoon L0052E at CFLRS, in Saint-Jean-sur-Richelieu, Québec, on 7 March 2023
Capitaine de corvette (capc) Painchaud ainsi que Adjudant McDuff, remettent la commission canadienne des officiers au peloton L0052E, à St-Jean-sur-Richelieu, Québec, le 7 mars 2023
Photo by: Canadian Armed Forces, Multimedia, Canadian Forces Leadership and Recruit School © 2022 MDN/DND CANADA
"High chest of drawers
1753 (dated)
Artist/Maker: Henry Cliffton
Artist/Maker: Thomas Carteret
Origin: America, Pennsylvania, Philadelphia
OH: 95 ½"; OW: 44 ¼"; OD: 22 ½" (242.6 x 112.4 x 57.2 cm).
Mahogany, tulip poplar, white cedar, and yellow pine
Museum Purchase
Acc. No. 1975-154
The sole instance of a high chest inscribed and dated by the cabinetmaker is the one made by Henry Cliffton in 1753, which also exemplifies the first model in the evolution of the Philadelphia type. The top extends upward in an exaggerated scroll pediment, which houses a large, central shell drawer in the scroll board, or tympanum; a similar shell drawer is centered above the scalloped front skirt. Carving is limited to the leafage on the knees, the shell drawers, and the finials. In the terminology of the PRICE BOOK, Cliffton had made a chest on a frame, with claw feet, leaves on the knees, shell drawers in the frame, scroll pediment head, shield, roses, and blases. (The "shield" is the central cartouche; the "roses" are the rosettes terminating the pediment scrolls; and the "blases" {blazes} are the flame finials at either side.
Mark(s): No
Inscription(s): On the top of the lower section of the chest is "HENRY CLIFFTON/THOMAS CATERET/NOVEMBER 15, 1753."
Label:
In Philadelphia, high chests of drawers were often made en suite with matching dressing tables. Few of these sets have survived, but recently Colonial Williamsburg was able to reunite this long separated pair (1975-154 & 1993-130). Although both forms often appear in modern living rooms, they originally were used only in bedchambers. The high chest was designed for storage of clothing and household linen, while the dressing table was employed by men and women alike for daily grooming. Despite the survival of dozens of Philadelphia high chests, this is the only known example that was signed and dated by its makers. As such it provides a perspective on the evolution of the form in eastern Pennsylvania. The chest's rococo ornament and that on the matching table demonstrate the presence of the so-called "Chippendale" style in Philadelphia prior to the publication of Thomas Chippendale's GENTLEMAN AND CABINET-MAKER'S DIRECTOR (London, 1754). Henry Cliffton, one of the makers of this suite, practiced his trade in Philadelphia from at least 1748 until his death in 1771. Near the end of his life, Cliffton described himself as a "joiner, Cabinet and Chair Maker." Although he maintained a brief partnership with noted furniture maker James Gillingham, the nature of Cliffton's relationship with Thomas Carteret, who also signed the chest, is unknown. Carteret likely was either a partner or an employee in the Cliffton shop.
The Philadelphia career of cabinetmaker Cliffton can be followed in some detail between the years 1748 and 1771. He is first identified as a joiner in an entry of August 11, 1748 in the ledger of Doctor Samuel Preston Moore. This document shows that Cliffton had purchased medicines valued at L0:15:0 and paid for them with a "fire screan for my {Moore's} wife." In 1750 he sold a clock case to John Wood for L4:0:0 and in 1759 he billed Doctor Richard Hill for "8 Mehogany Chair frames 43/ 17.4.0 and 8 bottoms for Rachels worked chairs 2.0.0, for Hill he also constructed a picture frame for Patsy's portrait by Woolaston." By 1761 Cliffton had entered into partnership with James Gillingham. The two men trained at least two apprentices--David Evans and Jonathan Kinsey. Only one bill documenting their work has been located. In 1767 they supplied Samuel Morris with a tea table. They employed the carving firm of Nicholas Bernard and Martin Jugiez; however, at present additional information on this relationship is lacking. Cliffton and Gillingham dissolved their partnership in 1768. Apparently Cliffton continued to use the shop, for his former partner removed to "the shop lately occupied by Samuel Matthews, Second Street." In 1770 Cliffton chose to move his own business to Arch Street. In an advertisement of August 13 in the PENNSYLVANIA CHRONICLE he announced that "Henry Cliffton, joiner, Cabinet and Chair Maker, Is removed into Arch Street, opposite the gate of Friends burying ground, where he continues to carry on the...
Provenance:
The high chest belonged to Hannah Hill Moore of Philadelphia, born 1727 and died 1799. In 1739, she married Dr. Samuel Preston Moore. Her neice married married the great-grandfather of Mrs. Elizabeth H. Burckes of Port Clyde, Maine (who consigned it to a dealer who in turn sold it to Colonial Williamsburg)."
From: emuseum.history.org/code/emuseum.asp?action=newpage&s...
Handwritten scroll on parchment, approximately 250 years old.
Contains the first 5 books in the bible (Genesis, Exodus, Leviticus, Numbers, Deuteronomy)
For rabbinical use. There's a picture of the Synagogue one above..
The person who wrote this has really good handwriting. And the words are even smaller than my mine!
Due to the large area of the Barony of the Far West {Japan, Korea, Guam, and sometimes China} and the small SCA population {itnierant military and teachers of English} we rely heavily on pre-made scrolls we just print out, put names on and paint. Still, I enjoy the painting.
Kazue took us all on a tour of this old building they were doing Pika-pika in. It seemed to have been a restaurant and was completely tilted and sloping down to one side. The owner had died and much of their stuff was still left in the house. The whole place was a bit creepy.
Lionsdale Champion scroll given to Sir Savaric. Designed and painted by myself and THL Elspeth Selwode.
Just Veymara rocking that dwarven backpack. Can you store things in it? Probably not. Is it even practical? Probably not. Is it sciency? Hell yeah!
_
Jesus, this pretty dunmer was never even supposed to be a vampire, but when the possibility showed itself, I couldn't say no. I've never tried it before, and it's actually pretty amusing. The thing that hooked me though, was the eyes. Gotta love that glowy shit.
Anyways, say hi to Veymara, a young dunmer... archaeologist? Scientist? Who knows. You'll see a lot more of her soon, so don't worry.
This exercise is meant to expand the thinking about guidelines even in Photoshop and therefore CorelDraw because of the sophisticated layers, sublayers and the dedicated guidelines in CorelDraw. It's always sad to see how much software is written without the study or even regard of others' applications. I don't use CorelDraw that much but every once in a while it is absolutely necessary to do some prep illustration in Corel and then drop a tiff into a Photoshop layer because of the extensive time element that can be trivialized in Corel.
The subject of the lesson is generating a paper scroll that can have text applied later. The concept was invented by a glassblower I know, James P. Clarke, Here is something like what I helped him with. It is a good carrier for a discussion of more sophisticated guidelines or even cheating guidelines:
The Scroll, Corel file is a demonstration of setting up advanced guidelines on the dedicated Guidelines layer in Corel. All objects applied to that dedicated layer will assume the assigned color and simple lines will assume the snap properties. The scroll guides were generated on a separate layer and then moved and dropped onto and become a sub-object on Corels Guidelines layer. Otherwise, create your own Guidelines layer in Photoshop.
Use the guideline scroll to develop your own paper object, color, texturize and antique it, like in the Scroll file.
The Scroll, Corel file shows the results of adding a text block, then an Envelope object to the text block and adding nodes to stretch and warp the enveloped text block. It is difficult to get the text to lay out realistically otherwise but you can handle it however you want.
Parchment scroll, dating back to the 1760's. As described by Elsie Toms in her book - The Story of St Albans, on page 128.
Parchment scroll, dating back to the 1760's. As described by Elsie Toms in her book - The Story of St Albans, on page 128.
Parchment scroll, dating back to the 1760's. As described by Elsie Toms in her book - The Story of St Albans, on page 128.
My color process book is relatively straightforward, you can see most of it in its entirety on the first image.
It is 8 inches wide by approximately 70 inches long, give or take. i printed it out on the hp z3100 on hp heavyweight coated paper and it rocked. one test print, one final print, the binding went well.
michael trovela gave me some insight as to efficient ways of binding this (and also some bookcloth!). Originally i wanted to use either dowels or cardboard tubes, in the end i ended up going with his suggestion of bookbinder's board wrapped with bookcloth. I then scored the board into seven sections to create two hexagon handles (one flap goes inside).
The two handles go on opposite ends and then get sandwiched over the scroll with duotack on one side and pva glue on the other. The end result reads like a torah or any other similarly styled scroll, which, despite being a bit clunky, is really fun to read and feels really exciting in your hands. yay!
Public Domain Book: Stand Scroll Book
Standard scroll book
Published 1876 by J. Haney & co. in New York .
Written in English.
Lionsdale Champion scroll given to Sir Savaric. Designed and painted by myself and THL Elspeth Selwode.