The Elder Scrolls V: Skyrim
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I thought of my husband when I photographed this flower. He is a violin maker. This flower has its own beautiful scrolls. They remind me of the scrolls of his violins. Well, art imitates life all of the time. I like all types of art because art makes me feel and feeling is an essential part of being alive. A good day, afternoon, evening or night to all!
© Leanne Boulton, All Rights Reserved
Street photography from Glasgow, Scotland.
Colour re-edit of a shot from March 2017 simply because I have no new work to share. Hope you like it!
Late afternoon sun lighting up the cream-painted scrolled feet on the benches lining the walls of the rotunda.
"A table, a chair, a bowl of fruit and a violin; what else does a man need to be happy?" -Albert Einstein
Scroll of my daughter's Violin. HMM!
After scrolling through some photos from last year, I'm ready for the change of season and the snow that comes with it.
The glint from a fiery sunset looks glazed onto the side of a Union Pacific SD70ACe tied down near Lees Cross Roads. The locomotive was the leader on a Norfolk Southern train; the crew had cut away from their tied-down train a mile back during an almost-blizzard at the beginning of 2016 and pulled up to the nearest crossing to meet their jitney home.
-*- DECOR--
Elfico penso: Satori
Tea House available at Sense Event
Taxi=== maps.secondlife.com/secondlife/DreamsLand/168/125/1503
Place==taken at home
Gli amici più speciali......Meticolosamente addestrato l'uomo può diventare il miglior amico del cane.
Ford
On Sunday, we climbed one of the high peaks in the Catskills...The elevation of this mountain is about 3,610ft. The hike itself is not a long one round trip, but a very steep ascent & descent. Only about 3-4" at the lower elevations, but once above 3,500 ft. just breathtaking scenery...Please scroll down for a few more photos...:).
The world has shifted, jagged and off-key.
We scroll feeds, walk streets, lined with brittle promises,
our freedom cracking beneath rallying cries.
With every word he speaks, the air feels heavier,
the weight of the consequences like stones in our chests,
creating smog over cities we can barely afford.
A name rises in defiance,
a martyr for the cause,
paying the price to reveal what we’ve lost.
A life extinguished to expose the system’s flaws,
while progress falters, caught in an endless delay of the truth.
The headlines bleed outrage,
But we’ve become numb to the drip,
like frogs in boiling water,
watching them gut what’s left of hope.
They think we’ll stay docile,
content with hashtags and empty rage,
watching the world burn from the sidelines,
indifferent to the flames.
But this isn’t sustainable.
It’s gasoline on a dry field,
and we are the match.
When the times of war comes... not only your willpower can solve things and finish your enemies, you need... more POWER! RAW PURE POWER, by sealing a contract with a ONI-Demon you will be granted powers that you couldn't even imaginate, seal your pact today with this Demon Pact Scroll!
A fully mesh scroll with crysp and precise demon-letters that goes behind your avatar in a arc, or straight pattern, it is fully modifiable so you can change its color... unlink the scroll pages to attach or add it in whenever other object you want!
"the letters are animated with a really crysp and gorgeous gradient effect"
Skyrim
• Grim and Somber Azura ENB
• GeDoSaTo
• In-game photo mode (timestop, free camera, no HUD and FOV)
#BackToSquareOne
Width of the scroll: 4,2 cm / 1,6 inches
Scrolled. Or screwed. Almost. Why? Because I almost managed to break my violin, the macro lens and the camera while taking this shot. What had happened? Well, in order to get the best shooting distance without piling box upon box and then my small table top tripod on top of it all, I mounted my camera on my small traveller tripod, camera pointing lens down to my violin's neck and scroll. So far, so good. I should mention, however, that, while the camera was mounted tightly and safely on the tripod, I had placed my violin on several cardboard boxes to get the right distance to the camera and the background. You know what was happening next, don't you? So I moved the violin, because the scroll wasn't quite centered, then thought "Why not move the tripod instead?," and... bang. Because the boxes moved as well. Next thing I know is that I still tried to catch the camera, but too late, the camera on tripod fell right onto my violin's neck. I heard a nasty sound. And thought "That's it." After a short moment of shock I thought, "OK, so you had a filter and the lens hood (which was still on the lens, but at a rather weird angle) attached, so the lens and camera are probably OK." They were. Phew. Then I took an anxious look at my violin. Still OK as well. Another phew. As it is, the lens hood (which is retractable, it's rather cool) had taken most of the impact, and all that actually happened was that the E-string broke. Huge phew. And the moral of this story? Don't place your stuff on cardboard boxes. Oh, and I forgot: this was lit from below and the side (right).
Needless to say I decided to stop taking more captures afterwards. It was late again anyway. Processed, as usual, in Luminar (develop filter, Accent-Al filter, detail enhancer, microstructure). Then on to Nik's Silver Efex for the black and white conversion. I started off with a preset this time, the "full spectrum inverted" (my translation, it's preset no. 018) which I still tweaked a little, then back to LR for finishing touches (colour preset "high contrast and details", yes, it works for b&w images as well 😉).
A Happy Macro Monday, Everyone!
Zur Schnecke gemacht
Fast. Fast wären nämlich meine Geige und mein Makroobjetiv bei dieser Aktion zu Bruch gegangen. Was war passiert? Um die nötige Distanz zum Motiv, der Schnecke meiner Geige, zu bekommen, hatte ich dieses Mal vernünftigerweise die Kamera gleich kopfüber am (nicht ausgefahrenen) kleinen Manfrotto Elements befestigt, anstatt wie sonst üblich einen Karton auf den anderen zu stapeln und zum Schluss das kleine Tischstativ obendrauf zu stellen. So weit, so gut, so sicher. Dafür kamen besagte Kartons aber als Unterlage für die Geige zum Einsatz, um genug Abstand zum Hintergrund zu haben und noch ein Stückchen näher an die Kamera zu kommen (das Makro hat 19 cm Mindestabstand). Es kam, wie es kommen musste, ich arrangierte die Schnecke noch ein wenig mittiger, verrückte dann das Stativ noch ein bisschen - und die Kartons verrückten sich dann wie von Zauberhand selbst, was das Stativ zum Umkippen brachte. Natürlich direkt auf den Hals meiner Geige. Krack. Ich dachte schon "Das war's", aber nach einer kurzen Schrecksekunde konnte ich feststellen, dass die (aus- und einfahrbare) Gegenlichtblende den Sturz abgefedert hatte. Uff. Nicht mal der Filter hatte was abbekommen. Die Geige auch nicht. Lediglich die E-Saite war gerissen. Glück gehabt. Danach habe ich die Kamera dann aber abgebaut und die Geige wieder sicher verstaut, Lust auf weitere Kopfüber-Makros hatte ich nicht mehr. Aber zum Glück war ein brauchbares Foto im Kasten, das ich dann in Luminar (vor-)entwickelt habe (regulärer Entwickeln-Filter, Accent-Al-Filter, Details und Microstruktur) und in Niks Silver Efex in SW umgewandelt habe. Hier habe ich als Startpunkt ausnahmsweise mal eine der Voreinstellungen (018, "vollständiges Spektrum invertiert") genommen und dann noch ein bisschen angepasst. In LR habe ich dann noch die Voreinstellung "Farbe - Hoher Kontrast / Details (ja, funktioniert auch bei SW-Bildern 😉) für mehr "Knackigkeit" verwendet. Ach ja, beleuchtet hatte ich das Ganze von rechts und von unten.
Ich wünsche Euch eine schöne Woche, liebe Flickr-Freunde!