View allAll Photos Tagged scroll

Kerouac leaving the home of his brother-in-law, Paul Blake, in Orlando, Florida, 1958, his suitcase filled with manuscripts and notebooks. While there he had retyped 'The Dharma Bums' from the original scroll version onto standard sheets of paper.

The only time I use the PEDAL POWERED SCROLL SAW is to cut out the drawers on the Jewelry Chests. I use the table saw on the rest of the Jewelry Chest. My brother and I made the power source for the table saw. When I started needing a scroll saw, I made one to fit onto the same power source as the table saw. I just unbolt the table saw and lift it off the power source and set the scroll saw in place, then bolt it on. I don’t use the vacuum with it.

To see the table saw in action, click here; www.youtube.com/watch?v=AAd5bAYsW-k&feature=c4-overvi...

A great pair with 3 different looks! Wear the "vine" portion of the earring alone or interchange with either briolettes.

 

Composition:

 

---Sterling silver wire

 

---AAA quality polished briolettes in phrenite and Oregan sunstone---delish...

 

---Handmade and secure earwires

 

This pair has been oxidized and machine polished for a shiny finish.

 

Measurement: 2 inches from the tops of ear-wires

 

Weight: 2 grams with earring component alone and 4 grams with both briolettes

Skyrim costume by Manzie DeYoung (www.nihilistique.com)

 

Ancient Nord helmet by Volpin Props

 

Photography by Max Song

Made with garnet beads and burgundy thread

Lionsdale Champion scroll given to Sir Savaric. Designed and painted by myself and THL Elspeth Selwode.

Rusted scroll on an old gate.

 

365/250 - Year 7 Photo 2441

It's the Sea Scrolls texture created in the Filter Forge plugin. It can be seamless tiled and rendered in any resolution without loosing details.

You can see the presets and download this texture for free on the Filter Forge site here — filterforge.com/filters/11851.html (created by CFandM)

To use this texture download Filter Forge 30-day trial for free here — www.filterforge.com/download/

 

Scroll Saw Work

I love how the wood stain brings this one to life!

Mounted on a bronze tinted mirror...

© anna hwatz photography

Skyrim costume by Manzie DeYoung (www.nihilistique.com)

 

Ancient Nord helmet by Volpin Props

 

Photography by Max Song

Canon Eos550D

Vega 12B 90mm f2,8

 

Luglio 2011

These beautiful spiral scrolls are about an inch in size and look absolutely elegant. I have a pair and get comments all of the time. They are simple yet very unique and will go with everything!

Scroll wave design. Design created using shapes from vectorshapes.co.uk (c) 2010 Andrew Buckle

I recently did a couple selected color processed images, something I have never done before and then showed other Photoshop tricks. This was just a lark; I compared

 

This has be a busy week so getting work out has been quick when I had time but I have had little time to watch all the political lies on the tube. I can hardly stand it anymore. I got side tracked getting an old digital book collected to send off to someone who had an interest in editing and tricks. I'm all about that. I quit work on it when I pretty much hit the limits of Acrobat. It seems all right in the Reader which lacks most of the functionality of the Writer. I just ripped the page instead of digging out the original art.

 

Process: I created the paper in CorelDraw. After I had the generic paper I wound the bottom of the paper into a scroll. The original, with texture, had text added in Corel where you can convert text into an object and warp it correctly to match the shape of the scroll. The bottom of the scroll is a second layer. The Corel warping envelope and its sensitive points are extremely useful, flexible and moveable as are the lenses. Brilliant. I popped the paper itself into Photoshop and added the text where I tried a shot at adding formed text. Even if you convert the text to an object, I have no idea how to duplicate the CorelDRAW effects. Popping .TIFFs into Photoshop allows for further butchery wherever wished.

 

In the meantime, I rifled through to look at some of the chapters I had done and found this interesting exercise of hand There is no end to fictitious examples of this in retouching groups. All phantasy IMHO but I am after fantasy as a lark.

  

Tokyo National Museum

Ueno Park, Tokyo

www.tnm.jp

 

Taken with

Olympus OM-D E-M10 Mkii

Panasonic f1.7 25mm

LUMIX G 25/F1.7

 

OLYMPUS DIGITAL CAMERA

These scrolls are popular! We have created them in various colors and sizes.

new Colin Irving cello 1982 - scroll

Oxford Jewish Fair. Agfa Vista 200 film, scanned by Peak Imaging

This is a photograph from the Athlone 10KM and 5KM road races were held in Clonown Village, Co. Roscommon, Ireland on Sunday 26th of April 2015 at 14:00 and 14:30. Clonown is a small townland on the west bank of the River Shannon and is situated about 3 miles south of the town of Athlone. Whilst the townland is almost completely rural it is accessed easily from major routes and towns by the M6 motorway. The weather was perfect for today's race and participants enjoyed very warm spring sunshine. There was a slight breeze on certain parts of the course but overall it was a beautiful day for running. Over 200 people took part in both events.

 

Reading on a Smartphone or tablet? Don't forget to scroll down further to read more about this race and see important Internet links to other information about the race! You can also find out how to access and download these photographs.

 

We have an extensive set of photographs from today in the following Flickr Album: www.flickr.com/photos/peterm7/sets/72157651739578427/

 

Timing and event management was provided by Precision Timing. Results are available on their website at www.precisiontiming.net/result.aspx?v=864 with additional material available on their Facebook page (www.facebook.com/davidprecisiontiming?fref=ts) See their promotional video on YouTube: www.youtube.com/watch?v=c-7_TUVwJ6Q

 

This race was the fourth annual running of the vent. Every aspect of the organisation was professional: from stewarting, registration, start of races exactly on time, car-parking, and post race refreshments. The 10KM route followed an anti-clockwise loop. The race started on the L2035 Togher Road (about 100m from Clonown Centre - see here on Google Streetview goo.gl/maps/xWj3i) and heads towards the old Ballinasloe Rd (emerging here - see on Google Streetview goo.gl/maps/P6rE8) and back via Creggan (turning off the main road at this point - see Google StreetView goo.gl/maps/wCHT0) with the finish at the Clonown Community Centre. The course turns at this point [goo.gl/maps/7sa6u] to return to the finish. The stretch from the exit off the Old Ballinasloe Road to the Creggan turn off brings the race through wide open bogland areas used in the peat extraction industry.

 

The 5KM race route follows a different route around the townland. The race starts at the church in Clonown and head clockwise around the Ballinaculla townland which offers lovely views of the River Shannon. The route then goes to the Drumlosh road and runs for 1.5 km before the roundabout which is the 3km mark. The race then turns around and returns back to the village and finish at Clonown Community Centre. Both races share some of the race route for the Flatline Athlone Half held annually in September (www.athlonehalfmarathon.com/) which makes the race routes very fast and flat.

 

Location Map: This is the start/finish area on Google StreetView [goo.gl/maps/W0Hxc]

 

Some Useful Links

Pictures from 2014: www.flickr.com/photos/peterm7/sets/72157644370027053/

Pictures from 2013: www.flickr.com/photos/peterm7/sets/72157633350511183/

Garmin Connect GPS Trace of the 2013 10KM Route: connect.garmin.com/activity/306782605

The Clonown area on Google Streetview [goo.gl/maps/W0Hxc]

Facebook Page for the Athlone 10KM Race 2015 www.facebook.com/Athlone10krun?fref=ts

 

USING OUR PHOTOGRAPHS - A QUICK GUIDE AND ANSWERS TO YOUR QUESTIONS

Can I use these photographs directly from Flickr on my social media account(s)?

 

Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.

 

BUT..... Wait there a minute....

We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.

 

This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.

 

I want to download these pictures to my computer or device?

 

You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.

 

I want get full resolution, print-quality, copies of these photographs?

 

If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.

 

Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.

 

In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.

 

I would like to contribute something for your photograph(s)?

Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.

 

Let's get a bit technical: We use Creative Commons Licensing for these photographs

We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?

The explaination is very simple.

Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.

ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.

 

Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/

 

I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?

 

As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:

 

     ►You were hidden behind another participant as you passed our camera

     ►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set

     ►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone

     ►We simply missed you - sorry about that - we did our best!

  

You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.

 

Don't like your photograph here?

That's OK! We understand!

 

If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.

 

I want to tell people about these great photographs!

Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets

 

Public Domain Book: Stand Scroll Book

 

Standard scroll book

Published 1876 by J. Haney & co. in New York .

Written in English.

 

openlibrary.org/books/OL25225295M/Standard_scroll_book

If you like the pictures in this lightbox, please click here to download.

 

Download Link: ++Scroll paper

 

......................................................................................................................

★My Stock Portfolio: www.istockphoto.com/download

Urban Street Photography; Harlem, New York City; ©2011 DianaLee Photo Designs

(for English scroll down)

 

Meine erste Foto-Einzelausstellung präsentiert im Café Berio, Berlin

Vernissage 31. Juli 2018 | Finissage 22. September 2018

 

In meiner ersten Foto-Einzelausstellung zeigte ich meine Berliner Portraits und einige meiner Vogel-Fotografien; daher der Titel der Ausstellung. In meinem Fotoprojekt wollte ich einmal weg von den sonst bewusst gewählten Orten, an denen man ein Fotoshooting durchführt. Ein Studio oder eine ausgewählte Location haben für die Menschen meist etwas sehr Unpersönliches. Ich wollte dorthin, wo es am authentischsten ist; an die Orte, an denen die Protagonisten (überwiegend Künstler) zu Hause und in ihrem Element sind: auf der Bühne, hinter der Bühne und vor, während und nach einem Auftritt bzw. Event. Ich möchte dem Betrachter Bilder zeigen, die er nicht unbedingt während einer Veranstaltung wahrnimmt und Außenstehende gefangen nehmen, als hätten sie es live miterlebt.

 

Über 70 Arbeiten präsentierte ich in der Ausstellung; darunter Portraits von Romy Haag, Henry de Winter, Hanna Schygulla, Georgette Dee, Dieter Rita Scholl, Gloria Viagra, Ades Zabel, Frank Wilde, Gaby Tupper und vielen anderen.

 

Vögel leben auf allen Kontinenten. Sie sind flüchtige, scheue Tiere. Auf meinen Fotografien lassen sie aber eine unwahrscheinliche Nähe zu. Das eigentlich Fremde und in der Natur nicht Sichtbare habe ich in meinen Vogel-Portraits festgehalten.

 

Mein Motto: "Authentizität ist das Schlüsselwort, das hinter meiner Fotografie steht. Ich ziehe es vor, mehr die menschliche Note zu zeigen und weniger die Retusche."

 

Die meisten der Exponate sind in der queeren Community entstanden.

 

berio-berlin.de/ausstellungen/berliner-und-andere-schraeg...

____________________________________________________

 

My first solo photo exhibition presented at Café Berio, Berlin

Opening July 31, 2018 | Closing September 22, 2018

 

In my first solo photo exhibition, I showed my Berlin portraits and some of my bird photographs; hence the title of the exhibition. In my photo project, I wanted to get away from the usual deliberately chosen locations for a photo shoot. There is usually something very impersonal about a studio or a selected location for people. I wanted to go where it is most authentic; to the places where the protagonists (mostly artists) are at home and in their element: on stage, backstage and before, during and after a performance or event. I want to show the viewer images that they don't necessarily see during an event and capture outsiders as if they had witnessed it live.

 

I presented over 70 works in the exhibition, including portraits of Romy Haag, Henry de Winter, Hanna Schygulla, Georgette Dee, Dieter Rita Scholl, Gloria Viagra, Ades Zabel, Frank Wilde, Gaby Tupper and many others.

 

Birds live on every continent. They are elusive, shy animals. In my photographs, however, they allow an improbable closeness. I have captured what is actually alien and invisible in nature in my bird portraits.

 

My motto: "Authenticity is the keyword that lies behind my photography. I prefer to show more the human touch and less the retouch."

 

Most of the exhibits were created in the queer community.

 

berio-berlin.de/ausstellungen/berliner-und-andere-schraeg...

Also available from today on the Elder Scrolls Online public test server, if you fancy.

  

bit.ly/1TbwArf

This is a photograph is one of a set of photographs from the Castlepollard 5KM Road Race and Fun Run 2013 which was held in Castlepollard, Co. Westmeath, Ireland on Wednesday 13th August 2014 at 20:00. The race is hosted by North Westmeath Athletic Club. The race has grown in stature and popularity over the years and is now one of the most well attended road races in the midlands. The race offers prizes in all categories. Castlepollard 5KM Road Race attempts to support young runners and walkers by organising a range of underage races around the town square before the adult race at 20:00. Profits from the race go towards grassroots athletics in the region - North Westmeath Athletics, Schools Cross Country, and local community games.

 

Reading on a Smartphone or tablet? Don't forget to scroll down further to read more about this race and see important Internet links to other information about the race! You can also find out how to access and download these photographs.

 

The Castlepollard 5KM can be considered as the final major race in summer road racing in the midlands as with the fading light of the late summer comes less opportunities to hold races in the evening time. Castlepollard is a small town located in North County Westmeath amongst the lakes of Lough Lene and Lough Derravagh. One of the enduring symbols of the Castlepollard 5KM is the tireless work of Andy MacEoin of North Westmeath AC who has been a visitor to almost every road race in the Midlands and beyond over the past number of months to publicize the event. Many of the participants tonight will have seen Andy's strategically placed advertising signs around other road race routes. Certainly this work, and that of many other members of North Westmeath AC, has paid off well.

 

The race begins near the center of the town square and proceeds directly out the R395 towards Coole and Edgeworthstown. The first KM is flat and quick allowing the field to spread out. The race then enters the Tullynally Castle estate and proceeds up the tree-lined avenue. The gardens, like the castle are on a grand scale, taking in nearly 12 acres. This allows the race to make a big loop of the gardens with a quick downhill stretch followed by a sharp climb before the race rejoins it's outgoing path for the final 1.5KM of the race. The final 1100M from the gate of the Castle grounds to the finish is as the first - fast and flat and allows for a great finish passing the GAA grounds with finish line just outside the local Fire Station.

One of the show pieces of the race landscape is Tullynally Castle. The name Tullynally is an adaption of 'Tulaigh an Eallaigh' – the Hill of the Swan. The hill overlooks Lough Derravaragh, the legendary lake of the Children of Lir who were turned into swans. Tullynally Castle is still a family home to this day. Details of visitor times and other information is available on the links below.

 

This year over 450 participants took part in the race. This represented another great attendance. Last year's Castlepollard 5KM set the bar very high for future races with a record participation of just under 470 on the night. The race in 2013 showed an increase of over 100 participants from the previous record of 366 set at the 2012 event. It goes without saying that the Castlepollard 5KM has become one of the "must do" road race events in the midlands. Everything that is good about club road racing in Ireland can be found here.

 

We have a large set of photographs from the event today. The full set is accessible at: www.flickr.com/photos/peterm7/14714159280/ - They were taken at the start and finish of the event.

 

2014 Castlepollard 5KM Results: www.precisiontiming.net/result.aspx?v=2115

2013 Castlepollard 5KM Results: www.precisiontiming.net/result.aspx?v=1444

2012 Castlepollard 5KM Results: www.precisiontiming.net/result.aspx?v=960

Our Flickr Photographs from Castlepollard 5KM 2013: www.flickr.com/photos/peterm7/sets/72157645912529346/

Our Flickr Photographs from Castlepollard 5KM 2011: www.flickr.com/photos/peterm7/sets/72157627404031092/

Our Flickr Photographs from Castlepollard 5KM 2010: www.flickr.com/photos/peterm7/sets/72157624655001130/

Our Flickr Photographs from Castlepollard 5KM 2009: www.flickr.com/photos/peterm7/sets/72157622023529006/

 

Timing and event management was provided by Precision Timing. Results are available on their website at www.precisiontiming.net/result.aspx?v=2100 with additional material available on their Facebook page (www.facebook.com/davidprecisiontiming?fref=ts) See their promotional video on YouTube: www.youtube.com/watch?v=c-7_TUVwJ6Q

 

Reading on a Smartphone or tablet? Don't forget to scroll down further to read more about this race and see important Internet links to other information about the race! You can also find out how to access and download these photographs.

 

Can I use these photographs directly from Flickr on my social media account(s)?

 

Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.

 

We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us.

 

This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.

 

I want to download these pictures to my computer or device?

 

You can download the photographic image here direct to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. However - look for a symbol with three dots 'ooo' or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.

 

I want get full resolution, print-quality, copies of these photographs?

 

If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.

 

Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.

 

In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting does take a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.

 

I would like to contribute something for your photograph(s)?

Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.

 

We use Creative Commons Licensing for these photographs

We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?

The explaination is very simple.

Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.

ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.

 

Creative Commons aims to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/

 

I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?

 

As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:

 

     ►You were hidden behind another participant as you passed our camera

     ►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set

     ►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone

     ►We simply missed you - sorry about that - we did our best!

  

You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.

 

Don't like your photograph here?

That's OK! We understand!

 

If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.

 

I want to tell people about these great photographs!

Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets

Handwritten scroll on parchment, approximately 250 years old.

Contains the first 5 books in the bible (Genesis, Exodus, Leviticus, Numbers, Deuteronomy)

 

For rabbinical use. There's a picture of the Synagogue one above..

 

The person who wrote this has really good handwriting. And the words are even smaller than my mine!

Due to the large area of the Barony of the Far West {Japan, Korea, Guam, and sometimes China} and the small SCA population {itnierant military and teachers of English} we rely heavily on pre-made scrolls we just print out, put names on and paint. Still, I enjoy the painting.

Kazue took us all on a tour of this old building they were doing Pika-pika in. It seemed to have been a restaurant and was completely tilted and sloping down to one side. The owner had died and much of their stuff was still left in the house. The whole place was a bit creepy.

Lionsdale Champion scroll given to Sir Savaric. Designed and painted by myself and THL Elspeth Selwode.

Redline vs Ninja Scroll

 

Billy Tipton Memorial Saxophone Quartet (Seattle, USA) - 1993

Live at

Autonomes Kulturzentrum Metzgerstrasse Hanau

 

.

 

SQUAT - SOUNDS *

 

AUTONOMES KULTURZENTRUM HANAU

(Besetztes Haus / Metzgerstrasse-Squat in Hanau / Germany).

 

Photographs 1987-1994

 

- Please scroll down for english and german info) -

 

The Squat - Photos:

www.flickr.com/photos/sterneck/sets/72157627799174125

 

Squating the Parliament (1988):

www.flickr.com/photos/sterneck/sets/72157627923787960

 

Concert-Photos 1987-1988:

www.flickr.com/photos/sterneck/sets/72157627799191443

 

Concert-Photos 1989-1990:

www.flickr.com/photos/sterneck/sets/72157627923799072

 

Concert-Photos 1991-1992:

www.flickr.com/photos/sterneck/sets/72157627923811302

 

Concert-Photos 1993-1994:

www.flickr.com/photos/sterneck/sets/72157627923815978

 

- Concert-Photos 1993-1994:

Billy Tipton Memorial Saxophone Quartet (Seattle, USA) - 1993

Deo Cadaver (Lausanne, Switzerland) - 1993

Hadayatullah Hübsch (Frankfurt, Germany) - 1993

In den Wolken schwebende Gänse II (Hanau, Germany) - 1993

Inox Kapell (Wiesbaden, Germany) - 1994

Left Hand Right Hand (London?, England) - 1994

Orchestre Murphy (London, England) - 1993

Peter Brötzmann (Wuppertal, Germany) - 1991

Pszychisz Teror (Zurich, Schweiz) - 1993

Rabenhirn (Frankfurt, Germany) - 1994

Schwartzeneggar (London, England) - 1993

Strelnikoff (Ljubljana, Slovenia) - 1993

Steve Ignorant (London, England) - 1993

Substanz T (Frankfurt, Germany) - 1994

The Honkies (London, England) - 1993

..... and Friends and .....

.........

  

There were a lot more bands playing in the squat.

If you have photographs or recordings - please get in contact:

contact@sterneck.net

Thanx! *

 

- * -

  

THE SQUATED AUTONOMOUS CULTURE CENTER

METZGERSTRASSE / HANAU

 

In December 1986 some people in Hanau (Germany) decided to squat a house that had been empty for a long time, Metzgerstraße 8. They restored it and filled this free space with a new life.

 

Soon it became an ’Autonomous Culture-Center’ for the people and by the people, and also a focal point for a solidaric projects and for the resistance against ruling systems in all their repressive forms. The center has had a long history of attempts to establish a self-determined culture-center in Hanau, although it has always been repressed by the local city council.

 

The basic forum of the center is the ”squatter meeting,” which is open to everyone who has an interest in the squat as a counter-cultural free space. Decisions are made on the consent principle, which means that they try to find a decision that can be supported by everyone. Many activists in the squat, but not all, describe themselves as members of the autonomy movement, which connects anarchist, communist and feminist ideas.

 

At the moment there are a lot of projects, groups, and events that take place in the center. Everything is done on a do-it-yourself and nonprofit basis; no one receives money for her or his work. Solidarity, trust and self-determination are the basis for all work. Here are some examples:

 

- The ’Infoladen’ (Infoshop): The Infoshop is an opportunity to get information that can’t be found in the normal bourgeois media. There are a lot of autonomous, left radical and feminist leaflets, brochures and newspapers available. There is also a small media center and an archive that includes material on topics like anti-fascism, atomic politics, women’s liberation, internationalism, etc.

 

- The ’Volxküche’ (Peoples Kitchen): Frequently people from the community cook a vegetarian meal that is available for a small price. The idea behind this is to overcome isolation between people and the patriarchal roles typical in the kitchen, and, of course, to provide a good tasting meal for many people.

 

- The Concerts: Concerts in the center are organized, and absolutely dedicated to the principle of working in a self-determined way without a manager, an agency, or even a contract. The bands that play in the squat should have a mutual relation to the ideas of the center. There are no musical limits: Local punk bands have played there as well as jazz bands from North-America and Avantguarde projects from Eastern Europe. Some of the performances have been released on tapes and records.

 

In a way, the things that happen between the people in the center are more important than the events: changes in behavior, opportunities to live together without hierarchical structures, and new ways of relating. Although the squat is like an island in some ways, it’s far from a concrete utopia. Problems in interpersonal relations exist, as well as differences between ideals and real behaviour.

 

If people want to go alternative ways, the authorities try to stop them. In Hanau the local city council has said for a long time that none of the things the squatters do and organize represent culture. They decided in parliament that the center was to be closed and torn down without an alternative. In place of the squat, they planned to build five parking places. A decision that is very symbolic and characteristic. Certainly, the real aim was to destroy the ideas and the structures this center stands for.

 

The answer of the supporters of the Autonomous Culture-Center was the squatting of the parliament of the city. The politicians went out of the building and the squatters voted for the continuation of the center.

 

Up to now the authorities have not been able to realize their plans for various reasons. On the one hand there are many people who support the squat. There are also legal difficulties around closing it, and they are afraid of the resistance and activities that could take place after closing the squat.

 

But even if they evict the center, they can’t repress the ideas that the squat stands for. It’s about a self-determined culture and a self-determined life. It’s about dreams and ideals. It’s about consequence and change, here and now.

 

Wolfgang Sterneck, 2001.

 

Autonomes Kulturzentrum

Metzgerstrasse 8, D-63450 Hanau, Germany.

 

Autonomes Kulturzentrum Metzgerstraße:

- www.metzgerstrasse-hanau.org

- de-de.facebook.com/people/Metzgerstrasse-Acht-Hanau/10000...

- www.myspace.com/metzgerstrasse

- www.sterneck.net/squat

 

Info on the Project of John Cage and Sterneck / KomistA in benefit of the squat:

- www.sterneck.net/john-cage/metzgerstrasse-e

 

- * -

 

SUBVERSIVE SOUNDS *

 

Konzerte im Autonomen Kulturzentrum Hanau.

  

Das besetzte Haus

 

Im Dezember 1986 kam es in Hanau zur Besetzung eines ehemaligen Nachtclubs in der Metzgerstraße 8. Das Gebäude, das zuvor über Jahre hinweg leer stand, wurde renoviert, neu gestaltet, umbenannt und wird seitdem als Autonomes Kulturzentrum genutzt. Das Ziel der Besetzung war es, einen Freiraum zu schaffen, in dem die Vorstellung einer autonomen Kultur wie auch die Wiederaneignung des entfremdeten Alltags konkret umsetzbar wird.

 

Vor diesem Hintergrund gelang es, ein Zentrum zu entwickeln, in dem solidarisches Handeln, kollektives Leben und politische Identität auf vielen Ebenen verschmelzen oder sich zumindest annähern. Die Metzgerstraße wurde dadurch zu einem wichtigen Bezugspunkt von dem auf verschiedenen Ebenen vielschichtige politische, soziale und kulturelle Impulse ausgingen.

 

Im Laufe der Jahre entstanden vielfältige Projekte wie die Volxküche (Essen zum Selbstkostenpreis), der Infoladen (Aktuelle politische Informationen und Archiv) und das Basta-Cafe (Treffpunkt und Sozialberatung). Die politischen Schwerpunkte der im Kulturzentrum aktiven Gruppen liegen unter anderen in den Bereichen 'Internationale Solidarität', Antifaschismus und 'Soziale Veränderung'.

 

Die Entscheidungen innerhalb des Kulturzentrums werden basisdemokratisch nach dem Konsensprinzip getroffen. Alle Aktivitäten basieren auf einer idealistischen Grundhaltung. Keine Person aus dem Zentrum erhält für ihre Tätigkeiten eine finanzielle Entlohnung.

 

Selbstbestimmte Kultur ohne Kommerz

 

Musik hatte von Anfang an in der Metzgerstraße eine besondere Bedeutung. Über das Musikhören hinaus machen viele AktivistInnen selbst Musik, veröffentlichen eigene Aufnahmen oder organisieren Konzerte. Im Sinne des DIY-Prinzipes ('Do it Yourself') werden die Auftritte im direkten Kontakt mit den MusikerInnen ohne Konzertagenturen und auch ohne Verträge auf völlig nichtkommerzieller Basis organisiert.

 

Eine Grundlage bildet ein solidarisches Verhältnis der MusikerInnen zur Metzgerstraße, was sich unter anderem auch in der Gage ausdrückt, die sich in der Regel auf die für die Band entstandenen Unkosten und die Verpflegung beschränkt. Der Eintrittspreis ist so ausgerichtet, dass er für alle interessierten Personen erschwinglich ist und die anfallenden Kosten deckt bzw. im Rahmen von Benefiz-Konzerten bestimmte Projekte unterstützt.

 

Freiräume statt Parkplätze

 

Während der ehemalige sozialdemokratische Kulturdezernat Hanaus davon sprach, dass in der Metzgerstraße keine Kultur stattfindet, bildete dass selbstorganisierte Zentrum durch die Auftritte von Bands aus Westeuropa und Nordamerika einen im Hanauer Kulturleben herausragenden internationalen Bezugspunkt. Die musikalische Bandbreite umfasst unter anderem Rockmusik in den verschiedensten Schattierungen, Punk, Hardcore, Folk und Jazz, sowie experimentelle und improvisierte Musik. Lokale Nachwuchsbands traten im Laufe der Jahre genauso auf wie renommierte Gruppen aus unterschiedlichsten Ländern. Einen Kultcharakter erlangten zudem die Nachtcafe-Sessions, an denen jeder und jede teilnehmen konnte.

 

Die Aufnahmen einiger Konzerte wurden später auf verschiedenen Tonträgern veröffentlicht. 1992 kam es daneben zur Veröffentlichung eines der Metzgerstraße gewidmeten Stücks des Avantgarde-Komponisten John Cage.

 

In den Anfangsjahren plante der Hanauer Magistrat das Haus nach einer Räumung abreißen zu lassen, um dort stattdessen fünf Parkplätze zu errichten. Die Kulturpolitik des Magistrates entlarvte sich dadurch in einer kaum zu übertreffenden symbolhaften Weise selbst. Das Vorhaben wurde jedoch nicht zuletzt in Folge einer Besetzung des Stadtparlamentes durch Unterstützerinnen des Kulturzentrums nicht weiter verfolgt.

 

Rund 25 Jahre nach der Besetzung wird das Haus weiterhin als Kulturzentrum genutzt. Im ansonsten auf Konsum und Kommerz ausgerichteten Stadtzentrum Hanaus ist es mit seinen vielfältigen Projekten kreativer wie auch subversiver Freiraum.

 

Wolfgang Sterneck, September 2011.

 

Autonomes Kulturzentrum Metzgerstraße:

- www.metzgerstrasse-hanau.org

- de-de.facebook.com/people/Metzgerstrasse-Acht-Hanau/10000...

- www.myspace.com/metzgerstrasse

- www.sterneck.net/squat

 

Eine ausführliche Beschreibung der Geschichte des Kulturzentrums:

Freiräume entwickeln - Das besetzte autonome Kulturzentrum Metzgerstraße Hanau

- www.sterneck.net/squat/metzgerstrasse-d

 

English Info:

The squated Autonomous Culture Center Metzgerstrasse Hanau

- www.sterneck.net/squat/metzgerstrasse-e

 

Infos zum Benefiz-Projekt von John Cage und Sterneck / KomistA für das Kulturzentrum:

- www.sterneck.net/john-cage

 

- * -

  

OK, there were scrolls and wands but I am most tickled by the two Phrenology charts of the Vampire and Zombie on the upper left corner.

This exercise is meant to expand the thinking about guidelines even in Photoshop and therefore CorelDraw because of the sophisticated layers, sublayers and the dedicated guidelines in CorelDraw. It's always sad to see how much software is written without the study or even regard of others' applications. I don't use CorelDraw that much but every once in a while it is absolutely necessary to do some prep illustration in Corel and then drop a tiff into a Photoshop layer because of the extensive time element that can be trivialized in Corel.

 

The subject of the lesson is generating a paper scroll that can have text applied later. The concept was invented by a glassblower I know, James P. Clarke, Here is something like what I helped him with. It is a good carrier for a discussion of more sophisticated guidelines or even cheating guidelines:

 

The Scroll, Corel file is a demonstration of setting up advanced guidelines on the dedicated Guidelines layer in Corel. All objects applied to that dedicated layer will assume the assigned color and simple lines will assume the snap properties. The scroll guides were generated on a separate layer and then moved and dropped onto and become a sub-object on Corels Guidelines layer. Otherwise, create your own Guidelines layer in Photoshop.

 

Use the guideline scroll to develop your own paper object, color, texturize and antique it, like in the Scroll file.

 

The Scroll, Corel file shows the results of adding a text block, then an Envelope object to the text block and adding nodes to stretch and warp the enveloped text block. It is difficult to get the text to lay out realistically otherwise but you can handle it however you want.

 

Parchment scroll, dating back to the 1760's. As described by Elsie Toms in her book - The Story of St Albans, on page 128.

Parchment scroll, dating back to the 1760's. As described by Elsie Toms in her book - The Story of St Albans, on page 128.

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