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approx. 1550 by Mir 'Ali al-Katib al-Haravi (1476-1545) Afghanistan or Uzbekistan
Nasta'liq is called Hanging Script
Text reads:
Yesterday she anointed her hair. Her face was aglow with the scent of musk. With this veil ([her hair] she covered her beautiful face so that no one who is forbidden would be able to see her.
Asian Art Museum, San Francisco
SUDTIPOS NEWS
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We are proud to announce the release of Courtesy Script, our latest ornamental tribute to late S. XiX penmanship.
Get Courtesy > www.myfonts.com/fonts/sudtipos/courtesy-script-pro/
ABOUT COURTESY
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As in Victorian times, the precious, hand-lettered look of custom stationery is back in vogue. Enter Courtesy Script, my newest ornamental script typeface.
Courtesy captures the elegance and propriety of finely practiced Spencerian penmanship, in particular the Zanerian school. Its lowercase is notably understated, a simple monoline with very wide connections that ease readability. In the capitals, Courtesy adds variety in both the weight of the strokes, and in degrees of flourish — from merely fancy to over-the-top engrossery.
Based on an alphabet found in a 19th-century penmanship journal, Ale created hundreds of additional, stylistically complementary letterforms. Alternate capitals and lowercase letters, swashed lowercase forms, and ending and ornamental swashes; numerals, punctuation, and non-English and accented characters.
With virtually endless ways to customize its use, Courtesy helps designers create fluid, signature looks on stationery and invitations, book covers, fashion layouts, and packaging.
More fonts
Visit www.sudtipos.com
Kozmetica is new original elegance from the dynamic team of Koziupa and Paul. Soft, warm forms made of pensively fluid strokes make for comfortable and classy delivery with just enough ornamentation to evoke the rich days of art deco.
Kozmetica comes with plenty of alternates, focusing in particular on the degree of lowercase ornamentation. The setting can be simple and straightforward, or swashed with hairlines seamlessly emanating and swirling from beginning or ending forms.
As usual with Koziupa/Paul fonts, Kozmetica's ideal use is in packaging design.
Kozmetica covers all Latin-based languages.
More fonts > Visit Sudtipos
Alphonic has the readymade solution for an on-demand tinder app clone for both iOS and Android platforms. We create dating customize apps like tinder clones.
new script font called Herchey. High quality script font with swashes inspired by modern vintage design and baseball logo. Plus OpenType features with Stylistic Alternates, Swashes, Ligatures, Stylistic set, Terminal Form and Ornament that allows you to mix and match pairs of letters to fit your design. This font good for vintage design, t-shirt, logo, labels,badges, posters and etc.
download : crmrkt.com/8NO5k
I was asked to shoot LOVESTRUCK (Annabel Oakes)- a script reading starring Mary-Elizabeth Ellis and June Raphael.
I was most captivated by the greenroom and capturing the actors while they prepared.
A simple wallpaper to preview Poem Script font. And to announce and celebrate with a simple wallpaper that this font has been selected by the judges of the Type Directors Club to receive the "Certificate of Excellence in Type Design. Enjoy it!
Stay tuned at www.sudtipos.com
With the Alphonic Network Solutions, you have created the best tinder clone scripts. The popularity of tinder is increasing day by day. Also, while the app is doing great for itself, it has motivated many entrepreneurs across the world to come up with a different idea. Tinder set all the new benchmark for people all over the world where things are very easy.
Visit us:: www.alphonic.in/blog/tinder-clone-script/
Simple python script based on code from Tweet-A-Watt (thanks ladyada &
pt). Script can send text messages whenever it receives a Xbee packet.
new script font called Herchey. High quality script font with swashes inspired by modern vintage design and baseball logo. Plus OpenType features with Stylistic Alternates, Swashes, Ligatures, Stylistic set, Terminal Form and Ornament that allows you to mix and match pairs of letters to fit your design. This font good for vintage design, t-shirt, logo, labels,badges, posters and etc.
download : crmrkt.com/8NO5k
"STEVEN SPIELBERG’S ANIMANIACS" ORIGINAL T.V. SCRIPT
"Hooray For North Hollywood"
Part I
(#407-145)
Written by Randy Rogel
FINAL DRAFT
MARCH 24, 1997
USED IN PRODUCTION
NOT SIGNED – NOT A FACSIMILE
"Hooray for North Hollywood (Part I)"Airdate: January 3, 1998
The Warners write a script for a movie, which is turned down by Mr. Plotz.
Yakko Warner
Dot Warner
Wakko Warner
Thaddeus Plotz
Jack Nicholson
Tori Spelling
Bill Clinton
Steven Spielberg
Steven Spielberg Presents Animaniacs was a 1990s animated television program that often parodied popular TV shows and movies. The Animaniacs animators made fun of everything and everyone, including their own fans, such as the episode "The Please Please Pleese Get a Life Foundation", which made fun of the show's fans that communicated over the internet.
Many spoofs were multi-layered, with the episode parodying one specific subject and referencing several other subjects along the way. For instance, the episode "Hooked on a Ceiling" did not only parody The Agony and the Ecstasy, but it also featured Quasimodo shouting "Sanctuary! Sanctuary!", a direct reference to The Hunchback of Notre Dame.
Because of Steven Spielberg's involvement in the series, several of his films and even Spielberg himself were parodied numerous times. In the episode "Hooked on a Ceiling", Spielberg was even made the "eminence" of the Sistine Chapel, and the Warners also painted an E.T. picture on its ceiling.
Animaniacs mocked an abundance of celebrities, including Mel Gibson, Barbara Walters, Diana Ross, David Hasselhoff, Whoopi Goldberg, Whitney Houston, Howard Stern and Robin Quivers, Sandra Bullock, Sharon Stone, Jerry Seinfeld, Jaleel White, Michael Jackson, Oprah Winfrey, Rush Limbaugh, Demi Moore and Bruce Willis, Janet Jackson, Frank Sinatra, Christopher Walken, Meryl Streep, Winona Ryder, Paula Abdul, Jim Carrey, Sylvester Stallone, Robert De Niro, Barbra Streisand, Mariah Carey, Regis Philbin and Kathie Lee Gifford, Shirley MacLaine, Siskel and Ebert, Lionel Richie, Tom Cruise, David Letterman, Tina Turner, Prince, Aretha Franklin, Madonna, Cher, Sigourney Weaver, and even President Bill Clinton on several occasions.
"Hooray For North Hollywood: Part I" features cameos by Bill Clinton, Tori Spelling, Jack Nicholsonr, George Lucas, Steven Spielberg and others.
Get the font
www.myfonts.com/fonts/sudtipos/bowling-script/
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About the typeface
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There is plenty of lyric and literature about looking over one’s shoulder in contemplation. What would you have done differently if you knew then what you know now? This is the kind of question that comes out of nowhere. When it does and whether its context is personal or professional make very little difference. It’s a question that can cause emotions to rise and passions to run hot. It can trigger priority shifts and identity crises. It’s never easy to answer.
Three years ago, I published a font called Semilla. My aim with that was to distill the work of Bentele, a lettering artist from early 1950s Germany. Picking such an obscure figure back then was my way of pondering the meaning and efficiency of objectivity in a world where real human events and existences are inevitably filtered through decades of unavoidably subjective written, printed and oral history. And maybe to pat myself on the back for surviving surprises mild and pleasant.
Having been fortunate enough to follow my professional whims for quite some time now, I took another, longer look at my idea of distilling Bentele’s work again. I suppose the concepts of established history and objectivity can become quite malleable when personal experience is added to the mix. I say that because there I was, three years later, second-guessing myself and opining that Bentele’s work can be distilled differently, in a manner more suited to current cultural angles. So I embarked on that mission, and Bowling Script is the result. I realize that it’s difficult to reconcile this soft and happy calligraphic outcome with the introspection I've blathered about so far, but it is what is. I guess even self-created first world problems need to be resolved somehow, and the resolution can happen in mysterious ways.
Bowling Script is what people who like my work would expect from me. It’s yet another script loaded with all kinds of alternation, swashing and over-the-top stuff. All of that is in here. These days I think I just do all that stuff without even blinking. But there are two additional twists.
The more noticeable one is ornamental: The stroke endings in the main font are of the typical sharp and curly variety found in sign painting, while the other font complements that with ball endings, sometimes with an added-on-afterwards impression rather than an extension of the actual stroke. In the philosophical terms I was mumbling earlier, this is the equivalent of alternate realities in a world of historical reduxes that by their very nature can never properly translate original fact.
The second twist has to do with the disruption of angular rhythm in calligraphic alphabets. Of course, this is the kind of lettering where the very concept of rhythm can be quite flexible, but it still counts for something, and experimenting with angular white space in a project of a very dense footprint was irresistible. After playing for a bit, I decided that it would interesting to include the option of using optically back-slanted forms in the fonts. Most scripts out there, including mine, have a rhythm sonically comparable to four-to-the-floor club beats. So the weirdly angled stuff here is your chance to do the occasional drumroll. Everyone knows we need one of those sometimes.
Bowling Script and Bowling Script Balls fonts comes with 1600 characters and features extended Latin-based language support. There are also a basic version of both fonts without all the alternates and extra OpenType features. Bowling family ships in cross-platform OpenType format.
More info
Zip Comics / Heft-Reihe
> War Eagles / The Devil's Flying Twins
Script: ?
art: Ed Smalle
Editor: Abner Sundell
Archie (MLJ Magazines) / USA 1940
Reprint: Comic-Club NK 2010
ex libris MTP
RUGRATS-The-Movie_Script
"RUGRATS: The Movie" ORIGINAL SCRIPT - USED IN PRODUCTION - NOT SIGNED – NOT A FACSIMILE
Paramount Pictures 1998
Written by J. David Stem & David N. Weiss
KLASKY CSUPO DRAFT
MAY 10, 1997
USED IN PRODUCTION
NOT SIGNED – NOT A FACSIMILE
The film marks the first film made by Nickelodeon Movies to be based on a Nicktoon.
The film features the voices of Elizabeth Daily, Christine Cavanaugh, Kath Soucie, Cheryl Chase, Cree Summer, Tara Strong, and Charlie Adler, along with guest stars David Spade, Whoopi Goldberg, Margaret Cho, and Dave Mustaine.
• E.G. Daily as Tommy Pickles
• Tara Strong as Dil Pickles
• Christine Cavanaugh as Chuckie Finster
• Kath Soucie as Phil and Lil DeVille
• Cheryl Chase as Angelica Pickles
• Jack Riley as Stu Pickles
• Melanie Chartoff as Didi Pickles
• Busta Rhymes as Reptar Wagon
• Joe Alaskey as Grandpa Lou
• Michael Bell as Drew Pickles / Chas Finster
• Kath Soucie as Betty DeVille
• Tress MacNeille as Charlotte Pickles
Guest stars
• David Spade as Ranger Frank
• Whoopi Goldberg as Ranger Margaret
• Tim Curry as Rex Pester
• Roger Clinton, Jr. as Air Crewman
• Margaret Cho as Lt. Klavin
The Rugrats Movie is a 1998 American animated film, produced by Klasky Csupo and Nickelodeon Movies. The film was distributed by Paramount Pictures and first released in theaters in the United States on November 20, 1998.
Based on the popular 1990s animated Nickelodeon series, Rugrats, this film introduced Tommy's baby brother Dil Pickles, who was named after Didi Pickles' cousin, and appeared on the original series the next year. The film was released in theaters with a CatDog short titled "Fetch," in which Cat wins a radio contest and attempts to answer the phone as Dog chases down his tennis ball. (This short was later broadcast during a CatDog marathon and was also occasionally shown between programs on Nicktoons TV in the 2002-03 season.)
However, the video release contained a different CatDog short, "Winslow's Home Videos." The film marks the first film made by Nickelodeon Movies to be based on a Nicktoon. This was also the last Nickelodeon film to be released in the 1990s, and to be credited as Nickelodeon on the film's Nickelodeon Movies logo. Many longtime Rugrats fans believe this movie to be the point in which Rugrats jumped the shark.
Slap T. Pooch from Nickelodeon's animation showcase Oh Yeah! Cartoons appeared in the Nickelodeon Movies logo sequence to this film. Also, this counts as the only Nickelodeon product airing on CBS, next to the later-started Nick on CBS.
New font by Ale Paul for www.sudtipos.com
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Get the font MyFonts with a 35% introductory price > www.myfonts.com/fonts/sudtipos/auberge-script/
ABOUT AUBERGE SCRIPT
It took me a long time, but I think I now understand why people of my generation and older feel the need to frame current events in an historical context or precedents, while most of the young couldn't care less about what happened ten years ago, let alone centuries back. After living for a few decades, you get to a point when time seems to be moving quite fast, and it’s humbling to see that your entire existence so far can be summed up in a paragraph or two which may or may not be useful to whoever ends up reading the stuff anyhow. I suppose one way to cope with the serenity of aging is trying to convince yourself that your life and work are really an extension of millenia of a species striving to accept, adapt to, and improve the human condition through advancing the many facets of civilization -- basically making things more understandable and comfortable for ourselves and each other while we go about doing whatever it is we are trying to do. And when you do finally convince yourself of that, history becomes a source of much solace and even a little premonition, so you end up spending more time there.
Going far back into the history of what I do, one can easily see that for the most part it was ruled by the quill. Western civilization’s writing was done with quill pens for more than thirteen centuries and with newer instruments for about two. By the mid-18th century, the height of the quill experience, various calligraphy techniques could be discerned and writing styles were arranged in distinct categories. There are many old books that showcase the history of it all. I recommend looking at some whenever the urge comes calling and you have to get away from backlit worlds.
Multiple sources usually help me get a better perspective on the range of a specific script genre, so many books served as reference to this quill font of mine. Late 17th century French and Spanish professional calligraphy guides were great aides in understanding the ornamental scope of what the scribes were doing back then. The French books, with their showings of the Ronde, Bâtarde and Coulée alphabets, were the ones I referenced the most. So I decided to name the font Auberge, a French word for hotel or inn, because I really felt like a guest in different French locales (and times) when I going through all that stuff.
Because it is multi-sourced, Auberge does not strictly fit in a distinct quill pen category. Instead, it shows strong hints of both Bâtarde and Coulée alphabets. And like most of my fonts, it is an exercise in going overboard with alternates, swashes, and ornamental devices. Having worked with it for a while, I find it most suitable for display calligraphic setting in general, but it works especially well for things like wine labels and event invitations. It also shines in the original quill pen application purpose, which of course was stationery. Also, as it just occurred to me, if you find yourself in a situation where you have to describe your entire life in 50 words or less, you may as well make it look good and swashy, so Auberge would probably be a good fit there as well.
This is one quill script that no large bird had to die for.
A few technical notes
The Auberge Script Pro version includes 1800 glyphs, everything is included there. Also latin language support. We recommend you to use the latest design application to have full access to alternates, swashes, small caps, ornaments, etc. The images from the gallery uses this version. For better results use the fonts with “liga” feature on.
Awards
During 2014 the early develop of Auberge Script was chosen to be part of Tipos Latinos, the most important type exhibition in South America.
Take a look of the complet project at on.be.net/15Yq5XY
thanks all the crew I have!!!
Assistant Director Isaac Ebersole, Dan Carison
Casting Assistant Pei-Yin Lin, Jade Chen
Script Translator Julie Chow
Co-Producer Jacqueline Meng-Ju Ku
UPM Victoria Giordana
PA Larry Robinson, Someno Makoto
Script Supervisor Jerry Hsiao
Cinematographer Michael Street
1st AC Yeo Wen Yin, Matt Sumney, Dan Witrock
2nd AC Natalie Weiss, Kristina Willemse, Laura Whitehorn, Ben Einhorn
Loader Natalie Weiss, Kristina Willemse
Photographer Cliff Cheng
Key Gaffer Jacob Martinez
Best Boy Tyler Williams, Wes Warfield
Swing Jaemi Fortier, Ben Einhron, Joseph Chang, Senaka, Marco Magni
Sound Mixer James Weatherly, Scott Jones
Production Design Skye Chang
Production Design Assistant Percy Lee
Wardrobe Wen Yi-Hui
Make Up Jia Li Yu, Yu-Ching Lin
Colorist Paul Cope
Editor Jerry Hsiao
Joanna Zhang
Alllison Yu
Xing Jiu Liu
Ashley Aria Lauren
Jessica Chang
For a FontShop page of typefaces that emulate the connecting script lettering style commonly found in the chrome emblems on automobiles, gadgets, and appliances of the 1930s-1960s.
This knockout “stub pen” script was cut by James West for the Cleveland TF and patented by Henry H. Thorpe (owner) in January–February 1883 [USPTO D13651].
William E. Loy writes that while Mr. West did not claim to be a type designer, he was one of the best punch-cutters in history and was known especially for scripts.¹ Indeed, he had started the “autograph script” craze the year before with Carpenter Script.
Likewise, this face imitates the handwriting of a real Mr. Hoyt, possibly A.C. Hoyt of New York, a manufacturer of printing inks.
Before migrating to Ohio, West had worked for the major New York TFs until the late 1870s: Conner (James Conner had recruited him from Scotland in 1860), Bruce and Farmer. Annenberg writes that he apparently returned to New York during the mid-1880s, when he helped the short-lived Manhattan TF to standardize their wares to comply with the American Standard Point System adopted in 1886.²
Digital archival of this beauty has been undertaken by a THP Partner: forums.typeheritage.com/topic/hoyt/
More about THP revival projects: forums.typeheritage.com/status/
More cool undigitized fonts: forums.typeheritage.com/undigitized/
¹Loy, W.E. (1898–1900): Designers and Engravers of Type. In The Inland Printer, March 1898.
²Annenberg, M.; Saxe, S.O. [Editor]; Lieberman, E.K. [Index] (1994): Type Foundries of America and Their Catalogs, page 189. Oak Knoll Press, New Castle, DE.
Photos made for blog post about shell script that dynamically splits output into files while processing.
Blog post: blog.christiaan008.com/2015/11/08/dynamic-splitting-outpu...
Description: First page of a photograph album from the Royal Normal College for the Blind, England. Handwritten note on page reads, "Prepared by and presented to Perkins Institution for the Blind by Lady Francis Campbell in memory of two pleasant years (1870-1872), spent in that Institution as teacher."
Creators:
Campbell, Sophia Faulkner, Lady, compiler, author
Date: circa 1893
Format: Photograph albums
Language/Script: Handwritten script label in English.
Subjects:
Campbell, Francis Joseph, Sir, 1834-1914
People who are blind–Education
Place of Origin: Norwood, Greater London, England
Historical Note: The Royal Normal College and Academy of Music for the Blind opened on March 1, 1872. It was started by Francis Joseph Campbell, former head of the Perkins music department, who was blind, and Thomas Armitage, a philanthropist, physician, and surgeon who closed his practice when he lost his sight. Campbell (1832-1914) was principal at the College from 1872-1912. The students were trained in social skills and preparation for careers. Teachers for the Royal Normal College and Academy of Music for the Blind were recruited from Perkins, many of them his former colleagues. Among the teachers who left Perkins to join the Royal Normal College were Mary Greene, Joel West Smith, and Sophia Faulkner (who would become Campbell’s second wife in 1875 after Mary’s death in 1873). Campbell retired in 1912. In 1909, Campbell became a naturalized British subject and was knighted by King Edward VII to honor his contributions to the education of the blind.
Source:
Coit, Susanna. “ Francis Joseph Campbell: Educator and advocate.” Perkins Archives Blog, Perkins School for the Blind, Watertown, MA. January 20, 2022.
Biographical Note: Lady Sophia Faulkner Campbell (1849-1933), was a teacher at the Perkins School for the Blind. In 1875 she married Sir Francis Joseph Campbell, a Perkins Alumnus and co-founder of the Royal Normal College and Academy of Music for the Blind in England. She was one of the teachers Cambell had recruited from Perkins when starting the college and as his wife served as a partner in the management and work there, and was even considered a coprincipal at one time. She would contribute to research and discourse on teaching students who are blind, which have since been considered ahead of their time.
Source: Welsh, Richard L. " Sir Francis Joseph Campbell and his family: the first family in professional services for people who are blind or visually impaired." Re:view, vol. 39, no. 4, winter 2008, pp. 158+. Gale Academic OneFile. Accessed 8 July 2022.
Collection: Royal Normal College for the Blind, England
Series: Royal Normal College for the Blind photograph album
Extent: One 32 x 25 cm paper album page.
Physical Collection: AG13 Photograph Albums Collection
Location: Perkins Archives, Perkins School for the Blind, Watertown, MA
Related materials:
Photograph of Lady Campbell, formerly Miss Sophia E. Faulkner on Perkins Archives Flickr.
Coit, Susanna. “ Francis Joseph Campbell: Educator and advocate.” Perkins Archives Blog, Perkins School for the Blind, Watertown, MA. January 20, 2022.
Links to Royal Normal College for the Blind annual reports, 1873-1992 digitized on the Internet Archive.
Notes: Part of the Royal Normal College for the Blind photograph album. Digitized at the Boston Public Library and federally funded with LSTA funds through the Massachusetts Board of Library Commissioners in 2012. Re-Digitized in 2022. Date supplied by cataloger and updated in October of 2022 from "no date" to circa 1893. Metadata was added and updated as part of a reparative work initiative, October 2022.
Terms of Access and Use: The Perkins Archives reserves the right to deny physical access to materials available in a digital format. No known copyright restrictions. This image is the property of Perkins School for the Blind and use of this image requires written permission. For more information, please visit Perkins.org/image-licensing.
Digital Identifier: AG13_03_introduction