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"STEVEN SPIELBERG’S ANIMANIACS" ORIGINAL T.V. SCRIPT
"Hooray For North Hollywood"
Part I
(#407-145)
Written by Randy Rogel
FINAL DRAFT
MARCH 24, 1997
USED IN PRODUCTION
NOT SIGNED – NOT A FACSIMILE
95"Hooray for North Hollywood (Part I)"Airdate: January 3, 1998
The Warners write a script for a movie, which is turned down by Mr. Plotz.
Yakko Warner
Dot Warner
Wakko Warner
Thaddeus Plotz
Jack Nicholson
Tori Spelling
Bill Clinton
Steven Spielberg
Steven Spielberg Presents Animaniacs was a 1990s animated television program that often parodied popular TV shows and movies. The Animaniacs animators made fun of everything and everyone, including their own fans, such as the episode "The Please Please Pleese Get a Life Foundation", which made fun of the show's fans that communicated over the internet.
Many spoofs were multi-layered, with the episode parodying one specific subject and referencing several other subjects along the way. For instance, the episode "Hooked on a Ceiling" did not only parody The Agony and the Ecstasy, but it also featured Quasimodo shouting "Sanctuary! Sanctuary!", a direct reference to The Hunchback of Notre Dame.
Because of Steven Spielberg's involvement in the series, several of his films and even Spielberg himself were parodied numerous times. In the episode "Hooked on a Ceiling", Spielberg was even made the "eminence" of the Sistine Chapel, and the Warners also painted an E.T. picture on its ceiling.
Animaniacs mocked an abundance of celebrities, including Mel Gibson, Barbara Walters, Diana Ross, David Hasselhoff, Whoopi Goldberg, Whitney Houston, Howard Stern and Robin Quivers, Sandra Bullock, Sharon Stone, Jerry Seinfeld, Jaleel White, Michael Jackson, Oprah Winfrey, Rush Limbaugh, Demi Moore and Bruce Willis, Janet Jackson, Frank Sinatra, Christopher Walken, Meryl Streep, Winona Ryder, Paula Abdul, Jim Carrey, Sylvester Stallone, Robert De Niro, Barbra Streisand, Mariah Carey, Regis Philbin and Kathie Lee Gifford, Shirley MacLaine, Siskel and Ebert, Lionel Richie, Tom Cruise, David Letterman, Tina Turner, Prince, Aretha Franklin, Madonna, Cher, Sigourney Weaver, and even President Bill Clinton on several occasions.
"Hooray For North Hollywood: Part I" features cameos by Bill Clinton, Tori Spelling, Jack Nicholsonr, George Lucas, Steven Spielberg and others.
new script font called Herchey. High quality script font with swashes inspired by modern vintage design and baseball logo. Plus OpenType features with Stylistic Alternates, Swashes, Ligatures, Stylistic set, Terminal Form and Ornament that allows you to mix and match pairs of letters to fit your design. This font good for vintage design, t-shirt, logo, labels,badges, posters and etc.
download : crmrkt.com/8NO5k
"STEVEN SPIELBERG’S ANIMANIACS" ORIGINAL T.V. SCRIPT
"Hooray For North Hollywood"
Part I
(#407-145)
Written by Randy Rogel
FINAL DRAFT
MARCH 24, 1997
USED IN PRODUCTION
NOT SIGNED – NOT A FACSIMILE
"Hooray for North Hollywood (Part I)"Airdate: January 3, 1998
The Warners write a script for a movie, which is turned down by Mr. Plotz.
Yakko Warner
Dot Warner
Wakko Warner
Thaddeus Plotz
Jack Nicholson
Tori Spelling
Bill Clinton
Steven Spielberg
Steven Spielberg Presents Animaniacs was a 1990s animated television program that often parodied popular TV shows and movies. The Animaniacs animators made fun of everything and everyone, including their own fans, such as the episode "The Please Please Pleese Get a Life Foundation", which made fun of the show's fans that communicated over the internet.
Many spoofs were multi-layered, with the episode parodying one specific subject and referencing several other subjects along the way. For instance, the episode "Hooked on a Ceiling" did not only parody The Agony and the Ecstasy, but it also featured Quasimodo shouting "Sanctuary! Sanctuary!", a direct reference to The Hunchback of Notre Dame.
Because of Steven Spielberg's involvement in the series, several of his films and even Spielberg himself were parodied numerous times. In the episode "Hooked on a Ceiling", Spielberg was even made the "eminence" of the Sistine Chapel, and the Warners also painted an E.T. picture on its ceiling.
Animaniacs mocked an abundance of celebrities, including Mel Gibson, Barbara Walters, Diana Ross, David Hasselhoff, Whoopi Goldberg, Whitney Houston, Howard Stern and Robin Quivers, Sandra Bullock, Sharon Stone, Jerry Seinfeld, Jaleel White, Michael Jackson, Oprah Winfrey, Rush Limbaugh, Demi Moore and Bruce Willis, Janet Jackson, Frank Sinatra, Christopher Walken, Meryl Streep, Winona Ryder, Paula Abdul, Jim Carrey, Sylvester Stallone, Robert De Niro, Barbra Streisand, Mariah Carey, Regis Philbin and Kathie Lee Gifford, Shirley MacLaine, Siskel and Ebert, Lionel Richie, Tom Cruise, David Letterman, Tina Turner, Prince, Aretha Franklin, Madonna, Cher, Sigourney Weaver, and even President Bill Clinton on several occasions.
"Hooray For North Hollywood: Part I" features cameos by Bill Clinton, Tori Spelling, Jack Nicholsonr, George Lucas, Steven Spielberg and others.
Sydney Fashion Week Kick Off Grand opening show all designers
Photographer: Anabella Ravinelli
1. Show 1: Opening Show: Friday 17 August 2012 - all designers plus Guerilla Burlesque
Director: Ananya Mai
Host: Nala Kurka
Script Writer: Chamonix Boudreaux
DJ: Justice Topaz www.triplejunearthed.com/Artists/PlayedOnTripleJ.aspx
Show photographer: Anabella Ravinelli
NOTE: SCRIPTWRITER - Please tell the audience to take a seat in the boats provided :D
Designers:
1 C'est-la-vie- Larcoco Mathy
2 [[LD Major - Loovus Dzevavor]] Vikeejeah Xevion
3 Legal insanity DATRIP Blackbart
4 House of {TORN} Torn Difference
5 TreiZe Elyna Carver
6 + ezura + Ezura Xue
7 AD Creations Aliza Karu
8 Boudoir Vitabela Dubrovna and Precious Restless
9 Deese's skins NatalieWells
10 [AMARELO MANGA] Luana Barzane
11 VERO MODELO Bouquet Babii
12 Kunglers Barbra Kungler and AvaGardner Kungler
13 *SoliDea FoLiEs* Mila Tatham
14 Countdown AntoniaXp
15 -Desir- Vivien Emerald
Sponsors:
Sponsors:
M s B l a c k (blackliquid.tokyoska) - Makeup
Nakia Decosta - .:RUSSH LUSSH:. - Makeup
Kunglers Barbra Kungler and AvaGardner Kungler Jewelry and shoes for selected shows
Deese's skins NatalieWells
κεɴɖરλ (kendra.zaurak) Fanatik for selected show
Aymec Millet ==========BUILD BOX STORE========== Cruise Ship
[[LD Major - Loovus Dzevavor]] Vikeejeah Xevion
Mo Miasma Morantique Lush
1. Intro -
2. 8.15am - 8.30 (pending lag) Guerilla Burlesque dancers
Then runway starts!
Models:
1. Ananya Mai
2. blackLiquid Tokyoska
3. Cade Nansen
4. Cornelia Dyrssen
5. 兔 Sera (gig1)
6. KATHERINE COMET
7. NatalieWells Resident
8. Steele Sirnah
9 Ashia Denimore
First name (blue) second name (pink)
Walk 1. House of {TORN} pics to come
(if dont get outfits soon please wear {TD}Maxine dress B yellow , ash red)
Ashia Denimore Tokyoska {TD}Exclusive Leah its a leotard with leopard print bottoms high neck
blackLiquid Tokyoska Exclusive {TD}Trinity halter dress mini with a long coat trimmed in an x stitiching
Walk 2: ..::LeGaL InSaNiTy::..
Cade Nansen LI - Jimi shirt tuxedo1
..:: Legal Insanity ::.. shorts black jeans
Steele Sirnah LI - Lenny Tank - White melange
LI - urban cowboy pants - grey
Walk 3: ::C'est la vie !::
Cornelia Dyrssen Green and white spots
Gig1. Resident "Sera" same dress but with mustard spots
Walk 4: [[LD Major - Loovus Dzevavor]] exclusive
KATHERINE COMET Style Info:
Hair: Snooze-a-Roo
Jumpsuit: Rippa Romper Print 6
Bag: Irwin Pantone Satchel in Tangerine
Shoes: Pantone Pumps in Honey
NatalieWells Resident
Hair: Snooze-a-Roo
Dress: Shiela Maxi Dress Print 1
Bag: Irwin Pantone Satchel in Chartreuse
*NOTE* No shoes are needed for this look. The alpha covers the feet.
Walk 5: Deeses skins
Ashia Denimore
Kate: Flat White - natural }{ Deesses
Kate: Flat White - eyeshadow 3 }{ Deesses
Kate: Flat White - lipstick 5 }{ Deesses
alpha teeth }{ Deesses
blackLiquid Tokyoska
Kate: Caramel Mocha - no eyebrows }{ Deesses
Kate: Caramel Mocha - eyeshadow 7 }{ Deesses
Kate: Caramel Mocha - lipstick 10 }{ Deesses
alpha teeth }{ Deesses
Please purchase marketplace.secondlife.com/p/Simply-Aussie-Pride-Bikini-A... I will reimburse
Walk 6: [AMARELO MANGA]
Ananya Mai [AM] - Bikini Itamaraca - (Orange 2), Summer Hat Green 01 [Amarelo Manga] - Sunglasses Rhmanona [Metals] Bronze
KATHERINE COMET [AM] - Swimsuit Suape - Green 01 Summer Hat Green 01 [Amarelo Manga] - Sunglasses Rhmanona [Metals] Green
walk 7: VERO MODELO
Cade Nansen
[VM] VERO MODERO / Mehmet Mesh Jacket 1
VERO MODERO / Linen Pant Khaki
Blackliquid
[VM] VERO MODERO / SummerDance top and [VM] VERO MODERO / Mesh_Harem Pants
Walk 8: Kunglers
Gig1. Resident "Sera" (Kunglers) Gisele dress - Teal (Kunglers) Morgana pumps - Phyton skin - Teal
Cornelia Dyrssen (Kunglers) Marina dress - Mint (Kunglers) Morgana pumps - Phyton skin - Black
Walk 9: blackLiquid
Ananya Mai
ISON - leather leggings (black)
blackLiquid MAKEUP - lash alpha
blackLiquid MAKEUP - Ziggy
blackLiquid BANGLE - orbital tangerine(both)
blackLiquid COLLAR - orbital tangerine
blackLiquid HAIR - Quiff blonde & white (tinted)
blackLiquid MAKEUP - lashy
blackLiquid NAILS - orbital tangerine (left)
blackLiquid NAILS - orbital tangerine (right)
blackLiquid PIERCING - Winehouse
blackLiquid SHOE - Ultra Platform Tangerine Tango
ISON - geometric corset
blackLiquid SKIN - YOKO PAPER
(please do not add any jewelry but add a shaved hairbase to this look)
Ashia Denimore
blackLiquid BANGLE - orbital imperial purple(both)
blackLiquid BANGLE - orbital imperial purple (r)
blackLiquid COLLAR - orbital imperial purple
blackLiquid HAIR - ESHI (midnight)
blackLiquid MAKEUP - life lash summer
blackLiquid NAILS - orbital imperial purple
blackLiquid PIERCING - Winehouse
blackLiquid SHOE - Ultra Platform Imperial Purple
ISON - geometric corset -XXS- (black)
blackLiquid SKIN - YOKO PAPER
(please do not add any jewelry but add a black hairbase to this look)
Black Dahlia Upper Sleeve R & Black Dahlia Upper Leg L & R & Black Dahlia Pants (only)
ESHI OTAWARA BLACK DAHLIA SUBSCIBO GIFT
Walk 10 - TreiZe
NatalieWells TreiZe - Flow pink
blackLiquid
Walk 11: Countdown
KATHERINE COMET - Love on Top
Steele Sirna Gabriel
Walk 12: - Desir-
Cornelia Dyrssen (comes with dot face tattoo and flower eyelashes)
Gig1. Resident "Sera"
Walk 13: + ezura + Exclusive pictures to come
Ananya Mai + ezura + MAI Be Goth (includes hat and cuffs)
blackLiquid Tokyoska + ezura + Peu Loli
Walk 14: Boudoir
Ashia Denimore Vita's Boudoir gown for miss Australia
Gig1. Resident "Sera" ***Fairy Butterfly Dress***
Walk 15: AD Creations
KATHERINE COMET [AD] Aries mesh dress EXCLUSIVE FOR SYDNEY Fashion Week
NatalieWells Resident [Aliza Karu] Rock wedding spring
Walk 16: *SoliDea FoLiEs*
Ananya Mai *SoliDea FoliEs* Sidney - Exclusive for Sydney Fashion week
blackLiquid Tokyoska *SoliDea FoliEs* Justice
1. Ananya Mai
2. blackLiquid Tokyoska
3. Cade Nansen
4. Cornelia Dyrssen
5. Gig1. Resident "Sera"
6. KATHERINE COMET
7. NatalieWells Resident
8. Steele Sirna
9 Ashia Denimore
Get the font
www.myfonts.com/fonts/sudtipos/bowling-script/
—
About the typeface
—
There is plenty of lyric and literature about looking over one’s shoulder in contemplation. What would you have done differently if you knew then what you know now? This is the kind of question that comes out of nowhere. When it does and whether its context is personal or professional make very little difference. It’s a question that can cause emotions to rise and passions to run hot. It can trigger priority shifts and identity crises. It’s never easy to answer.
Three years ago, I published a font called Semilla. My aim with that was to distill the work of Bentele, a lettering artist from early 1950s Germany. Picking such an obscure figure back then was my way of pondering the meaning and efficiency of objectivity in a world where real human events and existences are inevitably filtered through decades of unavoidably subjective written, printed and oral history. And maybe to pat myself on the back for surviving surprises mild and pleasant.
Having been fortunate enough to follow my professional whims for quite some time now, I took another, longer look at my idea of distilling Bentele’s work again. I suppose the concepts of established history and objectivity can become quite malleable when personal experience is added to the mix. I say that because there I was, three years later, second-guessing myself and opining that Bentele’s work can be distilled differently, in a manner more suited to current cultural angles. So I embarked on that mission, and Bowling Script is the result. I realize that it’s difficult to reconcile this soft and happy calligraphic outcome with the introspection I've blathered about so far, but it is what is. I guess even self-created first world problems need to be resolved somehow, and the resolution can happen in mysterious ways.
Bowling Script is what people who like my work would expect from me. It’s yet another script loaded with all kinds of alternation, swashing and over-the-top stuff. All of that is in here. These days I think I just do all that stuff without even blinking. But there are two additional twists.
The more noticeable one is ornamental: The stroke endings in the main font are of the typical sharp and curly variety found in sign painting, while the other font complements that with ball endings, sometimes with an added-on-afterwards impression rather than an extension of the actual stroke. In the philosophical terms I was mumbling earlier, this is the equivalent of alternate realities in a world of historical reduxes that by their very nature can never properly translate original fact.
The second twist has to do with the disruption of angular rhythm in calligraphic alphabets. Of course, this is the kind of lettering where the very concept of rhythm can be quite flexible, but it still counts for something, and experimenting with angular white space in a project of a very dense footprint was irresistible. After playing for a bit, I decided that it would interesting to include the option of using optically back-slanted forms in the fonts. Most scripts out there, including mine, have a rhythm sonically comparable to four-to-the-floor club beats. So the weirdly angled stuff here is your chance to do the occasional drumroll. Everyone knows we need one of those sometimes.
Bowling Script and Bowling Script Balls fonts comes with 1600 characters and features extended Latin-based language support. There are also a basic version of both fonts without all the alternates and extra OpenType features. Bowling family ships in cross-platform OpenType format.
More info
new script font called Herchey. High quality script font with swashes inspired by modern vintage design and baseball logo. Plus OpenType features with Stylistic Alternates, Swashes, Ligatures, Stylistic set, Terminal Form and Ornament that allows you to mix and match pairs of letters to fit your design. This font good for vintage design, t-shirt, logo, labels,badges, posters and etc.
download : crmrkt.com/8NO5k
Photos made for blog post about shell script that dynamically splits output into files while processing.
Blog post: blog.christiaan008.com/2015/11/08/dynamic-splitting-outpu...
Some chinese script written on the side of a building on the Hollywood Boulevard.
Canon 5D Mk III with Canon 24mm F1.4L Mk II lens. 1/1,600th sec at F8, ISO 100.
RUGRATS-The-Movie_Script
"RUGRATS: The Movie" ORIGINAL SCRIPT - USED IN PRODUCTION - NOT SIGNED – NOT A FACSIMILE
Paramount Pictures 1998
Written by J. David Stem & David N. Weiss
KLASKY CSUPO DRAFT
MAY 10, 1997
USED IN PRODUCTION
NOT SIGNED – NOT A FACSIMILE
The film marks the first film made by Nickelodeon Movies to be based on a Nicktoon.
The film features the voices of Elizabeth Daily, Christine Cavanaugh, Kath Soucie, Cheryl Chase, Cree Summer, Tara Strong, and Charlie Adler, along with guest stars David Spade, Whoopi Goldberg, Margaret Cho, and Dave Mustaine.
• E.G. Daily as Tommy Pickles
• Tara Strong as Dil Pickles
• Christine Cavanaugh as Chuckie Finster
• Kath Soucie as Phil and Lil DeVille
• Cheryl Chase as Angelica Pickles
• Jack Riley as Stu Pickles
• Melanie Chartoff as Didi Pickles
• Busta Rhymes as Reptar Wagon
• Joe Alaskey as Grandpa Lou
• Michael Bell as Drew Pickles / Chas Finster
• Kath Soucie as Betty DeVille
• Tress MacNeille as Charlotte Pickles
Guest stars
• David Spade as Ranger Frank
• Whoopi Goldberg as Ranger Margaret
• Tim Curry as Rex Pester
• Roger Clinton, Jr. as Air Crewman
• Margaret Cho as Lt. Klavin
The Rugrats Movie is a 1998 American animated film, produced by Klasky Csupo and Nickelodeon Movies. The film was distributed by Paramount Pictures and first released in theaters in the United States on November 20, 1998.
Based on the popular 1990s animated Nickelodeon series, Rugrats, this film introduced Tommy's baby brother Dil Pickles, who was named after Didi Pickles' cousin, and appeared on the original series the next year. The film was released in theaters with a CatDog short titled "Fetch," in which Cat wins a radio contest and attempts to answer the phone as Dog chases down his tennis ball. (This short was later broadcast during a CatDog marathon and was also occasionally shown between programs on Nicktoons TV in the 2002-03 season.)
However, the video release contained a different CatDog short, "Winslow's Home Videos." The film marks the first film made by Nickelodeon Movies to be based on a Nicktoon. This was also the last Nickelodeon film to be released in the 1990s, and to be credited as Nickelodeon on the film's Nickelodeon Movies logo. Many longtime Rugrats fans believe this movie to be the point in which Rugrats jumped the shark.
Slap T. Pooch from Nickelodeon's animation showcase Oh Yeah! Cartoons appeared in the Nickelodeon Movies logo sequence to this film. Also, this counts as the only Nickelodeon product airing on CBS, next to the later-started Nick on CBS.
New font by Ale Paul for www.sudtipos.com
--
Get the font MyFonts with a 35% introductory price > www.myfonts.com/fonts/sudtipos/auberge-script/
ABOUT AUBERGE SCRIPT
It took me a long time, but I think I now understand why people of my generation and older feel the need to frame current events in an historical context or precedents, while most of the young couldn't care less about what happened ten years ago, let alone centuries back. After living for a few decades, you get to a point when time seems to be moving quite fast, and it’s humbling to see that your entire existence so far can be summed up in a paragraph or two which may or may not be useful to whoever ends up reading the stuff anyhow. I suppose one way to cope with the serenity of aging is trying to convince yourself that your life and work are really an extension of millenia of a species striving to accept, adapt to, and improve the human condition through advancing the many facets of civilization -- basically making things more understandable and comfortable for ourselves and each other while we go about doing whatever it is we are trying to do. And when you do finally convince yourself of that, history becomes a source of much solace and even a little premonition, so you end up spending more time there.
Going far back into the history of what I do, one can easily see that for the most part it was ruled by the quill. Western civilization’s writing was done with quill pens for more than thirteen centuries and with newer instruments for about two. By the mid-18th century, the height of the quill experience, various calligraphy techniques could be discerned and writing styles were arranged in distinct categories. There are many old books that showcase the history of it all. I recommend looking at some whenever the urge comes calling and you have to get away from backlit worlds.
Multiple sources usually help me get a better perspective on the range of a specific script genre, so many books served as reference to this quill font of mine. Late 17th century French and Spanish professional calligraphy guides were great aides in understanding the ornamental scope of what the scribes were doing back then. The French books, with their showings of the Ronde, Bâtarde and Coulée alphabets, were the ones I referenced the most. So I decided to name the font Auberge, a French word for hotel or inn, because I really felt like a guest in different French locales (and times) when I going through all that stuff.
Because it is multi-sourced, Auberge does not strictly fit in a distinct quill pen category. Instead, it shows strong hints of both Bâtarde and Coulée alphabets. And like most of my fonts, it is an exercise in going overboard with alternates, swashes, and ornamental devices. Having worked with it for a while, I find it most suitable for display calligraphic setting in general, but it works especially well for things like wine labels and event invitations. It also shines in the original quill pen application purpose, which of course was stationery. Also, as it just occurred to me, if you find yourself in a situation where you have to describe your entire life in 50 words or less, you may as well make it look good and swashy, so Auberge would probably be a good fit there as well.
This is one quill script that no large bird had to die for.
A few technical notes
The Auberge Script Pro version includes 1800 glyphs, everything is included there. Also latin language support. We recommend you to use the latest design application to have full access to alternates, swashes, small caps, ornaments, etc. The images from the gallery uses this version. For better results use the fonts with “liga” feature on.
Awards
During 2014 the early develop of Auberge Script was chosen to be part of Tipos Latinos, the most important type exhibition in South America.
Take a look of the complet project at on.be.net/15Yq5XY
Photos made for blog post about shell script that dynamically splits output into files while processing.
Blog post: blog.christiaan008.com/2015/11/08/dynamic-splitting-outpu...
Modern Love
Breaking from our catalog of typefaces to create a new handwritten font family, Modern Love was born out of our desire to see what would happen if we took a step back from the norm. We weren’t looking for the perfection of the many calligraphy techniques, but more of a natural way of writing with the same tools. Our escapist experiment into casual lettering culminated into 4 fonts: Modern Love Regular, Grunge, Rough and Caps.
Modern Love Regular is a hand-painted script, each glyph individually designed with a pointed brush and walnut ink. The aim was to create an effortless hand-drawn feel while keeping the contrast high density.
Playful, yet polished, this font works very well when accentuated with the family’s two distinctive styles: Modern Love Grunge, simulating a washed-out effect, perfect to add a vintage look to your projects; and Modern Love Rough, with its crunchy borders, makes letters visibly rough-around-the edges and gives large letters an unmistakeable pop. All three fonts include a hand-painted set of ornaments, swashes and alternates to limitlessly customize and decorate your texts, accessible through Opentype features.
Modern Love Caps is the fourth font, a handwritten Sans Serif that ties the family together with its simplicity and readability. Designed with a pointed nib and Indian ink, this font boasts a different style that perfectly complements Modern Love Regular, Grunge and Rough.
The result is a fresh font family perfect to create headlines, posters, DIY hand-lettered artwork, books, holiday cards, wrapping paper, invitations, T-shirts, labels, packaging for cosmetics, fashion supplies, food products, artisanal goods, and an endless array of options for your projects. Modern Love…when brush meets passion.
Modern Love Regular, Grunge and Rough contain 800 glyphs
Modern Love Caps contains 309 glyphs
This font is available at Myfonts bit.ly/1NnpXDc
For a FontShop page of typefaces that emulate the connecting script lettering style commonly found in the chrome emblems on automobiles, gadgets, and appliances of the 1930s-1960s.
11 new free scripts has been released!
We are happy to announce release of 11 additional free imacros scripts for download.
locatefamily scraper script.
xvideos friends adder script.
Google maps screenshot saver script.
heart4me messanger script.
flirtomatic registration script. watch
ezpostalcodes scraper.
Compete save sites data script.
Badoo account creator. watch
Backpage poster. watch
Alexa category scraper.
Addmefast twitter follower and facebook liker. watch
So now we have 60 free imacros script for you!
Get them here.
New font by Ale Paul for www.sudtipos.com
--
Get the font MyFonts with a 35% introductory price > www.myfonts.com/fonts/sudtipos/auberge-script/
ABOUT AUBERGE SCRIPT
It took me a long time, but I think I now understand why people of my generation and older feel the need to frame current events in an historical context or precedents, while most of the young couldn't care less about what happened ten years ago, let alone centuries back. After living for a few decades, you get to a point when time seems to be moving quite fast, and it’s humbling to see that your entire existence so far can be summed up in a paragraph or two which may or may not be useful to whoever ends up reading the stuff anyhow. I suppose one way to cope with the serenity of aging is trying to convince yourself that your life and work are really an extension of millenia of a species striving to accept, adapt to, and improve the human condition through advancing the many facets of civilization -- basically making things more understandable and comfortable for ourselves and each other while we go about doing whatever it is we are trying to do. And when you do finally convince yourself of that, history becomes a source of much solace and even a little premonition, so you end up spending more time there.
Going far back into the history of what I do, one can easily see that for the most part it was ruled by the quill. Western civilization’s writing was done with quill pens for more than thirteen centuries and with newer instruments for about two. By the mid-18th century, the height of the quill experience, various calligraphy techniques could be discerned and writing styles were arranged in distinct categories. There are many old books that showcase the history of it all. I recommend looking at some whenever the urge comes calling and you have to get away from backlit worlds.
Multiple sources usually help me get a better perspective on the range of a specific script genre, so many books served as reference to this quill font of mine. Late 17th century French and Spanish professional calligraphy guides were great aides in understanding the ornamental scope of what the scribes were doing back then. The French books, with their showings of the Ronde, Bâtarde and Coulée alphabets, were the ones I referenced the most. So I decided to name the font Auberge, a French word for hotel or inn, because I really felt like a guest in different French locales (and times) when I going through all that stuff.
Because it is multi-sourced, Auberge does not strictly fit in a distinct quill pen category. Instead, it shows strong hints of both Bâtarde and Coulée alphabets. And like most of my fonts, it is an exercise in going overboard with alternates, swashes, and ornamental devices. Having worked with it for a while, I find it most suitable for display calligraphic setting in general, but it works especially well for things like wine labels and event invitations. It also shines in the original quill pen application purpose, which of course was stationery. Also, as it just occurred to me, if you find yourself in a situation where you have to describe your entire life in 50 words or less, you may as well make it look good and swashy, so Auberge would probably be a good fit there as well.
This is one quill script that no large bird had to die for.
A few technical notes
The Auberge Script Pro version includes 1800 glyphs, everything is included there. Also latin language support. We recommend you to use the latest design application to have full access to alternates, swashes, small caps, ornaments, etc. The images from the gallery uses this version. For better results use the fonts with “liga” feature on.
Awards
During 2014 the early develop of Auberge Script was chosen to be part of Tipos Latinos, the most important type exhibition in South America.
Take a look of the complet project at on.be.net/15Yq5XY
SUDTIPOS NEWS
--------------------------------------------
We are proud to announce the release of Courtesy Script, our latest ornamental tribute to late S. XiX penmanship.
Get Courtesy > www.myfonts.com/fonts/sudtipos/courtesy-script-pro/
ABOUT COURTESY
--------------------------------------------
As in Victorian times, the precious, hand-lettered look of custom stationery is back in vogue. Enter Courtesy Script, my newest ornamental script typeface.
Courtesy captures the elegance and propriety of finely practiced Spencerian penmanship, in particular the Zanerian school. Its lowercase is notably understated, a simple monoline with very wide connections that ease readability. In the capitals, Courtesy adds variety in both the weight of the strokes, and in degrees of flourish — from merely fancy to over-the-top engrossery.
Based on an alphabet found in a 19th-century penmanship journal, Ale created hundreds of additional, stylistically complementary letterforms. Alternate capitals and lowercase letters, swashed lowercase forms, and ending and ornamental swashes; numerals, punctuation, and non-English and accented characters.
With virtually endless ways to customize its use, Courtesy helps designers create fluid, signature looks on stationery and invitations, book covers, fashion layouts, and packaging.
More fonts
Visit www.sudtipos.com
"lo naco es chido" (the cheap is cool?); is a nice phrase i just listened in Mexico the last week. I like the idea to recover the bad prestige of fonts like Brush Script or Mistral.... well. maybe is just a new font :)
get the pdf here www.veer.com/products/typedetail.aspx?image=UMT0000326
frenchkisstextures.com/brushes/images-using-the-free-fren...
Leslie Nicole French Kiss textures and Vintage French brushes
Screenshot of the script editor pane in the jDem846 user interface running in Linux. Scripting is done in Groovy and provides several call-backs to inject logic into several points during the rendering process. This is what was used when generating the Ice Melt scenario images. The scripting API is very minimal at the moment.
SUDTIPOS NEWS
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We are proud to announce the release of Courtesy Script, our latest ornamental tribute to late S. XiX penmanship.
Get Courtesy > www.myfonts.com/fonts/sudtipos/courtesy-script-pro/
ABOUT COURTESY
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As in Victorian times, the precious, hand-lettered look of custom stationery is back in vogue. Enter Courtesy Script, my newest ornamental script typeface.
Courtesy captures the elegance and propriety of finely practiced Spencerian penmanship, in particular the Zanerian school. Its lowercase is notably understated, a simple monoline with very wide connections that ease readability. In the capitals, Courtesy adds variety in both the weight of the strokes, and in degrees of flourish — from merely fancy to over-the-top engrossery.
Based on an alphabet found in a 19th-century penmanship journal, Ale created hundreds of additional, stylistically complementary letterforms. Alternate capitals and lowercase letters, swashed lowercase forms, and ending and ornamental swashes; numerals, punctuation, and non-English and accented characters.
With virtually endless ways to customize its use, Courtesy helps designers create fluid, signature looks on stationery and invitations, book covers, fashion layouts, and packaging.
More fonts
Visit www.sudtipos.com
6"9" butter cake with fondant over the butter cream, hand painted scroll work which was the bride and grooms names Renee & Glen
ribbon edging and gumpaste tiger lilies, these were requested to be 5 petals instead of 6 so that they could do 'he loves me he loves me not' with themand have the right result ;-) apparently its a thing t he bride does
Shahada- the article of faith in square Kufic script 'Laa illaha illah Allah, Muhammad rosul Allah' on 100% cotton canvas mounted on 2 inches wooden frame. Painting in acrylic. Jamil
A serie of labels designed by Pupo Boldrini and Gato Ficcardi to celebrate the release of Bellissima Script.
License the typeface: www.myfonts.com/fonts/sudtipos/bellissima-script-pro/
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While in the same vein and spirit as Burgues and Compendium, Bellissima began from an entirely different thread as those fonts. It started with Alex Trochut generously showing me a gorgeous lettering book from his grandfather's library: Bellezas de la Caligrafía, by Ramón Stirling, 1844. Stirling was one of the Latin calligraphy pioneers who introduced a refined version of English calligraphy in Spain and made it popular in the nineteenth century.
Some scans from that book served as initial basis for the caps in my Poem Script. But it was always in the back of my mind that I should do a copperplate, and the Stirling model was the perfect source. My intention was to veer away from Stirling's exuberant ornamentation, and work within simplified forms of his ideas. As it usually is with most of my projects, Bellissima became its own bird and shaped its own flying patterns. Suddenly there were many ligatures, multiple endings and swashed connections, hundreds of alternates for both uppercase and lowercase.
Bellissima has an effusive energy that appeals much beyond its sourcing. It's intended for these modern times of appreciation for old crafty things like stationary and letterpress, where its origins help it shine brightly.
Bellissima Script Pro is a complete font with almost 2000 characters full of alternates, swashes, ligatures & ornaments covering a wide palette of latin languages and Bellissima Script Redux is a random sample of glyphs totally usable with a reduced price.
3D art in that Specimen generously provided by Corey Holms.
To celebrate this new font release there is a 30% off discount at @myfonts and you can get the Pro version for just 55$ or a Redux (a random selection of 256 glyphs) for only 34$
More fonts at:
Boldrini & Ficcardi based in Mendoza , Argentina.
The B&F studio: Boldrini & Ficcardi is a graphic design agency with expertise for the alcoholic drinks sector. Work both with regional and global companies, helping them to build strong and profitable brands. Founded by Victor Boldrini and Leonardo Ficcardi, the studio develops design and communication tasks from 1991 working in projects of branding, packaging and publishing. B&F projects have won awards internationally and published in various magazines and design books. (Latin American Graphics.Taschen, / Novum magazine / Etapes magazine / Pluswine / Brand Identity Now, and many others)
For label design visit Boldrini & Ficcardi