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new script font called Herchey. High quality script font with swashes inspired by modern vintage design and baseball logo. Plus OpenType features with Stylistic Alternates, Swashes, Ligatures, Stylistic set, Terminal Form and Ornament that allows you to mix and match pairs of letters to fit your design. This font good for vintage design, t-shirt, logo, labels,badges, posters and etc.
download : crmrkt.com/8NO5k
The Georgian script is something out of the Lord of the Rings. It's a beautiful script which lends its form from the shapes of celestial objects like the sun and the moon.
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Over the years the tinder has become very famous. Moreover, the arrival of the tinder clone script has helped things to get better. However, dating apps are have been around for so long but none was able to make the changes like tinder.
script lettering on a rib cage by Justin Dion @ blacklist Gallery Tattoo in PDX Oregon
www.blacklistgallerytattoo.com
sharkfighterzero@gmail.com
Diploma Script Pro. New typography along with Latinotype.
50% off at www.myfonts.com/fonts/latinotype/diploma-script/
Also in Latinotype website www.latinotype.com/display-weights?font=178
SUDTIPOS NEWS
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We are proud to announce the release of Courtesy Script, our latest ornamental tribute to late S. XiX penmanship.
Get Courtesy > www.myfonts.com/fonts/sudtipos/courtesy-script-pro/
ABOUT COURTESY
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As in Victorian times, the precious, hand-lettered look of custom stationery is back in vogue. Enter Courtesy Script, my newest ornamental script typeface.
Courtesy captures the elegance and propriety of finely practiced Spencerian penmanship, in particular the Zanerian school. Its lowercase is notably understated, a simple monoline with very wide connections that ease readability. In the capitals, Courtesy adds variety in both the weight of the strokes, and in degrees of flourish — from merely fancy to over-the-top engrossery.
Based on an alphabet found in a 19th-century penmanship journal, Ale created hundreds of additional, stylistically complementary letterforms. Alternate capitals and lowercase letters, swashed lowercase forms, and ending and ornamental swashes; numerals, punctuation, and non-English and accented characters.
With virtually endless ways to customize its use, Courtesy helps designers create fluid, signature looks on stationery and invitations, book covers, fashion layouts, and packaging.
More fonts
Visit www.sudtipos.com
Get the font with a 35% introductory discount at
www.myfonts.com/fonts/sudtipos/gratitude-script/
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The quality or feeling of being grateful or thankful. An appreciation for the world around us. Gratitude for being a part of it all.
No matter what’s happening in our lives, there’s always something to be grateful for. When we have an appreciation for all we have, life gives us more to feel grateful for. It’s a naturally occurring cycle.
Some of the most profoundly grateful times in our lives can be felt when we find ourselves surrounded by beauty: in art, nature, music, special places, the seasons, family, loving relationships, a cozy home, meaningful work; in doing what brings us joy, comfort, and feelings of deep love and satisfaction. There is beauty everywhere, and creating beauty is an artist’s mission. We all have the ability to create and experience beauty.
In this high-tech, fast paced world of strict, unbending rules, we give you Gratitude Script: A celebratory font that’s deeply rooted in tradition letterforms but with a modern, updated twist; a casual, whimsical, fun look that is also elegant and versatile!
Partnering with Ale Paul is seasoned wedding calligrapher Kathy Milici, who is well known for her passionate writing style and highly ornamental pen flourishing. With its signature hand-written look, flowing lines, graceful curves and flourishes, Gratitude Script’s space saving, vertical style is perfect for small printing areas as well as large format presentations. An extended variety of alternates makes it a perfect and versatile addition to your font repertoire..
These are tender times. Long hours and work pressures add to our stress. Time spent with family and friends is more valuable than ever before, as we try to balance it all. It’s important to mark time with special, happy events in our lives that we can all appreciate and enjoy. Let’s be grateful for it all!
Hooray for Gratitude, and Gratitude Script!
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About the font:
Gratitude Script is an OpenType font that contains more than 1400 glyphs icluding ligatures, alternates, endings , a wide range of latin languages and a set of ornaments and words specially designed to use in stationery for weddings, birthdays, etc. There is a smooth version of Gratitude Script too. To access to all the extra characters you will need to use software that actually supports OpenType like Adobe CS apps or later where we recommend the use of the Glyph palette.
More info www.sudtipos.com
It's Sunday, I'm working at the table in the living room. Beer, plate that held nachos, TV remote, script, two notebooks, external hard drive, curling in the background, laptop and cell phone.
In a move more gymnast than cyclist, a flying backflip turns the Cowal arena into a launchpad. It’s a blur of limbs, balance, and boldness — and every kid in the crowd now wants to try it at home. (Please don’t.)
New font by Ale Paul for www.sudtipos.com
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Get the font MyFonts with a 35% introductory price > www.myfonts.com/fonts/sudtipos/auberge-script/
ABOUT AUBERGE SCRIPT
It took me a long time, but I think I now understand why people of my generation and older feel the need to frame current events in an historical context or precedents, while most of the young couldn't care less about what happened ten years ago, let alone centuries back. After living for a few decades, you get to a point when time seems to be moving quite fast, and it’s humbling to see that your entire existence so far can be summed up in a paragraph or two which may or may not be useful to whoever ends up reading the stuff anyhow. I suppose one way to cope with the serenity of aging is trying to convince yourself that your life and work are really an extension of millenia of a species striving to accept, adapt to, and improve the human condition through advancing the many facets of civilization -- basically making things more understandable and comfortable for ourselves and each other while we go about doing whatever it is we are trying to do. And when you do finally convince yourself of that, history becomes a source of much solace and even a little premonition, so you end up spending more time there.
Going far back into the history of what I do, one can easily see that for the most part it was ruled by the quill. Western civilization’s writing was done with quill pens for more than thirteen centuries and with newer instruments for about two. By the mid-18th century, the height of the quill experience, various calligraphy techniques could be discerned and writing styles were arranged in distinct categories. There are many old books that showcase the history of it all. I recommend looking at some whenever the urge comes calling and you have to get away from backlit worlds.
Multiple sources usually help me get a better perspective on the range of a specific script genre, so many books served as reference to this quill font of mine. Late 17th century French and Spanish professional calligraphy guides were great aides in understanding the ornamental scope of what the scribes were doing back then. The French books, with their showings of the Ronde, Bâtarde and Coulée alphabets, were the ones I referenced the most. So I decided to name the font Auberge, a French word for hotel or inn, because I really felt like a guest in different French locales (and times) when I going through all that stuff.
Because it is multi-sourced, Auberge does not strictly fit in a distinct quill pen category. Instead, it shows strong hints of both Bâtarde and Coulée alphabets. And like most of my fonts, it is an exercise in going overboard with alternates, swashes, and ornamental devices. Having worked with it for a while, I find it most suitable for display calligraphic setting in general, but it works especially well for things like wine labels and event invitations. It also shines in the original quill pen application purpose, which of course was stationery. Also, as it just occurred to me, if you find yourself in a situation where you have to describe your entire life in 50 words or less, you may as well make it look good and swashy, so Auberge would probably be a good fit there as well.
This is one quill script that no large bird had to die for.
A few technical notes
The Auberge Script Pro version includes 1800 glyphs, everything is included there. Also latin language support. We recommend you to use the latest design application to have full access to alternates, swashes, small caps, ornaments, etc. The images from the gallery uses this version. For better results use the fonts with “liga” feature on.
Awards
During 2014 the early develop of Auberge Script was chosen to be part of Tipos Latinos, the most important type exhibition in South America.
Take a look of the complet project at on.be.net/15Yq5XY
From a book of reproductions of The Book of Kells. Photography by John Kennedy, The Glenn Studios. I hope I have not infringed copyright by photographing this script. Macro Mondays theme 'Typography'. Happy Macro Monday all :)
The Book of Kells is an illuminated manuscript Gospel book in Latin, containing the four Gospels of the New Testament together with various prefatory texts and tables. It was created by Celtic monks ca. 800AD.
Matogrosso Script /// New Sudtipos font www.sudtipos.com/fonts/120
A new rustic calligraphic script from Argentine calligraphy team Koziupa and Paul. Ideal to use on wine labels or organic food packaging, stationery and old maps. It also makes a great choice for designs relating to outdoor activities and rugged travel, where the concept of the wild is to be accentuated.
Matogrosso's OpenType programming combines several alternate lowercase characters to generate perfect fit and more natural textures.
LEGAL DISCLAIMER: I Do Not Condone Any Acts Of Vandalism Nor Do I Participate In Such Criminal Activity. I Am Simply An Observant and Take Photos Of This Graffiti You Have Come Across. ALSO I Will Not Condone Any Usage Of My Photos To Support Any Legal Matter Involving These Acts Of Vandalism Therefore YOU ARE NOT WELCOME TO VIEW OR TAKE THIS MATERIAL For ANY Purpose...
Available at Myfonts
-http://www.myfonts.com/fonts/calderon-estudio-type-foundry/melts-script-rough/
SUDTIPOS NEWS
--------------------------------------------
We are proud to announce the release of Courtesy Script, our latest ornamental tribute to late S. XiX penmanship.
Get Courtesy > www.myfonts.com/fonts/sudtipos/courtesy-script-pro/
ABOUT COURTESY
--------------------------------------------
As in Victorian times, the precious, hand-lettered look of custom stationery is back in vogue. Enter Courtesy Script, my newest ornamental script typeface.
Courtesy captures the elegance and propriety of finely practiced Spencerian penmanship, in particular the Zanerian school. Its lowercase is notably understated, a simple monoline with very wide connections that ease readability. In the capitals, Courtesy adds variety in both the weight of the strokes, and in degrees of flourish — from merely fancy to over-the-top engrossery.
Based on an alphabet found in a 19th-century penmanship journal, Ale created hundreds of additional, stylistically complementary letterforms. Alternate capitals and lowercase letters, swashed lowercase forms, and ending and ornamental swashes; numerals, punctuation, and non-English and accented characters.
With virtually endless ways to customize its use, Courtesy helps designers create fluid, signature looks on stationery and invitations, book covers, fashion layouts, and packaging.
More fonts
Visit www.sudtipos.com
Photos made for blog post about shell script that dynamically splits output into files while processing.
Blog post: blog.christiaan008.com/2015/11/08/dynamic-splitting-outpu...
Remember Chiyo, Geisha are not courtesans, and we're not wives. We sell our skills, not our bodies. We create another secret world, a place only of beauty. The very word Geisha means artist, and to be a Geisha is to be judged as a moving work of art....We don't become Geisha to pursue our own destinies.
Who is looking at this pic??
the views are going up dramatically daily!!
so, ive got jakes day old footprints on my back and well, Dylan is 15months now so i thougt it only fair i got something sorted for him too. I've been carrying this tibetan script around for nearly ten years after travelling in Northern India meeting a few tibetans in exhile (the Dali Llama amongst others - i never get to name drop so im doing so now!). So i was given this script by a tibetan monk we shared a train carriage with. my surname is Stone and this script says 'Precious stone' (or 'an annoying western hippy' - I'm only guessing he was true to his word - he was a monk, they dont tell fibs do they?)
so, i got it tattoed across the inside of my right wrist yesterday. Jo(my wife) wasn't too impressed, but she went mental with the footprints so i shouldnt be surprised. i love it - and if i go for a job interview, i wear a watch!
the clingfilm is in order to persuade my skin a scab has already formed and stopping my body trying to reject the ink leaving a patchy tattoo.
the tattoist was as you'd imagine one. big, holey (piercings), and no plain skin left. it turns out however he used to be a lecturer in 'visual literacy'. we hit it off imediately and i went on to tell him about my street art. he was absolutely fascinated with the idea of leaving art on the street for others to find and discussed with me an aspect of it id never thought of. he was fascinated with the idea of the act of removing/taking/stealing the work and thought of that as an act of art in itself. he thought i should set up cctv and record the taking of the work as part of the act/piece. I'd never really considered who/why/how people take it and how they feel when removing it. now i cant stop thinking about it. do they feel guilty? do they go out with the intention of stealing a piece they have seen before? lts of my work gets nailed high up on telegraph posts. do they take a ladder (like me) or climb on friends backs? man, I'm intruiged!!!!!!!!!
Available at Myfonts
Bordonaro Spur
www.myfonts.com/fonts/calderon-estudio-type-foundry/bordo...
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Bordonaro Script
www.myfonts.com/fonts/calderon-estudio-type-foundry/bordo...
French postcard by Editions P.I., offered by Les Carbones Korès, no. 121. Photo: Lucienne Chevert. Suzy Delair in Quai des Orfèvres (Henri-Georges Clouzot, 1947).
Vivacious French entertainer Suzy Delair (1917) starred in many different films and was also famous in France as a singer of songs like Avec son Tra-la-la. For several years, the saucy star was the companion of film director Henri-Georges Clouzot, in whose films of the 1940s she appeared.
Suzy Delair was born Suzanne Pierrette Delaire in 1917 in Paris, France. During her adolescence, she started playing bit parts in films and on stage. Her film debut was Un caprice de la Pompadour (Willy Wolff, Joë Hamman, 1930). She had her first success in the music-halls and appeared in the cabaret of Suzy Solidor and the revue of Mistinquett. After small parts in films like La Dame de chez Maxim's (Alexander Korda, 1932), L'Or dans la rue/The Gold in the Street (Curtis Bernhardt, 1934), La crise est finie/The Crisis is Over (Robert Siodmak, 1934), Poliche (Abel Gance, 1934) and Prends la route/Hit the Road (Jean Boyer, 1936) she finally made her breakthrough in the cinema with Le Dernier des six/The Last One of the Six (Georges Lacombe, 1941). The film was based on a script by Henri-Georges Clouzot, with whom she was living together. When Clouzot became director, he offered two other big successes to Suzy Delair : the mystery thriller L'assassin habite au 21/The Murderer Lives at Number 21 (1942) and the classic Quai des Orfèvres/Quay of the Goldsmiths (1947). It was in the role of entertainer Jenny Lamour in this thriller that she emerged to international stardom. After this success the couple separated.
Stunningly attractive Suzy Delair was a seductive actress with a natural acting style. She starred in films directed by Marcel L'Herbier (La Vie de bohème, 1945), Jean Dréville (Copie conforme/Confessions of a Rogue, 1947), Jean Grémillon (Pattes blanches/ White Paws, 1949), Christian-Jaque (Souvenirs perdus/ Lost Souvenirs, 1950), Luchino Visconti (Rocco e i suoi fratelli/Rocco and His Brothers, 1960), Marcel Carné (Du mouron pour les petits oiseaux/ Chicken Feed for Little Birds, 1962), and René Clément (Paris brûle-t-il ?/Is Paris Burning?, 1966). She covered all registers from drama to comedy. She appeared as will-of-the-wisp chanteuse Cheri Lamour in the last Laurel & Hardy comedy, the melancholy Atoll K/Utopia (Léo Joannon, 1951). She also appeared in the Fernandel vehicle Le Couturier de ces Dames/Fernandel the Dress maker (Jean Boyer, 1956) and in the hilarious farce Les Aventures de Rabbi Jacob/The Mad Adventures of Rabbi Jacob (Gérard Oury, 1973) starring French comedy star Louis de Funès. She was a dancer and a singer, and her chanson Avec son Tra-la-la (1948) is an evergreen in France. She appeared in several operettas by Jacques Offenbach and Oscar and Johan Strauss. Her last film was Oublie-moi, Mandoline/Forget Me, Mandoline (Michel Wyn, 1976). Since then she sometimes appeared on tv.
Sources: Bruce Eder (All Music Guide), Wikipedia and IMDb.
Adios Script & Biographer, two of our fonts, were selected as Favourite fonts of iLT. We are very proud and happy!