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Marillion.. Script for a jesters tear.
Formed in Aylesbury in Buckinghamshire in 1979,Marillion went on to become one of the most succesful rock bands of the 80's selling more than 15 million albums...I must say im not a great fan of the bands later work...It was the first couple of studio albums that i loved as these created a sound that reflected the bands influences notably Genesis,Pink floyd,Van der graff generator,Yes and early Rush....The first time i heard Fish's poetic lyrics i was hooked [No pun intended]....This is an essential album for any first or second generation Prog Rock fan.
In Ausgabe 1 vom Juli gab es einen
Fehler in der E-Mail-Funktion. Wenn
ihr uns eine E-Mail über die Registerkarte
„E-Mail“ gesendet habt, konnte diese
uns leider nicht erreichen, da diese
Ausgabe einen Fehler enthielt. Ab der
Ausgabe 2 vom August wurde der Fehler
behoben und alles funktioniert jetzt.
For my new released font called Candy Script I published a pdf with some simulated picts of the font in use. Download the pdf at www.veer.com/download/pdf/candyscript.pdf
One Dollar script good for one bottle of St. Drakes 1860 Plantation X Bitters. This is not in my collection but from an article I read some years ago.
Yellow Bellied Slider (Trachemys scripta script), 2/3/2023, The Landings brackish lagoon # 15, Skidaway Island, Savannah, Ga
Get the best Tinder Clone app from Alphonic Network Solutions. Dating is a clone app of Tinder which can be used to launch as an instant dating app.Tinder clone script is dating app clone specially developed to have their best partner who are all wants to seek their better-half via online.
Visit us:: www.alphonic.in/blog/tinder-clone-script/
This is an example image of my new Gimp Script "Startrails"
It can be used to create startrails videos.
V2 allows you to adjust some fadeout options.
Here is an example video:
And here you can find the script: registry.gimp.org/node/25638
Scription Passport Cover Download
You have perhaps seen in many of my photos this cool passport cover issued by the United Kingdom of Great Stationery and Photography. Now you can download it for free here (http://www.box.net/shared/z7bm2s93ff). If you follow my tweets and Instagram feed, I mentioned a while ago having fun surprising the ladies in airline counters and managed to get their cute smiles plus nice conversations.
I would recommend you to print it on a thick piece of paper, you may want to choose one that's not white so that the base color of the paper mingles with the image. To fix it on a passport, simply use a piece of thin elastic string, tie a knot and slide it to the spine of your passport together with your printed cover. Enjoy!
More on Scription blog: scription.typepad.com/blog/2011/06/scription-passport-cov...
Get the font
www.myfonts.com/fonts/sudtipos/bowling-script/
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About the typeface
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There is plenty of lyric and literature about looking over one’s shoulder in contemplation. What would you have done differently if you knew then what you know now? This is the kind of question that comes out of nowhere. When it does and whether its context is personal or professional make very little difference. It’s a question that can cause emotions to rise and passions to run hot. It can trigger priority shifts and identity crises. It’s never easy to answer.
Three years ago, I published a font called Semilla. My aim with that was to distill the work of Bentele, a lettering artist from early 1950s Germany. Picking such an obscure figure back then was my way of pondering the meaning and efficiency of objectivity in a world where real human events and existences are inevitably filtered through decades of unavoidably subjective written, printed and oral history. And maybe to pat myself on the back for surviving surprises mild and pleasant.
Having been fortunate enough to follow my professional whims for quite some time now, I took another, longer look at my idea of distilling Bentele’s work again. I suppose the concepts of established history and objectivity can become quite malleable when personal experience is added to the mix. I say that because there I was, three years later, second-guessing myself and opining that Bentele’s work can be distilled differently, in a manner more suited to current cultural angles. So I embarked on that mission, and Bowling Script is the result. I realize that it’s difficult to reconcile this soft and happy calligraphic outcome with the introspection I've blathered about so far, but it is what is. I guess even self-created first world problems need to be resolved somehow, and the resolution can happen in mysterious ways.
Bowling Script is what people who like my work would expect from me. It’s yet another script loaded with all kinds of alternation, swashing and over-the-top stuff. All of that is in here. These days I think I just do all that stuff without even blinking. But there are two additional twists.
The more noticeable one is ornamental: The stroke endings in the main font are of the typical sharp and curly variety found in sign painting, while the other font complements that with ball endings, sometimes with an added-on-afterwards impression rather than an extension of the actual stroke. In the philosophical terms I was mumbling earlier, this is the equivalent of alternate realities in a world of historical reduxes that by their very nature can never properly translate original fact.
The second twist has to do with the disruption of angular rhythm in calligraphic alphabets. Of course, this is the kind of lettering where the very concept of rhythm can be quite flexible, but it still counts for something, and experimenting with angular white space in a project of a very dense footprint was irresistible. After playing for a bit, I decided that it would interesting to include the option of using optically back-slanted forms in the fonts. Most scripts out there, including mine, have a rhythm sonically comparable to four-to-the-floor club beats. So the weirdly angled stuff here is your chance to do the occasional drumroll. Everyone knows we need one of those sometimes.
Bowling Script and Bowling Script Balls fonts comes with 1600 characters and features extended Latin-based language support. There are also a basic version of both fonts without all the alternates and extra OpenType features. Bowling family ships in cross-platform OpenType format.
More info
Diploma Script Pro. New typography along with Latinotype.
50% off at www.myfonts.com/fonts/latinotype/diploma-script/
Also in Latinotype website www.latinotype.com/display-weights?font=178
Over the years the tinder has become very famous. Moreover, the arrival of the tinder clone script has helped things to get better. However, dating apps are have been around for so long but none was able to make the changes like tinder.
From a book of reproductions of The Book of Kells. Photography by John Kennedy, The Glenn Studios. I hope I have not infringed copyright by photographing this script. Macro Mondays theme 'Typography'. Happy Macro Monday all :)
The Book of Kells is an illuminated manuscript Gospel book in Latin, containing the four Gospels of the New Testament together with various prefatory texts and tables. It was created by Celtic monks ca. 800AD.
script lettering on a rib cage by Justin Dion @ blacklist Gallery Tattoo in PDX Oregon
www.blacklistgallerytattoo.com
sharkfighterzero@gmail.com
New font by Ale Paul for www.sudtipos.com
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Get the font MyFonts with a 35% introductory price > www.myfonts.com/fonts/sudtipos/auberge-script/
ABOUT AUBERGE SCRIPT
It took me a long time, but I think I now understand why people of my generation and older feel the need to frame current events in an historical context or precedents, while most of the young couldn't care less about what happened ten years ago, let alone centuries back. After living for a few decades, you get to a point when time seems to be moving quite fast, and it’s humbling to see that your entire existence so far can be summed up in a paragraph or two which may or may not be useful to whoever ends up reading the stuff anyhow. I suppose one way to cope with the serenity of aging is trying to convince yourself that your life and work are really an extension of millenia of a species striving to accept, adapt to, and improve the human condition through advancing the many facets of civilization -- basically making things more understandable and comfortable for ourselves and each other while we go about doing whatever it is we are trying to do. And when you do finally convince yourself of that, history becomes a source of much solace and even a little premonition, so you end up spending more time there.
Going far back into the history of what I do, one can easily see that for the most part it was ruled by the quill. Western civilization’s writing was done with quill pens for more than thirteen centuries and with newer instruments for about two. By the mid-18th century, the height of the quill experience, various calligraphy techniques could be discerned and writing styles were arranged in distinct categories. There are many old books that showcase the history of it all. I recommend looking at some whenever the urge comes calling and you have to get away from backlit worlds.
Multiple sources usually help me get a better perspective on the range of a specific script genre, so many books served as reference to this quill font of mine. Late 17th century French and Spanish professional calligraphy guides were great aides in understanding the ornamental scope of what the scribes were doing back then. The French books, with their showings of the Ronde, Bâtarde and Coulée alphabets, were the ones I referenced the most. So I decided to name the font Auberge, a French word for hotel or inn, because I really felt like a guest in different French locales (and times) when I going through all that stuff.
Because it is multi-sourced, Auberge does not strictly fit in a distinct quill pen category. Instead, it shows strong hints of both Bâtarde and Coulée alphabets. And like most of my fonts, it is an exercise in going overboard with alternates, swashes, and ornamental devices. Having worked with it for a while, I find it most suitable for display calligraphic setting in general, but it works especially well for things like wine labels and event invitations. It also shines in the original quill pen application purpose, which of course was stationery. Also, as it just occurred to me, if you find yourself in a situation where you have to describe your entire life in 50 words or less, you may as well make it look good and swashy, so Auberge would probably be a good fit there as well.
This is one quill script that no large bird had to die for.
A few technical notes
The Auberge Script Pro version includes 1800 glyphs, everything is included there. Also latin language support. We recommend you to use the latest design application to have full access to alternates, swashes, small caps, ornaments, etc. The images from the gallery uses this version. For better results use the fonts with “liga” feature on.
Awards
During 2014 the early develop of Auberge Script was chosen to be part of Tipos Latinos, the most important type exhibition in South America.
Take a look of the complet project at on.be.net/15Yq5XY
Matogrosso Script /// New Sudtipos font www.sudtipos.com/fonts/120
A new rustic calligraphic script from Argentine calligraphy team Koziupa and Paul. Ideal to use on wine labels or organic food packaging, stationery and old maps. It also makes a great choice for designs relating to outdoor activities and rugged travel, where the concept of the wild is to be accentuated.
Matogrosso's OpenType programming combines several alternate lowercase characters to generate perfect fit and more natural textures.
LEGAL DISCLAIMER: I Do Not Condone Any Acts Of Vandalism Nor Do I Participate In Such Criminal Activity. I Am Simply An Observant and Take Photos Of This Graffiti You Have Come Across. ALSO I Will Not Condone Any Usage Of My Photos To Support Any Legal Matter Involving These Acts Of Vandalism Therefore YOU ARE NOT WELCOME TO VIEW OR TAKE THIS MATERIAL For ANY Purpose...
SUDTIPOS NEWS
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We are proud to announce the release of Courtesy Script, our latest ornamental tribute to late S. XiX penmanship.
Get Courtesy > www.myfonts.com/fonts/sudtipos/courtesy-script-pro/
ABOUT COURTESY
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As in Victorian times, the precious, hand-lettered look of custom stationery is back in vogue. Enter Courtesy Script, my newest ornamental script typeface.
Courtesy captures the elegance and propriety of finely practiced Spencerian penmanship, in particular the Zanerian school. Its lowercase is notably understated, a simple monoline with very wide connections that ease readability. In the capitals, Courtesy adds variety in both the weight of the strokes, and in degrees of flourish — from merely fancy to over-the-top engrossery.
Based on an alphabet found in a 19th-century penmanship journal, Ale created hundreds of additional, stylistically complementary letterforms. Alternate capitals and lowercase letters, swashed lowercase forms, and ending and ornamental swashes; numerals, punctuation, and non-English and accented characters.
With virtually endless ways to customize its use, Courtesy helps designers create fluid, signature looks on stationery and invitations, book covers, fashion layouts, and packaging.
More fonts
Visit www.sudtipos.com
when the best part of me was always you..
What am i suppose to say when i'm all choked up and your okay..
I'm falling to pieces