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It's a year end roundup! I only started the reading stack in May, but judging from how high I got, another four months wouldn't have forced me to reveal my secret identity. (My wife looked at my stack and remarked how this would be like a month for her.)
I slipped in a re-read of the The Golden Compass (top of the pile) after going to the movie. The book is wonderful, please read that instead of/before seeing the movie. Kidman was perfect casting but the script is your typical breathless checklist instead of a dramatization.
(Okay, I'm still reading Fisher's Art of Eating and Boswell's Life of Johnson, they get devoured bit by bit from my bedside, but honest I've read, if not remembered all the other books.)
From the 2017 ATX Television Festival "Suits: Script Reading" at the State Theatre in Austin, Texas.
© TheGeekLens
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James Danger Harvey, the skin galleryTattoo, 5739 Auburn blvd Sacramento CA 95841, color, tattoo, script, 916-247-3538, lettering, side tattoo, saying, quotes
A serie of labels designed by Pupo Boldrini and Gato Ficcardi to celebrate the release of Bellissima Script.
License the typeface: www.myfonts.com/fonts/sudtipos/bellissima-script-pro/
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While in the same vein and spirit as Burgues and Compendium, Bellissima began from an entirely different thread as those fonts. It started with Alex Trochut generously showing me a gorgeous lettering book from his grandfather's library: Bellezas de la Caligrafía, by Ramón Stirling, 1844. Stirling was one of the Latin calligraphy pioneers who introduced a refined version of English calligraphy in Spain and made it popular in the nineteenth century.
Some scans from that book served as initial basis for the caps in my Poem Script. But it was always in the back of my mind that I should do a copperplate, and the Stirling model was the perfect source. My intention was to veer away from Stirling's exuberant ornamentation, and work within simplified forms of his ideas. As it usually is with most of my projects, Bellissima became its own bird and shaped its own flying patterns. Suddenly there were many ligatures, multiple endings and swashed connections, hundreds of alternates for both uppercase and lowercase.
Bellissima has an effusive energy that appeals much beyond its sourcing. It's intended for these modern times of appreciation for old crafty things like stationary and letterpress, where its origins help it shine brightly.
Bellissima Script Pro is a complete font with almost 2000 characters full of alternates, swashes, ligatures & ornaments covering a wide palette of latin languages and Bellissima Script Redux is a random sample of glyphs totally usable with a reduced price.
3D art in that Specimen generously provided by Corey Holms.
To celebrate this new font release there is a 30% off discount at @myfonts and you can get the Pro version for just 55$ or a Redux (a random selection of 256 glyphs) for only 34$
More fonts at:
Boldrini & Ficcardi based in Mendoza , Argentina.
The B&F studio: Boldrini & Ficcardi is a graphic design agency with expertise for the alcoholic drinks sector. Work both with regional and global companies, helping them to build strong and profitable brands. Founded by Victor Boldrini and Leonardo Ficcardi, the studio develops design and communication tasks from 1991 working in projects of branding, packaging and publishing. B&F projects have won awards internationally and published in various magazines and design books. (Latin American Graphics.Taschen, / Novum magazine / Etapes magazine / Pluswine / Brand Identity Now, and many others)
For label design visit Boldrini & Ficcardi
【Isfahan, Iran】 Armenian calligraphy on a stone carving in the Christian museum of the Vank cathedral of Isfahan.
© All rights reserved - No usage allowed in any form without the written consent of the photographer
James Danger Harvey, the skin gallery, 5739 Auburn blvd Sacramento CA 95841, black and grey, tattoo, script, 916-247-3538, lettering, arms
This is an illuminated and illustrated Mughal copy of a collection of poems (dīvān) by the eminent poet and hagiographer of Islamic India, Ḥasan Dihlavī (d. ca. 729 AH / 1328 CE). It was written in nastaʿlīq script by ʿAbd Allāh Mushkīn Qalam (Amber-Scented Pen) in Allāhābād in 1011 AH / 1602 CE, according to the colophon on fol. 187a. A celebrated royal calligrapher, Abd Allāh Mushkīn Qalam worked in Allāhābād for Prince Salim, who later became the Mughal Emperor Jahāngīr. The manuscript opens with a double-page illuminated incipit (fols. 2b-3a) and is illustrated with fourteen paintings, including a portrait of the calligrapher himself (fol. 187a). The lacquer binding has intricate all-over illumination in which the main element is a pattern of gold strapwork with floral motifs, attributable to the thirteenth century AH / nineteenth century CE. This shows a gathering of men.
To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.
James Danger Harvey, the skin galleryTattoo, 5739 Auburn blvd Sacramento CA 95841, tattoo, script, 916-247-3538, lettering, hope, Faith, back piece, color, shoulders
Just came across this old file, a test script for a Valentine letter we sent out in 2009 to brands we loved. Handwritten script by Paul Antonio
The 'Mesdames de Mayhem' are a club of female mystery writers -- short stories, novels, and television scripts -- and are a lot of fun to know. John Thompson has become sort of a go-to resource for many of them for questions about firearms and weaponry; particularly as many of them have never fired a firearm and know little about them. This has led to a one-time 'Mystery Writers Shoot' to be hosted by the RCMI-PC on May 9th on Borden -- the day before our own scheduled shoot of May 10th.
The mystery writers will provide lunch (guaranteed not to have any us turn green and start frothing) and about 10 of them are expected.
John Thompson will be the RSO, but we need volunteers and their firearms for one-on-one coaching on the firing line at Borden. Some ammunition will be from club stocks and the Ladies will be paying to defray the price of ammunition.
The day begins at 0930 on Bay 5. Safety brief, get 'eyes and ears' matched to guests. We'll set up with the normal Figure 11s.
0945: Short talk and display of:
a) a muzzle-loading black powder firearm (assuming some member brings one)
b) a double-barrelled shotgun
b) a bolt-action rifle,
c) a lever-action rifle.
d) a pump-action shotgun.
e) a semi-automatic rifle.
f) a single-action revolver
g) a double-action revolver
h) a semi-automatic pistol.
-- Each demonstration will be short, and will allow the ladies to see how the firearm functions and is loaded. This will be under control of the RSO; once dry with the weapon pointed at the berm, then turn, and once live into a target.
10:30ish One on one shooting (editor's note:I think John means shooting on a one-on-one supervised basis... I hope that's what he means). Members will lay one or two of the weapons they bring with their ammunition on the firing line and let the ladies shoot under close supervision. We'll do our usual relays and keep each relay short (two mags) and then clear and patch targets and let the next relay come up.
We need a variety of historic and significant firearms for this -- especially if they are well known to the general public.
Bay 5 is licensed for the usual pistols plus rifles up to 5.56mm/0.223, so no big bad rifles but carbines, shotguns, and pistols are needed. If you want to bring something heavier to show, please do. We can show it, but we can't shoot it on Bay 5. The ladies tend to be 'mature' and very few have ever shot anything before, so be guided accordingly.
After lunch we'll do a novelty shoot for prizes for the ladies. Quite possibly we'll let them keep their illusions about our own eagle-eyed marksmanship, or maybe reserve one prize for RCMI-PC members.
Can you guess which letter inspired the form of these links?
I finally listed this one of a kind chain for sale.
A westbound vehicle train on the IHB, unexpectedly, pulls through the Park Avenue crossing in Dolton, Illinois.
SUDTIPOS NEWS
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We are proud to announce the release of Courtesy Script, our latest ornamental tribute to late S. XiX penmanship.
Get Courtesy > www.myfonts.com/fonts/sudtipos/courtesy-script-pro/
ABOUT COURTESY
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As in Victorian times, the precious, hand-lettered look of custom stationery is back in vogue. Enter Courtesy Script, my newest ornamental script typeface.
Courtesy captures the elegance and propriety of finely practiced Spencerian penmanship, in particular the Zanerian school. Its lowercase is notably understated, a simple monoline with very wide connections that ease readability. In the capitals, Courtesy adds variety in both the weight of the strokes, and in degrees of flourish — from merely fancy to over-the-top engrossery.
Based on an alphabet found in a 19th-century penmanship journal, Ale created hundreds of additional, stylistically complementary letterforms. Alternate capitals and lowercase letters, swashed lowercase forms, and ending and ornamental swashes; numerals, punctuation, and non-English and accented characters.
With virtually endless ways to customize its use, Courtesy helps designers create fluid, signature looks on stationery and invitations, book covers, fashion layouts, and packaging.
More fonts
Visit www.sudtipos.com
This illuminated and illustrated manuscript contains the Khamsah (quintet) and two historical poems (masnavi), Qirān-i saʿdayn and Nuh sipihr, by Amīr Khusraw Dihlavī (d. 725 AH / 1325 CE). The codex is dated 1017 AH / 1609 CE and was produced in Safavid Iran. All texts are written in black nastaʿlīq script with chapter headings in red. The manuscript opens with an illuminated and illustrated frontispiece of a hunting and court scene in the early Safavid style (fols. 1b-2a). The first text is Khamsah-i Dihlavī (fols. 2b-192a), which is introduced by an illuminated incipit and titlepiece with the title of the first poem of the quintet and the author's name. The second text is Qirān-i saʿdayn, a historical poem (masnavi) about the meeting of Sultan Muʿizz al-Dīn Kayqubād and his father, Nāṣir al-Din Bughrā Khān, on the banks of the Sarjū in Oudh. It is also introduced with an illuminated incipit and titlepiece (fol. 193b). The third text is Nuh sipihr, a historical poem (masnavi) describing the glories of Sultan Quṭb al-Dīn Mubārak Shāh Khaljī’s time, introduced with an illuminated incipit and headpiece (fol. 223b). The dark brown leather binding is original to the manuscript.
To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.
James Danger Harvey, the skin gallery, 5739 Auburn blvd Sacramento CA 95841, black and grey, tattoo, script, 916-247-3538, lettering, side tattoo,
i love this dragonfly brad.
i stamped a big background stamp with
tim holtz inks.sprayed with water and stamped on watercolor paper.
then inked up a script stamp from Hero Arts with embossing ink.
stamped it,and added golden embossing powder,heated the powder.
then added some ink with sponge in several areas.
several layers of paper and cardstock.
ready..nice for so.many occasions..added a dragonfly brad as embellishment
How to get the process ID (PID) of a shell script
If you would like to use this photo, be sure to place a proper attribution linking to Ask Xmodulo
new script font called Herchey. High quality script font with swashes inspired by modern vintage design and baseball logo. Plus OpenType features with Stylistic Alternates, Swashes, Ligatures, Stylistic set, Terminal Form and Ornament that allows you to mix and match pairs of letters to fit your design. This font good for vintage design, t-shirt, logo, labels,badges, posters and etc.
download : crmrkt.com/8NO5k
The font Baghadeer seen here is now available at: www.myfonts.com/fonts/stephen-rapp/baghadeer/refby
The greatest of all college gameday traditions...Script Ohio with the alumni marching band in Columbus, Ohio.
More pics available @ www.superiorviewphotos.com