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Can you guess which letter inspired the form of these links?
I finally listed this one of a kind chain for sale.
A westbound vehicle train on the IHB, unexpectedly, pulls through the Park Avenue crossing in Dolton, Illinois.
James Danger Harvey, the skin gallery, 5739 Auburn blvd Sacramento CA 95841, black and grey, tattoo, script, 916-247-3538, lettering, side tattoo,
The greatest of all college gameday traditions...Script Ohio with the alumni marching band in Columbus, Ohio.
More pics available @ www.superiorviewphotos.com
Week 28: Night Shot
Photo-a-fortnight 14/26
Not the best photo in the world, I cannot take my camera into the gig. This is a photo from the finale of The Script gig at High lodge when the confetti was released.
James Danger Harvey, The Skin Gallery Tattoo, 5739 Auburn blvd Sacramento CA 95841, tattoo, 916-247-3538, cover up, arm, color, script, lettering, koi fish, before, during, finished
Arabic script swoops around the large arches which curve over the entrance to each of the rooms at the Maristan Nur Ad-Din in Damascus. It was built in 1154 as an asylum and hospital for the mentally ill.
Building 4900, abandoned. Decommissioned Fort Ord Army Base.
Shot 1/07, night, totally dark space, full moon outside, about 1 minute, f5.6, ungelled flashlight, tungsten balanced.
Reprocessed and replaced, May 2023.
James Danger Harvey, the skin gallery, 5739 Auburn blvd Sacramento CA 95841, black and grey, tattoo, script, 916-247-3538, lettering, side
James Danger Harvey, the skin gallery Tattoo, 5739 Auburn blvd Sacramento CA 95841, black and grey, tattoo, script, 916-247-3538, lettering, side tattoo, names, footprint, stars,
Every script I get acquires the obligatory coffee stain at some point during the rehearsal process. It is inevitable. This script was taking a while though. I kept waiting...when is the coffee stain going to happen? Usually this stain is a circle or some kind of amorphous blob that I can outline and make a monster face out of or something. Waiting....waiting....waiting... No stain. I started thinking it was some kind of sign that the play was going to suck or something.
Then it happened. I accidentally spilled an ENTIRE CUP OF COFFEE all over my script. He hee. I had to put it in the oven to dry it off.
There's something really beautiful about a well worn script. Doesn't it look like I just pumped every ounce of life I could possibly get out of it? It just looks spent. Gracious, I love that.
SET 1 – Colony Crossing Kroger, Pre-Remodel
Occupying the space in the grand aisle out in front of the service departments (on the left-hand perimeter wall) are all the prepared/packaged and hot food options, such as the cheese counter seen in the foreground (pre-Murray’s!), or the sushi counter beyond that, for instance. Like I already mentioned, one perk of this being a script-era new-build store is that we get to see scenes like this; until now, all the script stores we’ve seen in my photostream have been remodeled stores, without these types of amenities. They’ve certainly got a lot to offer in this store, and I really dig its presentation as well, with these cases all arranged not only with wide walking spaces between them but also at an angle, allowing for some nice visuals among them as well as equally nice sightlines back towards that meat and seafood service counter on the rear wall.
(c) 2024 Retail Retell
These places are public so these photos are too, but just as I tell where they came from, I'd appreciate if you'd say who :)
SUDTIPOS NEWS
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We are proud to announce the release of Courtesy Script, our latest ornamental tribute to late S. XiX penmanship.
Get Courtesy > www.myfonts.com/fonts/sudtipos/courtesy-script-pro/
ABOUT COURTESY
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As in Victorian times, the precious, hand-lettered look of custom stationery is back in vogue. Enter Courtesy Script, my newest ornamental script typeface.
Courtesy captures the elegance and propriety of finely practiced Spencerian penmanship, in particular the Zanerian school. Its lowercase is notably understated, a simple monoline with very wide connections that ease readability. In the capitals, Courtesy adds variety in both the weight of the strokes, and in degrees of flourish — from merely fancy to over-the-top engrossery.
Based on an alphabet found in a 19th-century penmanship journal, Ale created hundreds of additional, stylistically complementary letterforms. Alternate capitals and lowercase letters, swashed lowercase forms, and ending and ornamental swashes; numerals, punctuation, and non-English and accented characters.
With virtually endless ways to customize its use, Courtesy helps designers create fluid, signature looks on stationery and invitations, book covers, fashion layouts, and packaging.
More fonts
Visit www.sudtipos.com
Zeligz Cryptocurrency Exchange Script comes with our advanced white label system having a state-of-the-art platform customized to suit your requirements. That's not all, our cutting-edge digital asset exchange software coupled with top-of-the-line security features offer stellar performance for worry-free transactions. Our white label exchange solutions are designed to help you save on crucial time and unforeseen costs.
Islamic calligraphy
From the Wikipedia:
Islamic calligraphy, equally known as Arabic calligraphy, is the art of writing, and by extension, of bookmaking.[1] This art has most often employed the Arabic script, throughout many languages. Calligraphy is especially revered among Islamic arts since it was the primary means for the preservation of the Qur'an.
Throughout Islamic history, the work of calligraphers was collected and appreciated. Consideration of figurative art as idolatrous led to calligraphy and abstract figures becoming the main forms of artistic expression in Islamic cultures.[2]
Arabic, Persian and Ottoman Turkish calligraphy is associated with geometric Islamic art (the Arabesque) on the walls and ceilings of mosques as well as on the page. Contemporary artists in the Islamic world draw on the heritage of calligraphy to use calligraphic inscriptions or abstractions in their work.
Calligraphic scripts
The first Arabic script to gain popularity was the Kufic script, which was created in 537. Kufic is angular, made of square and short horizontal strokes, long verticals, and bold, compact circles. It was the main script used to copy the Qur'an for three centuries. Its static aspect made it suitable for monumental inscriptions, too. It developed many serifs (small decorations added to each character).
More often used for casual writing was the cursive Naskh script, with rounder letters and thin lines. As techniques for writing in this style were refined, it came to be preferred to Kufic for copying the Qur'an. Naskh is the first script taught to most children. Almost all printed material in Arabic is in Naskh so, to avoid confusion, children are taught to write in the same script. It is also clearer and easier to decipher.
In the 13th century, the Thuluth script took on the ornamental role formerly associated with the Kufic script. Thuluth means "one third"; the form of Thuluth is based on the principle that one third of each letter slides downward. Thus it has a strong cursive aspect and is usually written in ample curves.
After Persia was conquered by Arabs in the 7th century, it became common to write Persian in Arabic script. The Persians contributed the Ta'liq and Nasta'liq styles to Arabic calligraphy. Nasta'liq is extremely cursive, with exaggeratedly long horizontal strokes. One of its peculiarities is that vertical strokes lean to the right rather than (as more commonly) to the left, making Nasta'liq writing flow particularly well. The Persians also developed a style called shekasteh ('broken' in Persian). Shekasteh has seldom been used for scripting Arabic texts, though it is an Arabic calligraphy style.
The Diwani script is a cursive style of Arabic calligraphy developed during the reign of the early Ottoman Turks (16th and early 17th centuries). It was invented by Housam Roumi and reached its height of popularity under Süleyman I the Magnificent (1520–66). As decorative as it was communicative, Diwani was distinguished by the complexity of the line within the letter and the close juxtaposition of the letters within the word.
A variation of the Diwani, the Diwani Al Jali, is characterized by its abundance of diacritical and ornamental marks.
Finally, the most common script for everyday use is Ruq'ah (also known as Riq'a). Simple and easy to write, its movements are small, without much amplitude. It is the one most commonly seen. It is considered a step up from Naskh script, which children are taught first. In later grades they are introduced to Ruq'ah.
new script font called Herchey. High quality script font with swashes inspired by modern vintage design and baseball logo. Plus OpenType features with Stylistic Alternates, Swashes, Ligatures, Stylistic set, Terminal Form and Ornament that allows you to mix and match pairs of letters to fit your design. This font good for vintage design, t-shirt, logo, labels,badges, posters and etc.
download : crmrkt.com/8NO5k
Mark Ford Evil From the Needle 232 Camden High Street London NW1 8QS www.evilfromtheneedle.com www.doompig.com
New font by Ale Paul for www.sudtipos.com
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Get the font MyFonts with a 35% introductory price > www.myfonts.com/fonts/sudtipos/auberge-script/
ABOUT AUBERGE SCRIPT
It took me a long time, but I think I now understand why people of my generation and older feel the need to frame current events in an historical context or precedents, while most of the young couldn't care less about what happened ten years ago, let alone centuries back. After living for a few decades, you get to a point when time seems to be moving quite fast, and it’s humbling to see that your entire existence so far can be summed up in a paragraph or two which may or may not be useful to whoever ends up reading the stuff anyhow. I suppose one way to cope with the serenity of aging is trying to convince yourself that your life and work are really an extension of millenia of a species striving to accept, adapt to, and improve the human condition through advancing the many facets of civilization -- basically making things more understandable and comfortable for ourselves and each other while we go about doing whatever it is we are trying to do. And when you do finally convince yourself of that, history becomes a source of much solace and even a little premonition, so you end up spending more time there.
Going far back into the history of what I do, one can easily see that for the most part it was ruled by the quill. Western civilization’s writing was done with quill pens for more than thirteen centuries and with newer instruments for about two. By the mid-18th century, the height of the quill experience, various calligraphy techniques could be discerned and writing styles were arranged in distinct categories. There are many old books that showcase the history of it all. I recommend looking at some whenever the urge comes calling and you have to get away from backlit worlds.
Multiple sources usually help me get a better perspective on the range of a specific script genre, so many books served as reference to this quill font of mine. Late 17th century French and Spanish professional calligraphy guides were great aides in understanding the ornamental scope of what the scribes were doing back then. The French books, with their showings of the Ronde, Bâtarde and Coulée alphabets, were the ones I referenced the most. So I decided to name the font Auberge, a French word for hotel or inn, because I really felt like a guest in different French locales (and times) when I going through all that stuff.
Because it is multi-sourced, Auberge does not strictly fit in a distinct quill pen category. Instead, it shows strong hints of both Bâtarde and Coulée alphabets. And like most of my fonts, it is an exercise in going overboard with alternates, swashes, and ornamental devices. Having worked with it for a while, I find it most suitable for display calligraphic setting in general, but it works especially well for things like wine labels and event invitations. It also shines in the original quill pen application purpose, which of course was stationery. Also, as it just occurred to me, if you find yourself in a situation where you have to describe your entire life in 50 words or less, you may as well make it look good and swashy, so Auberge would probably be a good fit there as well.
This is one quill script that no large bird had to die for.
A few technical notes
The Auberge Script Pro version includes 1800 glyphs, everything is included there. Also latin language support. We recommend you to use the latest design application to have full access to alternates, swashes, small caps, ornaments, etc. The images from the gallery uses this version. For better results use the fonts with “liga” feature on.
Awards
During 2014 the early develop of Auberge Script was chosen to be part of Tipos Latinos, the most important type exhibition in South America.
Take a look of the complet project at on.be.net/15Yq5XY