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Get the font
www.myfonts.com/fonts/sudtipos/bowling-script/
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About the typeface
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There is plenty of lyric and literature about looking over one’s shoulder in contemplation. What would you have done differently if you knew then what you know now? This is the kind of question that comes out of nowhere. When it does and whether its context is personal or professional make very little difference. It’s a question that can cause emotions to rise and passions to run hot. It can trigger priority shifts and identity crises. It’s never easy to answer.
Three years ago, I published a font called Semilla. My aim with that was to distill the work of Bentele, a lettering artist from early 1950s Germany. Picking such an obscure figure back then was my way of pondering the meaning and efficiency of objectivity in a world where real human events and existences are inevitably filtered through decades of unavoidably subjective written, printed and oral history. And maybe to pat myself on the back for surviving surprises mild and pleasant.
Having been fortunate enough to follow my professional whims for quite some time now, I took another, longer look at my idea of distilling Bentele’s work again. I suppose the concepts of established history and objectivity can become quite malleable when personal experience is added to the mix. I say that because there I was, three years later, second-guessing myself and opining that Bentele’s work can be distilled differently, in a manner more suited to current cultural angles. So I embarked on that mission, and Bowling Script is the result. I realize that it’s difficult to reconcile this soft and happy calligraphic outcome with the introspection I've blathered about so far, but it is what is. I guess even self-created first world problems need to be resolved somehow, and the resolution can happen in mysterious ways.
Bowling Script is what people who like my work would expect from me. It’s yet another script loaded with all kinds of alternation, swashing and over-the-top stuff. All of that is in here. These days I think I just do all that stuff without even blinking. But there are two additional twists.
The more noticeable one is ornamental: The stroke endings in the main font are of the typical sharp and curly variety found in sign painting, while the other font complements that with ball endings, sometimes with an added-on-afterwards impression rather than an extension of the actual stroke. In the philosophical terms I was mumbling earlier, this is the equivalent of alternate realities in a world of historical reduxes that by their very nature can never properly translate original fact.
The second twist has to do with the disruption of angular rhythm in calligraphic alphabets. Of course, this is the kind of lettering where the very concept of rhythm can be quite flexible, but it still counts for something, and experimenting with angular white space in a project of a very dense footprint was irresistible. After playing for a bit, I decided that it would interesting to include the option of using optically back-slanted forms in the fonts. Most scripts out there, including mine, have a rhythm sonically comparable to four-to-the-floor club beats. So the weirdly angled stuff here is your chance to do the occasional drumroll. Everyone knows we need one of those sometimes.
Bowling Script and Bowling Script Balls fonts comes with 1600 characters and features extended Latin-based language support. There are also a basic version of both fonts without all the alternates and extra OpenType features. Bowling family ships in cross-platform OpenType format.
More info
SUDTIPOS NEWS
--------------------------------------------
We are proud to announce the release of Courtesy Script, our latest ornamental tribute to late S. XiX penmanship.
Get Courtesy > www.myfonts.com/fonts/sudtipos/courtesy-script-pro/
ABOUT COURTESY
--------------------------------------------
As in Victorian times, the precious, hand-lettered look of custom stationery is back in vogue. Enter Courtesy Script, my newest ornamental script typeface.
Courtesy captures the elegance and propriety of finely practiced Spencerian penmanship, in particular the Zanerian school. Its lowercase is notably understated, a simple monoline with very wide connections that ease readability. In the capitals, Courtesy adds variety in both the weight of the strokes, and in degrees of flourish — from merely fancy to over-the-top engrossery.
Based on an alphabet found in a 19th-century penmanship journal, Ale created hundreds of additional, stylistically complementary letterforms. Alternate capitals and lowercase letters, swashed lowercase forms, and ending and ornamental swashes; numerals, punctuation, and non-English and accented characters.
With virtually endless ways to customize its use, Courtesy helps designers create fluid, signature looks on stationery and invitations, book covers, fashion layouts, and packaging.
More fonts
Visit www.sudtipos.com
SUDTIPOS NEWS
--------------------------------------------
We are proud to announce the release of Courtesy Script, our latest ornamental tribute to late S. XiX penmanship.
Get Courtesy > www.myfonts.com/fonts/sudtipos/courtesy-script-pro/
ABOUT COURTESY
--------------------------------------------
As in Victorian times, the precious, hand-lettered look of custom stationery is back in vogue. Enter Courtesy Script, my newest ornamental script typeface.
Courtesy captures the elegance and propriety of finely practiced Spencerian penmanship, in particular the Zanerian school. Its lowercase is notably understated, a simple monoline with very wide connections that ease readability. In the capitals, Courtesy adds variety in both the weight of the strokes, and in degrees of flourish — from merely fancy to over-the-top engrossery.
Based on an alphabet found in a 19th-century penmanship journal, Ale created hundreds of additional, stylistically complementary letterforms. Alternate capitals and lowercase letters, swashed lowercase forms, and ending and ornamental swashes; numerals, punctuation, and non-English and accented characters.
With virtually endless ways to customize its use, Courtesy helps designers create fluid, signature looks on stationery and invitations, book covers, fashion layouts, and packaging.
More fonts
Visit www.sudtipos.com
Kozmetica is new original elegance from the dynamic team of Koziupa and Paul. Soft, warm forms made of pensively fluid strokes make for comfortable and classy delivery with just enough ornamentation to evoke the rich days of art deco.
Kozmetica comes with plenty of alternates, focusing in particular on the degree of lowercase ornamentation. The setting can be simple and straightforward, or swashed with hairlines seamlessly emanating and swirling from beginning or ending forms.
As usual with Koziupa/Paul fonts, Kozmetica's ideal use is in packaging design.
Kozmetica covers all Latin-based languages.
More fonts > Visit Sudtipos
11 new free scripts has been released!
We are happy to announce release of 11 additional free imacros scripts for download.
locatefamily scraper script.
xvideos friends adder script.
Google maps screenshot saver script.
heart4me messanger script.
flirtomatic registration script. watch
ezpostalcodes scraper.
Compete save sites data script.
Badoo account creator. watch
Backpage poster. watch
Alexa category scraper.
Addmefast twitter follower and facebook liker. watch
So now we have 60 free imacros script for you!
Get them here.
frenchkisstextures.com/brushes/images-using-the-free-fren...
Leslie Nicole French Kiss textures and Vintage French brushes
Screenshot of the script editor pane in the jDem846 user interface running in Linux. Scripting is done in Groovy and provides several call-backs to inject logic into several points during the rendering process. This is what was used when generating the Ice Melt scenario images. The scripting API is very minimal at the moment.
Photos made for blog post about shell script that dynamically splits output into files while processing.
Blog post: blog.christiaan008.com/2015/11/08/dynamic-splitting-outpu...
new script font called Herchey. High quality script font with swashes inspired by modern vintage design and baseball logo. Plus OpenType features with Stylistic Alternates, Swashes, Ligatures, Stylistic set, Terminal Form and Ornament that allows you to mix and match pairs of letters to fit your design. This font good for vintage design, t-shirt, logo, labels,badges, posters and etc.
download : crmrkt.com/8NO5k
Some chinese script written on the side of a building on the Hollywood Boulevard.
Canon 5D Mk III with Canon 24mm F1.4L Mk II lens. 1/1,600th sec at F8, ISO 100.
For a FontShop page of typefaces that emulate the connecting script lettering style commonly found in the chrome emblems on automobiles, gadgets, and appliances of the 1930s-1960s.
New font by Ale Paul for www.sudtipos.com
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Get the font MyFonts with a 35% introductory price > www.myfonts.com/fonts/sudtipos/auberge-script/
ABOUT AUBERGE SCRIPT
It took me a long time, but I think I now understand why people of my generation and older feel the need to frame current events in an historical context or precedents, while most of the young couldn't care less about what happened ten years ago, let alone centuries back. After living for a few decades, you get to a point when time seems to be moving quite fast, and it’s humbling to see that your entire existence so far can be summed up in a paragraph or two which may or may not be useful to whoever ends up reading the stuff anyhow. I suppose one way to cope with the serenity of aging is trying to convince yourself that your life and work are really an extension of millenia of a species striving to accept, adapt to, and improve the human condition through advancing the many facets of civilization -- basically making things more understandable and comfortable for ourselves and each other while we go about doing whatever it is we are trying to do. And when you do finally convince yourself of that, history becomes a source of much solace and even a little premonition, so you end up spending more time there.
Going far back into the history of what I do, one can easily see that for the most part it was ruled by the quill. Western civilization’s writing was done with quill pens for more than thirteen centuries and with newer instruments for about two. By the mid-18th century, the height of the quill experience, various calligraphy techniques could be discerned and writing styles were arranged in distinct categories. There are many old books that showcase the history of it all. I recommend looking at some whenever the urge comes calling and you have to get away from backlit worlds.
Multiple sources usually help me get a better perspective on the range of a specific script genre, so many books served as reference to this quill font of mine. Late 17th century French and Spanish professional calligraphy guides were great aides in understanding the ornamental scope of what the scribes were doing back then. The French books, with their showings of the Ronde, Bâtarde and Coulée alphabets, were the ones I referenced the most. So I decided to name the font Auberge, a French word for hotel or inn, because I really felt like a guest in different French locales (and times) when I going through all that stuff.
Because it is multi-sourced, Auberge does not strictly fit in a distinct quill pen category. Instead, it shows strong hints of both Bâtarde and Coulée alphabets. And like most of my fonts, it is an exercise in going overboard with alternates, swashes, and ornamental devices. Having worked with it for a while, I find it most suitable for display calligraphic setting in general, but it works especially well for things like wine labels and event invitations. It also shines in the original quill pen application purpose, which of course was stationery. Also, as it just occurred to me, if you find yourself in a situation where you have to describe your entire life in 50 words or less, you may as well make it look good and swashy, so Auberge would probably be a good fit there as well.
This is one quill script that no large bird had to die for.
A few technical notes
The Auberge Script Pro version includes 1800 glyphs, everything is included there. Also latin language support. We recommend you to use the latest design application to have full access to alternates, swashes, small caps, ornaments, etc. The images from the gallery uses this version. For better results use the fonts with “liga” feature on.
Awards
During 2014 the early develop of Auberge Script was chosen to be part of Tipos Latinos, the most important type exhibition in South America.
Take a look of the complet project at on.be.net/15Yq5XY
A serie of labels designed by Pupo Boldrini and Gato Ficcardi to celebrate the release of Bellissima Script.
License the typeface: www.myfonts.com/fonts/sudtipos/bellissima-script-pro/
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While in the same vein and spirit as Burgues and Compendium, Bellissima began from an entirely different thread as those fonts. It started with Alex Trochut generously showing me a gorgeous lettering book from his grandfather's library: Bellezas de la CaligrafĂa, by RamĂłn Stirling, 1844. Stirling was one of the Latin calligraphy pioneers who introduced a refined version of English calligraphy in Spain and made it popular in the nineteenth century.
Some scans from that book served as initial basis for the caps in my Poem Script. But it was always in the back of my mind that I should do a copperplate, and the Stirling model was the perfect source. My intention was to veer away from Stirling's exuberant ornamentation, and work within simplified forms of his ideas. As it usually is with most of my projects, Bellissima became its own bird and shaped its own flying patterns. Suddenly there were many ligatures, multiple endings and swashed connections, hundreds of alternates for both uppercase and lowercase.
Bellissima has an effusive energy that appeals much beyond its sourcing. It's intended for these modern times of appreciation for old crafty things like stationary and letterpress, where its origins help it shine brightly.
Bellissima Script Pro is a complete font with almost 2000 characters full of alternates, swashes, ligatures & ornaments covering a wide palette of latin languages and Bellissima Script Redux is a random sample of glyphs totally usable with a reduced price.
3D art in that Specimen generously provided by Corey Holms.
To celebrate this new font release there is a 30% off discount at @myfonts and you can get the Pro version for just 55$ or a Redux (a random selection of 256 glyphs) for only 34$
More fonts at:
Boldrini & Ficcardi based in Mendoza , Argentina.
The B&F studio: Boldrini & Ficcardi is a graphic design agency with expertise for the alcoholic drinks sector. Work both with regional and global companies, helping them to build strong and profitable brands. Founded by Victor Boldrini and Leonardo Ficcardi, the studio develops design and communication tasks from 1991 working in projects of branding, packaging and publishing. B&F projects have won awards internationally and published in various magazines and design books. (Latin American Graphics.Taschen, / Novum magazine / Etapes magazine / Pluswine / Brand Identity Now, and many others)
For label design visit Boldrini & Ficcardi
SUDTIPOS NEWS
--------------------------------------------
We are proud to announce the release of Courtesy Script, our latest ornamental tribute to late S. XiX penmanship.
Get Courtesy > www.myfonts.com/fonts/sudtipos/courtesy-script-pro/
ABOUT COURTESY
--------------------------------------------
As in Victorian times, the precious, hand-lettered look of custom stationery is back in vogue. Enter Courtesy Script, my newest ornamental script typeface.
Courtesy captures the elegance and propriety of finely practiced Spencerian penmanship, in particular the Zanerian school. Its lowercase is notably understated, a simple monoline with very wide connections that ease readability. In the capitals, Courtesy adds variety in both the weight of the strokes, and in degrees of flourish — from merely fancy to over-the-top engrossery.
Based on an alphabet found in a 19th-century penmanship journal, Ale created hundreds of additional, stylistically complementary letterforms. Alternate capitals and lowercase letters, swashed lowercase forms, and ending and ornamental swashes; numerals, punctuation, and non-English and accented characters.
With virtually endless ways to customize its use, Courtesy helps designers create fluid, signature looks on stationery and invitations, book covers, fashion layouts, and packaging.
More fonts
Visit www.sudtipos.com
Shahada- the article of faith in square Kufic script 'Laa illaha illah Allah, Muhammad rosul Allah' on 100% cotton canvas mounted on 2 inches wooden frame. Painting in acrylic. Jamil
Fashion Script was shown by John N. Schaedler in Light and Medium weights, in Vertical and Italic variants. This page is from a c.1970 Schaedler catalog.
Brush Script Bold is a related bolder design.
from: M. Tolnai, "Letters voor Moderne Reclame-Kunst". 3e verbeterde druk. Amaco, Amsterdam, c. 1941
Romani people's square (21), named (June 12, 2001 Municipal Council of Culture) after the important ethnic group of the Roma; see also Lowara path and Sinti path.
The ethnic group of Roma in Austria has been recognized by the Austrian state since 1993. Among the autochthonous Roma groups are Burgenland Roma living in Burgenland, Lovara and Kalderasch (the Kalderash (also spelled Kalderaš) are a subgroup of the Romani people). In Upper Austria there are also some Sinti families.
While most Roma in Austria speak the Romanes-Vlach dialect (also written Vlax), the Sinti speak their dialect, Sintitikes (the language is written in Latin script and is included in Indo-European, Indo-Aryan and Indo-Iranian language groups). The number of members of this ethnic group living in Austria is controversial. It is estimated that between 10,000 and 50,000 Roma live in Austria.
History
Roma and Sinti have been living in Austria since about the 15th century, especially in the eastern Austrian provinces, such as Burgenland, Vienna and Lower Austria. The influx in cities and communities was from the start in Austria as well as in other countries such as Hungary, Slovakia or the Czech Republic difficult or prohibited. While the majority population demanded from Romani people to live "sedentary", Roma families were not tolerated in the cities. This led to the formation of Roma camps outside the city, in forests and in remote places. Empress Maria Theresa of Austria and Hungary ordered in the middle of the second half of the 18th century that the cities would have to be "gypsy-free". Likewise, the speaking of their language, Romanes was forbidden and was punishable. Even before and after the death of Joseph II, the legal situation had not changed significantly. The use of Romanes was forbidden on punishment of up to twenty-four stick blows.
Soon after the "Anschluss of Austria" in 1938, Austrian Roma and Sinti were captured and sent to various concentration camps, subsequently also to labor camps in Austria. The Gypsy detention camp Lackenbach, with up to 2300 inmates, was the largest of these camps and was put into operation on 23 November 1940. During the Second World War, followed deportations to the ghetto Litzmannstadt and from 1943 to the "gypsy camp Auschwitz" in the concentration camp Auschwitz-Birkenau.
Roma in Austria with a migration background
From 1960 on, Roma increasingly entered the country as guest workers. Many of them came and still come from countries of the former Yugoslavia, especially from countries like Serbia (Kalderash, Gurbeti), Kosovo (Ashkali) or Macedonia (Arlije). Also from Romania, the Czech Republic, Slovakia or Hungary. Thus, there are both native and foreign Roma in Austria, who come from different Roma groups and clans and sometimes speak different dialects.
Religion
The Roma usually belong to the prevailing religion of a country or region in which they live.
Thus, the indigenous Roma groups such as the Burgenland Roma and the Lovara are mostly Roman Catholics, as is the case with Roma originally from the neighboring countries of Austria, such as the Czech Republic, Slovakia, Hungary and Slovenia.
The immigrant Roma are the most confessionally recognized by their country of origin. So Kalderasch and Gurbeti are mostly Serbian Orthodox as well as the Roma from Romania (Romanian Orthodox).
There are also a few Protestant Roma, most of them Protestants A.B. or free-church Pentecostals.
The Ashkali from Kosovo and the Arlije from Macedonia are mostly Sunni Muslims.
Antigypsyism and persecution
Memorial in Oberwart
On February 4, 1995, four Roma, Peter Sarközi (son of Stefan Horvath), Josef Simon and Karl and Erwin Horvath were killed in Oberwart by a bomb trap (bombing of Oberwart). The pipe bomb was attached to a sign saying "Roma back to India". In an attempt to remove this shield, the explosive made from about 150 grams of dammed nitroglycerin exploded. Two days later Erich Preissler, an employee of Burgenland's environmental service, was torn to pieces in a blast trap in Stinatz. Both attacks were perpetrated by Franz Fuchs, who died in prison in 2000. The writer Stefan Horvath reflected the murders in various books, the later Nobel Prize winner Elfriede Jelinek in her play Stecken, Stab and Stangl [Stick, Staff and Pole] addressed the reactions of the media and politics to the assassination.
Media
The ORF 2 broadcasts a program called "Servus, Szia, Zdravo, Del tuha" six times a year. It is a four-language television magazine of the ORF Burgenland. The languages ​​used are: German, Hungarian, Burgenland Croatian and Romanes. This program focuses on cultural and popular topics of all ethnic groups in Burgenland. These are in addition to the Burgenland roma the Burgenlandungarn (Hungarians in Austria) and the Burgenland Croats.
The presenter of this program is Gilda Horvath.
Well-known Austrian Roma
Romano Rath
Adrian Coriolan Gaspar (Romanian-Austrian jazz pianist and composer)
Gilda Horvath (Roma editor of the ORF)
Stefan Horvath (writer)
Ilija Jovanović (Serbian-Austrian writer, chairman of the Romano Centro in Vienna)
Ruža Nikolić-Lakatos (Hungarian-Austrian singer)
Rudolf Sarközi (chairman of the Cultural Association of Austrian Roma)
Romano Rath (in German: Roma Blut) (music band from Oberwart)
Tony Wegas (singer)
Rosa Winter (Austrian concentration camp survivor)
Joe Zawinul (jazz musician, his grandmother was Sintiza)
The extended family Stojka:
Ceija Stojka (writer and artist)
Harri Stojka (Musicians)
Mongo Stojka (carpet dealer, musician, author and father of Harri Stojka)
Karl Stojka (artist and Porajmos survivor)
Street names
In 2001, three traffic areas on the Dragoons heap were named in Roma square, Sinti path and Lovara path in the 21st district of Vienna Floridsdorf. On September 12, 2014, the district head of Vienna's 7th district of Neubau, Thomas Blimlinger, dedicated the Ceija Stojka Square in front of the Altlerchenfelder church in Neubau the eponymous writer.
Romaplatz (21), benannt (12. Juni 2001
Gemeinderatsausschuss fĂĽr Kultur) nach der bedeutenden Volksgruppe der Roma; vergleiche auch Lowaraweg und Sintiweg.
Die Volksgruppe der Roma in Österreich, ist seit 1993 vom Staat Österreich anerkannt. Zu den autochthonen Roma-Gruppen zählen die im Burgenland lebenden Burgenland-Roma sowie die Lovara und Kalderasch. In Oberösterreich gibt es auch einige Sinti-Familien.
Während die meisten Roma in Österreich den Romanes-Vlach Dialekt (auch Vlax geschrieben) sprechen, sprechen die Sinti ihren Dialekt, Sintitikes. Die Anzahl der in Österreich lebenden Angehörigen dieser Volksgruppe ist umstritten. Es wird davon ausgegangen, dass zwischen 10.000 bis 50.000 Roma in Österreich leben.
Geschichte
Roma und Sinti leben seit etwa dem 15. Jahrhundert in Österreich, vor allem in den Ost-österreichischen Bundesländern, wie dem Burgenland, Wien und Niederösterreich. Der Zuzug in Städte und Gemeinden wurde von Anbeginn in Österreich wie auch in anderen Ländern wie Ungarn, Slowakei oder Tschechien erschwert oder verboten. Von der Mehrheitsbevölkerung wurde zwar gefordert, dass Roma „sesshaft“ leben sollten, jedoch wurden Roma-Familien in den Städten nicht geduldet. Dies führte zur Bildung von Roma-Lagerplätzen außerhalb der Stadt, in Wäldern und auf entlegenen Plätzen. Kaiserin Maria Theresia von Österreich und Ungarn ordnete Mitte der zweiten Hälfte des 18. Jahrhunderts an, dass die Städte „zigeunerfrei“ sein müssten. Ebenso wurde das Sprechen ihrer Sprache, Romanes verboten und stand unter Strafe. Auch vor und nach dem Tod Joseph II. hatte sich die Rechtslage nicht wesentlich verändert. Der Gebrauch von Romanes blieb bei Strafe von bis zu vierundzwanzig Stockhieben verboten.
Schon bald nach dem „Anschluss Österreichs“ 1938 wurden österreichische Roma und Sinti gefangen genommen und in verschiedene Konzentrationslager, in weiterer Folge auch in Arbeitslager in Österreich eingewiesen. Das Zigeuner-Anhaltelager Lackenbach, mit bis zu 2300 Häftlingen, war das größte dieser Lager und wurde am 23. November 1940 in Betrieb genommen. Im Verlauf des Zweiten Weltkriegs erfolgten Deportationen in das Ghetto Litzmannstadt und ab 1943 auch in das „Zigeunerlager Auschwitz“ im KZ Auschwitz-Birkenau.
Roma in Ă–sterreich mit Migrationshintergrund
Ab 1960 wanderten vermehrt Roma als Gastarbeiter nach Österreich ein. Viele davon kamen und kommen heute noch aus Ländern des ehemaligen Jugoslawien, speziell aus Ländern wie Serbien (Kalderasch, Gurbeti), Kosovo (Aschkali) oder Mazedonien (Arlije). Ebenso aus Rumänien, Tschechien, der Slowakei oder Ungarn. Somit gibt es in Österreich einheimische sowie ausländische Roma, die aus verschiedenen Roma-Gruppen und Sippen stammen und teilweise verschiedene Dialekte sprechen.
Religion
Die Roma gehören zumeist der vorherrschenden Religion eines Landes oder einer Region an, in der sie leben.
Somit sind die einheimischen Roma-Gruppen wie die Burgenland-Roma und die Lovara zum größten Teil römisch-katholischen Glaubens, dies trifft auch zu, bei Roma die ursprünglich aus den Nachbarländern von Österreich kommen, wie Tschechien, Slowakei, Ungarn und Slowenien.
Die eingewanderten Roma lassen sich konfessionell am leichtesten durch ihr Herkunftsland erkennen. So sind Kalderasch und Gurbeti meist serbisch-orthodox wie auch die Roma aus Rumänien (rumänisch-orthodox).
Weiters gibt es auch wenige protestantische Roma, die zumeist evangelisch A.B. oder freikirchliche Pfingstler sind.
Die Aschkali aus dem Kosovo und die Arlije aus Mazedonien sind zumeist sunnitische Muslime.
Antiziganismus und Verfolgung
Mahnmal in Oberwart
Am 4. Februar 1995 wurden vier Roma, Peter Sarközi (Sohn von Stefan Horvath), Josef Simon sowie Karl und Erwin Horvath, in Oberwart durch eine Sprengfalle getötet (Bombenattentat von Oberwart). Die Rohrbombe war an einem Schild mit der Aufschrift „Roma zurück nach Indien“ angebracht. Beim Versuch, dieses Schild zu entfernen, explodierte der aus ca. 150 Gramm gedämmtem Nitroglycerin bestehende Sprengsatz. Zwei Tage später wurde in Stinatz Erich Preissler, einem Mitarbeiter des burgenländischen Umweltdienstes, durch eine Sprengfalle die Hand zerfetzt. Beide Attentate wurden von Franz Fuchs verübt, der sich im Jahr 2000 im Gefängnis das Leben nahm. Der Schriftsteller Stefan Horvath reflektierte die Morde in verschiedenen Büchern, die spätere Literatur-Nobelpreisträgerin Elfriede Jelinek thematisierte in ihrem Stück Stecken, Stab und Stangl die Reaktionen von Medien und Politik auf das Attentat.
Medien
Der ORF 2 strahlt sechsmal im Jahr eine Sendung mit dem Titel „Servus, Szia, Zdravo, Del tuha“ aus. Es handelt sich hierbei um ein viersprachiges Fernsehmagazin des ORF Burgenland. Die verwendeten Sprachen sind: Deutsch, Ungarisch, Burgenlandkroatisch sowie Romanes. Diese Sendung thematisiert kulturelle und volkstümliche Themenbereiche aller Volksgruppen im Burgenland. Dies sind neben den Burgenlandroma die Burgenlandungarn und die Burgenlandkroaten.
Die Moderatorin dieser Sendung ist Gilda Horvath.
Bekannte österreichische Roma
Romano Rath
Adrian Coriolan Gaspar (rumänisch-österreichischer Jazz-Pianist und Komponist)
Gilda Horvath (Roma-Redaktion des ORF)
Stefan Horvath (Schriftsteller)
Ilija Jovanović (serbisch-österreichischer Schriftsteller, Obmann des Romano Centro in Wien)
Ruža Nikolić-Lakatos (ungarisch-österreichische Sängerin)
Rudolf Sarközi (Obmann des Kulturvereins österreichischer Roma)
Romano Rath (auf Deutsch: Roma Blut) (Musikband aus Oberwart)
Tony Wegas (Sänger)
Rosa Winter (österreichische KZ-Überlebende)
Joe Zawinul (Jazz-Musiker, seine GroĂźmutter war Sintiza)
Die GroĂźfamilie Stojka:
Ceija Stojka (Schriftstellerin und KĂĽnstlerin)
Harri Stojka (Musiker)
Mongo Stojka (Teppichhändler, Musiker, Autor sowie Vater von Harri Stojka)
Karl Stojka (KĂĽnstler und Porajmos-Ăśberlebender)
StraĂźenbenennungen
2001 wurden im 21. Wiener Gemeindebezirk Floridsdorf drei Verkehrsflächen am Dragonerhäufel in Romaplatz, Sintiweg und Lovaraweg benannt. Am 12. September 2014 widmete der Bezirksvorsteher von Wien-Neubau, Thomas Blimlinger, den Ceija-Stojka-Platz vor der Altlerchenfelder Kirche in Neubau der namensgebenden Schriftstellerin.
SUDTIPOS NEWS
--------------------------------------------
We are proud to announce the release of Courtesy Script, our latest ornamental tribute to late S. XiX penmanship.
Get Courtesy > www.myfonts.com/fonts/sudtipos/courtesy-script-pro/
ABOUT COURTESY
--------------------------------------------
As in Victorian times, the precious, hand-lettered look of custom stationery is back in vogue. Enter Courtesy Script, my newest ornamental script typeface.
Courtesy captures the elegance and propriety of finely practiced Spencerian penmanship, in particular the Zanerian school. Its lowercase is notably understated, a simple monoline with very wide connections that ease readability. In the capitals, Courtesy adds variety in both the weight of the strokes, and in degrees of flourish — from merely fancy to over-the-top engrossery.
Based on an alphabet found in a 19th-century penmanship journal, Ale created hundreds of additional, stylistically complementary letterforms. Alternate capitals and lowercase letters, swashed lowercase forms, and ending and ornamental swashes; numerals, punctuation, and non-English and accented characters.
With virtually endless ways to customize its use, Courtesy helps designers create fluid, signature looks on stationery and invitations, book covers, fashion layouts, and packaging.
More fonts
Visit www.sudtipos.com