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Script writer outside the Ginkaku-ji temple, Kyoto, Japan.
© 2007 davidMbyrne.com
1. Click here to view this picture with a more detailed description in my Gallery.
2. Click here to see this picture as uploaded to my 2007-2008 Travelpod.com travel blog.
3. If you like this please Like me on Facebook. I’d appreciate it!
A beautiful sunrise at the Cleveland script sign located at Edgewater Park in Cleveland Ohio. The Edgewater script sign was the first of six that has been installed throughout the Cleveland, Ohio area. Prints available at DaleKincaid.com.
222 N. Sierra Street, Reno, NV
Year built: 1959
Back of postcard reads:
"When you plan your trip to Reno, make the occasion a memorable one by staying at the luxurious and convenient Ace Motor Lodge. Whether you are on a hurried business trip or a more extended stay, you'll find that the Ace Motor Lodge is the closest to Reno's business and entertainment sections."
SUDTIPOS NEWS
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We are proud to announce the release of Courtesy Script, our latest ornamental tribute to late S. XiX penmanship.
Get Courtesy > www.myfonts.com/fonts/sudtipos/courtesy-script-pro/
ABOUT COURTESY
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As in Victorian times, the precious, hand-lettered look of custom stationery is back in vogue. Enter Courtesy Script, my newest ornamental script typeface.
Courtesy captures the elegance and propriety of finely practiced Spencerian penmanship, in particular the Zanerian school. Its lowercase is notably understated, a simple monoline with very wide connections that ease readability. In the capitals, Courtesy adds variety in both the weight of the strokes, and in degrees of flourish — from merely fancy to over-the-top engrossery.
Based on an alphabet found in a 19th-century penmanship journal, Ale created hundreds of additional, stylistically complementary letterforms. Alternate capitals and lowercase letters, swashed lowercase forms, and ending and ornamental swashes; numerals, punctuation, and non-English and accented characters.
With virtually endless ways to customize its use, Courtesy helps designers create fluid, signature looks on stationery and invitations, book covers, fashion layouts, and packaging.
More fonts
Visit www.sudtipos.com
Glitching images using ImageMagick and a bash script.
Used GIMP to resize the canvas to 200%, keeping the picture centred; this was to prevent problems later.
Then repeatedly equalized the image, rotated by 36 degrees and saved as a low quality (10%) jpeg.
The output image from each step is then fed back as the input to the next step.
10 iterations later, the image is the right way up and looking distinctly low-fi.
Original image here - Vincent Van Gogh, Self-portrait without beard.
New font by Ale Paul for www.sudtipos.com
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Get the font MyFonts with a 35% introductory price > www.myfonts.com/fonts/sudtipos/auberge-script/
ABOUT AUBERGE SCRIPT
It took me a long time, but I think I now understand why people of my generation and older feel the need to frame current events in an historical context or precedents, while most of the young couldn't care less about what happened ten years ago, let alone centuries back. After living for a few decades, you get to a point when time seems to be moving quite fast, and it’s humbling to see that your entire existence so far can be summed up in a paragraph or two which may or may not be useful to whoever ends up reading the stuff anyhow. I suppose one way to cope with the serenity of aging is trying to convince yourself that your life and work are really an extension of millenia of a species striving to accept, adapt to, and improve the human condition through advancing the many facets of civilization -- basically making things more understandable and comfortable for ourselves and each other while we go about doing whatever it is we are trying to do. And when you do finally convince yourself of that, history becomes a source of much solace and even a little premonition, so you end up spending more time there.
Going far back into the history of what I do, one can easily see that for the most part it was ruled by the quill. Western civilization’s writing was done with quill pens for more than thirteen centuries and with newer instruments for about two. By the mid-18th century, the height of the quill experience, various calligraphy techniques could be discerned and writing styles were arranged in distinct categories. There are many old books that showcase the history of it all. I recommend looking at some whenever the urge comes calling and you have to get away from backlit worlds.
Multiple sources usually help me get a better perspective on the range of a specific script genre, so many books served as reference to this quill font of mine. Late 17th century French and Spanish professional calligraphy guides were great aides in understanding the ornamental scope of what the scribes were doing back then. The French books, with their showings of the Ronde, Bâtarde and Coulée alphabets, were the ones I referenced the most. So I decided to name the font Auberge, a French word for hotel or inn, because I really felt like a guest in different French locales (and times) when I going through all that stuff.
Because it is multi-sourced, Auberge does not strictly fit in a distinct quill pen category. Instead, it shows strong hints of both Bâtarde and Coulée alphabets. And like most of my fonts, it is an exercise in going overboard with alternates, swashes, and ornamental devices. Having worked with it for a while, I find it most suitable for display calligraphic setting in general, but it works especially well for things like wine labels and event invitations. It also shines in the original quill pen application purpose, which of course was stationery. Also, as it just occurred to me, if you find yourself in a situation where you have to describe your entire life in 50 words or less, you may as well make it look good and swashy, so Auberge would probably be a good fit there as well.
This is one quill script that no large bird had to die for.
A few technical notes
The Auberge Script Pro version includes 1800 glyphs, everything is included there. Also latin language support. We recommend you to use the latest design application to have full access to alternates, swashes, small caps, ornaments, etc. The images from the gallery uses this version. For better results use the fonts with “liga” feature on.
Awards
During 2014 the early develop of Auberge Script was chosen to be part of Tipos Latinos, the most important type exhibition in South America.
Take a look of the complet project at on.be.net/15Yq5XY
Vintage metal trim piece from a COLDSPOT refrigerator or freezer found at an estate sale. the script is gold plated plastic. Measures 11 x 4.
Coldspot 1928-1976
When the Coldspot electric refrigerator debuted in 1928, it was somewhat of a novelty. Most early refrigerators were expensive and suffered from design and maintenance problems. The Coldspot, however, met with immediate public acceptance, and the 1929 model was a main point of interest for visitors to the Paris International Exposition that year.
Sears knew that there was a large market for electric refrigerators, but that costs prevented most people from buying them. So, Sears decided to design its own refrigerator. At the time, most refrigerator manufacturers were building 4-cubic-foot models. Sears wanted to build a 6-cubic-foot model and sell it at the price of a 4-cubic-foot model.
Sears hired Herman Price, a well-known refrigerator engineer, to help with the project. Then, in 1934, Sears hired industrial designer Raymond Loewy to completely redesign the Coldspot refrigerator. Price and Loewy incorporated a contemporary streamlined design, plus new ideas that improved both the reliability and serviceability of the refrigerator. These men also pioneered the use of aluminum for refrigerator shelving. In one year, sales of the Coldspot soared more than 300 percent.
Over the years, Sears' Coldspot line of refrigerators, freezers and air conditioners featured several other product innovations. In 1953, Coldspot upright freezers included dense fiberglass insulation that saved on electricity, plus a cabinet guaranteed not to "sweat." The Coldspot "Cold Guard" debuted in 1960 as the first frostless refrigerator, and 1971's model included a built-in cold-water dispenser and an improved "humidrawer" food crisper.
By 1977, however, the brand recognition of Kenmore was so great that most people surveyed by Sears believed that Kenmore already had a line of refrigerators, even though it did not. Sears then decided to replace Coldspot with Kenmore on all Sears refrigerators, freezers, and air-conditioning units.
North Baltimore, Ohio
A now demolished CP 7011 leads I166 into North Baltimore. This was taken 5 days before the locomotive was involved in a washout wreck.
"The pink paint is refreshing and attractive but that rectangle of grayish corrugated material is dingy-looking," I declared, imagining myself as a new arrival from Sonora. "La pintura rosa es refrescante y atractiva, pero ese rectángulo de material corrugado grisáceo tiene un aspecto sucio."
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In downtown Nogales, Arizona, on October 5th, 2015, at the northwest corner of North Morley Avenue and West Park Street.
The building was erected in 1920 according to the website of the Santa Cruz County Assessor.
-----------------------
Getty Thesaurus of Geographic Names terms:
• Nogales (2007072)
• Santa Cruz (county) (2000102)
Art & Architecture Thesaurus terms:
• awnings (300254200)
• brick (clay material) (300010463)
• clothing accessories (300423330)
• clothing stores (300005303)
• commercial buildings (300005147)
• cursive scripts (general scripts by form) (300375118)
• paint (coating) (300015029)
• pink (color) (300124707)
• red (color) (300311118)
• shop signs (300211862)
• storefronts (300002533)
• stripes (300010230)
• stucco (300014966)
• white (color) (300129784)
Wikidata items:
• 5 October 2015 (Q21064702)
• 1920 in architecture (Q2744612)
• 1920s in architecture (Q11185486)
• Cinderella (Q11841)
• Gadsden Purchase (Q827212)
• October 5 (Q2930)
• October 2015 (Q16726267)
• shoe store (Q7500021)
• Southern Arizona (Q7569630)
Library of Congress Subject Headings:
• Buildings—Arizona (sh86004038)
• Business names (sh85018315)
• Small business (sh85123568)
A pioneer Movie script from years of research/study/work and something ..strange [ some..signs..] ABOUT a boy who fight the British Empire of 56 in Cyprus with..Roses..- == WANTED support/partners to find the right produce/tv channel = LIKE/share/participate = www.facebook.com/dimitrisTheMovie/ = PUSH the shop Now TO support = OR go NOW = i ll give BIG gifts [ seats for the BIGGEST concert, SEATS for the.PREMIERE days..OR...play IN the Movie [ background actor in a BIG historical fight scene ] = LIKE /SHARE/PARTICIPATE = GO to = www.magikdo.info/advertising----support- == AFTER your LIKE in the f page ASK for the FULL presentation Page in the website .
This is an example image of my new Gimp Script "Startrails"
It can be used to create startrails videos.
Here is an example video:
And here you can find the script: registry.gimp.org/node/25638
Update V2: www.flickr.com/photos/pascalk89/6284336886/in/photostream/
LEGAL DISCLAIMER: I Do Not Condone Any Acts Of Vandalism Nor Do I Participate In Such Criminal Activity. I Am Simply An Observant and Take Photos Of This Graffiti You Have Come Across. ALSO I Will Not Condone Any Usage Of My Photos To Support Any Legal Matter Involving These Acts Of Vandalism Therefore YOU ARE NOT WELCOME TO VIEW OR TAKE THIS MATERIAL For ANY Purpose...
set of four images utilising flyers for Gay Pride cinema season at London's ICA, which I picked some time in June.
3 tier wedding cake with bride and grooms names scripted at various angles all over the cake, then wrapped in a chocolate brown ribbon
New font by Ale Paul for www.sudtipos.com
--
Get the font MyFonts with a 35% introductory price > www.myfonts.com/fonts/sudtipos/auberge-script/
ABOUT AUBERGE SCRIPT
It took me a long time, but I think I now understand why people of my generation and older feel the need to frame current events in an historical context or precedents, while most of the young couldn't care less about what happened ten years ago, let alone centuries back. After living for a few decades, you get to a point when time seems to be moving quite fast, and it’s humbling to see that your entire existence so far can be summed up in a paragraph or two which may or may not be useful to whoever ends up reading the stuff anyhow. I suppose one way to cope with the serenity of aging is trying to convince yourself that your life and work are really an extension of millenia of a species striving to accept, adapt to, and improve the human condition through advancing the many facets of civilization -- basically making things more understandable and comfortable for ourselves and each other while we go about doing whatever it is we are trying to do. And when you do finally convince yourself of that, history becomes a source of much solace and even a little premonition, so you end up spending more time there.
Going far back into the history of what I do, one can easily see that for the most part it was ruled by the quill. Western civilization’s writing was done with quill pens for more than thirteen centuries and with newer instruments for about two. By the mid-18th century, the height of the quill experience, various calligraphy techniques could be discerned and writing styles were arranged in distinct categories. There are many old books that showcase the history of it all. I recommend looking at some whenever the urge comes calling and you have to get away from backlit worlds.
Multiple sources usually help me get a better perspective on the range of a specific script genre, so many books served as reference to this quill font of mine. Late 17th century French and Spanish professional calligraphy guides were great aides in understanding the ornamental scope of what the scribes were doing back then. The French books, with their showings of the Ronde, Bâtarde and Coulée alphabets, were the ones I referenced the most. So I decided to name the font Auberge, a French word for hotel or inn, because I really felt like a guest in different French locales (and times) when I going through all that stuff.
Because it is multi-sourced, Auberge does not strictly fit in a distinct quill pen category. Instead, it shows strong hints of both Bâtarde and Coulée alphabets. And like most of my fonts, it is an exercise in going overboard with alternates, swashes, and ornamental devices. Having worked with it for a while, I find it most suitable for display calligraphic setting in general, but it works especially well for things like wine labels and event invitations. It also shines in the original quill pen application purpose, which of course was stationery. Also, as it just occurred to me, if you find yourself in a situation where you have to describe your entire life in 50 words or less, you may as well make it look good and swashy, so Auberge would probably be a good fit there as well.
This is one quill script that no large bird had to die for.
A few technical notes
The Auberge Script Pro version includes 1800 glyphs, everything is included there. Also latin language support. We recommend you to use the latest design application to have full access to alternates, swashes, small caps, ornaments, etc. The images from the gallery uses this version. For better results use the fonts with “liga” feature on.
Awards
During 2014 the early develop of Auberge Script was chosen to be part of Tipos Latinos, the most important type exhibition in South America.
Take a look of the complet project at on.be.net/15Yq5XY
New font by Ale Paul for www.sudtipos.com
--
Get the font MyFonts with a 35% introductory price > www.myfonts.com/fonts/sudtipos/auberge-script/
ABOUT AUBERGE SCRIPT
It took me a long time, but I think I now understand why people of my generation and older feel the need to frame current events in an historical context or precedents, while most of the young couldn't care less about what happened ten years ago, let alone centuries back. After living for a few decades, you get to a point when time seems to be moving quite fast, and it’s humbling to see that your entire existence so far can be summed up in a paragraph or two which may or may not be useful to whoever ends up reading the stuff anyhow. I suppose one way to cope with the serenity of aging is trying to convince yourself that your life and work are really an extension of millenia of a species striving to accept, adapt to, and improve the human condition through advancing the many facets of civilization -- basically making things more understandable and comfortable for ourselves and each other while we go about doing whatever it is we are trying to do. And when you do finally convince yourself of that, history becomes a source of much solace and even a little premonition, so you end up spending more time there.
Going far back into the history of what I do, one can easily see that for the most part it was ruled by the quill. Western civilization’s writing was done with quill pens for more than thirteen centuries and with newer instruments for about two. By the mid-18th century, the height of the quill experience, various calligraphy techniques could be discerned and writing styles were arranged in distinct categories. There are many old books that showcase the history of it all. I recommend looking at some whenever the urge comes calling and you have to get away from backlit worlds.
Multiple sources usually help me get a better perspective on the range of a specific script genre, so many books served as reference to this quill font of mine. Late 17th century French and Spanish professional calligraphy guides were great aides in understanding the ornamental scope of what the scribes were doing back then. The French books, with their showings of the Ronde, Bâtarde and Coulée alphabets, were the ones I referenced the most. So I decided to name the font Auberge, a French word for hotel or inn, because I really felt like a guest in different French locales (and times) when I going through all that stuff.
Because it is multi-sourced, Auberge does not strictly fit in a distinct quill pen category. Instead, it shows strong hints of both Bâtarde and Coulée alphabets. And like most of my fonts, it is an exercise in going overboard with alternates, swashes, and ornamental devices. Having worked with it for a while, I find it most suitable for display calligraphic setting in general, but it works especially well for things like wine labels and event invitations. It also shines in the original quill pen application purpose, which of course was stationery. Also, as it just occurred to me, if you find yourself in a situation where you have to describe your entire life in 50 words or less, you may as well make it look good and swashy, so Auberge would probably be a good fit there as well.
This is one quill script that no large bird had to die for.
A few technical notes
The Auberge Script Pro version includes 1800 glyphs, everything is included there. Also latin language support. We recommend you to use the latest design application to have full access to alternates, swashes, small caps, ornaments, etc. The images from the gallery uses this version. For better results use the fonts with “liga” feature on.
Awards
During 2014 the early develop of Auberge Script was chosen to be part of Tipos Latinos, the most important type exhibition in South America.
Take a look of the complet project at on.be.net/15Yq5XY