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The classic Canadian Pacific script logo on any equipment makes for a must have photo. That includes the lowly ore car? ballast car? seen here at Thunder Bay, Ontario. September 29, 2002.
This script was found on the temple walls of the Tanjore Bragadeeshwara temple. This is very different from the present Tamil script.
Returning client, original/custom script. Completed in one session of an hour and a half. October 2010
“If you didn’t see me flip the script, you’re on the wrong page” – Capital Lights; Newport Party.
Gramatik - Flip the script ♫ youtu.be/DiP4797atvI
Flip The Script – A Photographer’s music diary by Kingsley Davis. The Flip the Script book is an unparalleled collection of photographs taken by UK photographer Kingsley Davis ( Flip the Script on Flickr), documenting some of the most talented artists, musicians, Dj’s and producers from both sides of the Atlantic to have emerged over recent times. The book with a special preface by Norman Jay MBE, is a who’s who of genre-defying artists from the last ten years. Some of the artists featured in the book are Estelle (cover), Omar, Marc Mac, Pharrell, Guru, Bashy, Jonzi D, N\'Dea Davenport, Ms. Dynamite, John Legend, Flying Lotus, KRS-One and many more. www.flipthescriptbook.com/
Photo taken with mobile phone (Nokia Lumia 930) and edited with PicMonkey.
LEGAL DISCLAIMER: I Do Not Condone Any Acts Of Vandalism Nor Do I Participate In Such Criminal Activity. I Am Simply An Observant and Take Photos Of This Graffiti You Have Come Across. ALSO I Will Not Condone Any Usage Of My Photos To Support Any Legal Matter Involving These Acts Of Vandalism Therefore YOU ARE NOT WELCOME TO VIEW OR TAKE THIS MATERIAL For ANY Purpose...
LEGAL DISCLAIMER: I Do Not Condone Any Acts Of Vandalism Nor Do I Participate In Such Criminal Activity. I Am Simply An Observant and Take Photos Of This Graffiti You Have Come Across. ALSO I Will Not Condone Any Usage Of My Photos To Support Any Legal Matter Involving These Acts Of Vandalism Therefore YOU ARE NOT WELCOME TO VIEW OR TAKE THIS MATERIAL For ANY Purpose...
Script writer outside the Ginkaku-ji temple, Kyoto, Japan.
© 2007 davidMbyrne.com
1. Click here to view this picture with a more detailed description in my Gallery.
2. Click here to see this picture as uploaded to my 2007-2008 Travelpod.com travel blog.
3. If you like this please Like me on Facebook. I’d appreciate it!
In guerra, sotto i bombardamenti, la città indicava dove nascondersi. Non spiegava il motivo della scelta di un ricovero o di un altro, ma così andavano le cose. Poteva capitare di morire, oppure no. Le tracce di quel tempo sono vive, le ferite ancora aperte.
So, my cousins and I have been creating our own comic universe, and I have a character named the Scarlet Vengeance. If anyone remember from my previous account, I had a character I created for the DC universe called Nighthawk. This is basically him, just revamped quite a bit XD I might plan on making a series for him on here if I get around to making a custom.
Whenever Darcy walks past the poison cabinet, ancient scripts race through her mind... she believes they're long forgotten spells, but she has no idea where they've come from. Maybe they're from a past life... whatever... but she knows she could mix up these poisons to perfection.
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Custom Blythe with makeup by NaNuKa, wearing Pumpkinbelle
The script eyechips are from Photos4Sue
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She looks a bit freaky with these eyes... we love them! ♥
Two photos for Darcy this weekend because she missed her turn. I wanted to get more done this weekend but time has run away with me as usual.
#1 antique mongolian tibetan manuscript
more shots below (let me know if you would like to see the details on any of them, only #8 is set public, thanks)
Vintage metal trim piece from a COLDSPOT refrigerator or freezer found at an estate sale. the script is gold plated plastic. Measures 11 x 4.
Coldspot 1928-1976
When the Coldspot electric refrigerator debuted in 1928, it was somewhat of a novelty. Most early refrigerators were expensive and suffered from design and maintenance problems. The Coldspot, however, met with immediate public acceptance, and the 1929 model was a main point of interest for visitors to the Paris International Exposition that year.
Sears knew that there was a large market for electric refrigerators, but that costs prevented most people from buying them. So, Sears decided to design its own refrigerator. At the time, most refrigerator manufacturers were building 4-cubic-foot models. Sears wanted to build a 6-cubic-foot model and sell it at the price of a 4-cubic-foot model.
Sears hired Herman Price, a well-known refrigerator engineer, to help with the project. Then, in 1934, Sears hired industrial designer Raymond Loewy to completely redesign the Coldspot refrigerator. Price and Loewy incorporated a contemporary streamlined design, plus new ideas that improved both the reliability and serviceability of the refrigerator. These men also pioneered the use of aluminum for refrigerator shelving. In one year, sales of the Coldspot soared more than 300 percent.
Over the years, Sears' Coldspot line of refrigerators, freezers and air conditioners featured several other product innovations. In 1953, Coldspot upright freezers included dense fiberglass insulation that saved on electricity, plus a cabinet guaranteed not to "sweat." The Coldspot "Cold Guard" debuted in 1960 as the first frostless refrigerator, and 1971's model included a built-in cold-water dispenser and an improved "humidrawer" food crisper.
By 1977, however, the brand recognition of Kenmore was so great that most people surveyed by Sears believed that Kenmore already had a line of refrigerators, even though it did not. Sears then decided to replace Coldspot with Kenmore on all Sears refrigerators, freezers, and air-conditioning units.
New font by Ale Paul for www.sudtipos.com
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Get the font MyFonts with a 35% introductory price > www.myfonts.com/fonts/sudtipos/auberge-script/
ABOUT AUBERGE SCRIPT
It took me a long time, but I think I now understand why people of my generation and older feel the need to frame current events in an historical context or precedents, while most of the young couldn't care less about what happened ten years ago, let alone centuries back. After living for a few decades, you get to a point when time seems to be moving quite fast, and it’s humbling to see that your entire existence so far can be summed up in a paragraph or two which may or may not be useful to whoever ends up reading the stuff anyhow. I suppose one way to cope with the serenity of aging is trying to convince yourself that your life and work are really an extension of millenia of a species striving to accept, adapt to, and improve the human condition through advancing the many facets of civilization -- basically making things more understandable and comfortable for ourselves and each other while we go about doing whatever it is we are trying to do. And when you do finally convince yourself of that, history becomes a source of much solace and even a little premonition, so you end up spending more time there.
Going far back into the history of what I do, one can easily see that for the most part it was ruled by the quill. Western civilization’s writing was done with quill pens for more than thirteen centuries and with newer instruments for about two. By the mid-18th century, the height of the quill experience, various calligraphy techniques could be discerned and writing styles were arranged in distinct categories. There are many old books that showcase the history of it all. I recommend looking at some whenever the urge comes calling and you have to get away from backlit worlds.
Multiple sources usually help me get a better perspective on the range of a specific script genre, so many books served as reference to this quill font of mine. Late 17th century French and Spanish professional calligraphy guides were great aides in understanding the ornamental scope of what the scribes were doing back then. The French books, with their showings of the Ronde, Bâtarde and Coulée alphabets, were the ones I referenced the most. So I decided to name the font Auberge, a French word for hotel or inn, because I really felt like a guest in different French locales (and times) when I going through all that stuff.
Because it is multi-sourced, Auberge does not strictly fit in a distinct quill pen category. Instead, it shows strong hints of both Bâtarde and Coulée alphabets. And like most of my fonts, it is an exercise in going overboard with alternates, swashes, and ornamental devices. Having worked with it for a while, I find it most suitable for display calligraphic setting in general, but it works especially well for things like wine labels and event invitations. It also shines in the original quill pen application purpose, which of course was stationery. Also, as it just occurred to me, if you find yourself in a situation where you have to describe your entire life in 50 words or less, you may as well make it look good and swashy, so Auberge would probably be a good fit there as well.
This is one quill script that no large bird had to die for.
A few technical notes
The Auberge Script Pro version includes 1800 glyphs, everything is included there. Also latin language support. We recommend you to use the latest design application to have full access to alternates, swashes, small caps, ornaments, etc. The images from the gallery uses this version. For better results use the fonts with “liga” feature on.
Awards
During 2014 the early develop of Auberge Script was chosen to be part of Tipos Latinos, the most important type exhibition in South America.
Take a look of the complet project at on.be.net/15Yq5XY
A beautiful sunrise at the Cleveland script sign located at Edgewater Park in Cleveland Ohio. The Edgewater script sign was the first of six that has been installed throughout the Cleveland, Ohio area. Prints available at DaleKincaid.com.
NKP's slogan back in the day was "High Speed Service" of which it carried out all the way until merging with N&W and eventually NS.
Here is a side shot of that illustrious logo and scheme on NS 8100.
One of the worst record sleeves of all time but I love this record more than I can say. A companion for three and a half decades