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Replication of Fig 10b of Scafetta 2010 (JSTP2). Uses HadCRUT 3v annual averages and the Scafetta detrend equation:
0.000029*(yr - 1850)^2 - 0.42
Shows the 60 year cycle in the global temperature record.
ReServe staffer Jess Geevarghese with Commissioner Edwin Mendez-Santiago (NYC Department for the Aging)
Crisanto Gutiérrez: Links between genome replication and epigenetics (Simposio 2.1. Control del ciclo celular)
Sunshine Marketplace is a shopping centre in the suburb of Sunshine in Melbourne, Australia. Major tenants include Big W discount department store, Woolworths supermarket, JB Hi-Fi, and a Village Cinemas 20 screen megaplex.
In 1994 Woolworths Limited purchased two-thirds of the former Sunshine Harvester Works site for $10 million, and submitted plans to build a $70 million shopping complex containing a Big W department store, Safeway supermarket, cinemas, and around 50 shops. It opened to customers in 1997.
The latest and greatest machine from MakerBot Industries features a 410 cubic inch work area and a stunning 100 microns of print resolution!
ReServe staffer Jess Geevarghese with Commissioner Edwin Mendez-Santiago (NYC Department for the Aging)
Replicate Designs produces Architectural Scale Models and Custom Displays along with props for advertising, movies and more.
In spite of my best efforts to erect privacy screens around the hot tub, the wind always won. Always. It ripped them to shreds, tore out the anchoring hooks, lashed the screens against the house, tied the draw strings in knots; the relentless wind smashed the screens into the metal support posts driven into the ground, impaling the screen and shredding large chunks of matting. The wind definitely won, every time.
So I shifted my strategy to using the hot tub in the middle of the night, when darkness provided privacy and hid my nakedness from ever inquisitive, voyeuristic neighbors.
This particular night, I left the quiet of our bedroom while all the people and dogs of the house were sound asleep, lifted back the hot tub's cover and slipped into the glorious relaxing quiet of hot water, entombed in a soothing world of blackness. About five doors down the block, a lone large dog pierced the quiet with a husky "Bark - Bark." About three doors further away, a small dog answered with a more meek "bark." In a few seconds, the refrain repeated with "Bark - Bark" . . . "bark" and replicated again and again at regular intervals.
Our new five month old puppy, Cody, apparently awoke about that time, and realizing I was not in the bedroom, came out through the doggy door, and trotted up the steps of the hot tub for a reassuring pat on the head. After a few calm, confirming strokes to his head and ears, I thought he was about ready to return to his bed.
Suddenly, the refrain of the neighborhood dogs began again, Cody's ears perked up, and I heard him think "I know that tune!" He ran to the middle of the yard and joined the chorus with a very grown-up "BARK - BARK" and obviously became immediately stone deaf to my loudly whispered commands to be quiet, shush, and come here. My only recourse then was to exit the hot tub, grab the only quickly available weapon, my towel, and gain control of the piercingly loud mongrel before the adjacent neighbors' lights came on and my family was thrown summarily out of the serene neighborhood.
About half way there, the motion detector on the dual-light flood lamps activated and the entire backyard lit up like a movie stage. In an instant, I was faced with the primal decision: Fight or flight? Should I flaunt it all in a battle with the beast in full frontal view of the world - or retreat to the safety of the hot tub?
I chose the tub, and as luck would have it, Cody suddenly needed reassurance again and topped the steps once more. I grabbed his harness with one hand and intoned him to not sing along with the chorus. When he ignored my request with another "BARK - BARK," I used the other hand to anoint him with a gallon of tub water spray. He belted out again "BARK - BARK" and I showered him again. Not sure I was serious, he joined in again with a more subtle "Bark - bark" so I showered him again with disciplinary love. He gave one last muted "bark," and sputtered with another flood of water. I held his harness as the other dogs continued their ballad and Cody remained quiet.
Cody apparently got the message - even if you know the tune, don't sing along in the middle of the night. I soon released my grip and he returned, soaked and dripping, and quiet, to his bed.
This is the Zulu Lounge Fundraiseing event for the Midnight Mission. Musical band Fishtank Ensemble and Special guest dancer Rachel Brice, legendary dancer and innovator in Tribal Fusion Style Belly Dance performs under the Hollywood stars @ Boardner's in Hollywood, CA on June 17th, 2011.
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ALL ARTWORK IS © Gene Lewis All Rights Reserved. You may not use, replicate, manipulate, redistribute, or modify this image without my express consent.
Replicating the dynamic natural qualities of sun and moon lighting, the TrueLumen™ LED strips combine the life-sustaining wavelengths of light with the efficiency of LED technology into a low profile, sleek lighting system. The powerful LED chips add the natural shimmering effect and rippling glow found on natural coral reefs while producing virtually no heat and consuming very little electricity. TrueLumen™ LED strips are available in 3 color spectrum combinations - 12,000k Daylight, 453nm Actinic, Rose, Rose/White or a 12,000k/Actinic Blue combination.
I had hoped to replicate A. Aubrey Bodine's photograph "Peabody Library" that is Plate 129 in 'Bodine's City.' The trees made doing so impossible!
Young boys walk past a community faucet where water is pumped with power from two UNDP-supported wind turbines in Sang-e-Nawishta village in Mosaee district, about 20 kilometers from Kabul.
Villagers in Sang-e-Nawishta used to drink water from a polluted canal, leading to high levels of disease. Now they have access to clean water piped to their houses by two five-kilowatt wind turbines installed in the community with the support of UNDP’s Small Grants Programme. The turbines also provide enough clean energy to light the village’s 150 houses. This award-winning project has the potential to be replicated in other parts of Afghanistan. Photo © UNDP / Sayed Omer / 2015
偽日記，活版鉛字與影像書寫創作-陳文祺個展
Authenticity Temporal Memory – Chen Wen-Chi Solo Exhibition
展 期：2015/03/3 - 2015/03/28
開幕酒會：2015/03/7 (六) 19:00
展覽地點：VT Artsalon 非常廟藝文空間 (台北市新生北路三段56巷17號B1)
網 址：http://www.vtartsalon.com/
聯絡電話：02-2597-2525
EMAIL：info@vtartsalon.com
「若時間是這一片海，我們在記憶中推引與淹沒。」
陳文祺，現任實踐大學媒體傳達設計學系（所）主任。「偽日記」是陳文祺繼2012年在北美館的「物自體」與海馬迴「物自體 2 Agape」個展後全新系列影像裝置創作。此次將在VT非常廟藝文空間展出數量高達100件的影像裝置，作品懸空浮出牆面，以標本盒凝結影像與文字的圖文日誌，呈現出記憶中的真實時空狀態。作品延續藝術家以往創作脈絡，討論時空與人的存在關係，回應時空與記憶之於人如蟻穴的生物樣態。
在「偽日記」中，藝術家將活版鉛字結合黑白影像，將旅行於五個城市的觀察與內心的感受諸之筆墨的表達方式；在裝置中記錄著無法辨識的時間、空間與不曾存在的真實記憶， 作品體現後設認知（metacognition）如何成形為人為的偽造，影像的作舊感混淆並打破時間感，它從未橫跨過去與未來的視野，也不存在於現在。活版鉛字復刻出墨味與字模，一字一魂的敲打墨印於無酸厚紙，凹陷的墨字詩句是活字的殘留物，文字於紙上的再現與陷痕則提煉出冶字的藝術性與非快的慢品味。
在陳文祺的「偽日記」中探討著時間的飄渺與無常性。「偽」人為也，若以人為中心，人為的一切無一真實；過去曾是真理的今天可能成了謬誤，而今天是為謬誤的在明日可能是真理。對於真實，人們早已似回應納西瑟斯（Narcissus）的回聲（echo）中迴響空谷；「偽日記」中對於影像的真實如同記憶的可信度，看似完整與客觀的拍攝，經由書寫，讓時空的思維向度迷失在認知夾縫中。此系列作品完全回應創作者將影像視為「死亡的印記」的一貫創作脈絡，100見裝置懸浮於半空，適切地貼近觀看與閱讀，於此刻你我所觀賞到的時空回音都凝結在每件沈甸甸的木盒中，最終置入鏡面般金屬盒內封印。影像日記中書寫著京都、東京、上海、曼谷、臺北的切片，在今日數位化的介面，古拙的影像與文字顯現方式煙霧化了此刻觀注究竟是何年代。陳文祺透過日記般回數記憶的寫作，將內心感受與對物、我的關注與歷程，皆透過自成一格的筆法遊戲的或抑鬱的敘述回應在每一個鉛字與紙墨的撞擊；每篇文字梳理自身理性及感性的景緻。觀眾若有勇氣拋開時間上的限制，閱讀每一篇日記裡的視點與時空概念，圖、文、語言的邏輯思辨將在觀看作品的當下生津。
時間的靜默是真實的感受，萬物與時間是凝結的，弔詭的是時間與記憶糾纏。時間與空間不是扁平的影像，當感知能夠製造與複製，攝影恰是複製時空的影像片段，文字勾畫已過去的感受，而鉛字本為大量複製的特質，在「偽日記」裡成了宛如標本般的印刻在畫面中。然而真實是，即使我們認為這一切的凝結，時間也重來沒有停滯過，一切記錄都是真實無關，只是製造著真實的過去。藝術家反覆辯證著影像和時空關係，將在此複合向度之下提供觀者在影像與冶字的思緒蜂室。
Authenticity Temporal Memory - Chen Wen-Chi Solo Exhibition
Exhibition：2015/03/3 - 2015/03/28
Opening：2015/03/7 (Sat) 19:00
Location：VT Artsalon (B1, No.17, Ln.56, Sec. 3, Xinsheng N. Rd, Taipei, Taiwan)
Website：http://www.vtartsalon.com
Tel：02-2597-2525
EMAIL：info@vtartsalon.com
"If time is that sea, we are pushing the lead and lost in the memory."
Chen Wen-Chi currently the Chairman of the department of Communication Design at Shih Chien University. "Authenticity Temporal Memory" is a new series of photographic installation works that follows up on Chen Wen Chi’s last two solo exhibitions, "the thing itself" in the Taipei Fine Art Museum and "the thing itself 2 Agape" in Fotoaura institute of photography. The exhibition in VT Artsalon will feature 100 installation works suspended out from the surface of the walls. The specimen boxes are the vessel for images and diary entries, recreating the actual state of time and space for the memory. This series is a continuation of the artist’s previous works; discuss the relationship between time, space and human existence.
In “Authenticity Temporal Memory” the artist juxtapose letterpress type with black and white image, using expressive words to presenting the feelings and travel observation of the five cities; in the installation time is not recognized, space and real memory that did not exist, works reflect metacognition, how it become something artificially created, the distressed effect of the image provide a sense of confusion in time, it has never cross the boundaries between past and future not does it exist in the present. Moveable lead types carve out the shape and the feel of ink, hitting and printing out one character at a time onto on acid-free card, verses of character depressed in ink are the remains of movable type. The texts reproduced on paper are the artistic marks and the aesthetics of “non-fast”
“Authenticity Temporal Memory” explores the ephemeral and impermanence. "False" is manmade, nothing is real in anything manmade; the truth in the past may become a fallacy today, the fallacy of today may be the truth of tomorrow. Toward reality people already seem to respond with a narcissus voice echoing in the Valley; “Authenticity Temporal Memory” is true to image as the credibility of memory, seemingly objective shooting after writing, once again become lost in the cracks of time and space. This series follows on the concept of the "Flesh is the prison of the soul" series, 100 installation works is suspended in mid-air, allowing a appropriate distance for seeing and reading, the heavy wooden box we see, will in the end be sealed into a mirror finished metal box. Photographic diary with slices of Kyoto, Tokyo, Shanghai, Bangkok, Taipei, confused the viewer of today's digital-oriented world, to what time and period we are looking. Chen Wen-Chi through the act of diary writing, express his feelings and concern with history, each text contain their rational and emotional landscape. If viewers can put aside time constraints, read every diary in space-time, conceptual, logical, speculative point of view, text, language of the work will flow in the current time.
Quiet times are real feelings, everything is condensed with time, time and memory entangles. Time and space are not flat images, they can be produced and reproduce, photography is precisely replicated time and space footage, text outline of past experience, large scale duplication quality of lead type, in " Authenticity Temporal Memory" has become specimen like engraved onto the screen. But truth is, even if we think that all is frozen, time has never stopped, all records are unrelated to reality, just a creation of a real past. Artists repeated assess the relations between images and space-time, providing the viewer a composition of images and words under the rule of a conceptual dimension.
I replicated this painting so that all of my posterity and wife's relatives could have a copy of this painting or "touched up photo".
Here’s Lorenzo, my Volks Neo Goh/Noix De Rome Elf head hybrid. A hugely indulgent custom based on a character design I did back in 2007-ish but this time I got skills and the actual parts I wanted to use.
I did blush his head to match his body and while I’m not a big fan of the process I do like how it matches now. He uses yarn wefts cuz I really wanted him to have super anime hair and it’s nice having a cheap option of replicating that in 1/6th scale.
I had to replicate a scene from a movie, it was more of a trial and error learning experience. My respects to the camera and editor men/women that shot and edited this scene professionally.
I'm am testing this modification to see if you can get the benefit of 3-point leveling on the Makerbot Replicator. The early experiments seem to be working well, but I think the front spring needs to be replaced with something slightly shorter.
Replicating a now well and truly dead scene of an Arriva 280 Service standing outside Oxford Railway Station Terminus having arrived from Aylesbury.
Preserved N168PUT depicting a very accurate looking scene of a regular service bus of nearly twenty years prior.
Concrete pillboxes built to replicate Nazi bunkers rest on an old cattle farm now an area of critical environmental concern managed by the BLM in southwest Oregon, Sept. 25, 2018. BLM photo: Matt Christenson
A quiet oak savanna in southwest Oregon has a World War II story to tell.
It was the summer of 1942 when thousands of young American troops started arriving in Oregon to prepare for battle.
Only months prior, immediately after the Japanese bombing of Pearl Harbor and America’s entry into WWII, the U.S. Army broke ground on Camp White, a massively ambitious training ground for troops north of Medford.
The national war effort was ramping up, and from the rationing at home to the drill sergeants yelling at new draftees, the task at hand was unified: Get America prepared for war as fast as possible.
At Camp White, in the heart of the Rogue River Valley, it got loud very quick.
Construction crews worked 24 hours a day until the base, consisting of 1,300 structures, was complete. Barracks, mess halls, a railroad, full electrical grid and sewer system were all built in six months.
And then the troops arrived.
The newly reinstated 91st Division went on 91-mile-long hikes.
They fired bazookas, mortars and tanks.
And they attacked concrete pillboxes built to replicate Nazi bunkers.
Despite creating what was then Oregon’s second most populous city at 40,000 people, there are now only a few lasting structures proving Camp White ever existed. Sadly, there are even fewer first-hand memories.
The pillboxes are still standing, though. They simultaneously represent a mostly forgotten military legacy and since 2013, an opportunity for historic preservation.
After decades of private cattle farming, Camp White’s pillboxes now rest on public land.
Read the full story about the Camp White pillboxes that rest on the northeast side of Upper Table Rock, an area of critical environmental concern for the BLM: www.facebook.com/notes/blm-oregon-washington/the-wwii-leg...
Replicate Designs produces Architectural Scale Models and Custom Displays along with props for advertising, movies and more.
© All rights reserved. This image is copyrighted to Tim Wood; Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws. Please contact me at woodrot147@aol.com for express permission to use any of my photographs.
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This photo is supposed to replicate the one of Oliver Parini, which I found under the "Home and Garden" category. I feel like it turned out very well. It has nice lighting and good contrast.
wonderfulmachine.com/photographer/oliver-parini?specialty...
Nobody had caught Lindsey making her patented sour face for 12 years, until now. Until I came along.
replicated my scarlet cake from the other week after all the commotion it created, skye collections created this topper (wasn't thrilled with the topper of the erral cake but LOVE this!!!!) think this one came out cleaner than the first one too!!
...he said he thought the location he chose was a little slow for fans of magic
THE REPLICATOR DIES - aikiboy1111111 (the replicator)
www.youtube.com/watch?v=yJfutYnO0x0
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