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Trying to replicate a pizza I recently had in KL, called Turkish Delight, (lamb mince, roasted eggplant, rocket, hummus)... Our version, homemade tomato and hummus, used this meatball recipe for the lamb mince, added caramelized onions, my 3 cheese combo of fresh mozzarella (cherry size, halved), herb goat cheese and parmesan and topped with lightly dressed rocket on top of this Rick Bayless crust. Very good!
“Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws as well as contract laws.”
“The Eye Moment photos by Nolan H. Rhodes”
nrhodesphotos@yahoo.com
Experimental adjustable drive block for the Replicator 2X extruder. The purpose of this design is to allow the operator to fine-tune the pressure applied to the filament by the idler ball bearing.
The 3D-files: www.thingiverse.com/thing:267394
Instructions: bit.ly/1eaYi3p
The 3D-printer: bit.ly/1ehTaKU
Our hosts from MTN were kind enough to let us take to water. The sun, however was not so kind. I have sunburn (possibly sunstroke) as I post this image on the net.
Copyrighted Image. All Rights Reserved. May not be replicated, duplicated, transmitted or referenced in any way without express permission from the Photographer, David Newton.
These are some of the building materials being used in the replication of the original Roman fort at Xanten
Replication of drawings from children who were sent to Auschwitz and drew on the walls of the camps barracks.
Healing
size: 35x35cm
To make this piece ‘Healing’, I replicated Alberto Burri’s process of his artwork in how he glues, stitches, tears and cuts his art work. The only man-made materials I used to complete this piece is glue, string and cloth. The rest of the materials I used are all natural. These materials include soil, purple grapes, berries, coffee, ash as well as rust. I teared up bits of cloth and soaked them in berry juice. Some I wrapped in nails and left in water and other bits of cloth I buried in the soil for a few weeks. I then glued the pieces of cloth onto canvas and covered it with more soil, coffee and other natural materials. The effect of using natural materials makes this piece look very dirty, rustic, and humanistic as this piece itself represents my skin. Like Burri, I cut the canvas in two sections and stitched them back together again. These two stitches represent the pain that I have been through when having my feet operation. The composition of the cloth being laid onto the canvas and some overlapping each other emphasizes the different layers of skin a human has.
When looking at this artwork piece I feel and understand an emotional sensation of pain and empathy as I can relate to it with the pain that I myself have been through, but more importantly; how pain is still existing in many parts of the world today. In my opinion, I think humans create the most pain in the world today and this contrasts with the use of natural materials I used to accomplish ‘Healing’.
My choice of using the title ‘Healing’ confirms to us humans that pain can be healed, scars will always remain but this should not stop us from healing.
Replicate Designs produces Architectural Scale Models and Custom Displays along with props for advertising, movies and more.
Replicate Designs produces Architectural Scale Models and Custom Displays along with props for advertising, movies and more.
Pronounced (C)h-UN-Dai in South Korea, pronounced HuN-Dai in america, pronounced Hi-yun-dai if you watch too many bad Kung-Fu movies.
NYC Commissioner Edwin Mendez-Santiago (NYC Department for the Aging) and ReServe Board Member John Herrmann Jr.
Replicate Designs produces Architectural Scale Models and Custom Displays along with props for advertising, movies and more.
Female Vancouver Magicians can perform Kreskin's FIND MY MONEY magic trick for under $150 per performance. Magic show replicates Amazin Kreskin's most famous trick for kids birthday party and family parties.
Vancouver BC Canada
tel 6 0 4 - 5 1 2 - 9 5 6 7
vanrescuers at yahoo dot com
I replicated these heads from Jem dolls as a start to figuring out how to make my own original doll head sculpts
Just trying to replicate Michael Levin's style.
Wasn't dark enough (or, I didn't have enough ND filter - two 4 stop and my circular polorizer)
More photos at:
In all domains of life, DNA synthesis occurs bidirectionally from
replication origins. Researchers at UOW are working on copying DNA. Photo shows (front) Nicholas Dixon, (clockwise) Aaron Oakley, Zhi Qiang Xu and Slobodan Jergic.
Trying to get the right combination of "stick" to hold the tissue paper down, on the right subsurface material, with the right glue, so it holds in place while plastic is deposited but can be removed when completed.
That's a mouthful!
La pulsera es un modelo de Mike Battaglia www.thingiverse.com/thing:24844
Impresa en PLA azul transparente con la Replicator 2
Thomas Thwaites
The Toaster Project is an attempt to investigate and replicate the manufacture of a mass produced everyday object – a toaster – on an artisanal scale, aimed at revealing the nature of mass manufacturing. The designer, Thomas Thwaites, documented the process through video, a publication and by collecting all the elements that went into the production of the toaster, including the apparatus he created for the refining and manufacturing processes. This installation collects all of these objects, consisting of the apparatus, materials, final toaster, digital images, video and publication.
The Toaster Project highlights the complexity of everyday mass-manufactured objects and the invisible supply chains of the globalised economy which make their low-cost production possible. In 2008 Thwaites bought a toaster from the British high-street retailer Argos, manufactured in China and priced at £3.94, and deconstructed it into its individual components. He then attempted to reproduce these components himself, from elements sourced or produced by himself in the UK; the plastic for the shell, the steel for the inner frame, the nickel for the heating element, the mica for the thermal and electrical insulation, and the copper for the electrical wires. He documented his journeys around Britain to collect the base elements of the materials, from mining steel in the Forest of Dean, to collecting mica from the mountains of the west coast of Scotland and acidic water containing dissolved copper from the Isle of Anglesey. He also devised his own ways of attaining the final materials from these sources, including attempts such as a smelting furnace made of hairdryers and a chimney pot, and a mould for the plastic case carved out of a block of wood. This investigation into the production of what is now a very cheap and easy to acquire object reveals the impossibility of making such a product on a small, local scale. It exposes the social and environmental consequences, including the decline of Britain’s manufacturing industries and pollution of natural resources, as a result of the disposability of consumer culture. Thomas also reveals that the cost of making his toaster was £1187.54, based on his direct spending alone. The project is a key example of critical design, and one of the first to be discussed globally beyond the design sector.
[V&A Museum]