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Choose IndiaCADworks for 3D rendering services. For more information visit : www.indiacadworks.com/3D-rendering-animation-services/3d-...
andrew f. scott: BlackManGrove Chicago
Winter 2011
Rendered using Maya. Composited in Photoshop
Electronic Design 450/750
elds750.blogspot.com/2011/03/andrew-f-scott-render-passes...
Frontop has established a long term cooperation with Zaha Hadid. It supplies building rendering, interior rendering and other kinds of architectural visualizations or 3d renderings.
Rainstorm Film is a Creative & Architectural Visualization Studios located at Ho Chi Minh City, Vietnam. We produce architectural animation, architectural visualization in 2D rendering and animation for real estate marketing and television, commercials and online integrated media.
Contact us at : wakemeup@rainstormfilm.com
Website : www.rainstormfilm.com | www.vubao.com.vn
3D Visualization, 3D animation, Architectural visualization, Perspective Rendering, Digital Design, Web Design, Web Development, Ecommerce Development, Hoạt hình 3D, Diễn họa kiến trúc, Phối cảnh 3D, 3D kiến trúc, Thiết kế web, Phát triển web, phim 3D kiến trúc, phim 3D bất động sản, quảng cáo truyền hình, logo
Phát triển web, phim 3D bất động sản, phim 3D kiến trúc, TVC, phim 3D qui hoạch
Renderings of Bloomingdale Trail accesses shown at a presentation of the draft Logan Square Open Space Plan.
Yantram a Architectural Rendering Studio - Architectural 3d Visualization Company offering services like 3d Rendering, render companies, 3D Renderings, Photorealistic design, Interior 3D Rendering, Conceptual 3D Rendering, 3d Renders, 3drandring design firms.
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Chrome appears to have a problem with low-contrast text (in terms of colour)?
The top screenshots are from Firefox (19.0.2) – this is how I’d like it to look; bottom ones from Chrome (26.0.1410.43). All screenshots with a 500% enlargement.
Same site and code top and bottom. The text is rendered in Titling Gothic Condensed from Webtype, #cac6c5 on #fcf8f6 (on the left side), all caps, 17px font-size with 1px letter-spacing.
When I change the text colour to something darker (see right side – that would be the mouseover state) it looks crisp enough in both browsers.
Wondering if the rendering of the light version is something I just have to live with, or does someone have a workaround/idea?
Source / original URL: www.praxisfellmann.ch
This is from one of a set of illustrations hanging on my office wall. The folks at www.flickr.com/groups/car_memories_guesses and the experts at www.wokr.org had a hard time identifying the exact model. It could be due to the liberties the artist took or it could be just a concept sketch.
The inscription reads "At $3950, the Willys-Knight town car is the highest priced car in the Willys-Overland line. This elegant model presents, a European appearance with its full curve roof and ornamental landau irons. A detachable front seat covering provides protection for the driver and a speaking tube enables passenger and driver to communicate."
The folks at www.wokr.org think that it may be a 1926 or 1927 model 66 (A, B or D)
A rendering of the proposed development at 960 Franklin Avenue. Collage courtesy of Municipal Art Society. See the interactive feature.
Image rendering in different colour spaces.
Red - sRGB
Blue - AdobeRGB
Yellow - ProPhotoRGB
Same image rendered in different color spaces.
Autopia. Looks like the digital rendering! Yay!
Photo (c) J.Ness, Owner (his cars, too). For those of you into "the details": Most of what you see in the photo is site-precast concrete. Right up the the scalloped top edges! The forms were 12" high boards placed on the flat casting slab. Within the basic rectangular basic formwork, custom EPS blocks were installed, shop-cut to the precise profile using a large CNC hot-wire cutter driven by my CAD files. Later, the 2x6 trim details were cut the same way and applied. The piers are 12" X 42" solid reinforced concrete. The 6" radius roundover edges were created using CNC-cut EPS foam form inserts. See the o2c models for several captures of the digital 3D model. You can see how the EPS foam inserts were done to create the 2" wide by 3/4" deep accent reveals with 3/4" chamfers that "wrap" smoothly around each bullnose, to get that "Thirtys" look. The "marquee" feature was dialed in using DataCAD, in part inspired by the last remaining "Bog's Big Boy" restaurant in Burbank. All that is CNC-cut EPS foam. Yep. The lettering down the face of the marquee I designed in DataCAD. Also CNC cut, then sheathed in polyurethane. The 12" high street address started with a stock font; then I exploded the letters into vectors. Then e-mailed the CAD file to a workshop, who CNC cut the lettering from plastic sign material. The "eyebrows" over the main entrances are of 2" x 6" tube steel, custom bent to spec. Atop each one of those is the Suite indicator. We chose to write out each numeral: TEN, TWENTY, THIRTY, etc., for style. Again, I began with the text in a stock font. Exploded to vectors. Then modified the vector trace to comply with certain desired minimums and such, and joined them all to a common base strut. Next, I e-mailed the CAD file to a metal shop. There, the skilled craftsmen fed the data into a CNC machine So those stand-up letters are CNC-machined billet aluminum. I think they came out "bitchin'!" The glass block follows a 48" radius nicely; the solid wall directly above that is wood framed, sheated and plastered to the 48" radius arc. Other details, like the multiple bands of storefront metal, the arcs on the doors, lozenge and circular windows, "triple-stripe" trim, etc., were all carefully chosen to add to the themed experience. Lotsa work, believe me.
Rainstorm Film is a Creative & Architectural Visualization Studios located at Ho Chi Minh City, Vietnam. We produce architectural animation, architectural visualization in 2D rendering and animation for real estate marketing and television, commercials and online integrated media.
Contact us at : wakemeup@rainstormfilm.com
Website : www.rainstormfilm.com | www.vubao.com.vn
3D Visualization, 3D animation, Architectural visualization, Perspective Rendering, Digital Design, Web Design, Web Development, Ecommerce Development, Hoạt hình 3D, Diễn họa kiến trúc, Phối cảnh 3D, 3D kiến trúc, Thiết kế web, Phát triển web, phim 3D kiến trúc, phim 3D bất động sản, quảng cáo truyền hình, logo
Phát triển web, phim 3D bất động sản, phim 3D kiến trúc, TVC, phim 3D qui hoạch
Guns or Butter.
Andrew F. Scott Installation
StudioPlex in Atlanta Georgia.
April 2011.
Laser Cut Cardboard
Dimensions Variable
In macroeconomics, the guns versus butter model is a simple example of the production possibility frontier. It models the relationship between a nation's investment in defense and civilian goods. In this model, a nation has to choose between two options when spending its finite resources. It can buy either guns (invest in defense/military) or butter (invest in production of goods), or a combination of both. This can be seen as an analogy for choices between defense and civilian spending in more complex economies.
In this composition located in Atlanta Georgia, each of the tomahawk missles were inscribed with social expenditures equal to the cost of the weapon.
Assembly Team:
Claire Abitz
Shannon Slane.
VISUALIZE IT!
Only Awning Company offering 2D and 3D ANIMATED RENDERINGS.
SEE IN 3D: NEW
ahoffmanawning.com/animated-3d-awning-models/
WEBSITE:
Link back to Gallery: www.flickr.com/photos/hoffmanawning/sets/
A. Hoffman Awning Company in Baltimore Maryland, has been designing awnings and canopies for 100 years. This is an example of a rendering shown to customers and architects as to how their awning is actually going to look on their building or house. We design awnings and canopies and serve Maryland,
Northern Virginia, Washington D.C. and Pennsylvania. (York and Lancaster Pennsylvania)
Hoffman Awning Baltimore Maryland
5113 Belair Rd.
Baltimore, Maryland 21206
410-685-5687
E-mail: info@ahoffmanawning.com
5113 Belair Rd.
Baltimore, Md. 21206
Link back to Gallery: www.flickr.com/photos/hoffmanawning/sets/
Rendering show the new Auburn Memorial, which will include a wall with excerpts from the Auburn Creed. Construction of the new Memorial will begin Monday, April 25.
The Postcard
A postally unused carte postale that was published by J. C.
The image shows Les Halles in the early stage of their destruction - this medieval masterpiece has already been reduced to an empty shell with no roof.
It got a lot worse - the building was virtually flattened by enemy artillery during the course of the Great War, thereby rendering the temporary wooden scaffolding an exercise in futility. The Cathedral (on the right behind Les Halles) was also very heavily damaged by repeated bombardment.
The card was sent via the British Army Postal Service, because there is a message on the divided back:
"Dear Mary,
This will give you an
idea of what the place
is like where we are.
Hope you are quite
well.
Love from your
Harry xxx"
The British Army Postal Service
During the Great War, the British Army Postal Service despatched over two billion letters and cards. Assuming an average length of 6 inches, if they were laid end to end they would stretch for 189,394 miles (304,800km) - that's over seven and a half times round the Earth's equator.
The Great War lasted for 1,567 days, therefore the Postal Service were kept busy handling an average of over 1¼ million pieces of mail every day of the war's duration.
Abba Eban
"History teaches us that men and
nations behave wisely when they
have exhausted all other alternatives".
This was said during a speech in London UK on 16th. December 1970 by Abba Eban (1915-2002), an Israeli diplomat and writer.
The Use of Artillery in the Great War
Artillery was very heavily used by both sides during the Great War. The British fired over 170 million artillery rounds of all types, weighing more than 5 million tons - that's an average of around 70 pounds (32 kilos) per shell.
With an average length of two feet, that number of shells if laid end to end would stretch for 64,394 miles (103,632 kilometres). That's over two and a half times round the Earth. If the artillery of the Central Powers of Germany and its allies is factored in, the figure can be doubled to 5 encirclements of the planet.
During the first two weeks of the Third Battle of Ypres, over 4 million rounds were fired at a cost of over £22,000,000 - a huge sum of money, especially over a century ago.
Artillery was the killer and maimer of the war of attrition.
According to Dennis Winter's book 'Death's Men' three quarters of battle casualties were caused by artillery rounds. According to John Keegan ('The Face of Battle') casualties were:
- Bayonets - less than 1%
- Bullets - 30%
- Artillery and Bombs - 70%
Keegan suggests however that the ratio changed during advances, when massed men walking line-abreast with little protection across no-man's land were no match for for rifles and fortified machine gun emplacements.
Many artillery shells fired during the Great War failed to explode. Drake Goodman provides the following information on Flickr:
"During World War I, an estimated one tonne of explosives was fired for every square metre of territory on the Western front. As many as one in every three shells fired did not detonate. In the Ypres Salient alone, an estimated 300 million projectiles that the British and the German forces fired at each other were "duds", and most of them have not been recovered."
To this day, large quantities of Great War matériel are discovered on a regular basis. Many shells from the Great War were left buried in the mud, and often come to the surface during ploughing and land development.
For example, on the Somme battlefields in 2009 there were 1,025 interventions, unearthing over 6,000 pieces of ammunition weighing 44 tons.
Artillery shells may or may not still be live with explosive or gas, so the bomb disposal squad, of the Civilian Security of the Somme, dispose of them.
The Somme Times
From 'The Somme Times', Monday, 31 July, 1916:
'There was a young girl of the Somme,
Who sat on a number five bomb,
She thought 'twas a dud 'un,
But it went off sudden -
Her exit she made with aplomb!'
Ypres
Ypres is a Belgian municipality in the province of West Flanders. Though the Dutch Leper is the official name, the city's French name Ypres is most commonly used in English.
During the First World War, Ypres (or 'Wipers' as it was commonly known by the British troops) was the centre of the Battles of Ypres between German and Allied forces.
The famous Cloth Hall was built in the 13th century. At this time cats, then the symbol of the devil and witchcraft, were thrown from the Cloth Hall in the belief that this would get rid of demons. Today, this act is commemorated with a triennial Cat Parade through the town.
-- Ypres in the Great War
Ypres occupied a strategic position because it stood in the path of Germany's planned sweep across the rest of Belgium and into France from the north (the Schlieffen Plan).
The neutrality of Belgium, established by the First Treaty of London, was guaranteed by Britain; Germany's invasion of Belgium brought the British Empire into the war. The German army surrounded the city on three sides, bombarding it throughout much of the war. To counterattack, British, French, and allied forces made costly advances from the Ypres Salient into the German lines on the surrounding hills.
-- The First Battle of Ypres
In the First Battle of Ypres (19th. October to 22nd. November 1914), the Allies captured the town from the Germans. The Germans had used tear gas at the Battle of Bolimov on the 3rd. January 1915.
-- The Second Battle of Ypres
The Germans' use of poison gas for the first time on the 22nd. April 1915 marked the beginning of the Second Battle of Ypres, which continued until the 25th. May 1915.
They captured high ground east of the town. The first gas attack used chlorine. Mustard gas, also called Yperite from the name of the town, was also used for the first time near Ypres, in the autumn of 1917.
Vera Brittain was an English Voluntary Aid Detachment nurse, writer, feminist and pacifist who made the following observation in her 1933 memoir, 'Testament of Youth':
“I wish those people who talk about going
on with this war whatever it costs could see
the soldiers suffering from mustard gas
poisoning.
Great mustard-coloured blisters, blind eyes,
all sticky and stuck together, always fighting
for breath, with voices a mere whisper, saying
that their throats are closing, and they know
they will choke.”
-- The Third Battle of Ypres
Of the battles, the largest, best-known, and most costly in human suffering was the Third Battle of Ypres (31st. July to 6th. November 1917, also known as the Battle of Passchendaele), in which the British, Canadian, ANZAC, and French forces recaptured the Passchendaele Ridge east of the city at a terrible cost of lives.
After months of fighting, this battle resulted in nearly half a million casualties to all sides, and only a few miles of ground won by Allied forces. During the course of the battle Ypres was all but obliterated by artillery fire.
-- Lieutenant-Colonel Beckles Willson
In 1920 Lieutenant-Colonel Beckles Willson wrote:
'There is not a single half-acre in Ypres
that is not sacred.
There is not a single stone which has not
sheltered scores of loyal young hearts,
whose one impulse and desire was to fight
and, if need be, to die for England.
Their blood has drenched its cloisters and
its cellars, but if never a drop had been spilt,
if never a life had been lost in defence of
Ypres, still would Ypres have been hallowed,
if only for the hopes and the courage it has
inspired and the scenes of valour and sacrifice
it has witnessed'.
-- Ypres Today
After the Great War the town was extensively rebuilt using money paid by Germany in reparations, with the main square, including the Cloth Hall and town hall, being rebuilt as close to the original designs as possible (the rest of the rebuilt town is more modern in appearance).
The Cloth Hall today is home to the 'In Flanders Fields Museum', dedicated to Ypres's role in the First World War and named after the 'Poppy' poem by John McCrae.
Ypres these days has the title of 'City of Peace' and maintains a close friendship with another town on which war had a profound impact: Hiroshima. Both towns witnessed warfare at its worst: Ypres was one of the first places where chemical warfare was employed, while Hiroshima suffered the debut of nuclear warfare.
Ypres hosts the international campaign secretariat of Mayors for Peace, an international Mayoral organisation mobilising cities and citizens worldwide to abolish and eliminate nuclear weapons by the year 2020. It didn't happen.
Indigo Winter Garden - Jiang TaiBeijing - Chine
HDA : Specialist Design consultants
Client : Swire Properties Ltd. in Joint Venture with Sino-Ocean Land
Architect: Benoy
Date : 2007 - 2012
See more at : www.hda-paris.com/
I have a fascination with how people work differently, in different countries.
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3D rendering. I gave myself wings. The idea was to change my body in a way that is impossible in the real world. I wish i could fly, so i "Grew Wings"
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Frontop supplies architectural rendering, architectural visualization, 3d walkthroughs, 3d renderings for architects, real estate developers, designers, etc.