Rendering the Icon - Αποδίδοντας την Εικόνα
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You can see my textures on my sim and buy them InWorld Store Location: maps.secondlife.com/secondlife/Lake%20Mountbatten/68/135/25
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IN ORDER TO SEE GROUND TEXTURES IN THEIR BEST VIEW, PLEASE SET "SCALE OF TERRAIN TEXTURES RENDERING" TO 5! THIS IS VERY IMPORTANT. THIS IS INFO FOR FIRESTORM USERS ONLY.
CNTR+P --> RENDERING --> the last lane on the bottom
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A little foggy with a bit of wildfire haze contributing maybe.
Leica D-Lux 3 from circa 2006. I have found a real fondness for CCD sensors, like this one and the sensor in my Canon 5D MK1. I love the creamy rendering.
Our guess is that this was a rendering facility of some kind. The building at the side looks occupied..
Apologies for adding this late but here's the definition in Dictionary. Com;... Rendering Works - (used with a singular verb) a factory or plant that renders and processes livestock carcasses into tallow, hides, fertilizer, etc
In my previous article, like many photographer, I was very excited about the release of the new R6 and R5 because they offered tremendous advances.
www.flickr.com/photos/garivalden/50209737163/in/dateposted/
I bought the R6, the Canon RF 100-500mm and sold everything to buy again a 5D mark III
Why? Because the Canon R6 is also that:
1) Delivery of the RF – EF Adapter Ring offered by Canon has arrived 60 days after purchase. Fortunately, my nice store went out of its way to lend me one.
Many customers have suffered this and it is scandalous on the part of Canon not to have integrated the ring in the original box.
2) Prepare to pay (and I'm not even talking about new RF lenses)
- a very fast and robust SD card to enjoy the burst like the Sony Tough SD
- Resistant, I used Lightroom 6 box. To read new raw CR3s, you need Lightroom Classic
- To make the photos look like a Canon Picture Style you need a quality color profile, thank you to Damien Bernal for your recommendations
The choice of an L Bracket is complicated with this screen, Tom Migot has devoted several videos to it.
www.youtube.com/watch?v=LA25FyekVKY
The R6 is with High ISO but if you want a very clean result, Denoise by Topaze is the best Tool , So, one question: Why have I never needed it before?
www.flickr.com/photos/garivalden/51296276233
This photo at 12800 iso will be almost unusable on 5D Mark III but never forget that the easiest and most beautiful thing is to take pictures when there is ... light
- The second battery is essential. It is difficult to say how many pictures you can take with one battery but I advise you to double your battery park as well as the charging time.
For years, I shot without ever thinking about the drums with a second in the bag never used.
3) The ergonomics of the R6 disappointed me and brought nothing
- The grip is worse than before. However, I have small hands and the handle seems too small to me. Those with large hands have their little finger in the air and some props even sell a base to add.
I wore for years a 5d Mark III with a 300mm 2.8mm IS II sometimes by the tips of two fingers to tell if the whole thing was balanced.
- The SD card door opens only by friction. There is still a small slot to slide a nail with difficulty, but the 5d Mark III and IV opened more easily with one hand.
The adjustable screen has never been useful to me because its tilt to the left of the device is not practical and even less with the L bracket
Touch has never been useful to me, in the field physical buttons are more practical
4 / A user experience that sometimes disappoints:
- Eye tracking stalls when it is too complicated in the foliage. Does the ultimate portrait of your dreams with a subject against a pretty background require this technology?
- In billebaude if you take your camera back, it will sometimes take a while before everything turns on again. Several times I had to turn off the R6 completely because the autofocus didn't know where it was.
- You see a beautiful sunset, you take your R6, you put your eye in the viewfinder and there… disappointment. Why not keep looking in our good old DSLR?
5) The rendering of R5 and R6 is often very different in appearance compared to DSLR.
More so if you mount a native RF lens.
Is it the technology or the level of detail that wants this? The shots often appear to be very artificially separated, and natural colors like grass are sometimes strange. I know you can change everything in PP, but all of this bothers me and takes me away from the pictorial and cinematographic universe.
My daughter came home from school with a drastically different school photo than I saw for a decade, I got it, the canon photographer (my daughter had asked a few years ago ;-) had bought an R6 or R5 and the schoolyard became a bit strange as « Gattaca ».... Advantage for Eye AF, it’s tea time for him ;-)
6) Let's talk about goals.
The photos of a Canon hybrid with an RF lens that I have seen in recent months made me want to buy a Canon EF 85mm f1.2 II 1 month after the R6. I'm not sure that was the goal. from Canon that we buy back the EF lenses that we had sold second-hand.
www.flickr.com/photos/garivalden/50806574161
Canon did not lose everything because, to get Canon cash back, I exchanged my Canon EF 300MM 2.8 is II before the summer of 2021 for an RF 100-500mm ...
Why did I do this?
Fear of obsolescence and maybe a follow-up helped by an abundant marketing hype which made me give in and go against my convictions of never buying a zoom because the rendering really has nothing to do with a focal length fixed premium… I sold it 1 month later.
The bottom line of this financially not very pleasant operation is that, as in many areas, if we have the feeling that things will not be in our best interest, it is better to abstain ;-)
What will I miss most about the Canon R6
Focusing in low light, your 85mm 1.2 will get a facelift
Staggering stabilization from 100-500mm net to 1/50 th to 500mm
The focus on the eye, clearly the majority of wedding, sports and animal photographers will never want to go back, I understand them, this is a decisive advantage over the competition
And especially the advantage of having the collimators close to the edge unlike the DSLR
The burst and the endless sorting it generates, the swiveling screen, the touchscreen, the wifi, the gps, I will miss less.
I don't think I’ll buy again this excellent 300mm 2.8 IS II.
I still got the magical 135 mm F2 and 85mm 1.2 , my next wildlife Canon Lens will be a prime EF, surely excellent, not too big (price too) because I take my equipment everywhere, repairable I don't know ...
www.flickr.com/photos/garivalden/47688762631
Every day, especially since the digital and the Internet, our so-called user-friendly world becomes unnecessarily more complicated and deliberately consumerist.
The R5 and R6 are good cameras and Canon has really caught up to the competition but it's not my direction.
The 5D Mark III is 2012, a century after 1912, my favorite year, in which I have been preparing a photo for a very long time.
What if Canon EF finally became a way of life.
Gari Valden
Please feel free to follow me on Flickr , Instagram and Twitter X
℗ © 2021 Copyright - All Rights reserved
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In this months Kaizen #59 there was an interesting tutorial using photos of architecture. I haven't finished that yet but did a project first using my personal approach to this idea. All of these elements are from itKuPiLLi, one of the best of the contributors to the program. I call this Renaissance Architecture Rendering. Enjoy!
Out with Kevin on Sunday morning for some early shooting. A painterly rendering with motion blur with the shadow/light forest view!
I used to have mixed feelings about the Panasonic 35-100 f/4-5.6 until I realized its unexpected capacity for rendering painterly colors in atmospheric landscapes. Probably not its intended usage.
Ok....my first sketches are always rough, just playing with an idea. I refine it a little bit before I start the rendering. Then on tracing paper I very lightly will start with a single center line to use as a reference. I also draw a center line on my rough sketch to compare. The rough sketches are just a tad bigger than actual size but the rendering will be at least 3 to four times actual size. All first lines are drawn as lightly as possible.....and with a .3mm pencil that I keep fine sanded to a needlepoint. I use an eraser shield and an eraser a lot....but try to draw lines only once (ha!). I use a compass whenever a clean large circle or an arc is called for. I use plastic templates for smaller circles or arcs. I use a steel straight edge and have several french curves on hand. I try and keep my grubby, oily hands off the paper by covering areas already drawn with another sheet of clean paper. When all the lines are lightly drawn just the way I want them, I erase whatever extra marks I can find and air blast the residue off. Then I darken all the lines. Then I shade it. Then I hit the whole thing with the eraser again, and air blast it. Then I apply a very light spray of "Aussie Instant Freeze" hair spray. Now it's time to paint the back. With fine sable brushes I first paint only the areas which are "gold", being very careful not to go outside the lines, hee hee! Dry it thoroughly. Then I rather sloppily apply the other colors quickly so as not to disturb the gold layer. Dry thoroughly. For this job I then also returned to the front and applied tiny smudges (without any rubbing or blending) of a day-glo green oil pastel to the green stones for highlights and green, orange and a little blue for the opal's play of color. For this back-painted rendering to be successful, you must use at least tracing paper......but vellum is uber nice! From there on it's photoshop for color-enhancement and more cleanup. But the images above are how far I get by hand.
Hello everyone! Just per usual, another room I've put together... Soon I'll be finishing up with a client project so I'll post those rooms up sometime next week.
I was jamming to this tune while creating this scene - www.youtube.com/watch?v=GvmKxDcO8vU
Another sneak peek of the cafe and bakery building I'm working on. Computer rendering but only existing bricks/colors were used.
In optics, a caustic or caustic network is the envelope of light rays reflected or refracted by a curved surface or object, or the projection of that envelope of rays on another surface. The caustic is a curve or surface to which each of the light rays is tangent, defining a boundary of an envelope of rays as a curve of concentrated light.
We're Here visiting Caustics
Yes, that is how it's done in Mongolia. We ate this ram to celebrate my two families coming together (American and Mongolian).
My host father is in the canary yellow shirt. My little host sister, Otka is as amazed as I am.
I am drinking a Borigo beer, which is a great local brew for casual consumption in the countryside. Label out for photo!
Here is my rendering of a rushing stream near Angels Camp CA. This effect was done with Photoshop to make it more ethereal.
When the photo is not good you can make a painting of it, possibilities are endless
Thanks for the visit have all a nice day
So I have no idea why these DBG backgrounds are looking like doo-doo. I took Matt's advice and reset POV-Ray to initial settings, and it is still looking like this. All white, LBG, and tan look fine, most of the time. But the darker background looks BAD. Anyone have any suggestions?
This is my version of a restomod Mercedes-Benz 300 SL Speedster car in the 8 stud wide Speed Champions style.
The model features:
– has space for 2 minifigs
Building instructions is available !
rebrickable.com/users/klara_mocs/mocs/
You find more pictures on Instagram : www.instagram.com/klara_mocs/
or:
No; its not a architectual rendering but a real shopping plaza here in Savannah. While some stores have reopened the majority have not and remain closed.