3D Pop
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Our guess is that this was a rendering facility of some kind. The building at the side looks occupied..
Apologies for adding this late but here's the definition in Dictionary. Com;... Rendering Works - (used with a singular verb) a factory or plant that renders and processes livestock carcasses into tallow, hides, fertilizer, etc
Art for its own sake can be a rewarding experience. The photo has the appearance of an artful rendering with brush strokes, and parameters. The dark shadows and various colours, are struck by an interuption of bright light.
This is however, part of a stream in Cliff Gilker park. Absent of much rain as of late, there is less flow, and the scene takes on an almost stranded look.
In this months Kaizen #59 there was an interesting tutorial using photos of architecture. I haven't finished that yet but did a project first using my personal approach to this idea. All of these elements are from itKuPiLLi, one of the best of the contributors to the program. I call this Renaissance Architecture Rendering. Enjoy!
Generated By Midjourney V7
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**Prompt :**
Portrait cinématographique hyperréaliste d’une femme de profil, au visage sculptural et à la peau lumineuse, dans une forêt luxuriante baignée d’une lumière naturelle douce. Sa chevelure est remplacée par une composition organique spectaculaire de fruits et légumes frais : tomates brillantes, raisins juteux, épis de maïs dorés, brocoli dense, carottes encore terreuses, herbes aromatiques sauvages et feuillages abondants, le tout agencé avec une précision artistique évoquant une couronne vivante.
La lumière, de type golden hour filtrée à travers les feuillages, crée un jeu subtil d’ombres et de reflets sur sa peau satinée, accentuant les textures : la douceur de l’épiderme contraste avec le relief brut et humide des végétaux. Micro-détails extrêmes visibles : gouttelettes d’eau sur les légumes, fibres des tiges, pores de la peau, reflets spéculaires sur les surfaces lisses.
Profondeur de champ très faible , arrière-plan flou avec un bokeh organique vert profond, donnant une sensation immersive et onirique. Colorimétrie riche et naturelle, dominée par des verts profonds, rouges vibrants et jaunes chauds.
Ambiance silencieuse, presque sacrée, évoquant une fusion entre l’humain et la nature, une allégorie de fertilité, d’abondance et de symbiose écologique.
Style visuel proche de la photographie de mode éditoriale haut de gamme mêlée à une direction artistique inspirée de la peinture classique et du réalisme magique. Qualité 8K, ultra-détaillée, rendu HDR, textures photoréalistes, éclairage volumétrique subtil, contraste maîtrisé, grain cinématographique léger.
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**Prompt:**
Hyperrealistic cinematic portrait of a woman in profile, with a sculptural face and luminous, flawless skin, standing in a lush, dense forest bathed in soft natural light. Her hair is transformed into an elaborate organic composition of fresh fruits and vegetables: glossy tomatoes, juicy grapes, golden ears of corn, dense broccoli, earthy carrots, wild herbs, and abundant foliage, intricately arranged like a living crown.
Golden hour lighting filters through the leaves, casting delicate shadows and highlights across her satin-like skin, enhancing texture contrast between smooth human features and the raw, dewy surfaces of the vegetation. Extreme micro-detail visible: water droplets clinging to produce, fibrous stems, skin pores, subtle specular highlights on polished surfaces.
Shallow depth of field , with a soft, creamy green bokeh background that creates an immersive, dreamlike atmosphere. Rich, natural color grading dominated by deep greens, vibrant reds, and warm yellows.
A quiet, almost sacred mood, symbolizing the fusion between humanity and nature, an allegory of fertility, abundance, and ecological harmony.
Visual style blending high-end editorial fashion photography with classical painting influence and magical realism. Ultra-detailed 8K resolution, HDR rendering, photorealistic textures, subtle volumetric lighting, balanced contrast, fine cinematic grain.
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--v 7 --ar 3:2 --style raw --q 2 --s 250 --chaos 8 --seed 1234
Carlingford Lough (Irish: Loch Cairlinn) is a glacial fjord or sea inlet in north eastern Ireland, forming part of the border between Northern Ireland to the north and the Republic of Ireland to the south. On its northern shore is County Down, the Mourne Mountains, and the town of Warrenpoint; on its southern shore is County Louth, the Cooley Mountains and the village of Carlingford. The Newry River flows into the loch from the northwest. Wikipedia
Out with Kevin on Sunday morning for some early shooting. A painterly rendering with motion blur with the shadow/light forest view!
Please don't use this image on websites, blogs or other media without my explicit
permission. © All rights reserved. All photos/images are digitally watermarked with Digimarc.
3D Rendering fractal software. NOT a photograph.
This is NOT A PHOTOGRAPH, NOT A SHOT, and NOT A CAPTURE. This is fractal art that I made. Please comment accordingly. Thank You
Tree, shorn, in brume.
Postal Pond in Legacy Park
City of Decatur (Winnona Park), Georgia, USA.
12 November 2022.
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▶ Photo by Yours For Good Fermentables.com.
▶ For a larger image, type 'L' (without the quotation marks).
— Follow on Facebook: YoursForGoodFermentables.
— Follow on Instagram: @tcizauskas.
— Follow on Vero: @cizauskas.
▶ Camera: Olympus OM-D E-M10 II.
— Lens: Olympus M.14-42mm F3.5-5.6 II R.
— Monochrome rendering via Nik Collection.
— Edit: Photoshop Elements 15.
▶ Commercial use requires explicit permission, as per Creative Commons.
Ok....my first sketches are always rough, just playing with an idea. I refine it a little bit before I start the rendering. Then on tracing paper I very lightly will start with a single center line to use as a reference. I also draw a center line on my rough sketch to compare. The rough sketches are just a tad bigger than actual size but the rendering will be at least 3 to four times actual size. All first lines are drawn as lightly as possible.....and with a .3mm pencil that I keep fine sanded to a needlepoint. I use an eraser shield and an eraser a lot....but try to draw lines only once (ha!). I use a compass whenever a clean large circle or an arc is called for. I use plastic templates for smaller circles or arcs. I use a steel straight edge and have several french curves on hand. I try and keep my grubby, oily hands off the paper by covering areas already drawn with another sheet of clean paper. When all the lines are lightly drawn just the way I want them, I erase whatever extra marks I can find and air blast the residue off. Then I darken all the lines. Then I shade it. Then I hit the whole thing with the eraser again, and air blast it. Then I apply a very light spray of "Aussie Instant Freeze" hair spray. Now it's time to paint the back. With fine sable brushes I first paint only the areas which are "gold", being very careful not to go outside the lines, hee hee! Dry it thoroughly. Then I rather sloppily apply the other colors quickly so as not to disturb the gold layer. Dry thoroughly. For this job I then also returned to the front and applied tiny smudges (without any rubbing or blending) of a day-glo green oil pastel to the green stones for highlights and green, orange and a little blue for the opal's play of color. For this back-painted rendering to be successful, you must use at least tracing paper......but vellum is uber nice! From there on it's photoshop for color-enhancement and more cleanup. But the images above are how far I get by hand.
3D rendered version, by yours truly. A carbonated soft drink mix processor (left) and ammonia chiller (right) for cooling the mix before piping to the can or bottle filler. (The color of the rendering was chosen randomly.) All rights reserved - do not copy or download, please!
An oldie, but goodie from Lower Antelope Canyon near Page, Arizona. The appearance of this light beam trifecta had me scrambling frantically in an attempt to capture it in all its glory. Unfortunately, between large tour groups moving through and a pesky draft that kept blowing away the dust in the air near the rightmost two beams (thus rendering the beams invisible), this was the best I could do. I feel it still gives a pretty good flavor for what was happening though.
Hello everyone! Just per usual, another room I've put together... Soon I'll be finishing up with a client project so I'll post those rooms up sometime next week.
I was jamming to this tune while creating this scene - www.youtube.com/watch?v=GvmKxDcO8vU
Identification number on base of streetlamp.
Decatur (Winnona Park), Georgia, USA.
11 June 2020
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▶ Photographer's note:
Selected for inclusion in Flickr's Explore, on 12 June 2020.
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▶ Photo by Yours For Good Fermentables.com.
▶ For a larger image, type 'L' (without the quotation marks).
— Follow on Twitter: @Cizauskas.
— Follow on Facebook: YoursForGoodFermentables.
— Follow on Instagram: @tcizauskas.
▶ Camera: Olympus OM-D E-M10 II.
— Lens: Olympus M.14-42mm F3.5-5.6 II R.
— Olympus WCON-P-01 Wide Converter (11 mm focal length).
— Edit: Photoshop Elements 15
— Monochrome rendering via Nik Collection.
▶ Commercial use requires explicit permission, as per Creative Commons.
Another sneak peek of the cafe and bakery building I'm working on. Computer rendering but only existing bricks/colors were used.
In optics, a caustic or caustic network is the envelope of light rays reflected or refracted by a curved surface or object, or the projection of that envelope of rays on another surface. The caustic is a curve or surface to which each of the light rays is tangent, defining a boundary of an envelope of rays as a curve of concentrated light.
We're Here visiting Caustics
Tatton Park is a historic estate in Cheshire, England, north of the town of Knutsford. It contains a mansion, Tatton Hall; a medieval manor house, Tatton Old Hall; Tatton Park Gardens, a farm and a deer park of 2,000 acres (8.1 km2). It is a popular visitor attraction and hosts over a hundred events annually. The estate is owned by the National Trust and is managed under lease by Cheshire East Council. Since 1999, it has hosted North West England's annual Royal Horticultural Society flower show.
Wikipedia
Yes, that is how it's done in Mongolia. We ate this ram to celebrate my two families coming together (American and Mongolian).
My host father is in the canary yellow shirt. My little host sister, Otka is as amazed as I am.
I am drinking a Borigo beer, which is a great local brew for casual consumption in the countryside. Label out for photo!
"A 1969 station concept. The station was to rotate on its central axis to produce artificial gravity. The majority of early space station concepts created artificial gravity one way or another in order to simulate a more natural or familiar environment for the health of the astronauts. After returning from a micro-gravity environment, astronauts find their muscles weak because they have not been using them. Long-term exposure to micro-gravity could generate long-term health problems for astronauts who do not utilize their muscles. This is why there are exercise machines on space shuttles and on the International Space Station. It was to be assembled on-orbit from spent Apollo program stages."
Obviously, the above is a relatively contemporary ‘composition’ and surprisingly okay. I wonder what the original was though. Although this isn’t, some other original printings must’ve been captioned…maybe.
The approaching ferry? capsule looks like an Apollo Command Module with a Mercury Recovery Compartment ‘appendage’. The space station actually appears to have the same spacecraft docked at both ends. In fact, the one on the right looks to be undocked. And I’m guessing the ring of ‘lights’, near the base of each are windows/portholes. If so, they’re good-sized craft.
This has long been an oft-reproduced & iconic rotating space station concept. I’ve always loved it…other than those lame motion/movement lines.
Thanks to James Vaughan’s posting (linked to below), this is a GAEC design/proposal, which helped to confirm that it’s the work of Craig Kavafes. A WIN!!! 👍👍👍
This, the following linked designs & my other linked Flickr photo below - based on the photo identification number - look to have been part of the same family/series of contractor concepts, proposals, etc., solicited/entertained by NASA ca. 1969:
www.aerospaceprojectsreview.com/blog/wp-content/uploads/2...
www.aerospaceprojectsreview.com/blog/wp-content/uploads/2...
Both above credit: the excellent Aerospace Projects Review website
In fact and in confirmation of such; in January - February 1969, NASA Administrator Thomas O. Paine oversaw the creation of a Space Station Task Force, a Space Station Steering Group, and an independent Space Station Review Group. These bodies prepared a Phase B Space Station Study Statement of Work (SOW), which NASA released to industry on 19 April 1969. So, I'm pretty sure these works are some of the responses/submittals to that SOW.
"The SOW solicited proposals to study a 12-man Space Station, the design of which would eventually serve as a building block for a 100-man Earth-orbital Space Base. The 12-man Station was to reach orbit on a Saturn V rocket in 1975 and to remain in operation for 10 years...
Grumman, North American Rockwell (NAR), and McDonnell Douglas Aerospace Company (MDAC) submitted proposals in response to the SOW."
The above is a combination of paraphrasing & cut/paste from David S. F. Portree's superlative (as always) article at his wonderful "No Shortage of Dreams" blog. The entire informative content at:
spaceflighthistory.blogspot.com/2015/03/outpost-in-leo-mc...