3D Pop
View allAll Photos Tagged rendering
This lens doesn't like low light. Nailing focus and consequently sharpness is an issue. But the color and bokeh rendering is marvelous in my opinion.
_
Pentax K-5
Pentacon 200mm F4
_
© 2022 stefanorugolo | All rights reserved.
_
Thank you for your visit, most appreciated!
Generated By Midjourney V7
---
**🎬 Prompt (FR) :**
Trois chatons ultra réalistes blottis dans un panier en osier tressé, posé sur une surface douce aux tons pastel, dans une ambiance chaleureuse et onirique. Le premier chaton, à gauche, est gris tigré avec les yeux fermés, profondément endormi, ses petites pattes repliées sous son museau. Le second, au centre, est un chaton roux aux yeux bleu clair perçants, regardant directement l’objectif avec une expression curieuse et innocente. Le troisième, à droite, est crème très clair, presque ivoire, avec des yeux bleu pâle légèrement humides, donnant une impression de douceur fragile.
Le panier est orné d’un ruban rouge satiné scintillant, noué en un large nœud parfaitement détaillé, avec des reflets lumineux subtils. À côté du panier repose une petite souris en tissu cousue main, avec des coutures visibles et une texture textile réaliste.
L’éclairage est cinématographique, doux et diffus, type golden hour, avec un léger contre-jour créant un halo délicat autour des chatons. Profondeur de champ très faible (bokeh crémeux), arrière-plan flou composé de fleurs pastel roses et beiges, ambiance rêveuse et romantique.
Textures extrêmement détaillées : chaque poil est visible, légèrement duveteux avec micro-reflets, les moustaches fines captent la lumière, le panier montre des irrégularités naturelles du bois tressé. L’atmosphère est légèrement brumeuse avec des particules flottantes lumineuses, ajoutant une touche magique.
Palette de couleurs harmonieuse : tons chauds, pastel, crème, pêche, rose poudré, avec contraste doux. Style photographique hyperréaliste, rendu 8K, netteté extrême sur les sujets, dynamique de lumière naturelle, HDR subtil.
---
**🎬 Prompt (EN):**
Three ultra-realistic kittens nestled together inside a handwoven wicker basket, resting on a soft pastel-toned surface in a warm, dreamy atmosphere. The kitten on the left is a gray tabby, peacefully asleep with eyes closed, tiny paws tucked under its chin, fur slightly ruffled like brushed velvet. The center kitten is a ginger tabby with striking light blue eyes, gazing directly into the camera with an innocent, curious expression that feels almost human. The kitten on the right is a very pale cream, nearly ivory, with soft bluish eyes slightly glossy, conveying delicate tenderness.
The basket is wrapped with a shimmering red satin ribbon tied into a large, perfectly shaped bow, catching light with subtle specular highlights. Beside the basket lies a small handmade fabric mouse toy, with visible stitching, textured cloth, and tiny button-like eyes.
Lighting is cinematic and soft, reminiscent of golden hour, with gentle backlighting that creates a delicate halo around the kittens’ fur. Extremely shallow depth of field with creamy bokeh; the background melts into a blur of pastel flowers in pink and beige tones, evoking a romantic, storybook mood.
Textures are hyper-detailed: every strand of fur visible with fine micro-highlights, whiskers catching glints of light, the wicker basket showing natural imperfections and organic fiber detail. The air carries faint floating dust particles glowing softly, adding a magical, ethereal touch.
Color palette is harmonious and warm: soft creams, peach, blush pink, warm beige, balanced with gentle contrast. Style is hyperrealistic photography, ultra high resolution (8K), razor-sharp focus on subjects, subtle HDR, natural light rendering.
---
--v 7 --style raw --ar 3:2 --q 2 --s 200 --chaos 8 --seed 12345
Our guess is that this was a rendering facility of some kind. The building at the side looks occupied..
Apologies for adding this late but here's the definition in Dictionary. Com;... Rendering Works - (used with a singular verb) a factory or plant that renders and processes livestock carcasses into tallow, hides, fertilizer, etc
Art for its own sake can be a rewarding experience. The photo has the appearance of an artful rendering with brush strokes, and parameters. The dark shadows and various colours, are struck by an interuption of bright light.
This is however, part of a stream in Cliff Gilker park. Absent of much rain as of late, there is less flow, and the scene takes on an almost stranded look.
Out with Kevin on Sunday morning for some early shooting. A painterly rendering with motion blur with the shadow/light forest view!
Ok....my first sketches are always rough, just playing with an idea. I refine it a little bit before I start the rendering. Then on tracing paper I very lightly will start with a single center line to use as a reference. I also draw a center line on my rough sketch to compare. The rough sketches are just a tad bigger than actual size but the rendering will be at least 3 to four times actual size. All first lines are drawn as lightly as possible.....and with a .3mm pencil that I keep fine sanded to a needlepoint. I use an eraser shield and an eraser a lot....but try to draw lines only once (ha!). I use a compass whenever a clean large circle or an arc is called for. I use plastic templates for smaller circles or arcs. I use a steel straight edge and have several french curves on hand. I try and keep my grubby, oily hands off the paper by covering areas already drawn with another sheet of clean paper. When all the lines are lightly drawn just the way I want them, I erase whatever extra marks I can find and air blast the residue off. Then I darken all the lines. Then I shade it. Then I hit the whole thing with the eraser again, and air blast it. Then I apply a very light spray of "Aussie Instant Freeze" hair spray. Now it's time to paint the back. With fine sable brushes I first paint only the areas which are "gold", being very careful not to go outside the lines, hee hee! Dry it thoroughly. Then I rather sloppily apply the other colors quickly so as not to disturb the gold layer. Dry thoroughly. For this job I then also returned to the front and applied tiny smudges (without any rubbing or blending) of a day-glo green oil pastel to the green stones for highlights and green, orange and a little blue for the opal's play of color. For this back-painted rendering to be successful, you must use at least tracing paper......but vellum is uber nice! From there on it's photoshop for color-enhancement and more cleanup. But the images above are how far I get by hand.
3D rendered version, by yours truly. A carbonated soft drink mix processor (left) and ammonia chiller (right) for cooling the mix before piping to the can or bottle filler. (The color of the rendering was chosen randomly.) All rights reserved - do not copy or download, please!
Hello everyone! Just per usual, another room I've put together... Soon I'll be finishing up with a client project so I'll post those rooms up sometime next week.
I was jamming to this tune while creating this scene - www.youtube.com/watch?v=GvmKxDcO8vU
Today's image is a view of the recently restored 'Black Swan Terrace' in the Upper Spon Street area of Coventry. The houses within view form a selection of what we're originally Medieval houses. The houses were originally built in the Mid 15th century as one structure by the Coventry Priory. After the dissolution during the reign of King Henry VIII the houses were taken away from the Priory and eventually sold on to the Mercer's Guild. Over the next few hundred years the houses passed though several owners who made various changes, such as rendering the buildings in cement and facing the fronts with brick. These group of houses are Grade II* listed buildings.
The photo was taken using the App ExposerGL on my iPhone 6.
First I used the app Snapseed to edit the image. I cropped and straightened the picture then added a little sharpening. Next I boosted the vibrance, contrast, warmth and brightness. After this I used the app Painteresque to give the picture a painterly effect. Finally I used PhotoToaster to apply the Warm preset along with a medium vignette and the Canvas texture. I then also added the Leather frame to the end picture.
Another sneak peek of the cafe and bakery building I'm working on. Computer rendering but only existing bricks/colors were used.
In optics, a caustic or caustic network is the envelope of light rays reflected or refracted by a curved surface or object, or the projection of that envelope of rays on another surface. The caustic is a curve or surface to which each of the light rays is tangent, defining a boundary of an envelope of rays as a curve of concentrated light.
We're Here visiting Caustics
Here is my rendering of a rushing stream near Angels Camp CA. This effect was done with Photoshop to make it more ethereal.
When the photo is not good you can make a painting of it, possibilities are endless
Thanks for the visit have all a nice day
TL;DR - It has been an interesting year!
As 2025 draws to a close, I am reflecting on what has been a very challenging year for me whilst remaining mindful that many others have had it a lot worse. Forgive my self indulgence as I ramble on for a while!
In February, I experienced Achilles Tendonitis which was totally disabling and extremely painful, rendering me unable to get around without the aid of crutches for about 5 weeks. That came as quite a shock for someone who has roamed the mountains injury free for the best part of 25 years.
After a couple of false starts, I was able to get back into the hills again and then in May my knee let me down and I was unable to walk again. My physiotherapist informed me that the knee wasn't damaged as such, but had become functionally weak and my muscles had atrophied due to being off my feet during my achilles episode. It is only now, 8 months later, that I am beginning to trust my knee again in the mountains but it remains weak and I have to be very careful.
In practical terms, my long lay off has meant that I couldn’t work as a mountain leader which left me in dire straits financially. Likewise, I couldn’t get out to finish my book which is long overdue. I have 7 routes to complete before I can hand in my manuscript to the publisher. I have had long periods of constant pain which has made performing even the most simple of tasks maddeningly difficult.
The mental health implications have not been inconsiderable and have forced me to delve into my inner world and examine my sense of self.
Could this be the end of my hillwalking and who the hell am I if I can’t regularly spend time in the mountains? What good am I to my lovely Kathy as a cripple?
During this time, I have sought solace and distraction in creating music and settling into my identity as an autistic person while slowly unmasking and unlearning decades of harmful behaviours and negative self talk. I am also currently undergoing weekly counselling sessions. Being forced into such intense reflection has been a steep learning curve but, ultimately, extremely rewarding.
I am fortunate to have a handful of close friends who have unerringly had my back, looked out for me and been there when needed, and none more so than my Kathy.
So, as I look down the barrel of a new year, I am filled with gratitude for all the wonderful things and people I have in my life.
I am fat and unfit, but as I return more fully to the mountains I am so very aware that they are a gift not to be taken for granted.
All my recent walks have been experienced through new eyes; those of someone more able to live in the moment and see the extraordinary beauty in things they once thought of as mundane.
Whilst being a touch premature, I wish you all a peaceful 2026 and hope that like me, you can shake off the useless paradigms which no longer serve you and choose your battles wisely.
Here’s a picture of a very happy me, taken yesterday, and looking forward to all that 2026 has to offer.
rendering showing the atrium space of an office design competition i participated in. The concrete floor curls up to create the reception desk, while the wood slat ceiling folds down behind the desk to create the wall and floor.
Off-piste, flying solo. Blind to the wind, land, or elements.
It's getting there slowly but surely. The Blender journey ain't going too bad after the billion tutorials I've now completed this year.
Would be nice in 2023 to get to the point where I can output some full animations. That has to be the plan?
Would appreciate any critique to help me improve ta.
.------------------------------
Some other albums of mine I hope you'll enjoy:
Bokeh
Twitter ID: erraticspace
Tumblr ID: space-rbo
Instagram (opens in same page!)
Instagram: My cat + friends
Instagram: Me - Non-cat stuff.