3D Pop
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An artist's rendering of hi tech circuitry. Shot at the home of an artist-friend in Colrain, Massachusetts with the Olympus E-M1 and the Olympus M.Zuiko Digital ED 12-40mm F2.8.
I love to slide a bit on Sundays. Motel corridors seem to be a bit of an attraction for me.
Happy Sliders Sunday everyone.
Our guess is that this was a rendering facility of some kind. The building at the side looks occupied..
Apologies for adding this late but here's the definition in Dictionary. Com;... Rendering Works - (used with a singular verb) a factory or plant that renders and processes livestock carcasses into tallow, hides, fertilizer, etc
Art for its own sake can be a rewarding experience. The photo has the appearance of an artful rendering with brush strokes, and parameters. The dark shadows and various colours, are struck by an interuption of bright light.
This is however, part of a stream in Cliff Gilker park. Absent of much rain as of late, there is less flow, and the scene takes on an almost stranded look.
In this months Kaizen #59 there was an interesting tutorial using photos of architecture. I haven't finished that yet but did a project first using my personal approach to this idea. All of these elements are from itKuPiLLi, one of the best of the contributors to the program. I call this Renaissance Architecture Rendering. Enjoy!
Out with Kevin on Sunday morning for some early shooting. A painterly rendering with motion blur with the shadow/light forest view!
Ok....my first sketches are always rough, just playing with an idea. I refine it a little bit before I start the rendering. Then on tracing paper I very lightly will start with a single center line to use as a reference. I also draw a center line on my rough sketch to compare. The rough sketches are just a tad bigger than actual size but the rendering will be at least 3 to four times actual size. All first lines are drawn as lightly as possible.....and with a .3mm pencil that I keep fine sanded to a needlepoint. I use an eraser shield and an eraser a lot....but try to draw lines only once (ha!). I use a compass whenever a clean large circle or an arc is called for. I use plastic templates for smaller circles or arcs. I use a steel straight edge and have several french curves on hand. I try and keep my grubby, oily hands off the paper by covering areas already drawn with another sheet of clean paper. When all the lines are lightly drawn just the way I want them, I erase whatever extra marks I can find and air blast the residue off. Then I darken all the lines. Then I shade it. Then I hit the whole thing with the eraser again, and air blast it. Then I apply a very light spray of "Aussie Instant Freeze" hair spray. Now it's time to paint the back. With fine sable brushes I first paint only the areas which are "gold", being very careful not to go outside the lines, hee hee! Dry it thoroughly. Then I rather sloppily apply the other colors quickly so as not to disturb the gold layer. Dry thoroughly. For this job I then also returned to the front and applied tiny smudges (without any rubbing or blending) of a day-glo green oil pastel to the green stones for highlights and green, orange and a little blue for the opal's play of color. For this back-painted rendering to be successful, you must use at least tracing paper......but vellum is uber nice! From there on it's photoshop for color-enhancement and more cleanup. But the images above are how far I get by hand.
3D rendered version, by yours truly. A carbonated soft drink mix processor (left) and ammonia chiller (right) for cooling the mix before piping to the can or bottle filler. (The color of the rendering was chosen randomly.) All rights reserved - do not copy or download, please!
Hello everyone! Just per usual, another room I've put together... Soon I'll be finishing up with a client project so I'll post those rooms up sometime next week.
I was jamming to this tune while creating this scene - www.youtube.com/watch?v=GvmKxDcO8vU
Camera: Zeiss Ikon Super Ikonta III (531/16)
Lens: Carl Zeiss Tessar f/3.5 75 mm
Film: Kodak Tri-X 400
Exposure: 1/250 sec and f/5.6, @ 2 m, hand-held
Film developed and scanned by MeinFilmLab
Edited under Adobe Lightroom
Dark weather and tripod forbidden induced me to adjust the aperture wide open. The Super Ikonta III fitted with the Tessar lens is quite suitable, since this lens preserves sharpness at wider apertures. I like the rendering of the out-of-focus area of medium format cameras. But realizing the wanted dosage of blurring is a real challenge, since folder cameras enable no depth-of-field control.
Another sneak peek of the cafe and bakery building I'm working on. Computer rendering but only existing bricks/colors were used.
Yes, that is how it's done in Mongolia. We ate this ram to celebrate my two families coming together (American and Mongolian).
My host father is in the canary yellow shirt. My little host sister, Otka is as amazed as I am.
I am drinking a Borigo beer, which is a great local brew for casual consumption in the countryside. Label out for photo!
Here is my rendering of a rushing stream near Angels Camp CA. This effect was done with Photoshop to make it more ethereal.
When the photo is not good you can make a painting of it, possibilities are endless
Thanks for the visit have all a nice day