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This is a version of Stackduino.
Front and back views. These are renders from the (awesome) ordering process at OSH Park.
Indigo Winter Garden - Jiang TaiBeijing - Chine
HDA : Specialist Design consultants
Client : Swire Properties Ltd. in Joint Venture with Sino-Ocean Land
Architect: Benoy
Date : 2007 - 2012
See more at : www.hda-paris.com/
Finished all the jointing and details yesterday and she's in the printer!! Since I'm excited I decided to Render some shots in keyshot while I wait.
Quick render of a 2 channel mixer I made last week...havent set any lights etc up yet. Want to include it in a bedroom render or something at some point!
Incheon International Airport T2
HDA : Design of roof structures and departure level envelope
Client : Incheon international airport corporation ( IIAC)
Architect : Heerim Architect & Planners, Mooyoung Architect & Consulting Architect Gensler
Date : 2011 - 2018
See more at : www.hda-paris.com/
Render
Rusałka (Naiad)
Maurycy Gomulicki 2021
Resin, multilayer car varnish. Aprox. 4 m long x 1,6 m high x 1,7 m wide.
Designed for Agnieszka & Dariusz Szymczak garden, Izabelin, Poland
sculpture crew:
3D model: Rafał Dominik
Real (1:1 scale) model: Dawid Korzeniewski
Cast: Dawid Korzeniowski & His Team
Paint Work: Przemysław Jarecki
Project coordination: Marta Kołakowska / LETO Gallery
Studioilse w08t by Simon Kaempfer of studioilse for Swedish lighting brand Wästberg.
"Materials have hidden messages. These create a powerful link to our emotional psyches and shape our connection to daily life.
Our light is a sturdy friend, unpretentious and always there for us. We have chosen honest materials that carry clear messages: iron for its feelings of stability, reliability, trust; wood with its warmth and life, and porcelain for its intimate glow, as well as its tactility.
Then we have put these three together for a certain oddness. This is because there is an innate awkwardness in the directional light that we wanted to amplify - rather as with people this is a sympathetic quality not a sin."
Ilse Crawford
I originally saw this task light on dezeen and thought it would be fun to make a model of it. I love the mix of materials and simplicity of the components, and I also love Wästberg's crazy manifesto!
The render. Looks a little better here because all the blue is maersk blue. I ran out in the build and used some med. blue and sand blue. Roof's different too.
This array of cubes was generated with random structure synth rules and rendered with Sunflow using the thinlens for a narrow depth of field effect.
A friend's company render farm at Madrid
On my way to Hungary a friend invited me to see his company's offices.
Twentieth Century Architecture survey of Victoria 1970s-1980s then 1983- for the RAIA (Vic): .
`In the 1880s, Thomas Mitchell's brush manufactory was close to this site, in Little Bourke Street near Elizabeth Street, later occupying nearby 355 - 357 Lonsdale Street. By early this century, Mitchell had part of the present site, extending the holding in 1902 and 1916 to comprise the total area of today's 354 - 362 Lonsdale Street. A permit application was lodged mid 1936, the old Commercial Hotel which had occupied the site was demolished and six levels of the Harry A Norris limit-height design were constructed by builders, Hansen and Yuncken. When complete the new building housed the showroom of Thomas Mitchell & Co Pty Ltd (2nd floor), then wholesale brush and broom makers, hardware and tank merchants and nail and barbed wire manufacturers, while the company's offices lay next door (360 - 362) in a renovated four level building. Early Mitchell House tenants included Mrs Etheridge's cake shop, film distributors United Artists and Atlas Films, Electrolux Pty Ltd and a selection of solicitors and debt collectors on the top floor. These tenants enjoyed erstwhile unparalleled natural lighting to all floors, individually controlled hydraulic radiant heating and automatic (gearless) electric lifts. 'Never before have so many natural advantages been grouped in one building in the heart of Melbourne' said the brochures..
Because of its "vertical features" (applied purely for visual effect to the south and east facades), the style was Streamlined Moderne. Nevertheless the building offered many Modern advantages, particularly the ample natural light afforded by the near continuous horizontal metal-framed glazing strips which encircled two main elevations. Achieved by cantilevering perimeter floor slabs, this aspect also greatly enhanced the buildings streamlined futuristic character. Yule House (1932), Little Collins Street, was the first horizontal column-free metal-framed glazing strips, in the Moderne manner, but over one structural bay and across what was a two-dimensional facade. Mitchell House was the first large commercial building to achieve this over two opposing elevations and, as a result, achieving the rounded off cube form also pursued in contemporary household products such as radios and today termed as "Art Deco"..
Statement of Significance.
An outstanding example of the Moderne style of Melbourne, Mitchell House was built in 1937 as offices for the brush manufacturers Thomas Mitchell & Co. It was designed by the architect, Harry Norris, as a two stage 10 storey building. The additional four floors of the second stage were never completed. The external render sections were originally finished in white cement which, together with its columnless corners and horizontal bands of glass, gave it a thoroughly modern streamlined look.'
Equilibre - France
HDA : Pylon Designer
Client : RTE - ERDF
Architect : HDA
Date : 2013 -
See more at : www.hda-paris.com/
A friend's company render farm at Madrid
On my way to Hungary a friend invited me to see his company's offices.
Initial concept rendering of aurora. Actual design does not include fader caps on sliders or infilled engravings on the top panel.
rendered in cinema 4d + photoshop www.facebook.com/christophermalheirosvisualization www.cmalheiros.com