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Dewailly Cloister Roof - Amiens -France
HDA : Architect
Client : Ville d’Amiens
Architect: H²O& HDA
Date : 2007
See more at : www.hda-paris.com/
Diseño y Fotografía:
Carlos Andres Peralta Corradine
Diagramación y post producción:
Adriana Hernandez Quintero
The Edsel Villager is a station wagon that was produced and sold by Edsel from 1958 to 1960. Like the two-door Roundup and premium Bermuda station wagons, the Villager was initially built on a 116 in wheelbase shared with Ford's station wagons, and, throughout its lifespan, shared Ford's wagons core body stampings. The Villager and the Ranger were the only two model names that existed throughout Edsel's three-year life span as an automobile marque.
The Villager represented the intermediate trim level available within the Edsel brand for station wagons, but differed from the two-door Roundup by being offered in six and nine passenger styles. The Villager was available in a four-door configuration only.
In terms of interior and exterior trim, the Villager had parity with the Edsel Ranger's interior and exterior appointments. Standard features included black rubber floor mats, ashtrays, cigar lighter, arm rests, chromed rear-view mirror and crank-operated rear windows. Like all other Edsel wagons, the Villager came with a two-piece tailgate. Seat belts were optional
During its first year in production, Edsel sold more Villagers than Roundup and Bermuda station wagons combined. Despite overall declining Edsel sales in 1959, sales of the 1959 Villager (7,820 units) outpaced the combined three-model ranges of station wagon production in 1958 (6,470 units) by well over 1,000 vehicles.
Everybody gives Edsel a hard time for its styling, but I think the revised 1959 design isn't too bad
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I am building 4 copies of my #805 to sell, so I needed to Ldraw the locomotive for a parts list. While I was at it, I figured I could render it, too.
The copies will have an incremental number higher than the last, so the first will be #806, then #807, etc.
The tender was original built to house a 9v train motor, but I wanted to keep the cost of the custom down so I left it out. Instead I've included a non-motorized motor stand-in, keeping the rest of the tender design capable of easily receiving a 9v motor.
I created this in minecraft, duh, and then I exported it as an obj file, imported into cinema 4D, textured all the blocks (which took forever), and finally rendered. (GI + Ambient Occlusion)
There are 3 texture faults, find them, and you'll receive the gift of being a know-it-all.
The water texture is horrible, I know, it was the C4D standard one.
A buddy of mine machines these pens out of solid aluminum. He was kind enough to send one out to me to try out. I love the thing. It's got a nice weight to it and seem practically indestructible. Best part is it's made to fit the Hi-Tec-C refills. If you want one, go to his Kickstarter page and support this enterprise:
Dewailly Cloister Roof - Amiens -France
HDA : Architect
Client : Ville d’Amiens
Architect: H²O& HDA
Date : 2007
See more at : www.hda-paris.com/
Meaningless words. In certain kinds of writing, particularly in art criticism and literary criticism, it is normal to come across long passages which are almost completely lacking in meaning. Words like romantic, plastic, values, human, dead, sentimental, natural, vitality , as used in art criticism, are strictly meaningless, in the sense that they not only do not point to any discoverable object, but are hardly ever expected to do so by the reader. When one critic writes, "The outstanding feature of Mr. X's work is its living quality," while another writes, "The immediately striking thing about Mr. X's work is its peculiar deadness," the reader accepts this as a simple difference opinion. If words like black and white were involved, instead of the jargon words dead and living, he would see at once that language was being used in an improper way. Many political words are similarly abused. The word Fascism has now no meaning except in so far as it signifies "something not desirable." The words democracy, socialism, freedom, patriotic, realistic, justice have each of them several different meanings which cannot be reconciled with one another. In the case of a word like democracy, not only is there no agreed definition, but the attempt to make one is resisted from all sides. It is almost universally felt that when we call a country democratic we are praising it: consequently the defenders of every kind of regime claim that it is a democracy, and fear that they might have to stop using that word if it were tied down to any one meaning. Words of this kind are often used in a consciously dishonest way. That is, the person who uses them has his own private definition, but allows his hearer to think he means something quite different. Statements like Marshal Petain was a true patriot, The Soviet press is the freest in the world, The Catholic Church is opposed to persecution, are almost always made with intent to deceive. Other words used in variable meanings, in most cases more or less dishonestly, are: class, totalitarian, science, progressive, reactionary, bourgeois, equality.
Incheon International Airport T2
HDA : Design of roof structures and departure level envelope
Client : Incheon international airport corporation ( IIAC)
Architect : Heerim Architect & Planners, Mooyoung Architect & Consulting Architect Gensler
Date : 2011 - 2018
See more at : www.hda-paris.com/
Montblanc The High Artistry Limited Edition - In this collection Montblanc honours the evolution of The Great Wall of China during China’s Qin to Han and to the Ming Dynasty, and pays tribute to its cultural heritage and legends. It is a celebration of traditional Chinese craftsmanship and architecture. Montblanc copyrighted image. They are manufactured in limited numbers: 1, 5, 8, 10, 88, 333. Montblanc source copyrighted photo.
Forbes: www.forbes.com/sites/nancyolson/2021/02/09/montblanc-debu...
HONOURING THE ART OF CALLIGRAPHY AND THE WONDER OF THE GREAT WALL:
The High Artistry Collection:
The Montblanc High Artistry Collection is our tribute to the Great Wall of China, which dominates deserts, valleys and mountains like a huge stone dragon.
Drawing inspiration from the shape of a traditional calligraphy brush, this collection's writing instruments – the LE1, LE5 and LE88 – honour the ancient art of calligraphy. The curved nib's tip is at a 45° angle, making it possible to create lines of different thicknesses at various angles. Therefore, writers are able to create beautiful words and symbols developed from the principles of rhythm and composition.
A DRAMATIC VISION OF THE GREAT WALL:
The Limited Edition 1 evokes a dramatic vision of the Great Wall twisting like a massive stone dragon over a vast landscape. The dragon metaphor comes to life on the Au 750 solid yellow gold cap and barrel in a pavé setting of sapphires, rubies, turmalin and diamonds. It is crowned by a selected 4.69 ct brilliant-cut diamond set into the skeletonised and hand-engraved Au 750 solid gold cap top symbolising a dragon's claws holding the diamond. A miniature music box is integrated into the cone, which plays a melody inspired by the sound of chime bells – a traditional royal instrument used in Chinese rituals and court music. The Au 750 solid yellow gold clip depicts a 3D hand engraved lion – a traditional Chinese symbol of protection.
CELEBRATING THE ANCIENT ART OF CALLIGRAPHY:
The Limited Edition 5 fountain pen’s cap and barrel are made from Au 750 solid yellow gold and artfully hand-painted with enamel cloisonné and champlevé designs. The magnificent colours are inspired by the traditional enamel painted vases from the Ming dynasty. Shaped like a traditional calligraphy brush and made of squirrel hair stabilised with translucent lacquer, the cone can be exchanged with a real brush for writing calligraphy. The Au 750 solid yellow gold curved nib is decorated with a 3D relief of the Great Wall and set with a brilliant-cut diamond.
BRINGING TO LIFE THE BEAUTY AND CRAFTSMANSHIP OF THE QIN DYNASTY:
The Limited Edition 88 fountain pen honours the Great Wall during the Qin Dynasty, which is artfully reflected in its design features. Forepart engraving shows a map of the Great Wall during the Qin Dynasty and the armours of the Chinese warriors who – like the Great Wall – served as a symbol of protection. This inspires the design of the cap and barrel, which is made of Au 750 solid white gold. The decoration on the ring, which is made of Kalahari-Jasper, tells the legend of the beacon towers.
CREATIVE DESIGNS AND EXCEPTIONAL PIECES OF ART:
For over a century, we have brought exquisite writing instruments to life through our High Artistry collections. Our newest collection connects Asia's rich history and traditional craftsmanship with the art of beautiful handwriting and the soul of Montblanc. Each collection expresses ancient and innovative Metiers d'art embedded in history, tradition and culture.
Just don’t call them pens—these gorgeous pieces are works of art that just happen to write incredibly well.
By Kristen Shirley on February 04, 2021. Departures.com
Montblanc’s High Artistry collections are legendary for their elegance, beauty, use of rare métiers d’art, and for their ability to elevate the humble pen into an artistic masterpiece. It recently released a new collection, the Montblanc High Artistry, A Tribute to the Great Wall collection. It is comprised of five writing instruments, each inspired by a different cultural element. There are nods to calligraphy, Ming Dynasty-era artwork, dragons, ancient warriors’ armor, and traditional symbols of protection, including the lion. The craftsmanship is incredible, incorporating many métiers d’art, such as goldsmithing, gem setting, hand engraving, lacquer, and enamel. The level of detail is incredible—even the nibs are made of solid 18K gold and engraved with a 3D motif of the Great Wall.
Each of the five writing instruments pays homage to calligraphy, one of China’s most enduring and beautiful artforms, in several ways. The shape is inspired by the curves of a calligraphy brush, and the nibs have a 45-degree curve, so they can write lines of different thicknesses at different angles. The cones of three of the models are shaped like calligraphy brushes, two in lacquered goat and synthetic hair, one in beautiful lacquer. Several of the caps are shaped like traditional ink pots, but rendered in white gold or mother-of-pearl. True calligraphy connoisseurs will fall for Limited Edition 5—its brush can even be replaced with a real calligraphy brush and used to write in the traditional art form.
The most spectacular piece is Limited Edition 1 Imperial, which is made of solid gold and fully set with pavé sapphires, rubies, tourmalines, and diamonds. The precious gemstones bring to life a detailed dragon motif. The top of the cap is set with a 4.69-carat diamond, held in place by golden dragon claws. If that weren’t enough, the cone contains a hand-crafted, miniature music box. It honors the traditional royal musical instrument played at court and plays melodic chiming bells. This special piece is limited to just one unique piece and is priced at USD$1,978,500.
The Montblanc High Artistry A Tribute to the Great Wall Limited Edition 1 Imperial, limited to one piece, USD$1,978,500.
The Montblanc High Artistry A Tribute to the Great Wall Limited Edition 5 Imperial, limited to five pieces, USD$558,000.
Montblanc High Artistry A Tribute to The Great Wall Limited Edition 10, limited to 10 pieces, USD$203,000.
Montblanc High Artistry A Tribute to the Great Wall Limited Edition 88, limited to 88 pieces, USD$50,500.
Montblanc High Artistry A Tribute to The Great Wall Limited Edition Meisterstück Skeleton LE333, limited to 333 pieces, USD$27,400.
“Render to her just as she rendered to you, and repay her double according to her works; in the cup which she has mixed, mix double for her. In the measure that she glorified herself and lived luxuriously, in the same measure give her torment and sorrow; for she says in her heart, ‘I sit as queen, and am no widow, and will not see sorrow.’ Therefore her plagues will come in one day; death and mourning and famine. And she will be utterly burned with fire, for strong is the Lord God who judges her.” -- Revelation 18:6-8
Proyecto: Visualizacion Mobiliario (Guatemala); Diseño: Eddy Guzman; Visualizacion: Studio Cero Architecture
Dewailly Cloister Roof - Amiens -France
HDA : Architect
Client : Ville d’Amiens
Architect: H²O& HDA
Date : 2007
See more at : www.hda-paris.com/