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Construction: immediate shelter to transition housing
A mini project JY and I embarked on. Proposed Emergnecy Shelter for disaster stricken areas in Indonesia.
The design starts as a simple tent and later transforms to a temporary structure that is able to house more people with better facilities. Each shelter can house a 4 member family and can be divided into three areas. The living room, the sleeping quarters and an outdoor kitchen at the back. The raised sleeping platform also doubles up as a private storage compartment.
The construction of the house is then undertaken by the family and their neighbors, aiding in the rebuilding of the community. The single units then combine to form two rows of housing units that face each other, with a sheltered communal space between. The sloped roofs on both sides are angled perpendicularly to the northeast and southwest monsoons respectively to protect them from the strong winds and heavy rains.
Lightweight construction materials such as bamboo and stretched canvas allow for fast deployment. Bamboo is a common material and is a rapidly renewable resource in the region that can replace itself after 5 years. Furthermore its high resistance to rotting and physical damage makes it an ideal material for the structure.
Eventually, all the families would relocate to more permanent housing nearby. The structure will then be converted to a public building such as a school or hospital. The design recognizes the needs of the community at various stages of rebuilding and so addresses this by creating a structure that adapts to the changing requirements.
One Island East Office Tower - Hong Kong, China
HDA : Facade designer
Client : Swire Properties Inc.
Architect: Wong & Ouyang Ltd.
Date : 2003-2008
See more at : www.hda-paris.com/
A friend's company render farm at Madrid
On my way to Hungary a friend invited me to see his company's offices.
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Taïkoo Hui - Tianhe, Guangzhou, Guangdong, China
HDA : Specialist Design consultants
Client : Swire Properties Inc.
Architect: Arquitectonica
Date : 2005 - 2010
See more at : www.hda-paris.com/
Indigo Winter Garden - Jiang TaiBeijing - Chine
HDA : Specialist Design consultants
Client : Swire Properties Ltd. in Joint Venture with Sino-Ocean Land
Architect: Benoy
Date : 2007 - 2012
See more at : www.hda-paris.com/
JSG West Bay - Cayman Ilands
Client : JACQUES SCOTT GROUP LTD.
Architect : HDA
Date : 2012 - 2014
See more at : www.hda-paris.com/
SOFI_v4 por Alexis Ramos se distribuye bajo una Licencia Creative Commons Atribución-CompartirIgual 4.0 Internacional.
Equilibre - France
HDA : Pylon Designer
Client : RTE - ERDF
Architect : HDA
Date : 2013 -
See more at : www.hda-paris.com/
rendered in cinema 4d + photoshop www.facebook.com/christophermalheirosvisualization www.cmalheiros.com
Mandelbulb, rendered using some new volume rendering code at work. I don't have normals working yet, so it's false coloring only for now. Seven iteration steps.
What's a Mandelbulb? See:
ProEXR File Description
=Attributes=
cameraAperture (float): 36.000000
cameraFarClip (float): 10000.000000
cameraFarRange (float): 1000.000000
cameraFov (float): 78.275795
cameraNearClip (float): 343.035004
cameraNearRange (float): 0.000000
cameraProjection (int): 0
cameraTargetDistance (float): 200.000000
cameraTransform (m44f)
channels (chlist)
compression (compression): None
dataWindow (box2i): [0, 0, 3999, 2999]
displayWindow (box2i): [0, 0, 3999, 2999]
gamma (float): 1.000000
lineOrder (lineOrder): Increasing Y
pixelAspectRatio (float): 1.000000
screenWindowCenter (v2f): [0.000000, 0.000000]
screenWindowWidth (float): 1.000000
tiles (tiledesc): [64, 64]
=Channels=
A (float)
B (float)
G (float)
R (float)
Dewailly Cloister Roof - Amiens -France
HDA : Architect
Client : Ville d’Amiens
Architect: H²O& HDA
Date : 2007
See more at : www.hda-paris.com/
© 2013 Thousand Word Images by Dustin Abbott
This is a view of the US Customs building as you come out of the Federal Triangle Metro station. Just to give you a sense of scale - those wall sconces are more than six feet in height. This facade towers above you as you enter from the underground. A passing jet gave me my final element here.
Technical info: Canon EOS 6D, Tamron SP 24-70mm VC USD, Processed in Adobe Lightroom 4 and OnOne Perfect B&W
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Bridle’s search for the lost ghosts, the architectural spectres wandering the renders of our possible futures, had all but failed. His project had been shown around the globe, he’d gained glorious reviews in the pages of art journals and magazines, his ghosts had been discussed on many a panel. However, none of ‘the originals’ had been located.
There had been the odd false hope; a mythical photoshoot in albuquerque, a photographers convention in Milton Keynes, but the trail always went cold. He’d been approached by people claiming they were an original, but it didn’t take long to dismiss their claims. The ghouls, as he called them, went to extraordinary lengths to convince him. They dressed up in similar clothes, posed in the same positions, they’d even been known to return to the construction site where their hopeful ghost image had once occupied; placing their flesh bodies into, yet another, distanced layer of our hyper real existence.
It wasn’t until he returned to Korea, that he discovered where the ghosts had come from. After a particularly poorly attended lecture, an elderly man approached him and reprimanded him for accessing ‘the unknown’. The ghosts that he’d been searching for would never appear. The man claimed they’d come from ancient space, a pre-architectural world of possibility. Their projection into the render world, somewhat akin to Edwin Abbott Abbott’s Flatland, was to discover whether architects had evolved since their last contact. Sadly, the man said, they still felt us too primitive in our spatial practice to materialise, they’d returned to the unknown to wait out our spatial puberty.