View allAll Photos Tagged render
Modeled in Structure Synth, Rendered in Sunflow.
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Dewailly Cloister Roof - Amiens -France
HDA : Architect
Client : Ville d’Amiens
Architect: H²O& HDA
Date : 2007
See more at : www.hda-paris.com/
I admit it - I've become render mad. I had this old version of my Berkshire sitting in my LDraw folder and decided to run it through the new light and color settings.
Even if she's not fully updated in this shot, for my first LEGO train MOC she's a looker.
I actually had a scene with multiple locomotives all set up, but for some reason the LGEO library deletes the Flex tube work around that Tim taught me, so I aborted it.
Trail | Day 297 - Render Spline quick test with Arnold #ethikdesign #everyday #c4d #cinema4d #arnoldrender #c4dtoa #boldercreative #illmatic_feature #digitalart #abstract #maxon3d #3dart
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Bridle’s search for the lost ghosts, the architectural spectres wandering the renders of our possible futures, had all but failed. His project had been shown around the globe, he’d gained glorious reviews in the pages of art journals and magazines, his ghosts had been discussed on many a panel. However, none of ‘the originals’ had been located.
There had been the odd false hope; a mythical photoshoot in albuquerque, a photographers convention in Milton Keynes, but the trail always went cold. He’d been approached by people claiming they were an original, but it didn’t take long to dismiss their claims. The ghouls, as he called them, went to extraordinary lengths to convince him. They dressed up in similar clothes, posed in the same positions, they’d even been known to return to the construction site where their hopeful ghost image had once occupied; placing their flesh bodies into, yet another, distanced layer of our hyper real existence.
It wasn’t until he returned to Korea, that he discovered where the ghosts had come from. After a particularly poorly attended lecture, an elderly man approached him and reprimanded him for accessing ‘the unknown’. The ghosts that he’d been searching for would never appear. The man claimed they’d come from ancient space, a pre-architectural world of possibility. Their projection into the render world, somewhat akin to Edwin Abbott Abbott’s Flatland, was to discover whether architects had evolved since their last contact. Sadly, the man said, they still felt us too primitive in our spatial practice to materialise, they’d returned to the unknown to wait out our spatial puberty.
Initial 3d render for the yacht building... dusk time like i usually like to do. hopefully, the pitch for the client will go OK and I'll get a chance to elaborate this further. Modeled with SketchUP and rendered with VRay 1.5 sp3a. VRay RT was a saver on this one to cut production time.
Hace 7 horas que estoy haciendo un render, y tiene para rato. Y me acordé de una idea que tuve hace tiempo, sobre los renders que no llegan a "nacer", renders interminables que nunca llegarán a conformar la imagen final, y de los cuales sólo puedo rescatar el intento, en esta imagen que representa el cálculo de iluminación global:
Custom Instructions made by me! enjoy and don't forget to contact me over at the Yellow.LXF Facebook page with questions or orders!
Created using LDD2POV, taking over six hours to render at this size. It would have been great if it were possible to apply decorations to microfigs...
© 2013 Thousand Word Images by Dustin Abbott
This is a view of the US Customs building as you come out of the Federal Triangle Metro station. Just to give you a sense of scale - those wall sconces are more than six feet in height. This facade towers above you as you enter from the underground. A passing jet gave me my final element here.
Technical info: Canon EOS 6D, Tamron SP 24-70mm VC USD, Processed in Adobe Lightroom 4 and OnOne Perfect B&W
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