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Been working on this in and out of work this week...just need to finish the tone arm off with the needle and cartridge etc...

inception_4c-output-2-999

Trabajo de modelado y renderizado para estudio de arquitectura.

creo que este fue el prmero ke hice !

Robotrac! en strata 3D

Render of homemade neck through guitar. www.pp-guitars.dk

Manipulated via Snapseed and Carbon apps.

Madeline Posing in the Yard

Finished all the jointing and details yesterday and she's in the printer!! Since I'm excited I decided to Render some shots in keyshot while I wait.

Back to the daily render. Here's a color test render from my L&N RS3 into Interstate colors. Probably coming soon.

 

The inspiration.

This is a version of Stackduino.

 

Front and back views. These are renders from the (awesome) ordering process at OSH Park.

3d model render preview - mesh of the Track Hike Balenciaga Boots - not yet done

Incheon International Airport T2

HDA : Design of roof structures and departure level envelope

Client : Incheon international airport corporation ( IIAC)

Architect : Heerim Architect & Planners, Mooyoung Architect & Consulting Architect Gensler

Date : 2011 - 2018

See more at : www.hda-paris.com/

Un altre render del projecte que estem desarrollant a classe.

The Rolls-Royce Silver Cloud formed the basis for the marques standard cars, including the Bentley S-Type, from 1955-1966 in three series.

 

The Silver Cloud was still a body-on-frame design, which permitted the design and manufacture of unique coachbuilt bodies (specials), though a majority of cars were delivered with standard four-door body work by the Pressed Steel Company. The closures - hood (bonnet), doors and trunk (bootlid) were produced in aluminium alloy to reduce weight.

 

The car shown here was produced by coachbuilder H.J. Mulliner on the Series I Cloud (as fitted with the inline six-cylinder engine). The car is a full-convertible, but titled as a 'Drophead Coupe' as was the tradition or British coachbuilders prior to the war.

 

The car adopts the styling cues of the standard Silver Cloud I body on the shorter of the two wheelbases.

One Island East Office Tower - Hong Kong, China

HDA : Facade designer

Client : Swire Properties Inc.

Architect: Wong & Ouyang Ltd.

Date : 2003-2008

See more at : www.hda-paris.com/

Removing some loose render from the top of a four-storey building in Kennington Road.

Візуалізація розв'язки

Seen here is George Street in downtown St. Johns, Newfoundland. The few people that were out walking about here on a quiet Monday night have been rendered invisible thanks to the long shutter speed. This street has an impressive group of watering holes, for which it is nationally famous. Now note the statue on the right. It commemorates the designation of St Johns as the Cultural Capital of Canada in 2006. The placement of the statue at the entrance to a famous (some might say infamous) bar strip rather than near one of the many other cultural properties in the city, appears to me to show a bit of the subtle Irish sense of humour coming through. So drink up while listening to some East Coast music and on to the next 'cultural establishment'. - JW

 

Tech Details:

 

The image is a hybrid HDR because it uses a classic three-image HDR with elements from one of the original exposures replacing corresponding sections in the HDR image and thereby improving the appearance (in my opinion, of course).

 

Taken using a tripod-mounted Nikon D7100 fitted with a Nikkor 12-24mm lense set to 12mm, ISO100, Aperture priority mode, f/5.0, three image auto bracketed at EV+/12 around a nominal shutter speed of 4 seconds with an exposure bias of EV-0.67 to get tonality looking more like what I saw (not too light). The three images were used to make a classic HDR image using Luminance/Qtpfsgui with the selected model being Fattal to emphasize colour rather than texture. PP in GIMP: the Fattal model result was loaded as the upper layer and the EV-2 component image was loaded as the lower layer, the Fattal layer was adjusted for colour to reduce the unpleasant, sodium vapour street lamps orange cast on the buildings, adjustment was done by a combination of adding blue and cyan with the colour balance tool and then desaturating the red and yellow channels, then overall tonality was adjusted using the tone curve tool to slightly darken the image and also contrast was increased, then a soft-edged eraser tool was used to remove areas toward the far end of the street (centre of image) revealing the better version from the EV-2 layer below, and similar erasing was done selectively for windows in the Yellow Belly pub and street lamps and building lighting on the right, created a new working layer from the visible result, did some minor tweaking to refine tonality and colour balance, sharpened, added fine black and white frame, add bar and text on left, scaled to 1800 wide for posting.

 

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D7A_6488_nfldstjohnsbarsgeorgest3xHDRev_2adjbarsigx1800_pregamma_1_fattal_alpha_1_beta_0.9_saturation_1_noiseredux_0_fftsolver_1_01

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based historical facts. BEWARE!

  

Some background:

In the grand scope of World War 2 fighter aircraft there is a little-remembered French design designated the Arsenal "VG-33". The aircraft was born from a rather lengthy line of prototype developments put forth by the company in the years leading up to World War 2 and the VG-33 and its derivatives represented the culmination of this work before the German invasion rendered all further work moot.

 

The Arsenal de l'Aeronautique company was formed by the French government in 1936 ahead of World War 2. It began operations with dedicated design and development of a fast fighter type until the German conquer of France in 1940 after which the company then focused on engine production after 1945. Then followed a period of design and construction of gliders and missiles before being privatized in 1952 (as SFECMAS). The company then fell under the SNCAN brand label and became "Nord Aviation" in 1955.

 

The VG-33 was the result of the company's research. Work on a new fast fighter began by Arsenal engineers in 1936 and the line began with the original VG-30 prototype achieving first flight on October 1st, 1938. Named for engineer Vernisse (V) and designer Jean Gaultier (G), the VG-30 showcased a sound design with good performance and speed during the tests, certainly suitable for progression as a military fighter and with future potential.

 

Development continued into what became the VG-31 which incorporated smaller wings. The VG-32 then followed which returned to the full-sized wings and installed the American Allison V-1710-C15 inline supercharged engine of 1,054 horsepower. The VG-32 then formed the basis of the VG-33 which reverted to a Hispano-Suiza 12Y-31 engine and first flight was in early 1939, months ahead of the German invasion of Poland. Flight testing then spanned into August and serial production of this model was ordered.

 

The VG-33 was one of the more impressive prewar fighter ventures by the French that included the Dewoitine D.520, understood to be on par with the lead German fighter aircraft of the period - the famous Messerschmitt Bf 109.

 

Only about forty or so French Arsenal VG-33 fighters were completed before the Fall of France in 1940, with 160 more on order and in different states of completion. Despite the production contract, Arsenal' engineers continued work on the basic design for improved and specialized sub-types. The VG-34 appeared in early 1940 outfitted with the Hispano-Suiza 12Y-45 engine of 935 horsepower, which improved performance at altitude. An uprated engine was installed in VG-35 and VG-36, too. They utilized a Hispano-Suiza 12Y-51 engine of 1,000 horsepower with a revised undercarriage and radiator system.

 

VG-37 was a long-range version that was not furthered beyond the drawing board, but the VG-38 with a Hispano-Suiza 12Y-77 engine that featured two exhaust turbochargers for improved performance at high altitude, achived pre-production status with a series of about 10 aircraft. These were transferred to GC 1/3 for field trials in early 1940 and actively used in the defence against the German invasion.

 

The VG-39 ended the line as the last viable prototype model with its drive emerging from a Hispano-Suiza 12Z engine of 1,280 horsepower. A new three-machine-gun wing was installed for a formidable six-gun armament array. This model was also ordered into production as the VG-39bis and was to carry a 1,600 horsepower Hispano-Suiza 12Z-17 engine into service. However, the German invasion eliminated any further progress, and eventually any work on the Arsenal VG fighter family was abandoned, even though more designs were planned, e .g. the VG-40, which mounted a Rolls-Royce Merlin III, and the VG-50, featuring the newer Allison V-1710-39. Neither was built.

 

Anyway, the finalized VG-38 was an all-modern looking fighter design with elegant lines and a streamlined appearance. Its power came from an inline engine fitted to the front of the fuselage and headed by a large propeller spinner at the center of a three-bladed unit. The cockpit was held over midships with the fuselage tapering to become the tail unit.

 

The tail featured a rounded vertical tail fin and low-set horizontal planes in a traditional arrangement - all surfaces enlarged for improved high altitude performance.

The monoplane wing assemblies were at the center of the design in the usual way. The pilot's field of view was hampered by the long nose ahead, the wings below and the raised fuselage spine aft, even though the pilot sat under a largely unobstructed canopy utilizing light framing. The canopy opened to starboard.

 

A large air scoop for the radiator and air intercooler was mounted under the fuselage. As an unusual feature its outlet was located in a dorsal position, behind the cockpit. The undercarriage was of the typical tail-dragger arrangement of the period, retracting inwards. The tail wheel was retractable, too.

 

Construction was largely of wood which led to a very lightweight design that aided performance and the manufacture process. Unlike other fighters of the 1930s, the VG-38 was well-armed with a 20mm Hispano-Suiza cannon, firing through the propeller hub, complemented by 4 x 7.5mm MAC 1934 series machine guns in the wings, just like the VG-33.

 

The aircraft never saw combat action in the Battle of France. Its arrival was simply too late to have any effect on the outcome of the German plans. Therefore, with limited production and very limited combat service during the defence of Paris in May 1940, it largely fell into the pages of history with all completed models lost.

 

Specifications:

Crew: 1

Length: 28.05 ft (8.55 m)

Width: 35.43 ft (10.80 m)

Height: 10.83ft (3.30 m)

Weight: Empty 4,519 lb (2,050 kg), MTOW 5,853 lb (2,655 kg)

Maximum Speed: 398 mph (641 kmh at 10.000m)

Maximum Range: 746 miles (1,200 km)

Service Ceiling: 39,305 ft (12.000 m; 7.458 miles)

 

Powerplant:

1x Hispano-Suiza 12Y-77 V-12 liquid-cooled inline piston engine

with two Brown-Boveri exhaust turbochargers, developing 1,100 hp (820 kW).

 

Armament:

1x 20mm Hispano-Suiza HS.404 cannon, firing through the propeller hub

4x 7.5mm MAC 1934 machine guns in the outer wings

  

The kit and its assembly:

I found the VG-33 fascinating - an obscure and sleek fighter with lots of potential that suffered mainly from bad timing. There are actually VG-33 kits from Azur and Pegasus, but how much more fun is it to create your own interpretation of the historic events, esp. as a submission to a Battle of Britain Group Build at whatifmodelers.com?

 

I had this project on the whif agenda for a long time, and kept my eyes open for potential models. One day I encountered Amodel's Su-1 and Su-3 kits and was stunned by this aircraft's overall similarity to the VG-33. When I found the real VG-38 description I decided to convert the Su-3 into this elusive French fighter!

 

The Su-3 was built mainly OOB, it is a nice kit with much detail, even though it needs some work as a short run offering. I kept the odd radiator installation of the Suchoj aircraft, but changed the landing gear from a P-40 style design (retracting backwards and rotating 90°) into a conservative, inward retracting system. I even found forked gear struts in the spares box, from a Fiat G.50. The covers come from a Hawker Hurricane, and the wells were cut out from this pattern, while the rest of the old wells was filled with putty.

 

Further mods include the cleaned cowling (the Su-3's fuselage-mounted machine guns had to go), while machine guns in the wings were added. The flaps were lowered, too, and the small cockpit canopy cut in two pieces in, for an opened position - a shame you can hardly see anything from the neat interior. Two large antenna masts complete the French style.

  

Painting and markings:

Again, a rather conservative choice: typical French Air Force colors, in Khaki/Dark Brown/Blue Gray with light blue-gray undersides.

 

One very inspiring fact about the French tricolor-paint scheme is that no aircraft looked like the other – except for a few types, every aircraft had an individual scheme with more or less complexity or even artistic approach. Even the colors were only vaguely unified: Field mixes were common, as well as mods with other colors that were mixed into the basic three tones!

 

I settled for a scheme I found on a 1940 Curtiss 75, with clearly defined edges between the paint fields. Anything goes! I used French Khaki, Dark Blue Grey and Light Blue Grey (for the undersides) from Modelmaster's Authentic Enamels range, and Humbrol 170 (Brown Bess) for the Chestnut Brown. Interior surfaces were painted in dark grey (Humbrol 32) while the landing gear well parts of the wings were painted in Aluminum Dope (Humbrol 56).

The decals mainly come from a Hobby Boss Dewoitine D.520, but also from a PrintScale aftermarket sheet and the scrap box.

 

The kit was slightly weathered with a black ink wash and some dry-painting, more for a dramatic effect than simulating wear and tear, since any aircraft from the VG-33 family would only have had a very short service career.

  

Well, a travesty whif - and who would expect an obscure Soviet experimental fighter to perform as a lookalike for an even more obscure French experimental fighter? IMHO, it works pretty fine - conservative sould might fair over the spinal radiator outlet and open the dorsal installation, overall both aircraft are very similar in shape, size and layout. :D

 

Rendered and generated with Structure Synth

Background generated with Spacescape

This one might be a png file (to verify)

Provides wide rage of 3d exterior render at cost effective rates..

 

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Trabajo de modelado y renderizado para estudio de arquitectura.

Indigo Winter Garden - Jiang TaiBeijing - Chine

HDA : Specialist Design consultants

Client : Swire Properties Ltd. in Joint Venture with Sino-Ocean Land

Architect: Benoy

Date : 2007 - 2012

See more at : www.hda-paris.com/

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