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Publish Janu,15/01/ 2017 BD LIVE HITS is a YouTube Chanel that presents all Hit Model, , Videos, News, , Live Performance, Juicy jokes etc ! ** Lisa Hayden married 3 months pregnant!** Love was long. However, there is no rush to get married actress Lisa Hayden never showed. 016 before the end of gulluke boyfriend had secretly married Lisa. Gullura the jamkajamakahinabhabe married in October with 016-Sareen the heroine! Lisa's Instagram shared wedding photos. The rules were conceived after the share Instagram pictures. After bikini, by the sea's "baby bump" She showed. He wrote, start another period of happiness! . Subscribe our channel : goo.gl/FD2h1b Share the video : youtu.be/OB4ivbc0IGk Facebook fun page : ift.tt/2gF3THr Twitter : twitter.com/anis01713734673 *****KEYWORD****** ** Lisa Hayden married 3 months pregnant **
My first published shots. The Formula Una babes are a little incentive by Red Bull Racing (the F1 team), to get more women to the different Grand Prix. These are "our" (Belgian) Formula Una's. Note: In the middle is the lovely "Zorha" (a 'famious' Belgium beaty). I could link to the article, if I could just find out how that works in Flickr. Without a doubt my favorite personal shot with my Canon 400D. I wanted it to be overexposed and it worked out. It's hardly edited actually.
!!! (Chk Chk Chk)
Sonar Reykjavik 2016
Reykjavik, Iceland
February 2016
© 2016 LEROE24FOTOS.COM
ALL RIGHTS RESERVED.
THIS MATERIAL MAY NOT BE PUBLISHED,
BROADCAST, REWRITTEN OR REDISTRIBUTED.
IMPORTANT:© COPYRIGHT NOTICE :The work contained in my gallery is copyrighted -My work may not be reproduced, copied, edited, published, transmitted or uploaded in any way without my written permission.
Public Enemy (PE)
September 16th, 2014
Brooklyn Bowl
Williamsburg, Brooklyn (NY)
© 2014 LEROE24FOTOS.COM
ALL RIGHTS RESERVED.
THIS MATERIAL MAY NOT BE PUBLISHED,
BROADCAST, REWRITTEN OR REDISTRIBUTED.
BRINGING IN THE FEED
The crew at EC Farms loads bales in the Rural Municipality of Lorne in southern Manitoba.
I just received in the mail some copies of the February 2009 issue of Lakeland Boating Magazine. Page 41 contains a photo I took on Kelleys Island called “Glacial Grooves." I love the inset with the map of Lake Erie islands added by the editor.
Original photo here:
Note: this photo was published in an Aug 7 2011 issue of Everyblock NYC zipcodes blog titled "10024."
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What do New Yorkers do on a hot Sunday afternoon at the end of July?
Typically, between one and two million (yes, million) of them head to a nearby park to relax and enjoy themselves. That might mean heading to Central Park, or Prospect Park, or one of the dozens of other parks scattered throughout the five boroughs of the city. But if you live on the Upper West Side of Manhattan, one of the more tempting choices is Riverside Park, which stretches along the Hudson River from 59th Street up to 125th Street, and even further north (if you're somewhat adventurous) to the George Washington Bridge.
It's a relatively narrow park, but there's enough grass to stretch out and sunbathe, or enjoy a picnic. Or you can find a shady spot under a tree, and read a book or the Sunday New York Times. Swimming in the river is not encouraged, but fishing is okay; or you can rent a (free) kayak down by the 70th Street pier, and paddle around in the river to enjoy a cool breeze. For the more athletically inclined, there are tennis courts (at 96th Street), soccer fields (a little further north), and baseball diamonds (a little further south).
But since there's a wide, paved walkway that stretches along the entire distance of the park, a lot of people seem compelled -- even in hot, humid weather -- to jog, run, walk, skate, or bicycle along the river. It's a great opportunity to show off your fancy bike, or your fancy skates, or your handsome/beautiful body; and it's hard to beat the view and the scenery.
I came down here to Riverside Park some four months ago to photograph the biking/jogging/skating action, which you see on Flickr in a set I called Riverside Park - first day of spring, Mar 20, 2011. But it was still pretty cold, so most people were bundled up to stay warm.
Today, on this last day of July, nobody was bundled up. True, nobody was running naked, and I didn't see anyone in a bikini; but brief shorts and t-shirts were pretty universal ... except for the guys who wore shorts and no shirt at all.
In my usual fashion, I took quite a few photos -- 800 in all, as people continued skating, jogging, walking, and riding past me. About 10% of them were out of focus, or cut off (a running body with no head is not all that interesting), and another 80% were okay, but relatively boring. So, as usual, 90% of the photos got deleted, and I've got 80 "keepers" to share with everyone on Flickr.
I have a feeling that I won't bother with any more summer photos along the river, like this. But I may come back in the fall, when the leaves have turned and the air is crisp and cool. Who knows what everyone will be wearing at that point?
I submitted 4 images to 7x7 magazine (a local monthly magazine about San Francisco) for a feature they were doing about NOPA, the neighborhood that i live in, and they chose to run 3 of them!! Very excited!
All images © Stephen Coughlan (@Gunnersh1va) all rights reserved. Please do not download this photo or use without my permission. I am however happy for it to be published with credit if I have placed this photo in a group where it is giving permission to do so. Thanks
Published by W O Saul, Southbourne-on-Sea; printed in Germany.
Postally unused. I have two more: one postally unused and the other postmarked Westbourne, 1906.
Justin Morales "On Location"
March 20th, 2016
New York City
© 2016 LEROE24FOTOS.COM
ALL RIGHTS RESERVED.
THIS MATERIAL MAY NOT BE PUBLISHED,
BROADCAST, REWRITTEN OR REDISTRIBUTED.
Started the same year ‘Oliver Twist’ was published, No. 3 slip stands at the cusp of technological change: it was the last on site to be built over an earth dock ( the sides probably held back by temporary retaining structure )— the slightly wonky and skewed plan with a curved end has a real handmade feel to it. The use of cast or wrought iron had become feasible in buildings by 1938, but no. 3 remains a timber linked truss structure. The roof was first covered in tarred paper, soon replaced with standing seam zinc— perforated by a pattern of glazed rooflights. The river end of the structure was covered in sail cloth and rigging, unfurled when the ship was to be launched.
Also published in the Book: 101 Ways to Do More with Your Dog: Make Your Dog a Superdog with Sports, Games, Exercises, Tricks, Mental Challenges, Crafts, and Bonding by Kyra Sundance. See it on page 60.
Additional photos available at: www.FrankFennemaPhotography.com
New Post has been published on coolcreativity.com/handcraft/diy-christmas-wine-glasses-c...DIY Christmas Wine Glasses Candle HoldersHolidays are right here and it is that time of the year when you need decoration ideas for parties and craft ideas. Creative people come up ideas to use non-traditional materials for crafts. Wine glasses are one of the materials that are no longer used just for drinking wine. There are some cr...Holidays are right here and it is that time of the year when you need decoration ideas for parties and craft ideas. Creative people come up ideas to use non-traditional materials for crafts. Wine glasses are one of the materials that are no longer used just for drinking wine. There are some cr...
coolcreativity.com/handcraft/diy-christmas-wine-glasses-c...
These images come from a lavishly illustrated book published by H. Virtue and Co in 1900 which is a summary of the progress of the Boer War while it was still being fought. I will load up more images as I go as there are so many names and
images that I am sure would be of value to those interested in this peiod of history
Colonel Blomfield was later wounded in the battle of Spion Cop which was a nasty battle and the Lancashire Fusiliers apparently took quite a beating :
en.wikipedia.org/wiki/Battle_of_Spion_Kop
There is quite a vivid recollection here of Blomfield's experience:
www.freefictionbooks.org/books/s/43318-south-africa-and-t...
"Srange, too, was the fate of gallant Colonel Blomfield, whose regiment, one of the smartest of the smart regiments present, had done such splendid work, and had held on to its post to the bitter end. This officer was wounded early in the day, as already recorded, and lay in a trench helpless and fainting for hours and beyond the reach of help. Finally, he was able to crawl out and make his way down the side of the hill--down the _wrong_ side, unluckily for himself--and when next he was heard of he was a prisoner in Pretoria. That his life was saved at all was a marvel. Captain Tidswell, on seeing his Colonel wounded, rushed out with Sergeant Lightfoot and dragged him under a heavy fire into a trench, where he remained till the action was over."
This is an exerpt from here:
www.ladysmithhistory.com/a-to-z/british-regiments/lancash...
"The 2nd Battalion arrived at CapeTown on the 19th December 1899 and immediately transferred to Durban. Along with several other regiments they formed 11th Brigade under Major General Woodgate, arriving at Frere on 9th January 1900.
Lieutenant Colonel C.J. Blomfield; Captains C.M. Brunker, E.C. Tidswell, W.E. Elmslie, O.C .Wolley-Dod (wounded 20.1.00), J.N. Whyte (wounded 20.1.00), H.V.S. Ormond (wounded 20.1.00), G.H.B. Freeth, G.M. Stewart; Lieutenants J.J.R. Mallock, H.B. Roffey, A.J. Allardyce, R.S. Wilson, E. Fraser, D.F. Campbell (wounded 20.1.00); 2nd Lieutenants E.J.M. Barrett (wounded 20.1.00), G.H. Hastings, M.G. Croften (wounded 20.1.00); Captain R.B. Blunt (Adj) (wounded 20.1.00); Lieutenant W.W. Ganly (Qr. Mr); Major W.P. Squire (RAMC) medical officer in charge.
The regiment fought at Spioenkop, where they list 247 casualties and Vaalkrantz. They were sent to Garrison Frere from 12th to 26th February 1900, then Chieveley and on to Colenso until 8th March 1900 when they were sent to Pietermaritzburg. "
This is a look into a brochure that introduces a collection of 130 CDs, called "Musik in Deutschland 1950-2000", published by the "Deutscher Musikrat" two decades ago.
But who, may you well ask, is the "Deutscher Musikrat"? The name sounds uncannily Orwellian, as if it were a secretive government agency that dictates what kind of music should be made and heard in Germany. The reality is not quite that sinister. "Rat" doesn’t mean "rat". It is an NGO, they have a website and they have even answered my e-mail. But they do have the mysterious smell of a secret society. After 20 years I still don’t really know who they are and what they are up to.
I know only one thing: The CDs promoted here constitute a monument to German post-war music and I am proud to own the whole set. No other country has done that. It would take almost a week to listen to the 1750 pieces of music - 6 days and 17 hours non-stop. If these were vinyl records the set would comprise of more than 200 LPs. Every CD comes with a booklet of up to 32 pages with informative text, scores of scores, photos and almost all the lyrics. The booklets alone would be a valuable document for everybody interested in modernist culture. Reading them I learnt a lot not only about music, but also about poetry, literature, dance, theatre, film and other forms of art.
The curators of the collection were careful to present composers from both German states without bias and prejudice. Thanks to this you can hear many gems that would otherwise be forgotten and impossible to find, even in the age of the mouse click. Where else can you hear "Socialist Realism"? I knew examples of Socialist Realism in painting, sculpture and architecture but never heard Socialist Realism music before – but, hey, now I can listen to recitals of Stalinist propaganda as well as speeches of Lenin and Honnecker put into grandiose song arrangements.
Where else can you hear music from an electronic opera, written by the Chinese-born composer Boris Blacher in 1966? And where else can you enjoy a live recording of a hilarious Wolf Vostell performance of 1969?
This is all good news. Now for the snags.
It is always easy to complain about the selection on a music compilation. It goes without saying that not all 1750 pieces are good and there a hundreds that I don’t care much about, but let’s not dwell on this, because there are less forgivable problems:
Every booklet starts with an introduction that says that the curators had to do a "strict selection", but it does not disclose what their selection criteria were (secret society again!). May there be a clue in the title of the collection "Musik in Deutschland 1950-2000" perhaps? No! All criteria in that name are violated. Many of the featured musicians and composers are not German, some recordings were made in other countries and some works were created long before 1950. The most recent work is "Fälschung" by Orm Finnendahl - written in 2003 (but a great piece, so it’s fine with me)! Some tracks are not even music. At one point Oskar Pastior is reading his poems, one of the aesthetic nadirs of the set, if you ask me.
Could it be that the selection focuses on what was widely heard by the people of Germany after the 2nd World War? Wrong again! I am sure that 99% of Germans have never listened to any of the music in this collection. This is because it has a strong focus on what most people would call "classical music" (I personally would prefer to call it "music by modernist composers" or "art music" because much of it is not "classical" at all) which is enjoyed by only a small minority of music lovers. True, there is one box with jazz and one with pop music, but the jazz is mostly of the "artsy" kind (often not very different from the “classical” music of the same period) and the pop box is only an afterthought and not really part of the set (it is, for example, not mentioned in the brochure shown above). I have no problem with this, but I still don’t know what the selection criteria were.
The worst mistake in any music compilation would be to include a song more than once, particularly when strict selection criteria are claimed. But even this mistake has been made - twice: The "Fünf Neapolitanische Lieder" by Hans Werner Henze are presented twice, and so are 2 "Hölderin Fragments" by Wolfgang Rihm, although on different CDs and performed by different singers.
Even worse are the editing problems. The booklets are informative and well written, but look cheap. A terrible sans-serif typeface is used throughout and typos are not unheard of. Formatting is awful. The captions are printed onto the photos with disregard of the background and often impossible to decipher. It is obvious that the authors are experts, but no professional editor was involved. The beautiful line "it was evening all afternoon" by Wallace Stevens is clumsily translated as "Es war den Nachmittag über Abend" instead of the more accurate and elegant "Am ganzen Nachmittag war Abend", to give just one example of the many mistranslations.
The whole set is organised in a complex multi-layered system, which is explained at the back of each CD. It says that there are 19 boxes of CDs, structured in 6 categories and 26 sub-categories. That sounds simple. But the actual CDs are difficult to align with this system. At the same time there is another underlying structure: Every category (or sub-category?) is sub-divided into „Serie“ and „Portraits“. Don’t waste your precious time trying to understand the difference, because whatever the rationale behind this is, it brakes down with the box "Angewandte Musik", if not earlier. It is obvious that the concept of this project has changed several times during its short lifetime and there were multiple attempts to categorise the music - all failed. The names of the categories and the discs must have changed several times as well, and some CDs were announced but have never materialised (e.g. "Musizieren im Alltag") whereas others do exist but seem to never have been part of the plan (e.g. "Free Jazz" - appropriately, because free jazz abhors planning). The names of some CDs even change between the cover and the disc inside. A CD called "Solo & Klavier" contains a few songs with guitar (instead of piano).
It seems that the publishers were overwhelmed by their own complex system and the multiple layers of categories they tried to establish.
However, by far the worst problem with this collection is the marketing - how it was sold. When it all started at the beginning of the millennium the discs were sold one by one. I first bought one, to see if it is any good and then more and more. When I had a few dozen CDs they stopped selling them individually and you could only buy whole boxes, containing 5 to 10 discs each. At that time I had decided to collect the whole set, which meant that I had to start buying boxes with CDs that I already owned. That was annoying - but it got worse. In 2010 they stopped selling the boxes and you could only buy the whole set. I had already bought 14 of the 19 boxes at that stage.
So, with a heavy heart and after long hesitation, I bought the whole set in 2011 although at that time only a third of the CDs were still missing in my shelf. Shortly after that, the whole series was taken off the market and became unavailable in any form. I don’t regret the purchase, it’s a great thing to have, even in a time when CDs have become an obsolete format. Today some of the CDs are sold on the second hand market for more money than I paid for the entire set of 130 items, even if you include the money I wasted on the single discs and boxes.
Any reference to this comprehensive compilation has been deleted from the Musikrat’s website although this must have been one of the most impressive and interesting projects they have ever done. I cannot imagine how many hours of hard work went into this, but in the end it must have been a huge financial disaster for everybody involved. I’m sure they had a grandiose vision when it all started, with ideas aplenty, but the implementation lacked continuity, leadership and there was no demand. Although they finally managed to publish all 130 CDs it is, in hindsight, an excellent case study of an over-ambitious and failed endeavour. We can learn from this, not only about business and project management, but about human nature.
Some statistical analysis: The most extensively featured composer is Hans Werner Henze with 57 works, adding up to more than 5 hours playing time. Paul Dessau comes second with 50 pieces in the set, but they are mostly short (3½ minutes on average) so he comes only 7th when considering playing time (a bit less than 3 hours). Friedrich Schenker is second in terms of time (3½ hours of his music can be heard in the collection) and the Argentinian Mauricio Kagel comes third with 3 hours and 17 minutes. He and Wolfgang Rihm both have 36 pieces of music in the compilation.
Mr. Karlheinz Stockhausen, the most famous German post-war composer, is an also-run with only 10 works in the set. They add up to 2 hours, which is not much, if you compare him to less-known composers like Georg Katzer (2½ hours) and Friedrich Goldmann (3 hours). I can think of 2 reasons. One is probably the restrictive copyright protection of the Stockhausen œuvre (the same reason why Kraftwerk is conspicuously absent in the pop box). But I believe another one to be the determination of the curators to represent both German states equally, which led to an over-representation of the East-German music scene, simply because there was less of it. Just as Wartburg would be more dominant than Borgward in a book about the German post-war car industry that tries to represent both German states in a balanced way.
Having listened to the whole set several times, I am now able to draw wide-reaching, sweeping and judgemental conclusions about German post-war culture. Here are examples:
(1)
At first the differences between the cultures of capitalist West Germany and the East German one-party-state seem obvious. A superficial listening suggests that the East was being restricted by political diktat and a closed society, while the West was open for experimentation and inspiration from everywhere and everything. But after a while you realise that the reality was more complicated and on this compilation you find surprisingly daring works from the East as well as a fair share of conservative dullness from the West. Overall, I found it more interesting to note what the two states had in common. For example:
(2)
The old prejudice that German culture is heavy and humourless is, all in all, confirmed. It is difficult to find any light-hearted melody in this set. Admittedly, there is some humour, some of it by composers of non-Germanic provenance (Ligeti and Kagel), but this is clownish stuff that hasn’t stood the test of time and wasn't really funny in the first place.
(3)
More than in any other epoch, in post-war Germany composers felt the need to put their works into a political and sociocritical context – on both sides of the fence. Even creators of completely abstract instrumental compositions tried to express sophisticated views with their music, which is, most of the time, not obvious to the listener until he reads the booklet.
(4)
In the West as well as in the East two types of artists dominate: Leftist intellectuals and confessing Christians. And surprisingly it’s the Christians who are often more daring in their musical experiments. Even more surprisingly, Marxist views are as dominant among western composers as they are in the East. An opera about free trade, entrepreneurship and representative democracy would have been as taboo in 1960s Western Germany as it would have been in the East. I know why, but I stop now. I talk too much...
I am very excited to have "Tunnel, Early Morning Mood" (www.flickr.com/photos/52399662@N05/5858785510/in/photostr...) printed in the Dec/Jan 2015 issue of Backpacker Magazine. The photo features a rhododendron tunnel on Grassy Ridge Trail at Roan Mountain and appears in the article "The Backpacker Life List, 101 things to do before you die".
This photograph was published in an online article in VANCOUVER IS AWESOME written by James Schaefer on February 9th 2023 and titled:
'' Opinion: As we fight to protect species on the brink of extinction, let's not forget the familiar ones - To guard against extinction, we must advocate for common species ''
VANCOUVER IS AWESOME is a continuously evolving media newsroom under the Glacier media network on all digital platforms in Canada.
This photograph previously became my 3,035th frame Selected for sale in the GETTY IMAGES COLLECTION on March 15th 2018
CREATIVE RF gty.im/929585072 MOMENT OPEN COLLECTION**
I currently have 6,000 photographs with Getty Images.
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This photograph of a wild Barren-ground Caribou (Rangifer tarandus groenlandicus) was taken at an altitude of Eight hundred and thirty eight metres at 13:28pm on Wednesday May 11th 2016 on the Alaska Highway 97 at Muncho Lake, in the Muncho Lake Provincial Park in British Columbia, Canada.
These are a subspecies of the reindeer (or the caribou in North America) that is found in the Canadian territories of Nunavut and the Northwest Territories, in northern Alaska and in south-western, Greenland. It includes the Porcupine caribou of Yukon and Alaska.
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Nikon D800 500mm 1/250s f/10.0 iso320 RAW (14Bit)Hand held with Nikkor VR vibration reduction on. Nikon back focus button enabled. AF-C Continuous point focus with 3-D tracking. Manual exposure. Matrix metering. Auto white balance.Nikon Fine tune on (+10).
Nikkor AF-S 200-500mm f/5.6G ED VR. Power Up 95mm UV filter. Nikon MB-D12 battery grip. Two Nikon EN-EL15 batteries. Nikon DK-17M 1.2x Magnifying Eyepiece. Nikon DK-19 soft rubber eyecup. Digi-Chip 64GB Class 10 UHS-1 SDXC card. Lowepro Transporter camera strap. Lowepro Vertex 200 AW Photo/ 15.4" Notebook Backpack camera bag. Nikon GP-1 GPS unit.
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LATITUDE: N 59d 1m 51.46s
LONGITUDE: W 125d 46m 36.56s
ALTITUDE: 838.00m
RAW (TIFF) FILE SIZE: 103.00MB
PROCESSED (JPeg) SIZE: 45.60MB
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PROCESSING POWER:
Nikon D800 Firmware versions A 1.10 B 1.10 L 2.009 (Lens distortion control version 2)
HP 110-352na Desktop PC with AMD Quad-Core A6-5200 APU processor. AMD Radeon HD8400 graphics. 8 GB DDR3 Memory with 1TB SATA storage. 64-bit Windows 10. Verbatim USB 2.0 1TB desktop hard drive. WD My Passport Ultra 1tb USB3 Portable hard drive. Nikon ViewNX2 Version 2.10.3 64bit. Adobe photoshop Elements 8 Version 8.0 64bit.
www.1001pallets.com/2014/01/happy-new-year-2014-happy-bir...
We wish you all the best for your 2014 projects and specifically for the ones to come with pallets ! But today is also a great day for 1001 Pallets as it is our one year Birthday ! :)
At one year old, 1001Pallets.com is still a little baby but this baby has grown very fast during this first year and we would like to thanks all our readers, followers and fans that gives us the motivation to work on it by sending us original pallet projects and kind words!
We thanks all of our 193, 000+ fans on Facebook, our 43,000+ followers on Pinterest and all our readers on the others social platforms and directly on our website.
We hope 2014 will be as exciting as 2013 and that we will have new and original projects done with pallets to show you!
To start 2014, we propose to see the 5 most popular posts of 1001Pallets.com over the 911 posts published in 2013!
N°1: DIY: PALLET KID HOUSE PROJECT (33,883 VIEWS)
N°2: PALLETS KITCHEN (24,092 VIEWS)
N°3: DIY PROJECT : SANDPIT MADE OUT OF PALLETS (21,272 VIEWS)
N°4: HOW TO EASILY DISASSEMBLE A PALLET (20,931 VIEWS)
N°5: PALLETS GARDEN LOUNGE (20,931 VIEWS)
Let's go 2014, we are ready for more incredible pallet projects! :)
I'm so excited I just had to share one of my photos has been published on the coupons for the 17th Annual Carolina Renaissance Festival in Huntersville, NC.
My photo is the lower left one of Serendipity (lady in Red blowing bubbles) and the little girl trying to catch them. Serendipity is from clan Tynker
You can see my original photo here www.flickr.com/photos/grantbrummett/3363299133/
Thanks so much Ron for letting me know these hit the streets, you can see Ron's wonderful work at www.flickr.com/photos/45019444@N07/
My image taken originally taken with a Canon EOS 5D Mark II camera and Canon EF 85mm F/1.2L II USM Lens.
Note: this photo was published in an undated (Jan 3, 2011) Everyblock NYC zipcodes blog titled "10036."
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As I noted in this Flickr set a year ago, no New Yorker in his right mind goes to Times Square on New Year's Eve. Nobody from Manhattan, anyway -- you can never tell about those crazy people in the remote boroughs of Brooklyn, Queens, Staten Island, or the Bronx (and we won't even try to imagine what those crazy folks in New Jersey might do). Actually, even some residents of Manhattan have experienced the New Year's Eve count-down once in their lives, if only so they can speak with some authority about the subject. In my case, it was back in 1969; and it was only because I had had a pleasant dinner at a fancy restaurant a couple blocks from Times Square, and had to walk to the subway when no taxis could be found. There I was, in the midst of it all ... and once was more than enough.
Why do New Yorkers do their best to stay away from Times Square on New Year's Eve? Well, have you ever looked at a TV report from Times Square in the midst of all that mayhem? There are a gazillion other people out there, jammed against each other, shoulder to shoulder — and they're all drunk (or at least they look that way), and they're all screaming at the top of their lungs. You can't just drive to a nearby corner and park your car, with a plan of getting back in your car and fleeing after you've seen what a crazy idea it was. And you can't take a taxi right to the middle of Times Square — at least, not after mid-afternoon on New Year's Eve. Even worse, there are no public bathrooms anywhere to be found, so you're in trouble if you drink too much beer ... except that the cops do their best, quite understandably, to make sure nobody in the Times Square area (which, on this special night, is broadly defined to cover the area from 34th Street to 59th Street, and from Sixth Avenue to Eighth Avenue) is drinking or doing anything that might look dangerous. Or carrying a backpack that might contain dangerous things.
Consequently, it often seems that most of the crowd has chosen to get roaring drunk before they arrive on the scene. All of which might be great fun if the weather is clear, and the temperature is somewhere above the freezing mark. But if it's 30 degrees or lower, and it's drizzling or raining or snowing, this is not a place where you want to spend six or eight hours standing around with two million of your best (drunken) friends...
Thus, it should not surprise you to hear that I was not in Times Square to watch the ball drop at midnight on New Year's Eve of 2010 (or, for that matter, any other year going back to 1969). However, I remembered that my visit to Times Square in the early afternoon of Dec 31, 2009 had been somewhat interesting, and since the weather forecasters were predicting mild, mostly-sunny skies this year, I thought it might be interesting to try it again.
I took the IRT subway down to Times Square, and then spent the next two hours wandering north up Broadway to about 49th Street, and then back toward 42nd St. again. Even at 1:30 PM, the streets were already crowded with families and tourists, and what seemed to be an even larger number of police. It also seemed like almost everyone was wearing a party hat, or a set of "2011" fake eyeglasses, or some other kind of celebratory costume or adornment. There were also gazillions of digital cameras, and an equal number of Blackberries and cellphones. I wonder how many millions and millions of digital images and video clips were shot during the course of the afternoon.
Perhaps the funniest sight during the afternoon was the frequent appearance of delivery guys wearing bright, colorful, and instantly recognizable Domino's Pizza uniforms, wandering through the crowds with large, insulated "thermal" bags that probably carried half a dozen pizzas. In a couple cases, they were peering anxiously at individuals at a specific street corner; my assumption was that someone had called Domino's from their cell phone, requesting delivery to that exact spot. But in other cases, it looked far more likely that the delivery guys were just wandering around, looking for hungry people that were probably willing to pay a premium price for a good hot slice of pizza ... or the whole darn pie.
Around 2:45 PM, I was wandering south on Broadway once again, but when I got as far as 44th Street, I could see that the cops had completely closed off the next two blocks, and that even the sidewalks were impassable. I knew that they were cordoning the crowd into fenced-in rectangular areas, and that (a) each person allowed into such a rectangular area was first searched by a cop for booze, weapons or other contraband, and (b) once inside the fenced-in area, you weren't allowed out unless you left for good.
As more people arrived, the cops kept moving northwards, filling up one rectangular area after another. The obvious strategy for me, then, was to turn around and head north -- toward the local IRT subway stop at Broadway and 50th Street. But I got no further than 46th Street before everything stopped, and I could make no further progress along the sidewalk, even though I had been hugging the sides of the buildings along the way to avoid the throngs everywhere else. Fortunately, I was only about 10 feet from the corner of Broadway and 46th; but it took a good, solid 15 minutes to actually reach the corner -- at which point I heard the cops yelling to the crowd that they were closing everything down, and that anyone who wanted to go elsewhere would have to take the "side street" (i.e., 46th Street) over to 8th Avenue, in order to navigate further northward.
There were more barricades at 8th Avenue and 46th Street, and the narrow passageways onto 8th Avenue itself were being closed down. I managed to squeeze through, got onto 8th Avenue, and then easily walked up to 50th Street. Back over to Broadway, and I could look down the avenue all the way to the tower on 42nd Street where the ball would drop later tonight. And turning around, I could look several blocks north up Broadway, and see that (a) they were all empty, and (b) the cops had cordoned them off, too. By now, it was about 3:15 PM, and I got the sense that it wouldn't be long before the fenced-in crowds would be all the way up to where I was, and then further north, perhaps all the way up to Central Park at 59th Street.
In any case, it was clearly time to go home. I uploaded the 800+ photos that I had taken during the afternoon, enjoyed a delicious New Year's Eve dinner at home, and then settled down to watch the revelry on television as the countdown came to an end. As I noted at the end of last year's Flickr set of Times Square images, the TV coverage was obviously far more extensive than what I could accomplish with just one DSLR camera; and it was also infinitely more sophisticated, with high-end TV cameras located on strategic vantage points all around the square. On the other hand, the TV images appear, and then disappear, often leaving no lasting impression. By contrast, these still images will hopefully be interesting to look at months, if not years, from now. For better or worse, they'll be here whenever you'd like to see them...
Note: this photo was published in a Jan 5, 2010 blog titled "Here's to 2010, the Year of the Job." And it was published in a Feb 12, 2010 blog titled "Four Reasons Why Google Buzz is Doomed." It was also published in a May 27, 2010 blog titled "Short Circuit: is being connected burning you out?" And it was published in an undated (mid-Nov 2010) Digital Camera Super Shop blog, with the same title and detailed notes as what I had written on this Flickr page.
Moving into 2011, the photo was published in a Jan 6, 2011 blog titled "5 Most Popular Really Natural Posts of 2010." It was also published in a Feb 16, 2011 blog titled "Mobile sites vs. mobile queries."
Moving into 2012, the photo was published in a Jan 24, 2012 blog titled "EL WI-FI, FUTURO ESCUDERO DE INTERNET EN EL MÓVIL."
Moving into 2013, the photo was published in a Jan 18, 2013 blog titled "WYOD (wear your own device): “Get Smart” meets “Mr. Gadget”."
Moving into 2014, the photo was published in an undated (mid-Sep 2014) Australian blog titled "Joggers: beware of SODs syndrome."
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New Yorkers will tell you that nobody in his or her right mind goes to Times Square on New Year's Eve. Well, anyway, nobody from Manhattan -- you can never tell what those crazy folks in Brooklyn, Queens, Staten Island, or the Bronx might do (and we won't even try to imagine what those crazy folks in New Jersey might do). Actually, even residents of Manhattan have been known to experience the New Year's Eve count-down once in their lives, just so they can tell everyone else that they know what they're talking about. In my case, I think it was back in 1969; at this point, I can't even remember for sure which year it was ...
Why do New Yorkers do their best to stay away from Times Square on New Year's Eve? Well, have you ever looked at the television screen in the midst of all that mayhem? There are a gazillion other people out there, jammed against each other, shoulder to shoulder — and they're all drunk, and they're all screaming at the top of their lungs. You can't just drive to a nearby corner and park your car, with a plan of getting back in your car and fleeing after you've seen what a crazy idea it was. And you can't take a taxi right to the middle of Times Square — at least, not after mid-afternoon on New Year's Eve. Even worse, there are no public bathrooms anywhere to be found, so you're in trouble if you drink too much beer ... except that the cops do their best, quite understandably, to make sure nobody in the Times Square area (which is broadly defined to cover an area of several square blocks) is drinking or doing anything that might look dangerous.
Consequently, it often seems that most of the crowd has chosen to get roaring drunk before they arrive on the scene. All of which might be great fun if the weather is clear, and the temperature is somewhere above the freezing mark. But if it's 30 degrees or lower, and it's drizzling or raining or snowing, this is not a place where you want to spend six or eight hours standing around with two million of your best (drunken) friends...
Thus, it should not surprise you to hear that I was not in Times Square to watch the ball drop on New Year's Eve of 2009 (or, for that matter, any other year going back to 1969). However, I had a business meeting in mid-town Manhattan, in the late morning of Dec 31st; and on the chance that something interesting might be going on, I brought my camera with me. To reach my meeting, I took a subway to Times Square, and it was snowing heavily when I came out of the station; thus, I was hoping for some dramatic scenery when my meeting ended and I had a little free time before heading back uptown to my office.
Alas, the snow had pretty much been replaced by a combination of drizzle and occasional raindrops when I finished my meeting and walked over to Times Square. Hence you won't see any dramatic blizzard-like shots in this Flickr set; no views of frozen revelers with zillions of snowflakes falling all around them. But there were some interesting people wandering around, and it was interesting to see how many foreign tourists had arrived to spend all afternoon, all evening, and potentially all night in what has become the most well-known site of New Year's celebrations in the U.S., if not the world. It was also interesting to see that the cleaning crews were already beginning to assemble, and that other workers were dragging along large bundles of balloons, hats, and other novelties to be distributed to the crowds later on...
... and later on, after a very pleasant dinner in Greenwich Village with several family members, I ended up back at home, watching the revelry on television as the countdown came to an end. The TV coverage was obviously far more extensive than what I could accomplish with just one DSLR camera; and it was also infinitely more sophisticated, with high-end TV cameras located on strategic vantage points all around the square. On the other hand, the TV images appear, and then disappear, often leaving no lasting impression. By contrast, these still images will hopefully be interesting to look at months, if not years, from now. For better or worse, they'll be here whenever you'd like to see them...
An alert friend/contact V.I.D.S sent me this, this morning!
The total circulation of the magazine includes 7.4 million copies being shipped to members' homes and 600,000 available in Sam's Club locations nationwide.