View allAll Photos Tagged published
I created this flower character for a book titled Blossom Buddies, published by teNeues in 2009. The book includes 100 of these plant characters.
Self-published hand-made book Did we ever meet? Winner of Rock your dummy Award 2013. Full info, edition, price - www.offonroad.com/books/did-we-ever-meet/
Hey, don't get huffy-- I asked and got permission to take the photo. (Then I got yelled at while taking the photo. (Then I got backed up from another yell from the other side of the restaurant saying that I'd asked and it was OKAY.))
Published at onlytheblogknowsbrooklyn.typepad.com/only_the_blog_knows_... and at http://www.absurdintellectual.com/2009/03/04/a-restaurant-that-i-would-love-to-emulate/
File name: 10_03_000549a
Binder label: Beverages
Title: Dole Brothers. Dealers in hops and malt [front]
Created/Published: Boston : Bufford
Date issued: 1870 - 1900 (approximate)
Physical description: 1 print : chromolithograph ; 8 x 13 cm.
Genre: Advertising cards
Subject: People; Farms; Hops; Grains
Notes: Title from item. Item verso is blank.
Statement of responsibility: Dole Brothers
Collection: 19th Century American Trade Cards
Location: Print Department
Rights: No known restrictions.
Note: this photo was published in a Nov 2, 2011 issue of Everyblock Los Angeles zipcodes blog titled "90012."
**************************************
After visiting the Occupy Wall Street (OWS) protest gathering in Zuccotti Park last week (which you can see in this Flickr site), I thought I would have a good idea of what to expect when I decided to visit the Occupy Los Angeles gathering outside City Hall in Los Angeles early Saturday morning. And to some extent, I was right: the protest was still focused on the excesses of the richest and most powerful 1% of the population, as well as corruption and paralysis in Washington.
But New York and Los Angeles are obviously on opposite sides of the country -- and in some respects, the two protests were completely different. It was already pleasantly warm when I showed up at 8:30 in the morning, and the previous evening had been seasonably mild; by contrast, it wet and freezing cold in New York City, with the earliest snow-fall in over 150 years making life somewhat miserable for the hundreds of shivering protesters who squatted under a long blue tarp that had been stretched over the food kitchen.
The mild weather may explain the first visible difference that I saw between the two "occupy" gatherings: there were many more tents in Los Angeles, each one seeming to hold three or four people who were just beginning to poke their heads out, sniffing the air for the presence of coffee or food that they could use to break their overnight fast. There was no need for heavy coats or hats or mittens; all I saw in Los Angeles was a few sweaters and light jackets. A visitor to my Flickr site jokingly asked why I had not photographed one of the (female) protesters in a topless outfit, and why none of the people were nude. Well, if that was going to happen, it would have happened in Los Angeles, not New York; and as for Los Angeles, the most extreme clothing I saw was one woman wearing a fairly un-revealing bikini top. Hardly the stuff of Woodstock; so much for the idea of sex, drugs, and rock-n-roll at these gatherings.
Speaking of rock-n-roll: there was none. But in Los Angeles, there were a lot more people with guitars. And mandolins, and fiddles, and even someone with a flute. Some of them played quietly, for their own amusement; but several of them drifted together beneath a statue that led up the stairs to the front entrance of City Hall, and jammed extemporaneously, with several simple, but enjoyable songs. I video-recorded several of these musical efforts, and I'll combine all of them together into a "composite" music-video on YouTube.
Another difference between Los Angeles and New YOrk involved the presence of cameras. Quite simply, there were many more in New York, and while I did not see any major-media journalists or reporters, there did seem to be a number of quasi-professional independent journalists who were not only photographing and recording everything they could see, but also interviewing everyone who looked interesting. Not so, in Los Angeles; yes, there were a few people with video cameras and DSLR still cameras (including me), but I only saw one or two interviews taking place. Ironically, I was one of the people interviewed: an earnest young man told me he was taking a class that required him to interview photographers at the protest gathering, and he wanted to know what I thought of the whole scene.
So I told him, in a summary fashion, what I had already written in the notes accompanying my OWS Flickr set, and I told him that I thought the Los Angeles gathering was quieter, with less energy, and more people just wandering around somewhat aimlessly. There were no speeches, there was no shouting, and there was almost no police presence. I did see two cops standing at the top of the stairs leading to the front entrance of of City Hall, but they vanished about half an hour after I arrived.
One last note, which may strike some readers as biased or unfair -- but I saw what I saw: several people wandered down the various sidewalks leading out of City Hall Park ... and then returned via the same sidewalks, ten or fifteen minutes later, carrying a large cup of Starbucks coffee. The revolution, it seems, runs on Starbucks.
That's when I began focusing on the clothing worn by the protesters. As noted above, it was obviously much warmer than it was in New York City, so perhaps I should not have been surprised to see half a dozen or more people wandering around barefoot. But the other thing that struck me was how carefully several of the people were dressed, and how much attention they seemed to have spent to make their physical appearance look appropriately fashionable, while simultaneously being disheveled and hippy. Like I said, I might be biased: you can look at the pictures and judge for yourself.
I spent more time here than I did in New York -- roughly three hours before I decided that I had seen everything there was to see. But as a result, I got a lot more pictures - some 700+ still pictures, and a dozen video clips. I've winnowed it down, as best I could, to 200 keepers. Enjoy!
I don't know what it is but it's nice.
Houndings Lane, Sandbach, Cheshire.
17/01/2021
[Published in the Crewe Chronicle 03/02/2021]
Publish Janu,15/01/ 2017 BD LIVE HITS is a YouTube Chanel that presents all Hit Model, , Videos, News, , Live Performance, Juicy jokes etc ! ** Lisa Hayden married 3 months pregnant!** Love was long. However, there is no rush to get married actress Lisa Hayden never showed. 016 before the end of gulluke boyfriend had secretly married Lisa. Gullura the jamkajamakahinabhabe married in October with 016-Sareen the heroine! Lisa's Instagram shared wedding photos. The rules were conceived after the share Instagram pictures. After bikini, by the sea's "baby bump" She showed. He wrote, start another period of happiness! . Subscribe our channel : goo.gl/FD2h1b Share the video : youtu.be/OB4ivbc0IGk Facebook fun page : ift.tt/2gF3THr Twitter : twitter.com/anis01713734673 *****KEYWORD****** ** Lisa Hayden married 3 months pregnant **
Lit with a silver reflctor at the models feet and with Canon 430 EXII shot through an FStoppers Flashdisc camera right
To see more of my work, follow me!
www.instagram.com/KendraBShotME
www.facebook.com/KendraBPhotography
My first published shots. The Formula Una babes are a little incentive by Red Bull Racing (the F1 team), to get more women to the different Grand Prix. These are "our" (Belgian) Formula Una's. Note: In the middle is the lovely "Zorha" (a 'famious' Belgium beaty). I could link to the article, if I could just find out how that works in Flickr. Without a doubt my favorite personal shot with my Canon 400D. I wanted it to be overexposed and it worked out. It's hardly edited actually.
Oor Wullie (English: Our Willie) is a Scottish comic strip published in the D.C. Thomson newspaper The Sunday Post.
It features a character called Wullie Russell .
Wullie is the familiar Scots nickname for boys named William.
His trademarks are spiky hair, dungarees and an upturned bucket, which he uses as a seat - most strips since early 1937 begin and end with a single panel of Wullie sitting on his bucket.
The earliest strips, with little dialogue, ended with Wullie complaining ("I nivver get ony fun roond here!").
The artistic style settled down by 1940 and has changed little since. A frequent tagline reads, "Oor Wullie! Your Wullie! A'body's Wullie!" (Our Willie! Your Willie! Everybody's Willie!).
Created by Thomson editor R. D. Low and drawn by cartoonist Dudley D. Watkins, the strip first appeared on 8 March 1936.
Watkins continued to draw Oor Wullie until his death in 1969, after which the Post recycled his work into the 1970s.
New strips were eventually commissioned from Tom Lavery, followed by Peter Davidson and Robert Nixon. Ken H. Harrison drew the strip from 1989 until 1997, when Davidson resumed duties.
Between January 2005 and 2006 storylines were written by broadcaster Tom Morton from his home in Shetland,[1] and subsequently they were written by Dave Donaldson, managing director of Thomson's comics division.
The current writer is former Dandy editor Morris Heggie.
The Oor Wullie bucket Trail begins on the 17th June 2019 and is even bigger than the last one 3 years ago.
In 2016 Dundee held a bucket trail with over 50 sculptures all painted with different designs to celebrate 80 years of Oor Wullie.
This was a huge success with the sculptures raising over £800,000 at auction for the local childrens charity.
They have decided to bring it back this year but on a far bigger scale with 150 sculptures and this time you will be able to find them not only in Dundee, but Edinburgh, Glasgow, Aberdeen, Inverness and a few dotted in other towns and cities across the country.
At the end of the summer these will once again be auctioned off and the money will be split between 3 childrens charities.
Oor Wullie’s BIG Bucket Trail runs for 11 weeks from 17th June 2019 – 30th August 2019, culminating in a series of Farewell Events and nationwide auctions in each of the five host cities, Glasgow, Edinburgh, Dundee, Aberdeen and Inverness.
Scotland’s first ever national public art trail aims to unite the country as it raises awareness and vital funds for Scotland’s children’s hospital charities.
Funds raised through the trail will support Glasgow Children’s Hospital Charity,Edinburgh Children’s Hospital Charity,and the ARCHIE Foundation, helping children in hospital across the country.
Oor Wullie’s BIG Bucket Trail is a Wild in Art event, and would not be possible without the support of DC Thomson Media.
International HOG Route 62 Rally hosted by HOG Cape Town Chapter at Montagu in South Africa. Approximately 500 riders from all over South Africa and the world attended.
This photo was selected as the background for the 2008 rally poster. See the poster at www.flickr.com/photos/dvdmerwe/1021644660/.
The photo has also been published in the HOG Tales Summer 2008 magazine - see www.flickr.com/photos/dvdmerwe/2590308587/.
BRINGING IN THE FEED
The crew at EC Farms loads bales in the Rural Municipality of Lorne in southern Manitoba.
Also published in the Book: 101 Ways to Do More with Your Dog: Make Your Dog a Superdog with Sports, Games, Exercises, Tricks, Mental Challenges, Crafts, and Bonding by Kyra Sundance. See it on page 60.
Additional photos available at: www.FrankFennemaPhotography.com
This photograph was published in an online article in VANCOUVER IS AWESOME written by James Schaefer on February 9th 2023 and titled:
'' Opinion: As we fight to protect species on the brink of extinction, let's not forget the familiar ones - To guard against extinction, we must advocate for common species ''
VANCOUVER IS AWESOME is a continuously evolving media newsroom under the Glacier media network on all digital platforms in Canada.
This photograph previously became my 3,035th frame Selected for sale in the GETTY IMAGES COLLECTION on March 15th 2018
CREATIVE RF gty.im/929585072 MOMENT OPEN COLLECTION**
I currently have 6,000 photographs with Getty Images.
.
.
This photograph of a wild Barren-ground Caribou (Rangifer tarandus groenlandicus) was taken at an altitude of Eight hundred and thirty eight metres at 13:28pm on Wednesday May 11th 2016 on the Alaska Highway 97 at Muncho Lake, in the Muncho Lake Provincial Park in British Columbia, Canada.
These are a subspecies of the reindeer (or the caribou in North America) that is found in the Canadian territories of Nunavut and the Northwest Territories, in northern Alaska and in south-western, Greenland. It includes the Porcupine caribou of Yukon and Alaska.
.
.
Nikon D800 500mm 1/250s f/10.0 iso320 RAW (14Bit)Hand held with Nikkor VR vibration reduction on. Nikon back focus button enabled. AF-C Continuous point focus with 3-D tracking. Manual exposure. Matrix metering. Auto white balance.Nikon Fine tune on (+10).
Nikkor AF-S 200-500mm f/5.6G ED VR. Power Up 95mm UV filter. Nikon MB-D12 battery grip. Two Nikon EN-EL15 batteries. Nikon DK-17M 1.2x Magnifying Eyepiece. Nikon DK-19 soft rubber eyecup. Digi-Chip 64GB Class 10 UHS-1 SDXC card. Lowepro Transporter camera strap. Lowepro Vertex 200 AW Photo/ 15.4" Notebook Backpack camera bag. Nikon GP-1 GPS unit.
.
.
LATITUDE: N 59d 1m 51.46s
LONGITUDE: W 125d 46m 36.56s
ALTITUDE: 838.00m
RAW (TIFF) FILE SIZE: 103.00MB
PROCESSED (JPeg) SIZE: 45.60MB
.
.
PROCESSING POWER:
Nikon D800 Firmware versions A 1.10 B 1.10 L 2.009 (Lens distortion control version 2)
HP 110-352na Desktop PC with AMD Quad-Core A6-5200 APU processor. AMD Radeon HD8400 graphics. 8 GB DDR3 Memory with 1TB SATA storage. 64-bit Windows 10. Verbatim USB 2.0 1TB desktop hard drive. WD My Passport Ultra 1tb USB3 Portable hard drive. Nikon ViewNX2 Version 2.10.3 64bit. Adobe photoshop Elements 8 Version 8.0 64bit.
[This photograph is part of the black-and-white re-processings I have been recently uploading to Flickr, because I do not have any new content to show, owing to the fact that I am presently only shooting for a photo-book that will be published by the Fondation du Patrimoine towards the end of 2023. I cannot show any of those photos, obviously, as I do not know yet which ones will be in the book. Thank you for your understanding and I hope you enjoy revisiting some older photos in their new, black-and-white look!
I also reproduce below the caption I wrote when I first uploaded the concerned photo, sometimes with slight adaptations.]
The small town of Souillac lies in the département of Lot, in the old province of Quercy (and in the modern region of Occitania). According to unconfirmed local stories, the abbey of Souillac was founded by Saint Éloi († 660) before it was taken over by the Benedictines from Aurillac in the 900s. From that period, only the Western tower-porch remains.
Less famous than Moissac, this abbey was, for me, at least as interesting, beginning with the church, which has not been altogether transformed in the Gothic style like in Moissac, but retains its beauty and genuineness from the 1100s.
Sculpture is also at least as amazing as that of Moissac, and even more so in some respects —and it is in much better condition.
Listed as a Historic Landmark on the first list of 1840, the abbey is not on the path to Compostela and was never known for housing any particularly famous relics, which is why the church, dedicated to Saint Mary, has no ambulatory around the choir.
I was very nicely received in Souillac by the local authorities as the photos I took contributed to the documentation of the nationwide crowdfunding project that is in place to restore parts of the church, under the ægis of the Fondation du Patrimoine (Mission Bern), for which I work as a pro bono photographer: www.fondation-patrimoine.org/les-projets/abbatiale-sainte....
The choir cross is draped with a piece of cloth probably meant to symbolize the sole clothing that Christ wore around His groin on the Cross. And of course, modern-day Church, still very much inspired by false ideas of splendor and the tearful Saint-Sulpicien imagery of the 19th century, makes the mistake of selecting a rich and shiny silk that clearly shows off how much it cost, instead of the basic piece of linen or cotton that would have been much more appropriate...
Remember, in Indiana Jones’s The Last Crusade, how the bad guy mistakes a gold cup ornate with many polished gems for the true Cup of the Last Supper, which is in fact a poor, ordinary clay bowl? This is what this piece of silk hanging there reminds me of.
(Well, all right, Hollywood being Hollywood, the poorish clay bowl in that movie had to be coated inside with something that looked suspiciously like gold [looked better on camera], where in truth it was most likely nothing of the sort...)
(And by the way, if you like Holy Grail stories, the best one I have ever read was Quest by Richard Ben Sapir, published in 1987. Ben Sapir was also the author of The Body, which became an awfully bad movie with Banderas, while Quest was regrettably –and unexplainably– never adapted...) for the big screen.
I'm so excited I just had to share one of my photos has been published on the coupons for the 17th Annual Carolina Renaissance Festival in Huntersville, NC.
My photo is the lower left one of Serendipity (lady in Red blowing bubbles) and the little girl trying to catch them. Serendipity is from clan Tynker
You can see my original photo here www.flickr.com/photos/grantbrummett/3363299133/
Thanks so much Ron for letting me know these hit the streets, you can see Ron's wonderful work at www.flickr.com/photos/45019444@N07/
My image taken originally taken with a Canon EOS 5D Mark II camera and Canon EF 85mm F/1.2L II USM Lens.
Altagracia Nova
A-Nova Music
Saturday, Desember 3rd, 2016
"El Barrio" (NYC)
© 2016 LEROE24FOTOS.COM
ALL RIGHTS RESERVED.
THIS MATERIAL MAY NOT BE PUBLISHED,
BROADCAST, REWRITTEN OR REDISTRIBUTED.
Note: this photo was published in a Jan 5, 2010 blog titled "Here's to 2010, the Year of the Job." And it was published in a Feb 12, 2010 blog titled "Four Reasons Why Google Buzz is Doomed." It was also published in a May 27, 2010 blog titled "Short Circuit: is being connected burning you out?" And it was published in an undated (mid-Nov 2010) Digital Camera Super Shop blog, with the same title and detailed notes as what I had written on this Flickr page.
Moving into 2011, the photo was published in a Jan 6, 2011 blog titled "5 Most Popular Really Natural Posts of 2010." It was also published in a Feb 16, 2011 blog titled "Mobile sites vs. mobile queries."
Moving into 2012, the photo was published in a Jan 24, 2012 blog titled "EL WI-FI, FUTURO ESCUDERO DE INTERNET EN EL MÓVIL."
Moving into 2013, the photo was published in a Jan 18, 2013 blog titled "WYOD (wear your own device): “Get Smart” meets “Mr. Gadget”."
Moving into 2014, the photo was published in an undated (mid-Sep 2014) Australian blog titled "Joggers: beware of SODs syndrome."
******************************************
New Yorkers will tell you that nobody in his or her right mind goes to Times Square on New Year's Eve. Well, anyway, nobody from Manhattan -- you can never tell what those crazy folks in Brooklyn, Queens, Staten Island, or the Bronx might do (and we won't even try to imagine what those crazy folks in New Jersey might do). Actually, even residents of Manhattan have been known to experience the New Year's Eve count-down once in their lives, just so they can tell everyone else that they know what they're talking about. In my case, I think it was back in 1969; at this point, I can't even remember for sure which year it was ...
Why do New Yorkers do their best to stay away from Times Square on New Year's Eve? Well, have you ever looked at the television screen in the midst of all that mayhem? There are a gazillion other people out there, jammed against each other, shoulder to shoulder — and they're all drunk, and they're all screaming at the top of their lungs. You can't just drive to a nearby corner and park your car, with a plan of getting back in your car and fleeing after you've seen what a crazy idea it was. And you can't take a taxi right to the middle of Times Square — at least, not after mid-afternoon on New Year's Eve. Even worse, there are no public bathrooms anywhere to be found, so you're in trouble if you drink too much beer ... except that the cops do their best, quite understandably, to make sure nobody in the Times Square area (which is broadly defined to cover an area of several square blocks) is drinking or doing anything that might look dangerous.
Consequently, it often seems that most of the crowd has chosen to get roaring drunk before they arrive on the scene. All of which might be great fun if the weather is clear, and the temperature is somewhere above the freezing mark. But if it's 30 degrees or lower, and it's drizzling or raining or snowing, this is not a place where you want to spend six or eight hours standing around with two million of your best (drunken) friends...
Thus, it should not surprise you to hear that I was not in Times Square to watch the ball drop on New Year's Eve of 2009 (or, for that matter, any other year going back to 1969). However, I had a business meeting in mid-town Manhattan, in the late morning of Dec 31st; and on the chance that something interesting might be going on, I brought my camera with me. To reach my meeting, I took a subway to Times Square, and it was snowing heavily when I came out of the station; thus, I was hoping for some dramatic scenery when my meeting ended and I had a little free time before heading back uptown to my office.
Alas, the snow had pretty much been replaced by a combination of drizzle and occasional raindrops when I finished my meeting and walked over to Times Square. Hence you won't see any dramatic blizzard-like shots in this Flickr set; no views of frozen revelers with zillions of snowflakes falling all around them. But there were some interesting people wandering around, and it was interesting to see how many foreign tourists had arrived to spend all afternoon, all evening, and potentially all night in what has become the most well-known site of New Year's celebrations in the U.S., if not the world. It was also interesting to see that the cleaning crews were already beginning to assemble, and that other workers were dragging along large bundles of balloons, hats, and other novelties to be distributed to the crowds later on...
... and later on, after a very pleasant dinner in Greenwich Village with several family members, I ended up back at home, watching the revelry on television as the countdown came to an end. The TV coverage was obviously far more extensive than what I could accomplish with just one DSLR camera; and it was also infinitely more sophisticated, with high-end TV cameras located on strategic vantage points all around the square. On the other hand, the TV images appear, and then disappear, often leaving no lasting impression. By contrast, these still images will hopefully be interesting to look at months, if not years, from now. For better or worse, they'll be here whenever you'd like to see them...
Detail from plate 7 - engraved anatomical illustration of the bones of the thigh, leg and foot from: Anatomy improv'd and illustrated with regard to the uses thereof in designing. (London: John Senex, 1723).
This volume of engraved plates and text was originally published in Rome in 1691, and was re-engraved and republished in London in 1723. The dissections were done for the Italian edition by Bernardino Genga, Professor of Anatomy and Surgery and physician in the hospital of San Spirito in Rome, and the explanatory text by the papal physician Giovanni Maria Lancisi (1654-1720). The book, designed for artists rather than medical students, includes plates of famous classical statues from Rome and is described as 'A work of great use to painters, sculptors, statuaries and all others studious in the noble arts of design'.
The English edition is dedicated by the publisher to Richard Mead, FRCP, FRS (1673-1754), 'a favourer of the politer arts'.
Part of the Anatomical Atlases in Special Collections & Archives, SPEC Anatomy 6. Cropped inscription on the titlepage, 'Tho. Dixon's Book 1799' and the pencilled name' Miss Annie Jackson, 19 North Street' on the front flyleaf, with pencil measurements possibly from a dissected skeleton on the back of the last (index) page.
The volume has had some plates cut out, but has also been grangerised with later anatomical illustrations pasted in.
Images from Medical Archive collections at University of Liverpool