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Published: www.alluvium-journal.org/2019/12/16/contemporaneous-story...
Frankfurt Osthafen
One of my nine images just published for Hidden City Philadelphia''s 'Under World' photo essay/collaboration(with two other photo comrades) of life under the El In Kensington, Phila., PA
Kruger National Park (Afrikaans: [ˈkry.(j)ər]) is a national park in South Africa covering an area of 19,623 km2 (7,576 sq mi) in the provinces of Limpopo and Mpumalanga in the country's northeast. It extends 360 km (220 mi) from north to south and 65 km (40 mi) from east to west. The administrative headquarters are in Skukuza. Areas of the park were first protected by the government of the South African Republic in 1898, and it became South Africa's first national park in 1926. It is part of Kruger to Canyons Biosphere, an area designated as a biosphere reserve.[6]
The founder of Kruger National Park is considered to be President Paul Kruger.
The Kruger National Park is a major tourist attraction. In 2024 close to 2 million people visited the park.[7]
History
Main article: History of the Kruger National Park
Conservation Pre-Game Reserve (1867-1898)
A Game Commission was established in 1891 with J.M. Malan of Rustenberg as chairman,[8] which resulted in the establishment of the game law of 1891.[9] There were already individual farmers as far back as 1867 who published notices in the Staatscourant to prohibit hunting and so try to preserve the game on their own land. In total 200 owners protected game on about 300 farms between 1867 and 1881 in this manner.[10][11]
One of these farmers was pioneer Alexander Marsh Robertson[12] who owned two adjacent farms, Rolfontein and Elandsberg, extending over 7600 morgen (6510.92 hectares) in the Wakkerstroom district. Robertson was the first farmer to fence part of his property to create a game camp in the eastern Transvaal, some 500 morgen (428.35 hectares) using leadwood and barbed wire. The creation of the game camp however was serendipity. Robertson initially erected the fence to restrain his horses, but the fence also provided the added benefit of protecting the ground game. Game in this camp increased significantly due to the protection offered by the fence.[13]
President Paul Kruger regularly toured the rural areas to visit his people. He heard about the success of Robertson's "game camp" and wrote to Albertus Stoop, his son Tjaart's future father-in-law, himself a keen conservationist and neighbour of Robertson, to arrange a visit to Rolfontein so that he could see the experiment first hand and stay the night.[14] Kruger was very impressed with Robertson's unexpected success and continued to show great interest in the Wakkerstroom farmer's efforts to preserve game over the next few years. He visited Rolfontein again in 1892, and it was at this visit, at a great braai held in his honour that he spoke to the importance of Rolfontein in protecting smaller game and proceeded to lay out, for the first time in a public forum, his plan to establish the first Game Reserve in Africa along the Sabi River to preserve the big game that needed a much larger protected habitat to thrive. Wikipedia
A boy paddles his inflatable boat across the sea as summer comes to an end at Hamdeok Beach on Jeju island, South Korea.
Published in the July 8th, 2011 edition of the Jeju Weekly.
www.jejuweekly.com/news/articleView.html?idxno=1751
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www.1001pallets.com/2014/01/happy-new-year-2014-happy-bir...
We wish you all the best for your 2014 projects and specifically for the ones to come with pallets ! But today is also a great day for 1001 Pallets as it is our one year Birthday ! :)
At one year old, 1001Pallets.com is still a little baby but this baby has grown very fast during this first year and we would like to thanks all our readers, followers and fans that gives us the motivation to work on it by sending us original pallet projects and kind words!
We thanks all of our 193, 000+ fans on Facebook, our 43,000+ followers on Pinterest and all our readers on the others social platforms and directly on our website.
We hope 2014 will be as exciting as 2013 and that we will have new and original projects done with pallets to show you!
To start 2014, we propose to see the 5 most popular posts of 1001Pallets.com over the 911 posts published in 2013!
N°1: DIY: PALLET KID HOUSE PROJECT (33,883 VIEWS)
N°2: PALLETS KITCHEN (24,092 VIEWS)
N°3: DIY PROJECT : SANDPIT MADE OUT OF PALLETS (21,272 VIEWS)
N°4: HOW TO EASILY DISASSEMBLE A PALLET (20,931 VIEWS)
N°5: PALLETS GARDEN LOUNGE (20,931 VIEWS)
Let's go 2014, we are ready for more incredible pallet projects! :)
I was asked by Cake Design France if they could publish one of my cakes in their magazine. I just recently got my complimentary copy
Character Creation
Steel is a superhero appearing in comic books published by DC Comics. He is a genius engineer who builds a mechanized suit of armor that mirrors Superman's powers. Steel initially seeks to replace Superman, who has been killed by Doomsday. After Superman is resurrected, he accepts Steel as an ally. Steel's sledgehammer and real name of John Henry Irons are references to the mythical railroad worker John Henry. He has a niece named Natasha Irons who is also a superhero with similar steel armor.
Publication history
First appearing in The Adventures of Superman #500 (June 1993), he is the second character known as Steel and was created by Louise Simonson and artist Jon Bogdanove.
The character is portrayed by Shaquille O'Neal in the 1997 film adaptation of the same name and Wolé Parks in the television series Superman & Lois. Additionally, Michael Dorn and Zeno Robinson have voiced the character in animation.
Modern Age: New Earth: Reign of the Supermen
After the death of Superman, Metropolis was without a protector watching over it. After several weeks without a Superman, new heroes appeared and declared themselves to be Superman. One was Eradicator, dubbed "the Last Son of Krypton," who looked the most like Superman but was merciless in his approach to crime-fighting. Also, Superboy tried to take up the mantle by getting the media on his side, but his youth and arrogance prevented him from being a true successor.
Also, Cyborg Superman claimed to be the real deal, and got the federal government to back his claims. After realizing the the weapons he used to design for a living were being manufactured and sold to street gangs and inspired by the example Superman set, John created a suit of armor to help him fight crime and stop the sale of his weapons.
Due to all of the new Supermen running around, the media focused on all of them, with the press giving John the title the "Man of Steel." Also, a local psychic told the media that he was the real Superman reincarnated in a robotic body. During his adventures, the Man of Steel ran into Superboy, and explained to him how a Superman should act. He also encountered Lex Luthor, who tried to get hire him. However, he turned Lex's offer down. He later ran into Lois Lane, who wanted to know if he really was Superman. He set her straight by telling him that he never claimed to be Superman. Though she realized he was not actually Superman, Lois believed he was most like the original.
Eventually, Steel found the location of the one distributing his weapons. When he went to confront them, he discovered that his ex-girlfriend and development partner, Angora Lapin a.k.a. White Rabbit was the distributor. Having pieced together the Man of Steel's identity, she offered him a chance to join her in her pursuits, but he promptly turned her down. To escape, she shot him with a Toastmaster and fled as he recovered.
While trying to track White rabbit down, he had a run-in with the Eradicator. After watching him kill a criminal he had apprehended, John told Eradicator that he could not be the real Superman. Upset at the notion, Eradicator attacked John until Lois arrived and stopped the two. However, Eradicator got upset again and flew Steel into orbit. The two landed in California and fought to a standstill. When Steel tells Eradicator that a Superman needs to have compassion, he calms down and leaves.
Unable to fly back to Metropolis, Steel hitches a ride on an airplane. When they land, White Rabbit and her men ambush him at the airport. He manages to fight them off, grab Angora, and force her to take him to the plant where she is producing the Toastmasters. However, the plant was rigged with traps that John manages to escape. He manages to get clear of the plant as it explodes, but Angora is still inside and is presumed dead. Despite the death of the supplier, John knows that there will still be Toastmasters may resurface on day.
The Return of Superman
After Coast City is destroyed, he investigates the destruction personally and runs into Cyborg Superman. He tells John that Eradicator was responsible, but Steel does not fully trust his account. After running into Lois Lane, also suspicious of the story, the notice a disturbance near the harbor, meeting Luthor and Supergirl on the scene. As Steel attacks the suit, Superboy arrives to to warn everyone that Cyborg Superman was truly responsible for the events in Coast City, and that he's coming for Metropolis next. At that moment, the real Superman comes from inside of the warsuit. Despite being powerless, he vows to stop Cyborg Superman's plans.
No one present, including John, believes he is the real Superman, but he nonetheless goes to the ruins of Coast City with Superman and Superboy. Once there, the group sees Engine City where Coast City used to be and manage to force their way inside, but Superboy leaves to stop a missile fired at Metropolis. Once inside, Supergirl appears, having been secretly tailing them at Superman's suggestion. While talking, Superman abbreviates his title from Man of Steel to simply Steel. The three encounter Mongul, who had just activated the jets inside the city in a bid to knock the Earth out of orbit.
While Superman and Supergirl fend off Mongul, Steel heads off to shut down the reactors powering the jets. Once there, Cyborg Superman uses his connection to the machinery to control and morph the room to stop him. Eventually, he takes over his armor, but before he can kill him, John flies the armor into the gear system, jamming it with his armor and disabling the jets.
Though John survives with minimal injuries, his armor is destroyed, leaving him defenseless when Cyborg Superman uses the landscape to try to kill him again. This time, Superboy arrives just in time to save him.After Superman regains his powers and defeats his Cyborg counterpart, everyone returns to Metropolis. With no armor, he continues trying to get toastmasters off the street with little success. After a talk with Superman, Steel decides to leave Metropolis and retire as Steel.
Steel: Returning Home
After his adventures in Metropolis, Steel decides to return to his hometown: Washington D.C. Having originally stayed away to avoid being pursued by his old bosses at Amertek, he decides to take the chance that they have lost interest in him and move back in with his family. Present to greet him at the bus station is his niece Natasha, who greets him by her childhood nickname "Uncle Hunk." While the two talk, a fight breaks out between the Central Avenue Sharks, who are using Toastmasters, and the East Streeters who rely on the strength enhancing drug Tar.
Though John tries to intervene, he is distracted by the sight of his nephew Jehmal in the fray, giving a Tar-Freak an opening to knock him out. When he recovers, he and Natasha head home, where John is greeted by the rest of the family; his grandparents Butter and Bess, his sister-in-law Blondell, her second son Paco, and her foster kids Tyke and Darlene.
While the Irons family is having dinner Jehmal arrives home late. John, remembering what happened that afternoon, asks Bess how he has been, but while they talk, and group of armored thugs working for Amertek appear and attack the family. John manages to take them out, but Butter takes a stray shot. Feeling guilty about bringing danger to his family, John uses his old armor and parts he salvaged from the thugs' armor to improve the suit and become Steel once again. Knowing that his mission would require him to operate outside the law, John keeps the "S" shield off his new armor to avoid dishonoring Superman.
Steel begins balancing investigating Amertek with stopping the constant gang skirmishes plaguing the neighborhood. During on fight, Steel sees Jehmal fighting, confirming his suspicions that he was in a gang. In response, he forces him to tell the rest of the family about it and quit the gang (he actually did not quit). Steel then finds the location of the place where the Toastmasters are sold by a member named Spiral. Steel interrupts the sale and manages to get a lead on the source of the weapons.
However, Spiral, afraid of being considered as a snitch, tricks the gang leader Cowboy into thinking Jehmal sold them out to Steel. The group then captures Jehmal and turns him over to the supplier of the weapons, Amalgam. Before Jehmal is killed, Steel arrives, having tracked Spiral again. As he battles Amalgam, Steel tells Amalgam that Jehmal was innocent. Steel manages to pin Amalgam down, but he assumes Spiral was his informant and kills him. Once the police arrive, Steel leaves, but thanks to something Amalgam said, John gets the idea to use the media to fight Amertek.
Later, John confront his former boss, Col. Weston about dealing the Toastmasters, but he feigns innocence, and john trusts him enough to leave. After breaking into Amertek to find incriminating evidence, a fight involving armored guards lead to the building being destroyed, but he manages to escape with a CD-ROM with the evidence he needed to take down Amertek. Weston uses the incident to paint Steel as a criminal in the eyes of the public. To further add to his troubles, he begins orchestrating on John directly and members of his family.
In a short period, John is attacked by a Tar-Freak at a funeral, Tyke loses the use of his legs after he and Jehmal are caught in a drive-by shooting, Natasha is hit by a car, and Blondell is mugged. Realizing he can't beat Amertek alone, he enlists Detective Shauna Beryl to use the a hard disk full of evidence he broke into Amertek for to take down Amertek. While she gets the information decrypted, John learns that Jehmal found out his gang was responsible for hurting his family. Seeking revenge, Jehmal steals a more powerful, potentially lethal version of Tar and uses it to confront Cowboy. Steel findd them and pins Jehmal down until the S-Tar wears off.
Worlds Collide
After getting Jehmal to the hospital, he then goes to Amertek intent on taking down Weston. The armored guards aren't enough to stop Steel from getting to Weston. He considers killing him, but Detective Beryl arrives to arrest him, and talks Steel down. John forces Weston to tell him who has Amertek selling weapons to gangs. Weston tells about a group in Metropolis led by a man named Hazard, before John hands him over to the police. He then heads to Metropolis to track down Black Ops.
When he arrives he find the city is still recovering from recent events. While searching for Amertek, he encounters Superboy, Rocket and Hardware, the latter two having been transported from their universe into the DC Universe. Steel put his search for Black Ops on hold to help stop their two universes from merging together.
War with Black Ops
When John continues investigating Black Ops, Hazards begins sending his team to attack Steel and further his agenda in Washington. Along the way, he deals with a super-powered serial killer and helps Maxima avoid being captured by an alien warlord. At the same time, his armor begins mysteriously teleporting on and off his body seemingly at random. His fight with Black Ops is interrupted again by the return of White Rabbit, who survived her last encounter with Steel and now plans to brainwash several Congressmen to help her monopolize gun sales in the country.
She sends one of her super-powered thugs to distract Steel and a visiting Superman while her plan came into fruition. However, Natasha was interning for a Congresswoman who was brainwashed, and tipped Steel off that something was wrong. While investigating, he met and befriended actor/British spy Double, and the two team up to stop Angora. While they shut down her plan and capture her crew, Angora herself escapes.
When he returns from fighting White rabbit, he finds out that Tyke has been kidnapped. He begins searching for him to no avail. At the same time, a hi-tech bounty hunter begins targeting Steel, and he finds out that someone is offering a money reward for his armor. He then gets a lead from Detective Beryl that leads him to a child-experimentation operation.
When Steel goes to shut the operation, the bounty hunter from before arrives for another round. After John shows him that his employer is exploiting children, he decides to help Steel free them instead of continue fighting, and tells Steel that Hazard was the one who put up the bounty and that he knows where Hazard's base is.
The two head out to take down Black Ops. They storm the base and take down most of the team, but Hazard and Split escape. However, he finds Tyke inside, but it turns out Tyke went with Hazard willingly because he had promised Tyke the use of his legs again. Though he is returned home safely, he now harbors a deep hatred for his uncle.
Underworld Unleashed
A few days after Tyke is returned home, Steel is helping contain a protest that evolved into a riot when a bomb goes off at a nearby mosque. While rescuing people trapped inside the building, he is attacked from behind. He turn around to find Metallo was the culprit. Remembering Metallo's weakness from his time in Metropolis, Steel manages to knock Metallo's head off.
However, when Neron was supercharging the powers of supervillians around the world, he gave Metallo the power to survive having his head knocked off and control any nearby metal to create a new body, which he does. Steel tries again, knocking his head into the Potomac. With no metal nearby, Steel is satisfied and returns to helping people in the mosque. However, the junk at the bottom of the river and a nearby patrol cruiser provide enough metal to create a bigger and better body. He then tries to absorb Steel's armor,but he can't.
The distraction gives Steel an opening to knock Metallo's head off again, and it conveniently lands at the feet of Lieutenant (formerly detective) Beryl. She then warns Steel about another bomb threat at a local hospital. Steel instructs her to take Metallo's head to S.T.A.R. Labs and races to find the bomb. After capturing the thugs who planted the bomb, they reveal that it is wired to blow if it is tampered with. With less than a minute on the timer, Steel flies as fast as he can to get the bomb to a less populated area.
On the way, he is stopped by Metallo, who managed to reform himself before he could be taken to Star. Steel tries to keep moving, but Metallo equipped himself with rockets, allowing him to follow. With no time to move the bomb, John tosses the bomb at Metallo, but he absorbs it instead. However, while the bomb casing was metal, the explosive was actually plastique, which he couldn't absorb. The bomb then goes off, destroying Metallo entirely. Steel survives the blast, but he passes out in midair.
The Superman Rescue
Before Steel can fall, Alpha Centurion catches him. He tells Steel that Superman has been kidnapped and he is assembling a rescue team to find him before the world realizes he is missing. Steel agrees to help, but wants to get this done as soon as possible before Washington falls apart.
Steel joins Supergirl, Superboy and the Eradicator on the Centurion's ship and head out into space. Superboy tells the others he does not trust the Centurion. These fears are realized when the Centurion abandons the rest to battle an alien platoon on an asteroid. Out-manned and stranded, Steel manages create a makeshift transport. Arriving on a nearby planet, the team is confronted by the Cyborg Superman, who takes them all down. He turns them over as prisoner of the Tribunal he is allied with.
While in custody, Steel discovers the Alpha Centurion is also a prisoner. Steel manages to teleport his armor to him an escape along with Supergirl and Eradicator. While Steel and Supergirl, both in disguise, go to a local bar to try and find information, Eradicator stays behind to try and rescue Superboy. Unfortunately, Steel and Supergirl are discovered and a bar fight breaks out. It ends quickly when the Cyborg turns up and recaptures them. For escaping, they are both sentenced to death.
Fortunately, the group is taken the same place as Superman. Together they manage to escape and rally behind Superman. Thanks to the Cyborg turning on the Tribunal. Superman leads them to confront the Tribunal itself, which ultimately decides to drop the charges against them rather than keep fighting. The group then returns to Earth.
On the way back, Superman thanks Steel for going so far for his sake, John believes that they did little to help, while he saved them and an entire planet. Superman disagrees, and asks him to hang out with him when they reach Metropolis home. Though grateful, John declines in order to get home in time for thanksgiving.
Ending Black Ops
When John returns from space, he parts ways with the squad and return to Washington. However, Tyke, still bitter over having been denied a chance to walk again, was searching for a way for it to be so. Thinking he had found an operation that could restore his legs in a local tabloid, Tyke sought a way to pay for such an operation. When he learned that federal agents were offering a reward for information on Steel's secret identity, Tyke tracked them down and told that Steel was John Henry Irons.
However, they only gave him a measly $20 for the information, meaning he sold out his uncle for nothing. Also, the agents were working with Hazard, meaning his enemy now know who he is. In response, Hazard sics a cyborg named Hardwire (who, ironically, was transformed by the same process Tyke thought would cure his paralysis) on Steel. When he gets there, he guns down the Irons family as they sit down for dinner. No one is killed, but a seriously wounded John is captured..
Hardwire takes John to the agents, but before they can take him, Hardwire turns on them. He grabs them all and flies them to the Washington Monument and blows the top off. When John recovers, his armor appears around him and the two fight. During the fight, Hardwire attaches explosives on himself, Steel, and the two agents, planning to kill himself and them. As they fight, the two agents are killed before the countdown even finishes. Unable to get Hardwire to disarm the devices, Steel teleports his armor off to save his life, so the bombs only kill Hardwire. When the police and the media arrive, John had no choice but to reveal his secret identity to the public.
After his declaration, John is blamed by the police for the destruction of the Monument and is arrested. However, Hazard sends Split to bring John to Hazard's base. Angered at all Hazard has done, he rushes him, but is suspended in the air by his telekinesis. When he asks him why he broke him out of holding, he responds that he is using the "breakout" to distract everyone with a manhunt and masks his agenda. That said, he prepares to kill John.
In a desperate gambit, John tries to summon his armor. He succeeds and fights off the Black Ops members. They reach a standstill when Steel takes Shellshock's twin sister Shellgame hostage. He manages to get her to reveal Hazard's plan; he is hacking into the Pentagon's computers to gain control of America's nuclear arsenal. Once he learns the truth, Hazard nearly kills him with his telekinesis, but Steel manages to teleport himself away along with his armor.
Steel reappears in the "White Zone" his armor goes to when it teleports. However, both he cannot remain there with his armor on, so he teleports back to Washington. However, he winds up in the air with a military chopper that immediately attacks him. As he recovers, Black Ops teleports in to renew their attack, and Steel retreats with the intent to expose Hazard's plan. Steel fends them off, but realizes he still needs to warn someone about Hazard's plan.
He then teleports back to the White Zone to come up with a new plan. When he does, he teleports to his old laboratory to find something he hid there long ago, hoping never to use it but keeping it just in case. The object he finds is the Annihilator, the most powerful weapon he ever designed. Deciding to wait before using it, he begins his plan to stop Hazard.
First, he posts the details of Hazard's plan on the internet, knowing the government would have to investigate. Shortly after, part of the Black Ops team arrives to fight at the same time the FBI arrives to arrest Steel. While Black Ops defeats the agents, Steel flies off again, but they quickly catch up again. They quickly overpower him. The tides tun when Natasha, haven ingested a vial of Tar, helps him out.
Together they fend Black Ops off, but the military arrives to stop them all. Black Ops teleports away, but the grab Natasha and offer her safety for his surrender. Unable to see a better option, Steel takes the Annihilator from it's hiding place and arms it, ready to take the fight to Hazard. After a quick test, he teleports to Black Ops base, ready to take them all down.
He gives the team one chance to free Natasha, but they refuse. He then begins fighting them, but avoids firing the Annihilator. The chaos gives Natasha time to free herself and the two fight Black Ops together. When the are cornered, Steel tries to teleport them both out, but he cannot teleport others with him.
Backed into a corner again, Steel begins using the Annihilator to destroy Hazard's computers, stopping him from hacking into the Pentagon. Hazard tries to immobilize him, but Steel keeps firing into the base, so Hazard has Split teleport them back outside. The fight continues, but Hazard pulls his team back after Steel accidentally hit three of his people with the Annihilator. The two go at it, but when the military intervenes, Steel uses the opening to defeat Hazard.
Once Hazard is detained, Steel learns of the consequences of his actions. While everyone is still alive Child Protective services reclaim Tyke and Darlene feeling that being around Steel is too dangerous. Later, John meets with the government, who claim that Hazard will be dealt with. However he was secretly allowed to go free and granted custody of Tyke. In order to keep the Annhilator out of the wrong hands, he leaves it in Hazard's base and triggers it's self-destruct.
Leaving D.C.
Now that Steel's identity is out, his family has no peace. They are harassed by neighbors and mobs of people, who feel he is too dangerous to have near their homes. Later, Natasha is kidnapped by Plasmus, who is trying to blackmail Steel into creating a suit for himself. Steel rescues her by building a suit with a trap for Plasmus inside.
Though Natasha is safe, John is still worried that he is endangering his family. Steel moves out (temporarily staying with his friend Dr. Amanda Quick) but the family is still harassed. His family is attacked by both Doctor Polaris and the Parasite, both arriving seeking the Annihilator. John Henry's beloved grandmother Bess is killed in the fight when she tries to attack Parasite. Deciding it is too dangerous for his family, he enlists Double to move them somewhere secret.
After teleporting into White Zone, he sees a nightmarish looking version of his armor. He quickly teleports again, ending up at Hazard's old lair. He discovers the three Black Ops member he killed were actually still alive. They corner him, as he teleported without his armor, but the armor has followed him to the lair.
John Henry works with the other three to try and fight off the armor. They try to flee, but the armor keeps finding them. Natasha, having run away to avoid being relocated, took some Tar and followed him there and tries to help. John Henry realizes that the armor is his dark side given form. Realizing this, Steel banishes the armor to the White Zone, seemingly for good. Later, John realizes Natasha is handling Bess's death poorly.
She spends several nights sleeping at the cemetery and then attacks John in a Tar fueled rage when he confronts here there. A blind gravedigger tells them that Bess's soul is not at rest because someone stole her wedding ring and she wants to be buried with it. Steel manages to track down the thief and the recover wedding ring. To return it, John and Natasha exhume Bess's body is exhumed and rebury her with the ring, letting her soul rest. John Henry and Natasha fix up their old home before leaving it and D.C. behind.
The Death of Steel
Irons suffered mortal wounds after releasing Doomsday from the JLA Watchtower to battle Imperiex. Superman was unable to turn away the Black Racer, a being that gathers souls and ushers them into the afterlife. This time, however, the Black Racer showed mercy and delivered Irons to Apokolips, where the evil Darkseid healed Iron's body. Darkseid placed Irons in the Entropy Aegis, a burned out Imperiex-probe altered by Apokoliptan science. This new armor was far superior to his old, but the upgrades made it more of a curse than a blessing. Darkseid was able to use the Entropy Aegis to control Steel and make him serve Apokolips.
Superman gathered the members of Team Superman and challenged Darkseid on the field of battle for the return of Steel. After his defeat Darkseid removed Steel from the armor only to reveal that he was returning him as he found him in a state of near death. Natasha Irons and a Multiverse displaced Supergirl were able to act quickly and save his life. Upon his return to Earth John allowed his niece, Natasha to take up the mantle of Steel while he recovered.
52 Weeks
During the year where Superman, Batman, and Wonder Woman disappear, Steel was the active hero of Metropolis. Using a new armor he had to deal with his rebellious niece, Natasha, who wants to be a superhero, the mystery of Supernova, and Lex Luthor's Everyman Project. When Natasha tries to join the Teen Titans, he stops her by destroying her armor, and tells her to build her own armor if she wants it badly enough. As part of Luthor's conspiracy, John Henry was unknowingly given new powers: a steel coated skin than he could heat at will.
When Natasha found out, she was upset as he forbade her from participating. In response, she joins anyway and earns a spot on Lex's Infinity Inc. team. When Steel comes to get Natasha away from Lex, she attacks him and drives him away. However, when Natasha catches onto Luthor's plans, she tries relaying her findings but is caught. When John comes to help her, he finds Natasha's teammates opposing him. He easily tears through them, but the Teen Titans arrive to back him up.
Steel dispatches Everyman at the cost of his armor, but he reaches Luthor. However, that Luthor used the meta-gene therapy to give him powers like those of Superman. Steel fights him anyway but is overpowered. Thanks to Luthor being overwhelmed by his super-senses and Natasha finding a way to disable his powers, Steel comes out on top. Before he knocks him out, Steel reveals that the meta-gene therapy was toxic to the human body, and he would have died in six months if they hadn't intervened.
Infinity Inc.
Several months after the Everyman Project was shut down, John realized something was wrong with Natasha. Despite going to therapy to help with her state of mind, Natasha did not get better. When Natasha refused to continue therapy, he tried to talk to her about it. When he touched her though, Natasha turned into a cloud of mist that dissipated. Distraught, he asked Superman to search for her to no avail. After checking with other former Everyman project members Gerome and Erik, he is attacked by Kid Empty, another Everyman participant who feeds on the minds of others.
Before he can kill him, Natasha regains her solid form and drives him away. John realizes that everyone involved in the project is gaining new powers and deduces that their powers reflect their mental state, with Natasha's power reflecting her fear of abandonment. At the same time, Mercy Graves, trying to avoid being found by Luthor, who is in hiding after the Everyman Project fell apart, asks to run with him to avoid being caught. Skeptical that she has changed, he gives her a chance to prove herself.
After Jerome, Erik, and Natasha use their new powers to take down an Kid Empty, John decides to have them and their new friend Lucia reform Infinity Inc. to help them round up the the participants who gain new powers and show the world that the Everyman members are not all dangerous. While the team was in the field, John remained in touch with them from Steelworks to lend support.
After a few missions Steel answers a call from Superman who found a gruesome body of an Everyman teen in the Arctic. Eventually he and the team realizes that someone is capturing, experimenting on, and killing Everyman participants. When the teams gets a lead on the killer's location, Natasha opts not to tell Steel. Leaving alone, Natasha sent a voicemail telling John what they were up to. Rushing after them, Steel and Superman arrive to find a crater where the building the killer was hiding in used to be. Supermans asks if Steel is okay, and responds that he vows to find Natasha and the team again.
Reign of Doomsday
Steel resurfaces for a fight with Doomsday. With no other heroes around, Steel is left to fight Doomsday by himself. Natasha Irons tries to persuade her uncle not to fight Doomsday, but John insist and heads off into battle. John gave the fight all he had. John even managed to hit Doomsday with a direct hit from his hammer. Steel had hurled his hammer from a thousand feet away.
During the fight Doomsday evolves growing armor out his body and also possess the ability to fly. John manages to break away a piece of Doomsday's chest armor which allowed John to introduce nanonytes into Doomsday's body. The nanonytes were suppose to paralyze Doomsday for an hour until help arrived, but the effects only lasted a few seconds. John then gets pounded by Doomsday until he is knocked unconscious. We last see John being carried off by a flying Doomsday.
New 52
John Henry Irons debuted as a scientist working for Gen. Sam Lane for Metal-0 Project, an initiative to develop an armored super-soldier designed to stop the recently debuted Superman. But he quit when he saw how Luthor tortured the captured Superman, under Lane's license.
When Brainiac, calling himself the Collecter of Worlds, attacked Metropolis and take control of John Corben, Irons donned a Metal-0 suit prototype and stopped the controlled soldier with a PC virus of his own design.
Steel has been seen within the pages of Action Comics, during a back up storyline. In this story, Steel helps Superman to fight crime. Steel was then seen in Action Comics Annual helping Superman fend off the villain called Kryptonite Man. Steel defeats the villain and managed to make his powers defunct. He is later was seen in Australia, helping the poor and searching new ways to use his technologies in less aggressive scenarios.
He has joined The Reverse Suicide Squad with Power Girl, Unknown Soldier, and Warrant. The Thinker under the guise of Amanda Waller is leading them.
After Forever Evil, Steel joined the forces than were fighting against Doomsday, but he was affected by the toxic emanations from the monster. To stop the damage and prevent more infection, Steel added to his armor a film of liquid metal. He would join to Lana Lang in a search for Doomsday possessed Superman in space to help him but they discovered than in Superman absence, Brainiac attacked the earth again.
Currently he is in a relationship with Superwoman aka Lana Lang.
DC: Rebirth
As things begin to change in the DC Universe, Steel began a new initiative in Metropolis. Having started up Steelworks with Natasha and letting Lana move in with him while she starts a new job in Metropolis while operating as Steel. Using new armors, he fights alongside Natasha and Lana, now operating as Superwoman. When Ultrawoman takes over the city in a bid to steal Superwoman's powers, Steel helps lead and coordinate the efforts take the city back and defend the people from her army of female Bizarro clones.
Once Ultrawoman is defeated, John Henry has to help Lana, whose powers have begun killing her. Desperate to save his girlfriend, he enlists Superman's help, and he stays with her while she recovers. When she does, they discover that Lana has lost all of her powers. John tries to support her while she copes, but she pushes him away instead, though they later reconcile.
John Henry and Natasha then give Lana a power suit to help her continue as Superwoman. However, they discover that the last time Lana donned it, the suit was able to permanently copy her now lost powers. With Lana's problem resolved, the three return to fighting crime and rounding up the escaped metahuman prisoners.
Powers and Abilities
John Henry Irons possess no superhuman powers. He is an exceptionally gifted intellect that specializes in various fields of engineering. A genius of the highest order, he built a bullet proof suit of armor whose computerized pneumatic exoskeletal joints gave him superhuman strength.
In specific situations Steel had temporarily developed superpowers:
Teleportation: When under unexplained circumstances he was able to transport himself to a "white void zone".
Organic steel skin: During 52 Steel was injected with the formula of the Everyman Project by Lex Luthor and developed an invulnerable organic steel skin than he could super heat at will and throw as a projectile.
Weapons and Equipment - Armors
Steel had used different armors since his first appearance:
Man of Steel armor: Homemade armor created in homage to Superman.
Shieldless armor: Used after the return of Superman and from the time Steel fought against Hazard and AmerTek.
JLA armor: From the time he joined the JLA, and used a similar yet different "S" shield.
Faceless armor: Similar to the previous one, but with a faceless helmet instead his steal coated face.
Entropy Aegis armor: Forged in Apokolips, was instrumental to bring him back to life. However it was feeding of his soul, so he had to quit using it.
52 armor: Using after Infinity Crisis and during the year of absent of Superman, he used again the El house crest as his own symbol.
Metal-0 Prototype armor: In the New 52 continuity, this was his first armor. He used it to fight Metallo and the Kyptonite Man.
Shield Armor: Using against the Suicide Squad and Doomsday. He would later add a film of liquid steel.
Armor Systems
Helmet systems include broadband communications array, VDU readouts for environmental controls, and retractable one-way visor.
Life-support systems which recycle oxygen supply, remove waste, and convert perspiration to potable water.
Independent heating and freon-compressed air-conditioning units regulate internal temperatures.
Hydraulic servomotors along his exoskeletal joints increase strength and speed tenfold
Air-cooled cannons in his forearms gauntlet fire metal spikes and rubber projectiles. They function as the launching platform for concussive sonic grenades.
Segmented breakaway boots that can be jettisoned if necessary.
Micro-jet engine compressors controlled by Pressure sensitive toggles in his gloves.
Thrusters proved a wide range of airborne manoeuvrability.
Armor is composed of breathable fire-retardant nomex fabric.
Embedded solar cells help keep his armor fully charged.
His suit is made of a composite high-tensile steel alloy treated with micron-thick reflective sealant to shield against microwave and subatomic particle radiation.
Trivia : According to JLA 1000000, his Armor is going to last all the way to the 118th Century and be worn by Steel 7 in the 51st Century, Steelman of New Centurions in the 100th Century and Lancelot Grail, the Cosmic Knight in 118th Century
Hammer Abilities
Remote-controlled
Can alter trajectory or stop mid-throw
Polarizing inertial dampers within hammer increase inertia relative to distance hurled
Magnetically attaches to back of armor.
Segmented handle telescopes into locked position.
⚡ Happy 🎯 Heroclix 💫 Friday! 👽
_____________________________
A year of the shows and performers of the Bijou Planks Theater.
Secret Identity: Dr. John Henry Irons II
Publisher: DC
First appearance: The Adventures of Superman #500 (June 1993)
Created by: Louise Simonson (Writer)
Jon Bogdanove (Artist)
First appearance cover:
www.flickr.com/photos/paprihaven/51737806513/
This is Steel's first appearance, but his namesake, John Henry, appeared in BP 2019 Day 270!
Character Creation
Batman[b] is a superhero who appears in American comic books published by DC Comics. Batman was created by artist Bob Kane and writer Bill Finger, and debuted in the 27th issue of the comic book Detective Comics on March 30, 1939.
In the DC Universe, Batman is the alias of Bruce Wayne, a wealthy American playboy, philanthropist, and industrialist who resides in the fictional Gotham City. His origin story features him swearing vengeance against criminals after witnessing the murder of his parents, Thomas and Martha, as a child, a vendetta tempered by the ideal of justice. He trains himself physically and intellectually, crafts a bat-inspired persona, and monitors the Gotham streets at night. Kane, Finger, and other creators accompanied Batman with supporting characters, including his sidekicks Robin and Batgirl; allies Alfred Pennyworth and James Gordon; love interest and occasional adversary Catwoman; as well as foes such as the Penguin, the Riddler, Two-Face, and his archenemy, the Joker, among others.
Kane conceived Batman in early 1939 to capitalize on the popularity of Superman. Along with Kane, Finger substantially developed the concept from a generic superhero into something more bat-like. They drew inspiration from pulp fiction characters like the Shadow, Sherlock Holmes, & The Green Hornet. Batman received a spin-off publication, Batman, in 1940.
Kane and Finger introduced Batman as a ruthless vigilante who frequently killed or maimed criminals, but he evolved into a just, tempered superhero with a stringent moral code that prohibits killing during the 1940s. Unlike most superheroes, Batman does not possess any superpowers, instead relying on his intellect, fighting skills, and wealth.
The 1960s Batman television series used a camp aesthetic, which continued to be associated with Batman for years after it ended. Various creators worked to return Batman to his darker roots in the 1970s and 1980s, culminating with the 1986 miniseries The Dark Knight Returns by Frank Miller.
DC has featured Batman in many comic books, including comics published under its imprints such as Vertigo and Black Label; he has been considered DC's flagship character since the 1990s. The longest-running Batman comic, Detective Comics, is the longest-running comic book in the United States. Batman is frequently depicted alongside other DC superheroes, such as Superman and Wonder Woman, as a member of organizations such as the Justice League and the Outsiders.
In addition to Bruce Wayne, other characters used the Batman persona, such as Jean-Paul Valley / Azrael in the 1993–1994 "Knightfall" story arc; Dick Grayson, the first Robin, from 2009 to 2011; and Jace Fox, the son of Wayne's ally Lucius, since 2021. DC has also published comics featuring alternate versions of Batman, including the incarnation seen in The Dark Knight Returns and its successors, the incarnation from the Flashpoint (2011) event, and numerous interpretations in comics published under the Elseworlds label.
Batman is one of the most iconic characters in popular culture and has been listed among the greatest comic book superheroes and characters ever created. He is one of the most commercially successful superheroes, and his likeness has been licensed and featured in various media and merchandise sold around the world; this includes toy lines such as Lego Batman and video games such as the Batman: Arkham series.
Batman has been adapted in many live-action and animated television series and films. Adam West portrayed him in the 1960s Batman television series, and he has been portrayed in film by Michael Keaton, Val Kilmer, George Clooney, Christian Bale, Ben Affleck, and Robert Pattinson. Many actors, most prolifically Kevin Conroy, have provided Batman's voice in animation and video games. In September 2024, Batman was given a star on the Hollywood Walk of Fame, being the first superhero to receive the honor.
Publication History
Creation and early history
In early 1939, following the success of Superman, DC Comics' editors requested more superheroes.[7] Bob Kane created Batman, initially drawing a character with red tights, bat wings, and a domino mask. Bill Finger, a collaborator, made significant contributions by suggesting a cowl, cape, gloves, and a darker costume.[8] The character's alter ego, Bruce Wayne, was inspired by historical figures Robert the Bruce and Mad Anthony Wayne.[9] Batman's early adventures drew inspiration from contemporary pulp fiction and characters like Zorro and the Shadow, establishing Batman as a master detective with a dark, brooding persona driven by the murder of his parents.[10][11]
Golden, Silver and Bronze Ages
Batman debuted in Detective Comics #27 in 1939. Early stories were dark, featuring a Batman who did not shy away from killing. The character quickly became popular, leading to his own solo title in 1940. Robin, Batman's sidekick, was introduced in 1940, lightening the tone and boosting sales. Over the next few years, Batman's rogues' gallery expanded with iconic villains like the Joker and Catwoman.
The 1950s saw Batman in lighter, science fiction-influenced stories. However, declining sales led to a 1964 revamp by editor Julius Schwartz, who returned Batman to his detective roots and updated his appearance. The 1966 Batman TV series introduced a campy, humorous tone, which was reflected in the comics until its cancellation in 1968. In the 1970s, writers Dennis O'Neil and Neal Adams restored Batman's dark, gritty nature, a trend that continued despite fluctuating sales.
Modern Age and reboots
In the Modern Age of Comic Books Batman comics have undergone significant transformations, reflecting changing storytelling trends and audience interests. Beginning with seminal works like The Dark Knight Returns in the 1980s, which reintroduced Batman in a grittier, more mature context, the character's narrative evolved to explore deeper themes and darker tones. This period also saw the exploration of Batman's origins and psyche through works like Batman: Year One, and Batman: The Killing Joke, which delved into the complexities of heroism and villainy.
In the 1990s, storylines such as "Knightfall" introduced new adversaries like Bane, who physically and mentally challenged Batman, leading to a temporary replacement by Jean-Paul Valley. The aftermath of an earthquake in "No Man's Land" depicted Gotham City in chaos, further pushing Batman to new limits of heroism and survival.
Entering the 21st century, Grant Morrison's influential run introduced Damian Wayne as Batman's son and heir, bringing familial dynamics and a new generation of challenges to the forefront. Morrison's storytelling also delved into surreal and existential themes, such as in Batman R.I.P. and Final Crisis, which tested Batman's resolve and sanity against cosmic threats and personal demons.
The New 52 reboot in 2011 refreshed Batman's continuity while preserving core elements of his character. This era introduced modern interpretations of classic storylines, like Night of the Owls, where Batman confronts the Court of Owls, a clandestine society controlling Gotham for centuries. The chilling return of the Joker in "Death of the Family" explored the intricate relationships within Batman's extended family of allies and adversaries. More recent developments under DC Rebirth and Infinite Frontier have continued to evolve Batman's universe, exploring new characters like Gotham and Gotham Girl, and tackling contemporary issues within the context of Gotham City's ever-evolving landscape of crime and heroism.
Bruce Wayne
Batman's secret identity is Bruce Wayne, a wealthy American industrialist. As a child, Bruce witnessed the murder of his parents, Dr. Thomas Wayne and Martha Wayne, which ultimately led him to craft the Batman persona and seek justice against criminals. He resides on the outskirts of Gotham City in his personal residence, Wayne Manor.
Wayne averts suspicion by acting the part of a superficial playboy idly living off his family's fortune and the profits of Wayne Enterprises, his inherited conglomerate. He supports philanthropic causes through his nonprofit Wayne Foundation, which in part addresses social issues encouraging crime as well as assisting victims of it, but is more widely known as a celebrity socialite.
In public, he frequently appears in the company of high-status women, which encourages tabloid gossip while feigning near-drunkenness with consuming large quantities of disguised ginger ale since Wayne is actually a strict teetotaler to maintain his physical and mental prowess. Although Bruce Wayne leads an active romantic life, his vigilante activities as Batman account for most of his time. While Bruce Wayne is never depicted as being especially religious, he is ethnically Jewish on his mother's side; his maternal cousin Batwoman (Kate Kane) is practising. His father, Thomas, raised Bruce as a Christian.
Various modern stories have portrayed the extravagant, playboy image of Bruce Wayne as a facade. In Batman Unmasked, a television documentary about the psychology of the character, behavioral scientist Benjamin Karney notes that Batman's personality is driven by Bruce Wayne's inherent humanity; that "Batman, for all its benefits and for all of the time Bruce Wayne devotes to it, is ultimately a tool for Bruce Wayne's efforts to make the world better". Bruce Wayne's principles include the desire to prevent future harm and a vow not to kill. Bruce Wayne believes that our actions define us, we fail for a reason, and anything is possible.
Writers of Batman and Superman stories have often compared and contrasted the two. Interpretations vary depending on the writer, the story, and the timing. Grant Morrison notes that both heroes "believe in the same kind of things" despite the day/night contrast their heroic roles display. Morrison notes an equally stark contrast in their real identities. Bruce Wayne and Clark Kent belong to different social classes: "Bruce has a butler, Clark has a boss." T. James Musler's book Unleashing the Superhero in Us All explores the extent to which Bruce Wayne's vast personal wealth is important in his life story, and the crucial role it plays in his efforts as Batman.
Will Brooker notes in his book Batman Unmasked that "the confirmation of the Batman's identity lies with the young audience ...he doesn't have to be Bruce Wayne; he just needs the suit and gadgets, the abilities, and most importantly the morality, the humanity."
Personality
Batman's primary character traits can be summarized as "wealth; physical prowess; deductive abilities and obsession". The details and tone of Batman comic books have varied over the years with different creative teams. Dennis O'Neil noted that character consistency was not a major concern during early editorial regimes: "Julie Schwartz did a Batman in Batman and Detective and Murray Boltinoff did a Batman in the Brave and the Bold and apart from the costume they bore very little resemblance to each other. Julie and Murray did not want to coordinate their efforts, nor were they asked to do so. Continuity was not important in those days."
The driving force behind Bruce Wayne's character is his parents' murder and their absence. Bob Kane and Bill Finger discussed Batman's background and decided that "there's nothing more traumatic than having your parents murdered before your eyes". Despite his trauma, he sets his mind on studying to become a scientist and to train his body into physical perfection to fight crime in Gotham City as Batman, an inspired idea from Wayne's insight into the criminal mind. He also speaks over 40 languages.
Another of Batman's characterizations is that of a vigilante; in order to stop evil that started with the death of his parents, he must sometimes break the law himself. Although manifested differently by being re-told by different artists, it is nevertheless that the details and the prime components of Batman's origin have never varied at all in the comic books, the "reiteration of the basic origin events holds together otherwise divergent expressions".
The origin is the source of the character's traits and attributes, which play out in many of the character's adventures.
Batman is often treated as a vigilante by other characters in his stories. Frank Miller views the character as "a dionysian figure, a force for anarchy that imposes an individual order". Dressed as a bat, Batman deliberately cultivates a frightening persona in order to aid him in crime-fighting, a fear that originates from the criminals' own guilty conscience.
Miller is often credited with reintroducing anti-heroic traits into Batman's characterization, such as his brooding personality, willingness to use violence and torture, and increasingly alienated behavior. Batman, shortly a year after his debut and the introduction of Robin, was changed in 1940 after DC editor Whitney Ellsworth felt the character would be tainted by his lethal methods and DC established their own ethical code, subsequently he was retconned to have a stringent moral code, which has stayed with the character of Batman ever since. Miller's Batman was closer to the original pre-Robin version, who was willing to kill criminals if necessary.
Others as Batman
On several occasions former Robin Dick Grayson has served as Batman; most notably in 2009 while Wayne was believed dead, and served as a second Batman even after Wayne returned in 2010. As part of DC's 2011 continuity relaunch, Grayson returned to being Nightwing following the Flashpoint crossover event.
In an interview with IGN, Morrison detailed that having Dick Grayson as Batman and Damian Wayne as Robin represented a "reverse" of the normal dynamic between Batman and Robin, with, "a more light-hearted and spontaneous Batman and a scowling, badass Robin". Morrison explained their intentions for the new characterization of Batman: "Dick Grayson is kind of this consummate superhero.
The guy has been Batman's partner since he was a kid, he's led the Teen Titans, and he's trained with everybody in the DC Universe. So he's a very different kind of Batman. He's a lot easier; He's a lot looser and more relaxed."
Over the years, there have been numerous others to assume the name of Batman, or to officially take over for Bruce during his leaves of absence. Jean-Paul Valley, also known as Azrael, assumed the cowl after the events of the Knightfall saga. Jim Gordon donned a mecha-suit after the events of Batman: Endgame, and served as Batman in 2015 and 2016. In 2021, as part of the Fear State crossover event, Lucius Fox's son Jace Fox succeeds Bruce as Batman in a 2021 storyline, depicted in the series I Am Batman, after Batman was declared dead.
Additionally, members of the group Batman Incorporated, Bruce Wayne's experiment at franchising his brand of vigilantism, have at times stood in as the official Batman in cities around the world. Various others have also taken up the role of Batman in stories set in alternative universes and possible futures, including, among them, various former proteges of Bruce Wayne.
Enemies
Batman faces a variety of foes ranging from common criminals to outlandish supervillains. Many of them mirror aspects of the Batman's character and development, often having tragic origin stories that lead them to a life of crime. These foes are commonly referred to as Batman's rogues gallery. Batman's "most implacable foe" is the Joker, a homicidal maniac with a clown-like appearance. The Joker is considered by critics to be his perfect adversary, since he is the antithesis of Batman in personality and appearance; the Joker has a maniacal demeanor with a colorful appearance, while Batman has a serious and resolute demeanor with a dark appearance. As a "personification of the irrational", the Joker represents "everything Batman opposes".
Other long-time recurring foes that are part of Batman's rogues gallery include Catwoman (a cat burglar anti-heroine who is variously an ally and romantic interest), the Penguin, Ra's al Ghul, Two-Face (Harvey Dent), the Riddler, the Scarecrow, Mr. Freeze, Poison Ivy, Harley Quinn, Bane, Clayface, and Killer Croc, among others. Many of Batman's adversaries are often psychiatric patients at Arkham Asylum.
Allies
Alfred Pennyworth, Batman's loyal butler and father figure, first appeared in Batman #16 (1943). After Bruce Wayne's parents were killed, Alfred raised Bruce and became one of the few people to know his secret identity. He is often portrayed as a steadying presence in Bruce's life, offering both emotional support and practical assistance in Batman's crime-fighting endeavors. More than just a caretaker, Alfred is a trusted ally and sometimes sidekick, sharing Wayne Manor with Bruce and contributing to Batman's mission.
One of Batman's most crucial allies is Commissioner James Gordon. Their relationship is built on mutual respect and a shared commitment to justice in Gotham City. In Batman: Year One, Gordon and Batman learn to trust each other, which transforms their efforts against crime into a more effective partnership. Gordon's perspective as a police officer complements Batman's vigilantism, allowing them to tackle Gotham's challenges together. Another important ally is the Justice League, which further emphasizes the importance of collaboration. Batman's relationship with Superman showcases how their contrasting ideologies can complement each other. In stories like World's Finest, their friendship highlights how Batman's methods benefit from Superman's optimism and strength.
Sidekicks
Robin, Batman's vigilante partner, has been a widely recognized supporting character for many years; each iteration of the Robin character, of which there have been five in the mainstream continuity, function as members of the Batman family, but additionally, as Batman's "central" sidekick in various media.
Bill Finger stated that he wanted to include Robin because "Batman didn't have anyone to talk to, and it got a little tiresome always having him thinking." The first Robin, Dick Grayson, was introduced in 1940. In the 1970s he finally grew up, went off to college and became the hero Nightwing. A second Robin, Jason Todd was introduced in the 1980s, following Dick Grayson's departure from the role. Initially impulsive and rebellious, Jason's tenure as Robin was controversial among fans. In 1988, DC held a fan vote to determine his fate in the iconic A Death in the Family storyline, where the Joker brutally beat Jason with a crowbar and left him to die in an explosion. The fans voted for his death. However, Jason was later resurrected and returned as the antihero Red Hood.
The third Robin in the mainstream comics is Tim Drake, who first appeared in 1989. He went on to star in his own comic series, and goes by the name Red Robin, a variation on the traditional Robin persona. In the first decade of the new millennium, Stephanie Brown served as the fourth in-universe Robin between stints as her self-made vigilante identity the Spoiler, and later as Batgirl.
After Brown's apparent death, Drake resumed the role of Robin for a time. The role eventually passed to Damian Wayne, the 10-year-old son of Bruce Wayne and Talia al Ghul, in the late 2000s.[58] Damian's tenure as du jour Robin ended when the character was killed off in the pages of Batman Incorporated in 2013.
Batman's next young sidekick is Harper Row, a streetwise young woman who avoids the name Robin but followed the ornithological theme nonetheless; she debuted the codename and identity of the Bluebird in 2014. Unlike the Robins, the Bluebird is willing and permitted to use a gun, albeit non-lethal; her weapon of choice is a modified rifle that fires taser rounds. In 2015, a new series began titled We Are...Robin, focused on a group of teenagers using the Robin persona to fight crime in Gotham City. The most prominent of these, Duke Thomas, later becomes Batman's crimefighting partner as The Signal.
Romantic interests
Batman's romantic history spans decades, filled with relationships that reflect his struggle between personal happiness and his duty as Gotham's protector. His first love interest was Julie Madison, introduced in Detective Comics #31 (1939). Though engaged to Bruce Wayne, she left due to his distant and playboy persona, highlighting the conflict between Bruce's dual life and his desire for a normal relationship.
Selina Kyle, also known as Catwoman, is perhaps the most notable figure in Batman's romantic history. Debuting in Batman #1 (1940), their relationship is characterized by a blend of romance and rivalry. Over the years, they have shared intense connections, often navigating the fine line between love and conflict. Their relationship culminated in an engagement during the DC Rebirth.
Another important figure is Vicki Vale, a journalist introduced in Batman #49 (1948). Vicki's attempts to uncover Batman's true identity lead to a complicated romantic involvement that waxed and waned over the years, especially during the early 1980s when their relationship became more serious.
Talia al Ghul, introduced in Detective Comics #411 (1971), is another key player in Batman's love life. Their relationship is fraught with conflict due to her father, Ra's al Ghul, and his criminal ambitions. Despite the challenges, their love story resulted in the birth of Damian Wayne, who would grow to become the latest Robin and add a new layer of complexity to Batman's character.
Additionally, Batman's relationship with Wonder Woman has been explored in various storylines, including a passionate kiss in JLA (2003) during a moment of crisis. However, their relationship remains largely unexplored, often overshadowed by their respective commitments.
Abilities
Skills and training
Batman has no inherent superhuman powers; he relies on "his own scientific knowledge, detective skills, and athletic prowess". Batman's inexhaustible wealth gives him access to advanced technologies, and as a proficient scientist, he is able to use and modify these technologies to his advantage.
In the stories, Batman is regarded as one of the world's greatest detectives, if not the world's greatest crime solver. Batman has been repeatedly described as having a genius-level intellect, being one of the greatest martial artists in the DC Universe, and having peak human physical and mental conditioning. As a polymath, his knowledge and expertise in countless disciplines is nearly unparalleled by any other character in the DC Universe. He has shown prowess in assorted fields such as mathematics, biology, physics, chemistry, and several levels of engineering. He has traveled the world acquiring the skills needed to aid him in his endeavors as Batman. In the Superman: Doomed story arc, Superman considers Batman to be one of the most brilliant minds on the planet.
Batman has trained extensively in various fighting styles, making him one of the best hand-to-hand fighters in the DC Universe. He possesses a photographic memory, and has fully utilized his photographic memory to master a total of 127 forms of martial arts. In terms of his physical condition, Batman is described as peak human and far beyond an Olympic-athlete-level condition, able to perform feats such as easily running across rooftops in a Parkour-esque fashion, pressing thousands of pounds regularly, and even bench pressing six hundred pounds of soil and coffin in a poisoned and starved state.
Superman describes Batman as "the most dangerous man on Earth", able to defeat an entire team of superpowered extraterrestrials by himself in order to rescue his imprisoned teammates in Grant Morrison's first storyline in JLA.
Batman is strongly disciplined, and he has the ability to function under great physical pain and resist most forms of telepathy and mind control. He is a master of disguise, multilingual, and an expert in espionage, often gathering information under the identity of a notorious gangster named Matches Malone. Batman is highly skilled in stealth movement and escapology, which allows him to appear and disappear at will and to break free of nearly inescapable deathtraps with little to no harm. He is also a master strategist, considered DC's greatest tactician, with numerous plans in preparation for almost any eventuality.
Batman is an expert in interrogation techniques and his intimidating and frightening appearance alone is often all that is needed in getting information from suspects. Despite having the potential to harm his enemies, Batman's most defining characteristic is his strong commitment to justice and his reluctance to take a life. This unyielding moral rectitude has earned him the respect of several heroes in the DC Universe, most notably that of Superman and Wonder Woman.
Among physical and other crime fighting related training, he is also proficient at other types of skills. Some of these include being a licensed pilot (in order to operate the Batplane), as well as being able to operate other types of machinery. In some publications, he even underwent some magician training.
Technology
Batman utilizes a vast arsenal of specialized, high-tech vehicles and gadgets in his war against crime, the designs of which usually share a bat motif. Batman historian Les Daniels credits Gardner Fox with creating the concept of Batman's arsenal with the introduction of the utility belt in Detective Comics #29 (July 1939) and the first bat-themed weapons the batarang and the "Batgyro" in Detective Comics #31 and 32 (Sept. and October 1939).
Personal armor - Batsuit
Batman's batsuit aids in his combat against enemies, having the properties of both Kevlar and Nomex. It protects him from gunfire and other significant impacts, and incorporates the imagery of a bat in order to frighten criminals.
The details of the Batman costume change repeatedly through various decades, stories, media and artists' interpretations, but the most distinctive elements remain consistent: a scallop-hem cape; a cowl covering most of the face; a pair of bat-like ears; a stylized bat emblem on the chest; and the ever-present utility belt. His gloves typically feature three scallops that protrude from long, gauntlet-like cuffs, although in his earliest appearances he wore short, plain gloves without the scallops. The overall look of the character, particularly the length of the cowl's ears and of the cape, varies greatly depending on the artist. Dennis O'Neil said, "We now say that Batman has two hundred suits hanging in the Batcave so they don't have to look the same ...Everybody loves to draw Batman, and everybody wants to put their own spin on it."
Finger and Kane originally conceptualized Batman as having a black cape and cowl and grey suit, but conventions in coloring called for black to be highlighted with blue. Hence, the costume's colors have appeared in the comics as dark blue and grey; as well as black and grey. In the Tim Burton's Batman and Batman Returns films, Batman has been depicted as completely black with a bat in the middle surrounded by a yellow background. Christopher Nolan's The Dark Knight Trilogy depicted Batman wearing high-tech gear painted completely black with a black bat in the middle. Ben Affleck's Batman in the DC Extended Universe films wears a suit grey in color with a black cowl, cape, and bat symbol. Seemingly following the suit of the DC Extended Universe outfit, Robert Pattinson's uniform in The Batman restores the more traditional gray bodysuit and black appendage design, notably different from prior iterations by mostly utilizing real world armor and apparel pieces from modern military and motorcycle gear.
Batmobile
The 1966 television Batmobile, built by George Barris from a Lincoln Futura concept car
Batman's primary vehicle is the Batmobile, which is usually depicted as an imposing black car, often with tailfins that suggest a bat's wings.
Batman also has an aircraft called the Batplane (originally a relatively traditionally, but bat-motifed plane, later seen as the much more unique "Batwing" starting in the 1989 film), along with various other means of transportation.
In proper practice, the "bat" prefix (as in Batmobile or batarang) is rarely used by Batman himself when referring to his equipment, particularly after some portrayals (primarily the 1960s Batman live-action television show and the Super Friends animated series) stretched the practice to campy proportions. For example, the 1960s television show depicted a Batboat, Bat-Sub, and Batcycle, among other bat-themed vehicles. The 1960s television series Batman has an arsenal that includes such "bat-" names as the Bat-computer, Bat-scanner, bat-radar, bat-cuffs, bat-pontoons, bat-drinking water dispenser, bat-camera with polarized bat-filter, bat-shark repellent bat-spray, and Bat-rope. The storyline "A Death in the Family" suggests that given Batman's grim nature, he is unlikely to have adopted the "bat" prefix on his own. In The Dark Knight Returns, Batman tells Carrie Kelley that the original Robin came up with the name "Batmobile" when he was young, since that is what a kid would call Batman's vehicle.
The Batmobile, which was before frequently depicted to resemble a sports car, was redesigned in 2011 when DC Comics relaunched its entire line of comic books, with the Batmobile being given heavier armor and new aesthetics.
Utility belt
Batman keeps most of his field equipment in his utility belt. Over the years it has shown to contain an assortment of crime-fighting tools, weapons, and investigative and technological instruments. Different versions of the belt have these items stored in compartments, often as pouches or hard cylinders attached evenly around it.
Since the 1989 film, Batman is often depicted as carrying a projectile which shoots a retractable grappling hook attached to a cable (before this, a he employed a traditionally thrown grappling hook.) This allows him to attach to distant objects, be propelled into the air, and thus swing from the rooftops of Gotham City.
An exception to the range of Batman's equipment are hand guns, which he refuses to use on principle, since a gun was used in his parents' murder. In modern stories in terms of his vehicles, Batman compromises on that principle to install weapon systems on them for the purpose of non-lethally disabling other vehicles, forcing entry into locations and attacking dangerous targets too large to defeat by other means.
Bat-Signal
When Batman is needed, the Gotham City police activate a searchlight with a bat-shaped insignia over the lens called the Bat-Signal, which shines into the night sky, creating a bat-symbol on a passing cloud which can be seen from any point in Gotham. The origin of the signal varies, depending on the continuity and medium.
In various incarnations, most notably the 1960s Batman TV series, Commissioner Gordon also has a dedicated phone line, dubbed the Bat-Phone, connected to a bright red telephone (in the TV series) which sits on a wooden base and has a transparent top. The line connects directly to Batman's residence, Wayne Manor, specifically both to a similar phone sitting on the desk in Bruce Wayne's study and the extension phone in the Batcave.
Batcave
The Batcave is Batman's secret headquarters, consisting of a series of caves beneath his mansion, Wayne Manor. As his command center, the Batcave serves multiple purposes; supercomputer, surveillance, redundant power-generators, forensics lab, medical infirmary, private study, training dojo, fabrication workshop, arsenal, hangar and garage. It houses the vehicles and equipment Batman uses in his campaign to fight crime. It is also a trophy room and storage facility for Batman's unique memorabilia collected over the years from various cases he has worked on.
Fictional Character History
The Man Who Laughs
Gotham City got its first taste of Batman's greatest enemy, the Joker, when the police found an abandoned warehouse filled with mutilated corpses, all having ghastly rictus grins on their faces. While Batman was tracking down the killer, the Joker himself appeared on live TV, on a news report on Arkham Asylum, killing the reporter with his mysterious laughing venom and predicting the deaths of some of the richest individuals in Gotham. Bruce wondered whether the Joker was a deformed version of the Red Hood, a criminal who fell into chemical waste while being engaged by Batman. The Joker carried out his hits as promised, using his venom, despite Batman's efforts to stop him. The city was thrown into chaos when he invaded a prison facility and sets its inmates free, providing them with weapons and killing all of its guard personnel in the process.
The criminals wrought great havoc throughout the city, but ware apprehended by Batman. When the Joker's next target became Bruce Wayne, Wayne Manor came under strict surveillance and guard by the police, rendering Bruce unable to act as Batman. He secretly injected himself with some Joker venom he had gathered. The venom took instant effect, and Bruce was rushed to the hospital.
But on the way, Alfred Pennyworth administered him with an antidote that Bruce had synthesized after careful study, and as Bruce recovered, he understood the Joker's true plan. He had gained an understanding of what drove the Joker while under the effects of the venom and had realized that Bruce Wayne's assassination was only a diversion from his real mission, which was killing everyone in Gotham City by poisoning its water reservoir, which Batman deduced from the clues he had gained in the last few days while tracking the Joker. He found and stopped the Joker at the reservoir and refrains from killing him, though not without giving him a severe beating. The Joker was confined to the reopened Arkham Asylum.
The Long Halloween
In Batman's early years, his main objective was to take down Gotham's biggest crime lord Carmine "The Roman" Falcone. To do this, Batman required the help of two of Gotham's finest, "hero cop" Jim Gordon and District Attorney Harvey Dent. Despite dealing massive blows to the criminal empire, the Roman still stood tall until a killer by the name of Holiday started making his move and killing a member of the Falcone Crime family on every occasion.
Over the course of the story, the trio's morals are put into question, notably Dent's, who has let it be known that he does not care for the deaths of criminals and even contemplated stealing some of the weakened Roman's money. Jealous by the attention Holiday has received, the Joker attempts to release his gas on Gotham Square on New Year's Eve to kill everyone in attendance, and hopefully Holiday but he is stopped by Batman.
Later on, it is revealed that Dent owned the same type of gun that was used in the Holiday murders, turning him into a prime suspect. Despite Gordon's suspicions, Batman refuses to believe that his friend, who shares his love for justice, would be a killer. On the Roman's birthday, Sal Maroni, Falcone's rival, is set to testify against Carmine, prosecuted by Dent.
Just as things seemed to go Dent's way, Maroni ends up throwing acid in the attorney's face, physically and mentally scarring him. After being rushed to the hospital, Harvey escapes in a crazed state and kills a doctor. Gordon moves Maroni to a new cell, suspecting that he may be Holiday's next target.
Surely enough, Holiday makes his move and kills Maroni, and just as he is about to kill Gordon, who was escorting the gangster, Batman appears just in time to save his friend and take down the killer, and he is revealed to be Falcone's son, Alberto, who holds a grudge against his father for neglecting him and keeping him out of the family business. A while later, Dent makes his return, with half his face disfigured, now calling himself Two-Face. He regroups all the costume freaks including Joker, Scarecrow, and Poison Ivy, among others, and bursts into the disgraced Roman penthouse to signify the change that has come to Gotham.
Batman appears and takes down the villains except for Dent who holds Falcone hostage. Despite Batman's pleads, Two-Face ends up killing Falcone and then surrenders himself. In the end, when confronted by Batman and Gordon, Dent claims that his methods were the most effective in taking down Falcone. Despite witnessing the corruption of their friend, Batman and Gordon's resolve remains strong and they both vow to never give up on ridding Gotham of evil.
Dark Victory and Robin
In the aftermath of Roman's death, Falcone's daughter, Sofia Gigante has taken over the family business and vows to kill Two-Face who managed to escape from Arkham Asylum. Meanwhile, a killer by the name of Hangman has been killing various cops and implying that Two-Face is responsible. A gang war erupts between the crime families and the costumed freaks, recruited by Two-Face, and in the crossfire, circus acrobats, the Flying Graysons are killed by Falcone associate, Tony Zucco, leaving the performers' son, Dick, an orphan.
Feeling sympathy for the child and remembering his own trauma, Bruce Wayne adopts Dick as his son. However, since Bruce was too busy trying to stop the war as Batman, Dick would often sneak out at night looking for his parent's killer. A terrified Tony Zucco, who knows that Batman is looking for him, is confronted by Dick and due to his poor health, ends up dying of a heart attack. Realizing the boy's vigilante tendencies, Bruce reveals his identity and decides to train him to avoid his death. It is later revealed that Hangman is actually Sofia Gigante and sets Gotham on fire to bring Dent out of hiding but before she could kill him, Batman saves him, allowing Dent to kill her and escape into the sewers with the rest of the super-villains with Batman in pursuit.
In the climactic battle, Two-Face and his villainous group find themselves in the bat cave but Dick's presence prevented them from discovering Batman's secret. Batman and Dick end up fighting off and defeating the villains once and for all. In the end, Batman offers Dick a chance to live a normal life away from vigilantism, but Dick insists on joining his war, and so, he becomes Robin, assisting Batman in his mission, and thus the Dynamic Duo was born.
Tales of the Ghul
While trying to stop the criminal Doctor Dark, who was leading the League of Assassins at the time, Batman meets the enigmatic Talia Al Ghul, who was kidnapped by Dark in an attempt to blackmail her father, the wealthy Ra's Al Ghul. Batman saves Talia and she ends up falling in love with the Dark Knight. One night, Batman discovers that Robin has been kidnapped and then, Ra's Al Ghul, who has used his immense resources to discover Batman's secret identity, appears to him in the Bat-Cave to ask for his help, as his daughter has also been kidnapped, possibly by the same person who kidnapped Robin.
The two work together and, accompanied by Ra's' faithful bodyguard Ubu, travels the world looking for the kidnapper. Batman solves various puzzles and obstacles thrown in his path, and after finding both Talia and Robin, he deduces that Ra's was behind the entire ordeal as a personal test, which Ra declares he has passed. Ra's reveals that he wants to change the world into a better place, but to that, he wants to eradicate most of mankind. However, he is growing old and reveals that this machination took place because he needed a successor, and Batman has proven himself worthy of that position as well as the affections of his only daughter, Talia. However, Batman, appalled by his view of the world, sees him as a dangerous criminal mastermind and vows to stop him at all costs.
In his crusade to take down the criminal mastermind, he discovers in the story that Ra's has lived for centuries due to the mystical Lazarus Pit, which restores Ra's youth as well as gives him immense strength that allowed him to defeat Batman in a fight. In his pursuit of Ra's and his league, Batman finds himself in Nanda Parbat where Ra's challenges him to a swordfight. After fighting a stalemate, a scorpion stings Batman, leaving him incapacitated. Though Ra's sees Batman as a worthy foe, because he refused his offer, he leaves him to die.
However, Talia, still having feelings for the Dark Knight, gives him a final kiss that contained the antidote. Batman recovers from the scorpion's poison, and in a fit of rage, confronts Ra's, who was immobilized with fear at the sight of the recovered vigilante, and decisively defeats him. In the end, Batman embraces Talia and offers her the chance to come back with him, but she refuses, because, despite her feelings for Bruce, she feels that she must remain by her father's side.
Just Another Kid on Crime Alley
During an encounter with the Joker, Robin is seriously wounded and the media believes him to be dead. Worried about Dick's safety, Batman decides to keep it that way and retires the Robin mantle, but Dick's insists that he will remain a crime-fighter and he would, later on, become the superhero known as Nightwing. On the anniversary of his parent's death, Batman, as is his tradition, keeps watching over Crime Alley, the site of that tragic night. However, on his way back to the Batmobile, he finds a young street orphan by the name of Jason Todd attempting to steal the tires of the car. Though impressed by the kid's courage, he decides to take him to a school for the homeless, but when it is revealed that the school housed criminals, Batman, with Jason's help, takes it down.
With nowhere for Jason to go and at the risk of him becoming another criminal on the streets, Batman decides to take Jason in as his own son, and seeing his potential to be a hero and also partly due to the loneliness he experienced after Dick Grayson's departure, offers Jason the mantle of Robin, which Jason gladly accepts. Batman later discovers that Jason's mother died of an overdose and his father was a reluctant partner of Two-Face, who ended up getting killed by the criminal. Although Batman attempted to hide this from Robin, fearing what he may do, his faith in Jason is restored when Robin, having discovered Two-Face's acts, spared him even though he had the chance to avenge his father's death. This made Batman see Jason as a worthy sidekick.
A Death in the Family
As time passed, it quickly became evident to Batman that Jason was far from the ideal crime-fighter. His conduct on the field was in stark contrast to that of Batman's cold professionalism. Jason would often thrust himself into exceedingly dangerous situations, endangering both student and mentor, giving vent to his inner emotions, which seemed to be dominated by rage. This became even more evident when Jason seemingly killed a serial rapist who had walked free after causing the death of one of his victims. Batman soon realized Robin hadn't coped with the death of his parents and felt it was best to make him inactive.
Back at his birthplace in Crime Alley, Jason finds his birth certificate and learns that his mother wasn't the late Catherine Todd, but that three women could be his mother, and all there are out of the country, so he left off in search of the first one, in the Middle East where he coincidentally meets up with Batman who was there tracking down the Joker. Together, they thwart the Joker's plans and take down the terrorists, but to Jason's dismay, the suspected woman is not his mother.
Continuing their investigation, and after an encounter with the deadly assassin Lady Shiva, they eventually track down Sheila Haywood, who was working in famine relief efforts in Ethiopia and it is revealed that she is, in fact, Jason's real mother. Bruce leaves Jason to spend time with his mother while he chases after the Joker, but it is later revealed that Sheila was being blackmailed by the Joker into giving him shipments of medical supplies that he can sell in the black market while transferring his deadly Joker gas to relief destinations.
Batman orders Jason to stay put while he chases the Joker, but Jason defies Batman's orders and leaves for the warehouse to find his mother. Jason manages to find her and reveals his secret identity to her, but she turns him over to the Joker in an attempt to save her own life. Joker savagely beats Jason with a crowbar, then detonates an explosion that kills both Jason and his mother.
Batman arrives just as the explosion goes off, and as he searches through the rubble, he finds, to his horror, the corpse of Jason. Batman grieves over the horrible site and vows to avenge Jason's death and take down the Joker once and for all. Batman vengefully tracks down the Joker, and though he manages to stop his latest death plot, the madman escapes, ending this counter the same way as others, unresolved. Batman continues grieving over Jason's death, considering it to be his greatest failure, and vows to never endanger anyone else in this line of work. Since then, he keeps Jason's costume in a glass casing in the Bat-Cave as a memorial, underneath it reads "A Good Soldier".
A Lonely Place of Dying
After Jason's tragic death, Batman became more violent and almost self-destructing when he battled crime. Tim Drake, a young boy who witnessed the death of the Graysons, noticed the dark nature of Batman after the loss of Robin. Tim once idolized the Flying Graysons and was in attendance when Dick's parents were killed. He also idolized Batman and Robin, as he saw them as heroes. Tim was able to deduce that Dick Grayson was, in fact, Robin when he noticed the costumed fighter perform an acrobatic move that only Dick could do, and knowing that the former acrobat was adopted by Bruce Wayne, he pieced things together and deduced that the millionaire is indeed Batman. He had figured out that the original Robin was Dick Grayson and thus, Bruce Wayne had to be Batman.
Tim knew that Batman needed an ally in his war and after being unsuccessful in convincing Dick to return to the role, Dick petitions Bruce to train Tim to become the next Robin, to keep Batman sane, but Batman refuses, vowing to never endanger anyone but himself in his war on crime. Meanwhile, Two-Face is on the loose and has prepared a plot to kill Batman once and for all, and this would have happened if not for the timely intervention of Tim Drake, wearing the Robin costume with Alfred's blessing and providing the necessary distraction for Batman to defeat his foe. In the end, both Alfred and Nightwing insist that the boy is capable of doing much good, especially under the guidance of Batman, and after much reluctance, Batman ends up agreeing. After a grueling training regime, Tim finally becomes the new Robin.
Knightfall
After a long time of hard work, Batman and Robin finally succeed in placing all of the worst villains in Arkham Asylum and thus apparently ensuring peace for Gotham. At one point he also encounters Jean-Paul Valley who is called Azrael, a victim of "The System" who was brainwashed into becoming an assassin for the sinister order known as The Order of Dumas, but Batman comforts Valley and takes him in as an ally to fight crime alongside him and reject his previous life.
Just when it seemed that Gotham was at peace, a new villain makes his way to Gotham seeking to conquer it and defeat its guardian, the Batman. The villain, known only as Bane, destroys the walls of Arkham and frees every single inmate to rage havoc on the city. Batman, who was also sick at the time, is forced to run a gauntlet of his worst enemies, putting both his body and mind to the test.
After a series of plots and encounters that weigh heavily on him, mentally and physically, fighting the likes of the Mad Hatter, the Ventriloquist, Amygdala, Victor Zsasz, Firefly, Riddler, Killer Croc, Poison Ivy, Scarecrow, Joker, and Two-Face, as well as encountering Bane's henchmen Zombie, Trogg and Bird, Batman finally manages to put them all back in prison however still oblivious to the mastermind behind this Gauntlet.
Batman finally returns home to rest only to be confronted by Bane, whose plan has come full circle and has come to Gotham to conquer it and defeat its protector. Though having almost no strength left, Batman accepts Bane's challenge and has one final fight. However, he is no match for this skilled foe, whose strength has also increased due to a drug known as Venom, and despite his best efforts Batman is horribly beaten and has his back broken by Bane in his own Batcave, paralyzing him.
Bane throws Batman's body in the middle of a crowded street so that everyone sees the fall of the Dark Knight. Before his identity is compromised, Alfred and Robin quickly take him back to the manor to nurse him back to health. However, his will is just as broken as his body, as he realizes that he cannot don the costume again, and since Gotham needs a protector, he entrusts the mantle of Batman to Jean-Paul Valley and instructs a distraught Robin to be his ally.
Knightquest and Knightsend
After his paralysis, Batman is tended to by Shondra Kinsolving, a doctor whom Bruce met before and the two shared romantic feelings. However, one night, Shondra is kidnapped along with one of her patients, Jack Drake, Robin's father, and so, despite being in a wheelchair, Bruce, along with Alfred go after the kidnappers, and track them down to London, leaving Gotham under the care of Robin (who is oblivious to his father's kidnapping) and the new Batman. It is revealed in the story that Shondra had psychic powers, and was kidnapped by her brother Asp who intended to use those powers for his own gain. Bruce is caught in a telepathic exchange between Shondra and Asp, and the energy released causes Bruce to regain mobility of his legs.
Now healed, he defeats Asp and saves Drake and Shondra, but the doctor's mental state was regressed to childhood due to the drugs given to her by her brother and she loses all memory of her relationship with Bruce. Preparing to get back into shape and regain his strength, Batman seeks the help of the skilled martial artist and assassin, Lady Shivam who agrees with the condition that he must kill. After several weeks of intense training, when it was time for Batman to kill, he refuses, causing Shiva to send variously skilled assassins after him to force his hand. Bruce defeats the assassins and appears to kill the final one, much to Shiva's delight. However, he had used a technique that appeared to be lethal even though it was not. With his strength now regained, Batman is ready to come back to Gotham.
Meanwhile, back in Gotham, Valley, now operating as Batman, attempts to track down Bane, who has now taken control of Gotham's underworld. However, Valley's brainwashing by the Order resurfaces, causing him to become more violent and to start losing control over his sanity. Donning a new tech-heavy costume and refusing Robin as a partner, Valley becomes a far darker and much more violent Batman and eventually manages to defeat Bane and end his reign of terror.
As the new Batman watches over Gotham, his vicious and reckless methods became intolerable by Robin, especially when he caused the deaths of the villain the Abattoir and his victims. When Robin tried to reason with him, Valley lashed out at him, almost killing him as he now considers himself to be superior to the real Batman. When Batman returns, having healed from his back injury, Jean-Paul tried to kill him to prove his superiority but Batman defeats and tricks him into removing his costume, thereby getting rid of "the system" in his head. Humbled and regretting his actions, Valley admits to Bruce that he (Bruce) is the one and only Batman and vows to redeem himself in his eyes.
Though having regained the use of his legs, Batman decides to travel the world to fully regain his strength, and in his absence gives the mantle to the man he should have given it to in the first place, Nightwing until he comes back.
No Man's Land
Gotham is struck by a massive Earthquake, one which claims the lives of many people in Gotham. Batman had anticipated the arrival of an earthquake and had all Wayne-funded buildings be protected from such an event, including Oracle's Watchtower and Tim Drake's home, however, his own house did not receive such protection because that may compromise his identity as Batman.
Bruce and Alfred barely survive the earthquake, and once out of the rubble, Batman watches in horror his city in ruins and there's nothing he could do about it. With most of the city destroyed, criminals run rampant around the remains, and chaos ensues to the point where Gotham is declared a No Man's Land by the government and it is cut off from the rest of the country. Batman travels to Washington, and as Bruce Wayne does his best to convince Congress to help the city he loves, but he fails to do so, causing him to be distraught and almost loses all hope himself in exile until he is motivated back into action by Talia Al Ghul.
Meanwhile in Gotham, with very limited food and resources, new rules are applied and the criminals divide the city into territories and use spray paint to claim ownership of said territories. Members of the GCPD that stayed in Gotham are now known as the Blue boys and they try to maintain order in Gotham. Others join the fight as well, including Oracle, who monitors the entire city and serves as information broker while Helena Bartinelli aka the Huntress, dons a Batman-inspired costume to be more effective as a crime-fighter.
Batman eventually returns and adapts to the new rules of Gotham, using spray paint to mark his territory and does everything he can to help his city. He allows Huntress to operate as Batgirl for a while until Two-Face's gang invades his territory and kill several people. Helena was forced to flee and when she refuses to follow Batman's orders anymore, he forces her to relinquish the Batgirl mantle.
When things become more dire Batman assembles all his allies including Nightwing, Robin, Jean-Paul Valley and Oracle as well as new Batgirl, the mute Cassandra Caine, who proved herself when she saved Gordon's life from her father the assassin David Caine, and they all fight to take back their city.
No Man's Land comes to an end thanks to Lex Luthor, who used legal and illegal means as well as political machinations to fund the renovation of Gotham city all in an attempt to take over himself. Batman allows Luthor to do his work while having Catwoman collect necessary evidence against Luthor regarding his illegal business, thereby preventing Lex from claiming ownership over Gotham.
Hush
Batman finds himself to be the target of a mysterious conspiracy that pits him against some of his worst villains. While giving chase to Catwoman who was under Poison Ivy's mind control, his bat-rope is cut, causing him to fracture his skull though he is eventually saved by his childhood friend and surgeon Thomas Elliot. Later on, Batman and Catwoman track down Poison Ivy to Metropolis and despite using a mind-controlled Superman against them, Batman manages to get past the Man of Steel and stop the villain. Over the course of this adventure, Batman and Catwoman start to develop a relationship and Batman even reveals his identity to her.
Later on, after encounters with Killer Croc, Ra's Al Ghul, Joker and Scarecrow, all seemingly manipulated under the same conspiracy as well as the apparent death of his friend Tommy, he is confronted by someone claiming to be Jason Todd, Batman's old sidekick who was killed years ago, however it turned out to be another ruse.
Frustrated and desperate to know who has been manipulating all these villains, Batman investigates further until the villain known as Hush finally makes his presence known and reveals that he is in fact, Tommy Elliot. Tommy had always hated his parents and wanted them dead to collect his inheritance, so he staged a car accident that caused his father's death but Bruce's father managed to save his mother, and because of this Tommy held a grudge against the entire Wayne family. He faked his death using Clayface to throw Batman off his trail, as he was the mastermind behind the entire ordeal. After the intervention of Gordon and a recovered Harvey Dent, Hush falls into a river and manages to escape.
In the aftermath, Batman learns that Riddler was the one who told Hush his secret having learned it after using the Lazarus Pit to cure himself of cancer. However, Batman warns Riddler that if he ever decides to reveal this information again, he will feel the wrath of Ra's Al Ghul, ensuring his silence. After all these events, Batman has become more suspicious, causing him to drive Catwoman away as he won't allow himself to fall in love again.
War Drums and War Games
When Tim Drake's father discovers his alter-ego, Tim is forced to retire as Robin and Batman goes back to working alone, that is until Stephanie Brown, aka the young vigilante known as Spoiler and Tim's ex-girlfriend, petitions to be the next Robin, and though reluctant at first, as he previously didn't see her as hero material, Bruce ends up accepting with the condition that she follow his every order. After training her, he hands her a costume and she officially becomes the fourth Robin. Though initially there were some problems, especially when she used lethal force on the villain Mr. Zsasz, she starts proving herself when she handily takes down Tiger Moth.
Stephanie's infectious energy and enthusiasm grow on Batman and he starts to see her as a worthy partner. However, while tracking down the assassin Scarab, she disobeys Batman's order to stay put and ends up getting herself held hostage and almost compromising the mission. Because of that, Batman ends her tenure as Robin. Determined to win back Batman's trust, Stephanie steals from the Bat-cave one of his contingency plans that was supposed to take place in case of crime in Gotham got too out of control. The plan, which she put into motion behind Batman's back, dealt with unifying all the Gotham crime-families under one man, Matches Malone.
What Stephanie didn't know was that Malone is actually one of Batman's underground alter-egos, and because Malone was not present at the staged meeting between crime-lords, things went awry and a huge gang war raged in Gotham, causing the deaths of many. Batman's reputation takes a major hit when he is seen by the media in broad day light holding the dead body of a young student who was killed in the crossfire of the gang war, and even more so when makes several morally questionable actions, including forcefully taking over command of the GCPD (which the results in the death of many), and attempting to put his underground ally, Orpheus, as the leader of all the gangs, but the Black Mask makes his move, kills Orpheus and becomes Gotham's kingpin of crime instead.
Another consequence of this war was Stephanie Brown's death after intense torture at the hands of Black Mask. Batman was at her side in her last moments and comforted her with the fact that she did earn her place as Robin.
Under the Red Hood
After the recent war, Batman has lost too much. Robin, Batgirl and Oracle have left Gotham City, Stephanie Brown is dead, Nightwing is injured, the GCPD sees Batman as a criminal and the Black Mask controls all crime in Gotham. However, a mysterious figure known as The Red Hood has been making his move on Black Mask's operations and taking control of his gangs.
While intercepting one of Black Mask's shipments, Batman and Nightwing encounter Red Hood for the first time, and as they chase after him, they encounter the cyborg Amazo, which they barely manage to defeat. The Red Hood then steals another one of Mask's shipments tries to blackmail him, but the meeting turns sour with Freeze and Batman and Nightwing getting involved, and all the villains end up escaping. However, during the battle, Batman is intrigued by Red Hood's skills, as he sees something familiar.
While intercepting another one of Black Mask's operations, Red Hood is confronted by Batman where they fight to a stalemate. Red Hood finally takes off his mask and to Batman's horror, reveals that he is in fact, Jason Todd, the Robin who apparently died many years ago and even gives him samples of his DNA to prove it before escaping.
It is revealed in the story that Jason came back after he was dipped in a Lazarus Pit by Talia Al Ghul. After this revelation, Alfred offers to remove Jason's memorial from the Cave, but Batman refuses, claiming that the recent developments don't change anything.
After Red Hood blows up Black Mask's penthouse, the desperate crime lord seeks the help of Deathstroke of the Secret Society, who sends Hyena, Captain Nazi and Count Vertigo to kill the Red Hood. Batman intervenes and together they manage to take down the trio of super-villains, but not without Red Hood killing one of them and escaping.
After tricking Black Mask into killing the last of his lieutenants, Red Hood, who has been holding the Joker captive, challenges Batman to come to Crime Alley to end things once and for all. After apprehending Black Mask, Batman complies and meets up with Jason. After an intense back and forth fight, Batman defeats Jason and apologizes for failing him.
Disgusted, Jason reveals that the reason he holds a grudge against Batman is that he never killed Joker to avenge his death. He then holds Joker hostage and throws Bruce a gun, and challenges him to make a choice: either kill Joker or kill him. Batman refuses both choices and ends up incapacitating Jason with a Batarang. An ecstatic Joker ends up blowing the entire place and in the aftermath, Jason manages to escape.
Infinite Crisis
Bruce also becomes more suspicious of other heroes, creating a super satellite called Brother Eye, which is stolen and eventually causes the death of Ted Kord. Things then hit a personal low for Bruce during the story Infinite Crisis when he almost murders megalomaniac Alex Luthor. Bruce realizes his morality is at an all-time low and decides to take a sabbatical from fighting crime.
⚡ Happy 🎯 Heroclix 💫 Friday! 👽
_____________________________
A year of the shows and performers of the Bijou Planks Theater.
Secret Identity: Bruce Wayne
Publisher: DC
First appearance: Detective Comics #27 (March 30, 1939)
Created by: Bob Kane (Writer)
Bill Finger (Artist)
DC Comics Nanoscene
The Batcave
2020, Jada Toys
First appearance cover:
The machinery on Cockatoo Island is being restored by modern day super hero's known as Volunteers.
Lightpainting with friends in the Workshop at Cockatoo Island.
...finished and published my book. HOORAY!!
Good morning. Since some of you asked to be informed when my book would be finished and available I thought I would post here an easy access to see and do a brief preview of the book if you so desire. Below are two links. The first one is for the small landscape format book (8x10) while the second link is for the larger version (at 11x13 inches). Except for pricing, both books essentially are the same as far as content with some minor differences not worth noting. As for viewing pleasure, obviously the larger version allows a better appreciation of the photos and butterflies, but if you prefer the smaller size, you won't be disappointed.
If you have the time to do a brief preview I'd be interested in your thoughts, but be advised the preview is of the first 15 pages only while the book is 40 pages in length with a total of seventy (70) photos. Any suggestions to improve things would be helpful for any future books I might decide to do. And if you're so inclined to purchase a book, I'd be extremely grateful...and flattered that you did. Especially since it took many hours of cussing and cursing to create these, each which was a separate exercise, and it would make the time and effort it took that much more worthwhile. If not, then that's okay too. For those of you that do, thank you. It's very much appreciated and if possible I'd like to hear your opinion upon seeing the entire book since it's my first effort with something like this.
My World of Butterflies... By pieceoflace photography... Book Preview
My World of Butterflies... By pieceoflace photography... Book Preview
Thank you for stopping by today...and I apologize for being kind of hit or miss here lately. Hopefully after today things will get back to normal for me. Take care, and I hope you have a truly nice Monday and week.
Lacey
Published in 1939 by Humphrey Milford and Oxford University Press and illustrated by Douglas Lionel Mays (1900-1991). Designed to introduce the young reader to the wonders of road transport. Mays was a prolific illustrator for Punch magazine - he also did many covers for John Bull magazine and illustrated the long series of Jennings books (prep school fiction for children).
It seems a lifetime ago, but in fact was just four weeks gone, that Jools came up to meet with me in Godmanchester before going to see Mum in Papworth.
I chose Godmanchester because a contact/friend on GWUK had published shots from there, and it looked interesting, and was a ten minute drive from the hospital.
The spire of St Mary can be seen from almost everywhere in the town, drawing me in like a flame to a moth. And thankfully it was open.
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My children both had their birthdays the same weekend, and announced plans to invite all their friends from around the country to spend the weekend and to go out together, fifty or so of them, some of them staying over. They'd have a party in the back garden first, my son DJing. They are good children, generally trustworthy, and their mother promised to keep an eye on them. Smiling, nodding, I reached for the Holiday Inn Express website and booked myself a Saturday night at Huntingdon Holiday Inn. Two days of exploring the churches of south-west Cambridgeshire were in prospect.
The plan for Day One was to circumnavigate Grafham Water, the great reservoir created to serve Cambridge and Peterborough in the 1960s, taking in all the churches along the way. The slight crimp in the plan is that, to retain the rural nature of the area and to stop traffic cutting between A1 and A14, there is no road running to the north of Grafham Water other than the A14, although using the OS Landranger map I was able to piece together what I thought would be enough bridleways, byways and permissive cycle tracks to achieve this object. During the day I would visit thirteen new churches, all of which were open except for two, and they had keyholder notices.
It was a really hot day, and I didn't want to overstretch myself, so I made a leisurely start from Ipswich arriving in Huntingdon at about half past ten. Huntingdon is a small town really, barely 30,000 people, and it is separated by the Ouse from the older town of Godmanchester, pronounced god-m'n-chester, my first port of call. Indeed, Godmanchester is Cambridgeshire's oldest town, a major Roman settlement where Ermine Street crossed the road from Colchester to Chester. In Roman times it was the third biggest place in the east of England after Colchester and Lincoln, and was there long before Peterborough, Huntingdon and Cambridge were a twinkle in the celestial milkman's eye.
The Ouse and its water meadows are wide enough to make Huntingdon and Godmanchester seem separate places. For a town of less than 10,000 people it is really grand, with lots of 18th Century buildings and a delightful setting along the Ouse with islands and a park.
It was already shaping up into a bright, warm summer day as I reached the huge church, one of the biggest in the county, and typical in style of the Ouse valley. The spire is a familiar sight from the A14 rising above the mill on the river below. The nave south aisle you step into is alone bigger than many churches. A wide, gloomy interior, with acres of Kempe glass leavened somewhat by a good, big Burne-Jones window in the south aisle. Very urban, but with plenty of evidence of the borough's importance up until the 18th Century, at which time it was of equal size with neighbouring Huntingdon. But the Industrial Revolution changed all that. All very impressive, but not a place to gladden the heart.
And so, I headed south.
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Godmundcestre (xi cent.), Gutmuncetre, Gudmencestre, Gumencestre, Guncestre (xii cent.), Gumecestre, Gurmundcestre (xiii cent.), Godmanchester (xiv cent.).
The parish and borough of Godmanchester, (fn. 1) which are co-terminous, contain 4,832 acres of land and 75 acres of land covered by water. The River Ouse forms the northern boundary and divides Godmanchester from the borough of Huntingdon. The land near to the river is liable to floods, but the ground rises gradually to the south, where it is mostly arable. The population is chiefly occupied in agriculture, and in 1921 numbered 2,035 persons. In the 17th century Godmanchester was described as 'a very great county Toune, and of as great name for tillage; situate in an open ground, of a light mould, and bending to ye sun.' (fn. 2) In 1604 the borough charter tells of like conditions, and especially exempted the store horses and others employed in agriculture from the king's service. (fn. 3) The inhabitants boasted that they had formerly received kings on their progress with a pageant of nine score ploughs, (fn. 4) but in the royal progresses to and from Scotland in 1633 the borough apparently only presented Charles I and his queen with pieces of plate. (fn. 5) Later records mention feasts at the election of town officials, (fn. 6) but in the 16th century the bailiffs contributed from the town funds to many entertainments, such as bear-baiting, visits of players and of the Lord of Misrule from Offord Cluny. (fn. 7)
Of other industries besides agriculture, coal porterage on the Ouse was formerly an important business, and in the last century a tan-yard, jute factory, iron foundry and brick works existed, and basket-making was also carried on. (fn. 8) At the present day a stocking factory at the bridge provides a considerable amount of work, and there is also a flour mill.
There is a railway station near Huntingdon Bridge which is a junction for the London Midland and Scottish Railway and the London and North Eastern Railway.
The parish was inclosed by private Act of Parliament in 1803, (fn. 9) and the award is in the possession of the Corporation. Preserved at the Court Hall, (fn. 10) is a remarkable series of records, dating from the charter of King John in 1212 to the present day. These materials were used by Robert Fox, one of the bailiffs of the borough in 1831–2, in his History of Godmanchester. (fn. 11) Other natives of Godmanchester who may be mentioned are William of Godmanchester, who was elected Abbot of Ramsey in 1267, (fn. 12) and Stephen Marshall, the Parliamentarian divine and one of the authors of Smectymnuus, (fn. 13) published in 1641.
The town seems to have arisen on the site of a Roman settlement here, which has already been described. (fn. 14) Its lay-out, however, has apparently been changed to suit the later requirements of a market town. Ermine Street, the Roman road from London to the north, and the Roman roads from Sandy and the south and from Cambridge, which joined it, stop abruptly at the points where they touch what is supposed to be the site of the Roman town, and their place is taken by a road which almost circuits the medieval town and so links them up. It was customary in most medieval market towns to arrange the lay-out of the streets so as to compel the traffic to pass through the market place and pay toll. It would appear that Godmanchester was laid out in this way as a market town, although there is little evidence of an early market here. The road from St. Neots to Huntingdon enters the town by West Street towards the south end of what was intended for the market place and passes that from Cambridge towards the north end, by East Street. In the same way the traffic to and from London and the north is carried by the road on the west side of the town, through the same place.
Entering the town from Huntingdon on the north, after crossing Huntingdon Bridge, which has already been described, (fn. 15) the road passes over a causeway which was apparently of ancient construction, as we find that in 1279 its repair was charged on a meadow in the tenure of the prior of St. Mary's, Huntingdon. (fn. 16) In 1331 it was rebuilt (fn. 17) and in 1433 it appears that the road was carried over a series of small bridges. (fn. 18) The causeway was again rebuilt in 1637 by Robert Cooke as a thank-offering for his escape from drowning in a flood here. A stone in the parapet of the southern of the two bridges, each of eight arches, of which the causeway is composed, bears an inscription copied from an earlier one, 'Robertus Cooke ex aquis emersus hoc viatoribus sacrum D.D. 1637.' The bridges underwent repairs in 1767 and were rebuilt in 1784. The causeway (fn. 19) now forms a fine wide approach to the town, with many half-timbered houses of the 17th century and later, on either side. At the north-west corner of East Street stood the vicarage, a 17th-century house, lately demolished; adjoining it on the east side is Church Lane, leading to St. Mary's Church. A little to the east on the south side of East Street is a range of three picturesque half-timber houses with overhanging upper story and an overhanging gable at the west end. The western of the two original chimney stacks bears the date 1611 and the eastern 1613. Over a fireplace in the east room on the first floor are painted the Stuart royal arms with the initials I.R. for James I. There are other 17th-century houses in East Street. Opposite to East Street in the Causeway is the New Court or Town Hall, built in 1844, at which time this part of the Causeway was raised 2 ft. The Town Hall was largely rebuilt in 1899. (fn. 20) Queen Elizabeth's Grammar School, a brick building with tiled roof, built about 1560, faces the new Court Hall. It originally consisted of a hall and two-storied porch, bearing above the window of the upper story the inscription 'Eliz. Reg. hujus scholae fundatrix,' over which is a sundial bearing the words 'Sibi Aliisque.' It was restored in 1851 and some buildings were added on the north side. Near the school was the 'cage' for the temporary safeguarding of prisoners, which was built in 1687. The governors of the school, however, complained that the position was 'very inconvenient and unapt,' and so the overseers were ordered to build it near the Court Hall Yard. (fn. 21) In the main street, probably opposite St. Ann's Lane, was a cross called St. Ann's Cross, mentioned in 1526 (fn. 22) and 1545, (fn. 23) and may have existed as early as 1279; tenants of Godmanchester are described as 'ad crucem.' (fn. 24) The road south to old Court Hall was then apparently called Post Street and later Silver Street. Pinfold Lane, which goes off eastward, is referred to in 1539. (fn. 25) In it are the almshouses erected in 1738 by Mrs. Barbary Manser for four dwellings and rebuilt in 1859 for two dwellings. In West Street are some 17th-century half-timber houses, and on the outskirts of the town is a timber and plaster house, formerly the 'Shepherd and Dog' Inn, which bears the date 1593 in the south-west gable. The upper story formerly projected, but has been underbuilt in brick. Further west on the opposite side is Belle Isle House, a 17th-century half-timber house. Returning to the main street, the house at the northeast corner of the island site has an overhanging upper story. Near this spot stood the Horse Shoe Inn in Post Street, (fn. 26) where much of the business of the town was transacted. Southward is Old Courthall, called from the place where the Court Hall, which was pulled down in 1844, formerly stood at the junction of Silver Street and the old bridle road running to Toseland. (fn. 27) At first apparently the hall was only a covered inclosure (fn. 28) in which the view of frankpledge was held, the courts and council meetings or 'parvis' being frequently held in private houses, a custom which persisted even after the Court House was built in 1508. (fn. 29) The Court House was apparently a half-timber building with overhanging gables, and around the walls in the hall were oak benches for the bailiffs. (fn. 30) Near the hall was the 'Pondefolde,' before the gates of the prior of Merton, which may be identified with the town pound, from which Pinfold Lane possibly took its name. Here the king had the right to impound the cattle distrained at the hundred court. (fn. 31) In Old Courthall are two 17th-century inns, the Queen Victoria Inn, a timber and plaster house with overhanging upper story, and the Red Lion Inn, a brick house. Corpus Christi Lane no doubt takes its name from the gild of that name which existed in the town in the 15th century. Here and in Duck End are some 17th-century cottages.
Ermine Street, which is not on the site of the original street of that name, comprises some interesting 17th-century houses, particularly Tudor House, of timber and plaster, at the north end of the street. It bears the date 1600 in the south gable and 1603 on the doorway. There are also two other good timber and plaster houses of a later date in the street. On the Cambridge Road is a 16th-century half-timber house, and also a brick house with a stone panel bearing the date 1714. On the west side of the London Road, on the outskirts of the town, is Porch Farm, a 16th-century house which takes its name from a picturesque wooden porch with brick base added at the end of the century; on the opposite side of the road is Lookers Farm, a 17th-century house with a good chimney stack.
MANOR
¶The manor of GODMANCHESTER was held by Edward the Confessor as 14 hides. (fn. 32) It was valued at £40 a year, which was a sum which it paid in 1086 to William the Conqueror, who succeeded to it as crown land. (fn. 33) Thus, as ancient demesne of the crown, it acquired certain privileges and obligations. (fn. 34) Before Michaelmas, 1190, (fn. 35) Richard I granted Godmanchester to David Earl of Huntingdon, at the increased farm of £50 to hold at the king's pleasure. (fn. 36) In 1194 a new grant in fee was made to the earl and his heirs. (fn. 37) The manor appears to have been in King John's hands in 1199, (fn. 38) but in the same year a new charter was obtained by the earl, (fn. 39) who held it in 1210–12 by the service of one knight's fee. (fn. 40) It again came into the king's hands in 1212, perhaps the most important date in the history of Godmanchester, for in that year King John granted the manor to 'the men of Godmanchester' to hold at the fee-farm rent of £120 a year. (fn. 41) Subsequent grants of the manor by Henry III in 1217 to Faulkes de Breauté, (fn. 42) in 1224 to the Master of the Templars for a debt, (fn. 43) and in 1236 to Eleanor of Provence as part of her dower, (fn. 44) were presumably grants of the rent only. In 1267 the fee-farm rent was granted to Edmund Earl of Lancaster, the king's second son, to hold by military service. (fn. 45) Queen Eleanor, as a widow, unsuccessfully sued her son in 1278 for the manor. (fn. 46) The possession of the rent was also complicated by the claims of Margaret Countess of Derby, one of the eventual co-heiresses of David of Huntingdon. (fn. 47) She seems to have obtained a grant of the manor from Edward I, and a similar grant was made by Edmund for her life at the annual rent of 12d. (fn. 48) Many of her receipts to the town for the fee-farm rent are still in existence. (fn. 49) On her death it reverted to the earls of Lancaster and the manor formed part of the Duchy of Lancaster, finally merging in the crown on the accession of Henry IV. (fn. 50) In 1662, Charles II granted the annual fee-farm rent to Edward Earl of Sandwich, (fn. 51) and it is still paid by the borough to the present Earl of Sandwich.
The charter of 1212 had transferred all the manorial rights at Godmanchester to the men of the manor to hold from the king and his heirs. (fn. 52) The privileges attached to the manor are not specified, but David Earl of Huntingdon had sac and soc, toll and theam and infangenthief, (fn. 53) and these, with possibly further rights, were exercised by the men of Godmanchester. The grant made the town, what is somewhat rare, a self-governing manor or liberty. It did not become a borough, and except the right of self-government, and the custom of borough-English, had none of the usually accepted marks of a borough. The charter was confirmed by Edward I, Edward III, Richard II, Henry IV, Henry V, Henry VI, Edward IV, Henry VII, Henry VIII, Edward VI, Mary and Elizabeth. (fn. 54) Richard II, however, added a definite list of the privileges enjoyed by the men of Godmanchester. In 1381 he recognised that they and their predecessors in virtue of the charter of 1212 had the chattels of felons and fugitives and waifs and strays, (fn. 55) but in his charter of 1392 they were to have chattels of felons, fugitives, suicides, outlaws and those who renounce the realm of England, infangenthief, outfangenthief, and all forfeitures within the manor, both from residents and foreigners. (fn. 56) He also expressly confirmed their privilege as tenants of ancient demesne, of freedom from toll and similar dues throughout the kingdom. (fn. 57)
The earlier development of the manor from pre-Conquest days, which enabled the men of Godmanchester to obtain a grant of self-government, is unfortunately obscure. We learn little from the Domesday Survey (1086) as to the status of the inhabitants, but it seems probable that the 80 villiens and 16 bordars of Godmanchester, there recorded, (fn. 58) had been a community of free sokemen, holding their lands for a rent payable to the king; indeed in 1279 the tenants of Godmanchester all claimed to be and were accepted as free sokemen, with no bondmen among them. (fn. 59) The pre-Conquest organisation seems to have persisted to some extent during the 12th century, when payments to the sheriff are entered on the Pipe Rolls as due from the commonalty (communis) of Godmanchester. (fn. 60) As already pointed out, the payment of £40 from the manor in 1066 represented the amount received by the king, and it is possible that each holding was already assessed to pay its share of this sum annually. Such a practice was certainly established after 1212, and in 1279 over 500 tenements were assessed for payment of the fee-farm rent, generally at the rate of 8d. an acre. (fn. 61) The system i still in existence, each acre now paying 1d. towards the rent.
The most important result of the grant of the manor was that the king's officers ceased to hold the courts, though the phrases 'the King's manor' or in Elizabeth's reign 'the Queen's court' remained in use. (fn. 62) In 1286 the two town bailiffs claimed on behalf of themselves and the commonalty of the town to have gallows and to hold the view of frankpledge freely, but it was proved that they paid an annual fine of 20s. to the sheriff for the privilege. (fn. 63) In the 15th century the Duchy court decreed that this payment should no longer be made to the sheriff. (fn. 64) The bailiffs also held the usual three-weeks court of the manor, which was peculiarly important on the ancient demesne of the crown. The court rolls are preserved at Godmanchester from 1271; at first no distinction is made in the headings of the rolls between the two courts, the view only being distinguished by the presence of the 12 jurors. (fn. 65) By 1324, however, the roll of the view was kept separately, (fn. 66) though the regular series of rolls does not begin until the reign of Edward III.
The privileges of the liberty of Godmanchester oelonged to the tenants of holdings assessed to the payment of the fee-farm rent, their sons, daughters and widows. (fn. 67) Sons were admitted on reaching the age of twenty, daughters at sixteen. (fn. 68) Foreigners, or those living outside the manor, were also admitted to the freedom of the town at the three-weeks court, by the consent of the commonalty, on payment of a fine and the taking of an oath. (fn. 69) Sureties were required during the 15th century, but the custom disappeared in the reign of Henry VII. (fn. 70) All tenants were bound to be present at the view of frankpledge, and they elected the twelve jurors for the year, but it is not clear whether the tenants or all admitted to the freedom made this election. (fn. 71) Besides the ordinary business of the view, the bailiffs and jurors declared the customs or by-laws of the manor and acted as a town council. The earliest enrolled declaration is in 1278–9, (fn. 72) but in 1324 the commonalty empowered the two bailiffs and the jurors to draw up a custumal which should be accepted by all. The result represents the codification of ancient usage rather than the introduction of new rules. (fn. 73)
A second edition of the custumal was made in 1465, and later additions of the following century have been added on the same roll. (fn. 74) In 1324, for administrative purposes, the town was divided into four quarters or wards named after the chief streets of Godmanchester. The government consisted of two bailiffs, elected for one year by the twelve jurors. The bailiffs were chosen one year from Post Street and Erning (Arning) Street and in the alternate year from West Street and East Street. The elections of all officers took place in the court held next before the Nativity of the Blessed Virgin. All rolls were given into the custody of four keepers of the common chest. The complete list of other officials is not given, but mention is made of the collectors of the fee-farm rents and the chief warden of the mills. All officials were to render account of their year of office to the two bailiffs and the jurors. (fn. 75) The rolls of the coroners of Godmanchester exist for the reign of Edward II, so that they must have been functioning in 1324, although their election is not recorded till 1482. (fn. 76) In the 15th century, the election of the officers is regularly recorded in the court books of the threeweeks court. The officials then consisted of the two bailiffs, two constables, eight collectors of the farm, two from each street, two churchwardens, four collectors of amerciaments of the view, the collectors of the aletoll, the warden of the water and the subbailiff. (fn. 77) In 1484, the record shows that three jurors of the leet were elected from each street; (fn. 78) in 1485, the warden of the swans appears, (fn. 79) and in 1486 the bellman. (fn. 80) The clerk of the court is mentioned in 1376, (fn. 81) but no election is shown till 1497, (fn. 82) and it was probably a permanent and not an annual office. The business at the three weeks court consisted of the admission of freemen, landsuits and the surrenders of land, peculiar to manors of the ancient demesne, and civil cases where the damages claimed were under 40s. (fn. 83) In 1592 it was ordained by the bailiffs and jurors that in future cases in this court should be heard by the two bailiffs, three of the twelve suitors at the court on the day of trial and three or four ex-bailiffs. (fn. 84) Appeals from the manorial court were made to the Chancellor of the Duchy of Lancaster and were heard in the court of the Duchy. (fn. 85) All land in Godmanchester, except the original endowment of the church, (fn. 86) was, and still is, held in socage of the ancient demesne of the crown. (fn. 87) The tenure was never merged, as elsewhere, in copyhold, although in the 16th century land is occasionally described as held by copy of court roll. (fn. 88) Every tenement when it changed hands was surrendered in court into the hands of the bailiffs, who gave seisin to the incoming tenant on payment of a fine or gersom. (fn. 89) This procedure is still followed, but the surrenders are not made in court, but only to the mayor of the borough and, under the Law of Property (Amendment) Act of 1924, this very rare survival of socage of the ancient demesne is disappearing. Each tenement when it is surrendered to the mayor passes to the incoming tenant as ordinary freehold property. All land suits were heard in the three-weeks court; (fn. 90) the cases were begun by the king's little writ of right close. The first writ appears on a 13th-century court roll (fn. 91) and the actual writs are generally attached to the roll on which the case was recorded. (fn. 92) A writ was brought into the Court of Pleas as late as 1805. (fn. 93) The procedure closely followed that of the royal courts in freehold suits. In the early cases in the 13th and 14th centuries, an assize was held with twenty-four jurors, (fn. 94) but later fines and recoveries 'according to the custom of the manor' were more common. (fn. 95) The town was very jealous of its rights, and there were many complaints in the Duchy Courts that tenants had been impleaded in the common law or other royal courts instead of the manorial court. (fn. 96) Except in the use of the little writ of right close, the Godmanchester tenure approximated to free socage and all the terms of a freehold tenure were used: a daughter was given her land in free marriage; (fn. 97) a widow obtained her dower; (fn. 98) no servile services were paid and the land was held for suit of court and a money rent, without even the boonwork often due from freehold land. (fn. 99) From the customal of 1324, it appears that a tenant could assign, sell or bequeath his land by will, saving only the right of the widow to her dower. (fn. 100) This right of the widow persists at the present day, so that a man still cannot sell his land without his wife's consent. The only other restriction in 1324 was the rule forbidding the sale of land to a foreigner or an ecclesiastic. (fn. 101) Land still descends by the rule of Borough English to the youngest son of the first wife, unless testamentary dispositions have been made bequeathing it differently. (fn. 102)
BOROUGH
Godmanchester remained a selfgoverning manor for nearly 400 years, but in the 16th century the town was increasingly prosperous and the townspeople wished for the privileges of incorporation. In their documents the use of such terms as corporation and burgess crept in, (fn. 103) and during a lawsuit in 1569 it was claimed that Godmanchester was 'an ancient borough time out of mind.' (fn. 104) The town used a common seal, (fn. 105) but legally they were not incorporated and when, in 1585, a newly admitted tenant, named Richard Fairpoint, defied the authority of the bailiffs and commonalty, he threatened to sue the bailiffs, officials, and chief inhabitants one by one. (fn. 106)
A charter of incorporation was obtained from James I in 1604, and Godmanchester became a free borough, under the name of 'the Bailiffs, Assistants and Commonalty of the borough of Gumecestre, alias Godmanchester.' (fn. 107) The government of the town, however, was but slightly altered, the Common Council being formed of two Bailiffs and twelve Assistants, who replaced the jurors of the view of frankpledge in matters of town legislation. The first officials were appointed by King James, but the bailiffs after a year of office were in the future to be elected in the Court next before the Nativity of the Virgin Mary by the existing bailiffs and assistants. The assistants were appointed for life and were replaced from the burgesses of the borough by election by the bailiffs and remaining assistants. (fn. 108) It may be noticed that the new constitution was less democratic and placed the power of election in the hands of the Common Council instead of the tenants and freemen. Even the jurors of the leet were in 1615 to be impanelled by the bailiffs. (fn. 109) Other officials under the new charter were the steward, (fn. 110) recorder and town clerk. The borough and manor were granted to the corporation to hold as previously at a fee-farm rent of £120 of lawful English money. (fn. 111)
During the Commonwealth, preliminaries were begun for obtaining a new charter, but nothing was actually done. (fn. 112)
In 1684, the charter of James I was surrendered to Charles II, but it was not restored before his death (fn. 113) and the following year James II granted a new charter. (fn. 114) The differences in it were small and, after the Revolution of 1688, all corporations were ordered to resume their former charters (fn. 115) and the corporation acted under the charter of 1604 until the Municipal Corporations Act of 1835. (fn. 116)
The lesser officials, though not named in the charter, were unchanged after the incorporation of the borough and the jurisdiction of the courts remained the same, though they became the courts of the bailiffs, assistants and commonalty instead of the courts of the King. (fn. 117) The manorial court became known as the Court of Pleas. (fn. 118)
A new edition of the by-laws was promulgated in 1615, repeating the main provisions of the older custumals of 1324 and 1465 and later enactments. Considerable additions had been made in the regulations of common rights; the most important, enacted in 1607, provided that only tenements constituted or divided before 28 September 1601 should have the right of common attached to them. (fn. 119) In consequence of these common rights, the freedom of the borough became of considerable value, and large sums were paid by foreigners for admission. (fn. 120) The curious custom by which a freeman gave a bucket and two scoops on admission is mentioned in 1635. (fn. 121) Afterwards the gift was commuted for money, but the system of purchasing the freedom of the borough came to an end in 1875, and the last payment instead of the bucket and scoops was made in 1876. (fn. 122) Now the freedom is an hereditary right and freemen only sign the roll on admission.
In 1835 the old constitution was swept away under the Municipal Corporations Act; a mayor and 4 aldermen and 12 councillors replaced the two bailiffs and assistants and the franchise was vested in the ratepayers. (fn. 123) The Court of Pleas had been growing of less and less importance, a few cases of debts and surrenders of land being its only business, but it continued as the mayor's court till 1847. (fn. 124) Special courts, however, were held for surrenders and giving seisin of land, (fn. 125) but latterly these have taken place in the mayor's presence only. The business of the court leet is now confined entirely to the stocking of the commons. It is held once a year by the mayor, when the 'grass-hirers' are appointed for the year, but the twelve jurors are no longer impanelled. (fn. 126) The limitation of the enjoyment of common rights to freemen tenants of commonable houses has led to a good deal of litigation, while the gradual exclusion of the freemen from the government of the borough has brought about outbreaks of discontent on their part. (fn. 127)
The seal of the borough is circular, 15/8 in. in diameter, with the device of a fleur de lis, possibly in reference to the dedication of the Parish Church, with the legend 'Commune Sigillum Gumecestre.' It seems to be of 13th century date. The mace is of silver of excellent design and bears the date 1745. The mayoral chain is of gold with enamel medallions, given by different donors since 1896.
For parliamentary purposes the borough was united to Huntingdon, which sent two members to Parliament. In 1867 the representation was reduced to one member and in 1885 it was merged into the county constituency.
No right to hold a market appears to have been granted to Godmanchester, but it seems probable that a market was held at the Horseshoe corner. In the bailiffs' accounts for 1533, there is an item paid for crying a cow and two stray horses in the market, (fn. 128) and in 1615 it certainly was the custom to bring fish to the 'Common Market' on Fridays. (fn. 129)
A fair on Easter Tuesday and the following Wednesday was granted by James I in the charter of 1604, together with a court of pie-powder. (fn. 130) It developed into an important horse and cattle fair held in the streets of the town near the old Court Hall. The cattle and sheep disappeared by 1870 after the rinderpest outbreak of the previous years, (fn. 131) but the horse fair continued till Easter 1914. It had been lessening in importance for some years and has never revived since the war. The charter of James II granted a second fair on the Tuesday after the Feast of SS. Simon and Jude, but the right to hold it ceased after the resumption of the old charter in 1688. (fn. 132) The court of pie-powder was held during the 17th century, (fn. 133) but it certainly was no longer held in 1834. (fn. 134)
¶The control of the waters of the Ouse has always been a matter of great importance to the town of Godmanchester. In the 13th century, the obstructions in the river put up by the Abbot of Ramsey, the Prior of Huntingdon and Reginald de Grey as lords of the mills respectively at Houghton, Hartford and Hemingford Grey led to complaints on the part of Huntingdon and not of Godmanchester, (fn. 135) but in the 15th century the latter town suffered severely by the continual flooding of its meadows. A series of complaints were made to the Court of the Duchy of Lancaster by the bailiffs and commonalty (fn. 136) and finally in 1524 the right to control the floodgates at Houghton and Hemingford was transferred from the Duchy authorities to the men of Godmanchester. (fn. 137) This right still exists and has been safeguarded in the various schemes for the improvement of the Ouse navigation, begun by Arnold Spencer in 1638. (fn. 138) It was finally confirmed to the borough in a judgment of the House of Lords in 1897 against Mr. Simpson, who had in 1893 acquired by purchase the entire rights of navigation granted to Spencer, and in the following year began an action against the corporation to prevent them from opening the sluice gates at Godmanchester, Hemingford and Houghton in times of flood. (fn. 139)
In 1279, the bailiffs of Godmanchester claimed that the town held a free fishery by the grant of King John and that they formerly had the right, as appurtenant to the manor, of fishing from Hayle to Swiftiswere, but were prevented by the Bishop of Lincoln and others from doing so. (fn. 140) The right to the free fishery continued, and from the borough custumal drawn up in 1615, it appears that the 'common fishers' of the town were bound to bring their fish to the common market at the Horseshoe corner every Friday and whenever they had fish to sell, on pain of a fine of 6s. 8d. (fn. 141).
In 1086 three water-mills were attached to the manor of Godmanchester, rendering 100s. yearly to the king. (fn. 142) The mills passed with the manor (q.v.) to the men of Godmanchester and in 1279 they paid 15s. a year to the fee-farm rent and a holm containing 8 acres was attached to them. (fn. 143) At the close of the 15th century they were let on lease, and this system seems to have been continued by the corporation until 1884. (fn. 144) At that time no tenant could be found. The corporation applied for leave to sell the property, but opposition was made on the ground that the freemen had the right to have their corn ground freely on the grist stone. No sale took place and the old mill stood derelict (fn. 145) and has been finally pulled down since 1926. A windmill is mentioned in 1599, when it was sold by Robert Green to Oliver Cromwell, alias Williams. (fn. 146)
CHURCH
The Church of ST. MARY consists of a chancel (44 ft. by 20 ft.) with organ chamber and two vestries on the north side, nave (72 ft. by 27 ft.), north aisle (15 ft. wide), south aisle (19 ft. wide), west tower and spire (19 ft. by 17½ ft.) and north and south porches. The walls are of stone and pebble rubble with stone dressings, except the tower, which is of ashlar. The roof coverings are of lead.
¶The church is mentioned in the Domesday Survey (1086) but, except for a few stones in the walling, nothing of this early building remains. The church seems to have been rebuilt about the middle of the 13th century, and of this period are the chancel, the west wall of the nave, and small parts of the west walls of the aisles. About 1340 a north vestry was added to the chancel, and at the end of this century and extending into the next a further reconstruction took place, beginning at the west end of the aisles and embracing the arcades, clearstory and porches, and the raising and altering of the chancel. The tower and spire, being ruinous, were taken down and rebuilt in 1623. The upper part of the south porch was rebuilt probably in 1669. The roofs and parapets were repaired early in the 19th century; the church was generally restored in 1853, the vestry rebuilt and the organ chamber and choir vestry added in 1860. A general restoration took place in 1885, and the chancel was restored in 1912.
The 13th-century chancel, reconstructed and raised c. 1510, (fn. 147) has an east window of three modern lancets. The north wall has a 15th-century two-light window, a 14th-century doorway to the clergy vestry, a 13th-century doorway (visible in the choir vestry), and a modern arch to the organ chamber. The south wall has three 15th-century windows of two-lights, the western set within an earlier opening, and a 15th-century doorway.
The chancel arch is two centred and of two chamfered orders resting on similar responds; most of the stones are of the 13th century, but the arch has been reconstructed and raised, c. 1490, (fn. 148) cutting into the sills of two 13th-century lancets in the gable above, the splays of which still retain some original painted decoration. Under it is a modern; screen. The low-pitched roof is practically all modern; the jack-legs rest on modern shafts and corbels.
The organ chamber and the two vestries on the north are modern, but in the east wall of the former is a reset 15th-century two-light window doubtless from the north wall of the chancel; and the vestry has a 14th-century single-light window reset.
The nave arcades, c. 1500, are of five bays, with two-centred arches of two moulded orders supported by narrow piers formed by the continuation downward of the outer orders of the arch between two attached shafts with moulded capitals and bases. The contemporary clearstory has five two-light windows on each side. The contemporary roof is of low pitch, has moulded beams, jack-legs and braces, but has been much restored.
The north aisle, c. 1500, has a five-light transomed east window with remains of niches in the splays, which now opens into the organ chamber; (fn. 149) at the extreme south end is a broken piscina. The north wall has four three-light transomed windows, and a reset 13th-century doorway, above which is a blocked doorway opening into a chamber over the porch. The west wall has a four-light transomed window, to the south of which is the splay of an earlier window. The pent roof has plain beams and curved braces, and the jack-legs are supported on carved corbels.
The south aisle, c. 1500, has in the east wall a fivelight transomed window, and a blocked doorway to the rood staircase. The south wall has three threelight windows and a two-light window, all transomed, a doorway with a moulded arch and jamb-shafts flanked on the outside by two niches, and a squareheaded doorway to the stairs leading to the chamber over the porch. The west wall has a four-light transomed window, to the north of which is the jamb and splay of an earlier window. The stairs to the rood loft were in a circular turret outside the wall at the north-east corner, now used as a smoke flue. The roof is similar to that of the north aisle.
The west tower, built in 1623, (fn. 150) has a 13th-century tower arch of three chamfered orders supported on semi-octagonal responds with carved stiff-leaf capitals and moulded bases. The west doorway has a moulded two-centred arch on sunk chamfered jambs and moulded imposts; (fn. 151) above it is a sunk panel with a shield bearing a fleur de lis and a scroll inscribed 'BVRGVS GVMECESTRE,' and above this another panel with date '1623.' Still higher are a pair of twolight windows with semicircular heads. In the next stage the north and south walls have each a two-light; and the belfry has coupled two-light windows with transoms. The tower has buttresses square at the angles, and is finished with an embattled parapet with pinnacles at the angles and a large fleur-de-lis on the central merlons. Behind the parapet rises an octagonal spire with three tiers of lights all on the cardinal faces; the top is 151 ft. 3 in. above the ground. The whole of the details are strongly tinged with Renaissance feeling, but a successful attempt has been made to harmonize with the architecture of the church.
The 15th-century north porch has a moulded two-centred arch on jambs with engaged shafts; the side walls have each a two-light window. Single-light windows in the east and west walls light the chamber above, and there is now a modern single-light window in the north wall. There is a small chamber over this porch, but the present roof and parapets are modern.
The 15th-century south porch has a four-centred outer archway with lily-pot at the apex of the label; on each side of it are large niches. Each side wall has two two-light windows. The chamber above, which is of later date, has a small single-light window in each of the outer walls, and a beam in the roof is dated 1669.
The 13th-century font (fn. 152) is an irregular octagon with crude carved heads projecting from the diagonal faces; the stem and base are modern.
There are eight bells, inscribed (1) Intactum sileo percute dulce cano: T. Osborn, Downham, fecit, 1794; (2) and (3) T. Osborn, founder, 1794; (4) Thomas Osborn, fecit. Our voices shall with joyful sound. Make hills and valleys eccho round. 1794; (5) T. Osborn, fecit, 1794; (6) J. Taylor & Co., Founders, Loughborough, 1870. F. T. Mc.Dougall, D.C.L., Vicar. P. E. Tillard, Henry Quince, Churchwardens; (7) T. Osborn, founder, 1794; (8) Revd. Castle Sherard, Rector, (fn. 153) Jno. Martin, Robt. Waller, Bailiffs, Jno. Scott, Richd. Miles, Ch. Wardens, T. Osborn, fecit: 1794. A sanctus bell seems to have remained as late as 1763. (fn. 154) Osborn had cast the whole peal of eight in 1794, using the metal of an earlier set of five; (fn. 155) the old fourth bell had been cast in 1710, by a shepherd at the Angel Inn in Godmanchester. (fn. 156) The bells were rehung and the 6th bell recast in 1870; it apparently had no inscription on it.
The 15th-century chancel stalls have shaped divisions with carved elbows, poppy heads and misericords, and panelled and traceried fronts. The carvings on the misericords include a falcon displayed, a dog with collar and resting on a cushion, a fleur-de-lis on a shield, a hare in the midst of a sun-in-splendour, (fn. 157) an ape, a wyvern, a fox and goose, the letters W.S. on a shield, (fn. 158) a cat and mouse; on the elbows a jester, angels, crowned heads, &c.; on the poppy heads two owls back to back, four birds, wyverns, etc.
Some of the fronts and backs of the modern seating and some of the bench ends have 15th-century tracery inserted in them.
In the nave is a chained oak poor-box, circular, bound with metal, and with a painted inscription. (fn. 159)
On one of the south buttresses of the chancel is a late 13th-century carved wheel-dial; and on the gable of the south porch is a small dial inscribed 'G. 1623. W.S.'
Lying loose in the porch is a portion of a 12th-century circular stone shaft with scale ornament.
On the floor of the nave is an early 16th-century brass figure of a civilian, with indents for two wives, two groups of children, and inscription panel; and in the chancel is the indent of an inscription plate.
There are the following monuments: In the chancel, to the Rev. Geoffrey Hawkins, Rector of Higham Gobion, Beds, d. 1727 (son of Geoffrey Hawkins, Rector of Chesterton, Hunts), Mary, his wife, d. 1750, and Hannah Worley, widow, d. 1771; Martha (Maylam) wife of George Rowley, d. 1765; John Hawkins, d. 1806; the Rev. Charles Gray, Vicar, d. 1854; and windows to the Rev. Charles Gray, Vicar, 1854; the Rev. W. P. E. Lathbury, Vicar, d. 1855; the Rev. John Hartley Richardson, curate, d. 1863; and the Rev. Henry Hart Chamberlain [d. 1899]. In the nave to Elizabeth (Meadows) wife of Edward Martin, d. 1805, and Edward Martin, d. 1853; Robert Hicks, d. 1825, Mary, widow of Rev. S. Hicks, Rector of Wrestlingworth, Beds, d. 1805, John Hicks, d. 1827, and Mary widow of Robert, d. 1862; floor slabs to Alured Clarke, d. 1744, Ann, his widow, d. 1755, and John Clarke, d. 1745; William Mehew, d. 1772, and Ann his wife, d. 1793; William Mehew, d. 1792; and Richard Miles, d. 1834. In the north aisle, to Alured Clarke, d. 1744, and family; Jos. Bull, d. 1764, Ann his wife, d. 1780, and Elizabeth their daughter, d. 1791; Thomas Townsend, d. 1792, Martha his wife, d. 1789, John, their son, d. 1799, and Ann, widow of John, d. 1817, James Stratton, d. 1800, son-in-law of Tho. Townsend, Ann his wife, d. 1835, Ann their daughter, d. 1826, George Turney her husband, d. 1825, and George Turney their son, d. 1835; John Chapman, d. 1858, and Edward Theodore, his son, d. 1859, Mary Chapman, widow of John, d. 1899; War Memorial 1914–18; and windows to Bishop Francis Thomas McDougall, Vicar, erected 1903; Frederick Robert Beart, d. 1905; Emma Frances Amelia Baumgartner, d. 1911. In the south aisle, to Thomas Betts, d. 1696, and Elizabeth his wife, d. 1700; Edward Martin, d. 1799, Alice his relict, d. 1801, and Harriet their infant daughter, d. 1788; John Martin, d. 1822, and Mary his wife, d. 1854; Henry Percy Tillard, d. 1858; John Thomas Baumgartner, d. 1874; Algernon Tillard, d. 1887; Francis Bonham Tillard, d. 1903, Helen wife of General Robert Julian Baumgartner, d. 1911; Mary Emily (Tillard) wife of Col. I. F. R. Thompson, d. 1915, and Lt.-Col. Ivan Frank Ross Thompson, d. 1917; Allen Victor Herbert, d. 1918; floor slabs to Thomas Bentley, d. 1709; John Martin, d. 1752; Elizabeth daughter of Samuel and Elizabeth Fox, d. 1755; Jane, relict of John Martin, d. 1789; and windows to two children of J. T. and P. Baumgartner, d. 1827 and 1844; Phoebe, wife of John Lancaster, d. 1833; John Thomas Baumgartner, d. 1874; Philipa Julia (Baumgartner) wife of Philip Tillard, d. 1885; Philip Tillard, d. 1887; the Rev. Preston John Williams, Vicar, erected 1894; General Robert Julian Baumgartner, d. 1895. In the tower, windows to Edward Martin, d. 1835, and Elizabeth his wife, d. . . . .; and William Beart, d. 1852. In the south porch to the wife and children of the Rev. H. H. Chamberlain.
The registers are as follows: (i) Baptisms, 23 Dec. 1604 to 3 Jan. 1642–3; marriages, 3 Jan. 1603–4 to 30 Aug. 1653, and 6 March 1742–3 to 8 Sept. 1754; burials, 1 Feb. 1604–5 to Dec. 1647, and 1653; (ii) baptisms, 30 Sept. 1653 to 5 Aug. 1660, and three entries in 1669, 1671 and 1674; marriages, 9 Jan. 1653–4 to 16 April 1718; burials, 3 Oct. 1653 to 14 May 1717; (iii) marriages, 13 April 1718 to 11 Jan. 1753; burials, 31 March 1718 to 24 Dec. 1751; (iv) baptisms and burials, 20 Oct. 1754 to 22 April 1798; (v) the official marriage book, 1 Aug. 1754 to 5 Nov. 1783; (vi) the same, 10 Nov. 1783 to 28 Feb. 1811; (vii) baptisms and burials, 13 Jan. 1798 to 30 Dec. 1812; (viii) the official marriage book, 6 March 1811 to 25 Oct. 1812. The first two books are in considerable disorder and apparently several years are missing, and the second book is much damaged by damp. The first book has been rebound and the second requires similar treatment.
The church plate consists of: A silver cup of Elizabethan date, no date letter; a silver gilt cup and cover paten, hall-marked for 1559–60; a silver plate engraved 'Benedicamus Patrem et filium cum spiritu,' and inscribed 'To the Glory of God and the use of St. Mary's Church, Godmanchester, 1848. E. I. W. dedit,' hall-marked for 1846–7; a silver alms-dish, engraved 'hilarem datorem diligit Deus,' and inscribed as last, hall-marked for 1847–8; a plated dish and flagon, the latter inscribed 'The gift of Charles Gray, M.A., Vicar, to the Parish Church of Godmanchester, A.D. 1834.'
ADVOWSON
The Church of St. Mary (fn. 160) is stated to have been given with 3 hides of land by King Edgar (c. 969) to the monks of Ramsey, (fn. 161) but it was no longer in their possession at the time of the Domesday Survey (fn. 162) and they never seem to have laid claim to it. In 1086 a church and priest were attached to the manor (fn. 163) and remained in royal possession until Stephen gave the church to Merton Priory in Surrey. (fn. 164) In 1284, the endowment of the church consisted of 48 acres of land and also 15 acres of meadow held by the Prior of Merton in commutation for all tithes of hay. (fn. 165) He held other lands, but these were assessed to the fee-farm rent and were not spiritualities. (fn. 166) After the Dissolution of the Monasteries, the rectory was granted in 1542 to the dean and chapter of Westminster (fn. 167) and except during the reign of Mary and the Commonwealth they have owned it ever since. (fn. 168) It has been held by a succession of lessees and in a lease of 1640 the dean and chapter stipulated for entertainment for two days and two nights for themselves or their officers at the lessee's expense. (fn. 169)
Between 1209 and 1219 the vicarage was instituted and two houses, land and meadow, as well as the vicarial tithes were assigned to it. (fn. 170) The advowson of the vicarage has always been held with the rectory, (fn. 171) although the first recorded presentation by the dean and chapter of Westminster was not till 1599. (fn. 172) A custumal of the vicar's tithing was drawn up in 1599 in great detail and is specially interesting in showing the payments made from parishioners who were not landholders. (fn. 173) In the 17th century the vicarage was too poor to support a suitable vicar for the town and consequently in 1655 the Town Council decided to purchase a house called the Star, next to the vicarage, which was ruinous. (fn. 174) The Star was finally annexed to the vicarage when the dean and chapter had recovered the patronage after the Restoration. (fn. 175) The purchase of the Star is an illustration of control of church affairs by the governing body both before and after Godmanchester became a borough. In 1532 the town officials appointed an organist and the expenses incurred over his engagement were charged to the bailiffs' account. (fn. 176) In the reign of Henry VI the two churchwardens appear amongst the elected officials of the town (fn. 177) and they accounted to the bailiffs and jurors. (fn. 178) Throughout the 16th, 17th, and 18th centuries the churchwardens' accounts were presented to the Town Council, although in the 18th century protest was apparently made against the practice. In 1712 a churchwarden, apparently not a freeman of the borough, brought the matter into the spiritual courts to the great indignation of the Council, who decreed that he was never to be admitted to the freedom and also indemnified his successors against any damages they might incur during the trial. (fn. 179) In 1824, the Common Council enacted a careful table of precedence for its members in the corporation pews in the chancel. (fn. 180)
CHANTRIES
The Chantry of the Blessed Mary (fn. 181) or Roode's Chantry, (fn. 182) in the parish church, was in existence in 1297 (fn. 183) and possibly earlier, since in 1279 Martin the chaplain was a town tenant of 4½ acres of land and some meadow, though his benefice is not named. (fn. 184) In 1307, Roger de Strateshill, probably the chaplain of the chantry, wished to endow it with 31 acres of land and 4 acres of meadow to provide a daily celebration of mass, but difficulties appear to have arisen with John Dalderby, Bishop of Lincoln (1300–1329). (fn. 185) The matter was taken up by the town, and at the request of Henry Roode, apparently one of the bailiffs, licence was obtained from the king in 1316 for Roger de Strateshill's gift. (fn. 186) Further gifts of land are recorded (fn. 187) and each incumbent was seemingly given seisin for his life by the bailiffs, 'who reserved the right to annul the grant, thus avoiding any grant of the lands in mortmain. (fn. 188) The chantry was thus especially associated with the town and the chaplain was bound to pray, in English, at the daily mass 'for the good state, welfare and prosperity of the Bayliffs of this town, and all the Comynalty of the same, fundars of this Chauntre.' (fn. 189) At the time of the dissolution of the chantries, the chaplain both provided assistance to the vicar and was also master of a grammar school. (fn. 190) The possessions of the chantry, together with those of the Gilds of Corpus Christi (q.v.) and the Holy Trinity (q.v.) were seized by the crown and in 1553 were leased to John Shepherd and others of the royal household for twenty-one years at an annual rent of £35 16s. 10d. (fn. 191) The fee-farm rents of £5 15s. 5d. due to the bailiffs of Godmanchester were paid by the crown until 1592, (fn. 192) when Elizabeth, in a new lease to Peter Proby, remitted the fee-farm rent and a charge of 4s. payable to the poor and received a lower rent from the lessee. (fn. 193) Soon after the grant of the charter of 1604, the borough unsuccessfully attempted to recover the chantry lands and were involved in lawsuits in the Duchy courts and considerable expenses, (fn. 194) the issue being complicated by the grant in fee, in 1606–7 by James I, of the disputed lands to Edward Newport. (fn. 195) In 1657, they were held by Robert Barnard, (fn. 196) but it seems possible that they were seized by the Commissioners for the sale of fee-farm rents during the Protectorate, (fn. 197) since at some subsequent date they were attached to the Rectory on whose 'lessee the old crown rent of £30 per annum is charged as an annuity in augmentation of the vicarage as also with the sum of £5 19s. 5d. to the annual fee-farm rent of the town.' (fn. 198)
The Gild of Corpus Christi is first mentioned in 1366, (fn. 199) and the fraternity was an established body in 1396. (fn. 200) It consisted of brothers and sisters governed by two wardens. (fn. 201) A later benefactor was John Copegray, chaplain of the gild and vicar of Alconbury (1463–69). (fn. 202) After the dissolution of the chantries, the endowments, which amounted in 1536 to £11 7s. 4d. a year, (fn. 203) passed with those of Roode's Chantry (q.v.). The name is still preserved in Corpus Christi Lane.
The Gild of the Holy Trinity was founded before 1279, when William, chaplain of the Trinity, held 1½ acre of land. (fn. 204) It was governed by two wardens (fn. 205) and is mentioned in wills of Godmanchester inhabitants, (fn. 206) but its endowments were small and at its dissolution amounted to only £3 4s. 9d. a year. (fn. 207) Edmund Archpole was then chaplain of both Corpus Christi (q.v.) and Holy Trinity Gilds, (fn. 208) but there does not seem to have been any formal amalgamation of the gilds. The lands of the gild followed the descent of those of Roode's chantry (q.v.).
Little is known of the origin of the Gild of St. John the Baptist, (fn. 209) but it was founded before 1359, when William Balle seems to have been the chaplain. (fn. 210) Possibly the gild had a separate chapel, since 'land next to the chapel' are mentioned at the same date. (fn. 211) The fraternity appears in the town rentals until 1549, (fn. 212) but all trace of it is afterwards lost and its lands do not appear in the certificate of chantry lands at the dissolution of the chantries. Nine acres of land formed the endowment of certain lights and lamps in the church, and they were valued at 22s. 2d. a year after deducting the fee-farm rent. (fn. 213) In 1553, obit lands appear in the lease of chantry lands to John Shepherd and to later tenants (fn. 214) and a payment of 1s. 10½d. a year to the bellman was chargeable on the chantry lands. (fn. 215)
At the present time there is a Particular Baptist Chapel, founded in 1815, and the Union Chapel, built in 1844, to replace an older chapel. (fn. 216)
CHARITIES
The following charities are regulated by a scheme of the Charity Commissioners dated 12 February 1926:—
Christopher Fisher in 1674 gave a piece of land containing 2 a. and 3 r. in Reed Meadow, and John Dryden by a declaration of trust dated 17 Dec. 1708 gave the sum of £200 which was laid out in the purchase of 24 a. 1 r. 20 p. of land, the rents to be applied in apprenticing poor children of the parish. The endowment of the charities now consists of £1,578 8s. 9d., 2½ per cent. Consols and various other sums of stock with the Official Trustees, the whole producing about £60 annually in dividends which are applied in apprenticing.
John Banks by will dated 19 November 1707 charged his lands and hereditaments in Dunton with a yearly payment of £12 to be applied for apprenticing and for the poor. The endowment now consists of a rentcharge of £12 per annum issuing out of Millow Hall Farm, Dunton, £21 1s. 5 per cent. War Stock and £25 4 per cent. Victory Bonds with the Official Trustees. £5, part of the rentcharge, is applied for the benefit of the poor and the residue £7 is applied for apprenticing.
Note.—Under clause 19 of the above-mentioned scheme the trustees are empowered to apply that part of the income applicable for apprenticing and not required for that purpose in assisting poor persons in the case of Banks's charity and in assisting poor boys for their advancement in life in the case of Fisher's and Dryden's charities.
Fishbourne's Charity. This charity consists of a rentcharge of 10s. per annum issuing out of hereditaments at Hartford. The rent is distributed by the mayor to four poor widows not in receipt of parish relief.
Anonymous Charity for Poor founded in 1727. The endowment of this charity consists of a rentcharge of 3s. 4d. per annum charged upon or issuing out of hereditaments in Post Street. This sum is distributed in bread amongst the poor of the parish.
Grainger's Gift. Robert Grainger by will dated 10 October 1578 charged his mansion-house in Godmanchester with one comb of wheat to be made into bread and distributed among the poor. The value of one comb of wheat is now charged upon property in Godmanchester now in the occupation of Mr. W. F. Beart and distributed to the poor of the parish in bread.
¶The charity known as the Rectory Charge was founded by deed dated 27 January 1443 for the benefit of the poor of the parish. The endowment consists of four quarters of wheat and three quarters of barley charged on the Rectory Farm, Godmanchester. Under the provisions of the above-mentioned scheme the vicar and the mayor (ex-officio trustees) and six representative trustees appointed by the Borough Council, were appointed the trustees of the charities.
Almshouses. These consist of four almshouses in East Chadleigh Lane, Godmanchester, built with money given in 1723 by Mr. Dryden, together with two small almshouses in Penfold Lane (known as Manser's Charity) formerly four houses but converted into two. There are no endowments in connection with these almshouses, which are kept in repair at the parish expense.
Carolina Home and Garden Magazine recently ran a full feature on me in their magazine, so I thought I'd post the article for everyone to check out. The rest of the article is in another post linked in the first post below...
8-28-10:
CollegeMonthlyOct.1974-JoeCardiello-Illo
www.facebook.com/photo.php?pid=918258&id=1652840888&a...
Special thanks to Kenneth R Anderson
Joe Ciardiello
1990s
Directory tear sheet, 8.375" x 11"
I saw Joe's work for the first time Sept. 1974 when he did a caricature for Doug G. and Noë G's fledgling mag. Joe hadn't fully developed his own style yet, and his illustration struck me as a so-so Alan Cober or Jack Unruh knock-off. Boy, was I wrong, or boy, has he developed. This sample comes from about 20 years later, with a very NYC subject for Joe. His style is now instantly recognizable, and he does regular spots for The New York Times Sunday Book Review. He's terrific.
But within weeks, College Monthly folded, Joe's November issue art never ran, and he (and we) didn't get paid. Perhaps this belated appreciation will serve as minor recompense.
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Add a caption
Joe Ciardiello 1990s Directory tear sheet, 8.375" x 11" I saw Joe's work for the first time Sept. 1974 when he did a caricature for Doug G. and Noë G's fledgling mag. Joe hadn't fully developed his own style yet, and his illustration struck me as a so-so Alan Cober or Jack Unruh knock-off. Boy, was I wrong, or boy, has he developed. This sample comes from about 20 years later, with a very NYC subject for Joe. His style is now instantly recognizable, and he does regular spots for The New York Times Sunday Book Review. He's terrific. But within weeks, College Monthly folded, Joe's November issue art never ran, and he (and we) didn't get paid. Perhaps this belated appreciation will serve as minor recompense. === www.joeciardiello.com ===
In this photo: Doug Garr (photos), Noe Gold (photos | remove tag), Joe Ciardiello
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Joe Ciardiello Thanks Kenneth. Better late than never.
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Patrick Jb Flynn Whom among us isn’t influenced by our predecessors? It’s a little thing called history, a subject that most Americans fail miserably. I always saw Joe’s art as an amalgam of the best illustrators of that time, Milton Glazer, fused with Cober, Unruh, and the inimitable James Spanfeller.
4 hours ago · LikeUnlike ·
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Kenneth R Anderson @JC - I'm honored by your attention to my fb gallery.
@PJF - indeed. What I relate to now isn't even a style thing, per se. JC seems to draw naturally from his heart, a soulful quality I always admired in James McMullen's work.
3 hours ago · LikeUnlike · 1 personPatrick Jb Flynn likes this. ·
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Noe Gold
@PJF, Spanfeller also graced the pages of this magazine due no doubt to the involvement of his AC accolytes. Kudos to you Ken for enshrining this.
www.flickr.com/photos/doctor_noe/4360653626/in/set-721576...
This is a parody ...published by College Monthly October 1974.
© 2010 noemedia.
© 1974. All rights reserved under international conventions. No material may be reproduced without written permission of the publisher.
Cover photo by Basil Pao
With retouching by Rainbow Graphics, body by Doug, hand by Noë of New York. T-shirt by Harry Gross; photo by UPI, lighting by Chris Callis, and body English by Tom King.
And check out this blog entry at ...
doctornoemedia.blogspot.com/2010/02/catcher-in-bourbon-pa...
The Meeting of the Magi, Adriaen van Wesel, c. 1475 - c. 1477
h 76.5cm × w 91.0cm × d 20.0cm.
Rijks Museum - National Museum of Netherlands
Vision:
The Rijksmuseum links individuals with art and history.
Mission:
At the Rijksmuseum, art and history take on new meaning for a broad-based, contemporary national and international audience.
As a national institute, the Rijksmuseum offers a representative overview of Dutch art and history from the Middle Ages onwards, and of major aspects of European and Asian art.
The Rijksmuseum keeps, manages, conserves, restores, researches, prepares, collects, publishes, and presents artistic and historical objects, both on its own premises and elsewhere.
From 1800 to 2013
The Rijksmuseum first opened its doors in 1800 under the name ‘Nationale Kunstgalerij’. At the time, it was housed in Huis ten Bosch in The Hague. The collection mainly comprised paintings and historical objects. In 1808, the museum moved to the new capital city of Amsterdam, where it was based in the Royal Palace on Dam Square.
After King Willem I’s accession to the throne, the paintings and national print collection were moved to the Trippenhuis on Kloveniersburgwal, while the other objects were returned to The Hague. The current building was put into use in 1885. The Netherlands Museum for History and Art based in The Hague moved into the same premises, forming what would later become the departments of Dutch History and Sculpture & Applied Art.
The beginning
On 19 November 1798, more than three years after the birth of the Batavian Republic, the government decided to honour a suggestion put forward by Isaac Gogel by following the French example of setting up a national museum. The museum initially housed the remains of the viceregal collections and a variety of objects originating from state institutions. When the Nationale Kunstgalerij first opened its doors on 31 May 1800, it had more than 200 paintings and historical objects on display. In the years that followed, Gogel and the first director, C.S. Roos, made countless acquisitions. Their first purchase, The Swan by Jan Asselijn, cost 100 Dutch guilders and is still one of the Rijksmuseum’s top pieces.
Move to Amsterdam
In 1808, the new King Louis Napoleon ordered the collections to be moved to Amsterdam, which was to be made the capital of the Kingdom of Holland. The works of art and objects were taken to the Royal Palace on Dam Square, the former city hall of Amsterdam, where they were united with the city’s foremost paintings, including the Night Watch by Rembrandt. In 1809, the Koninklijk Museum opened its doors on the top floor of the palace.
A few years after Willem I returned to the Netherlands as the new king in 1813, the ‘Rijks Museum’ and the national print collection from The Hague relocated to the Trippenhuis, a 17th-century town-palace on Kloveniersburgwal, home to what would later become the Royal Netherlands Academy of Arts and Sciences. Much to the regret of the director, Cornelis Apostool, in 1820 many objects including pieces of great historical interest were assigned to the Kabinet van Zeldzaamheden [Royal Gallery of Rare Objects], which had been founded in The Hague. In 1838, a separate museum for modern 19th-century art was established in Paviljoen Welgelegen in Haarlem. Contrary to the days of Louis Napoleon, very few large acquisitions were made during this period.
Cuypers Cathedral
The Trippenhuis proved unsuitable as a museum. Furthermore, many people thought it time to establish a dedicated national museum building in the Netherlands. Work on a new building did not commence until 1876, after many years of debate. The architect, Pierre Cuypers, had drawn up a historic design for the Rijksmuseum, which combined the Gothic and the Renaissance styles. The design was not generally well-received; people considered it too mediaeval and not Dutch enough. The official opening took place in 1885.
Nearly all the older paintings belonging to the City of Amsterdam were hung in the Rijksmuseum alongside paintings and prints from the Trippenhuis, including paintings such as Rembrandt’s Jewish Bride, which had been bequeathed to the city by the banker A. van der Hoop. The collection of 19th-century art from Haarlem was also added to the museum’s collection. Finally, a significant part of the Kabinet van Zeldzaamheden, which had by then been incorporated into the new Netherlands Museum for History and Art, was returned to Amsterdam.
Renovations
Over the years, collections continued to grow and museum insight continued to expand, and so the Rijksmuseum building underwent many changes. Rooms were added to the south-west side of the building between 1904 and 1916 (now the Philips wing) to house the collection of 19th-century paintings donated to the museum by Mr and Mrs Drucker-Fraser. In the 1950s and 1960s, the two original courtyards were covered and renovated to create more rooms.
In 1927, while Schmidt-Degener was Managing Director, the Netherlands Museum was split to form the departments of Dutch History and Sculpture & Applied Art. These departments were moved to separate parts of the building after 1945. The arrival of a collection donated by the Association of Friends of Asian Art in the 1950s resulted in the creation of the Asian Art department.
The 1970s saw record numbers of visitors of almost one-and-a-half million per year, and the building gradually started to fall short of modern requirements.
‘Verder met Cuypers'
The current renovation reinstates the original Cuypers structure. The building work in the courtyards are removed. Paintings, applied art and history are no longer displayed in separate parts of the building, but form a single chronological circuit that tells the story of Dutch art and history.
The building is thoroughly modernized, while at the same time restoring more of Cuypers original interior designs: the Rijksmuseum has dubbed the venture ‘Verder met Cuypers‘ [Continuing with Cuypers]. The Rijksmuseum will be a dazzling new museum able to satisfy the needs of its 21st-century visitors!
Every year, the Rijksmuseum compiles an annual report for the previous year. Annual reports dating back to 1998 can be found here (in Dutch only). Reports relating to the years before 1998 are available in the reading room of the library.
O Museu Rijks é um dos maiores e mais importantes museus da Europa.
É o maior dos Países Baixos, com acervo voltado quase todo aos artistas holandeses. As obras vão desde exemplares da arte sacra até a era dourada holandesa, além de uma substancial coleção de arte asiática.
Esse é o Rijksmuseum, o Museu Nacional dos Países Baixos. E aproveite, caro leitor, porque o Rijks esteve parcialmente fechado para reforma durante 10 anos – voltou a funcionar só em 2013. Ou seja, quem esteve em Amsterdam na última década não conheceu o Rijks, pelo menos não completamente
.
Mas o quê tem lá? Muita coisa. Destaque para as coleções de arte e História holandesas. Os trabalhos dos pintores Frans Hals e Johannes Vermeer são alguns dos mais concorridos, mas imbatível mesmo é Rembrandt van Rijn, considerado um dos maiores pintores de todos os tempos. Se você não é um fã de museus de arte, mas faz questão de conhecer o trabalho desses grandes artistas, uma dica: assim que chegar ao Rijks, vá direto para a ala onde estão as obras-primas. Assim você vê o mais importante no início da visita, quando ainda está descansado e poderá dedicar o tempo necessário para essas obras.
A mais famosa delas é a “A Ronda Noturna”, de Rembrandt, uma obra que inspirou músicas, pinturas, filmes e até um flash mob. Quando o Rijks foi reaberto, artistas recriam a cena mostrada no quadro dentro de um shopping de Amsterdam. A ação está no vídeo abaixo e eu te garanto que vale a pena dar play.
Read more: www.360meridianos.com/2014/01/museus-de-amsterdam.html#ix...
Read more: www.360meridianos.com/2014/01/museus-de-amsterdam.html#ix...
Rijksmuseum, Museu Nacional
42 Stadhouderskade
Amsterdam
O museu Rijksmuseum de Amsterdã é o Museu Nacional da Holanda, onde você encontrará uma impressionante coleção permanente, formada por 5.000 pinturas e 30.000 obras de arte, além de 17.000 objetos históricos.
Esse museu nacional foi fundado em 1885 e está instalado em um edifício de estilo neogótico. A sua principal atração é a extensa coleção de quadros pintados por artistas holandeses, abrangendo um período que vai do séc. XV aos dias de hoje. A obra de arte mais famosa em exibição é o quadro A Ronda Noturna, de Rembrandt.
O museu Rijksmuseum está dividido em cinco departamentos: pintura, escultura, arte aplicada, arte oriental, história dos Países Baixos e gravuras. O núcleo da coleção é a pintura e suas obras mais representativas são as que pertencem ao Século de Ouro holandês, com quadros de artistas como Rembrandt, Vermeer ou Frans Hals.
Ver fonte: dreamguides.edreams.pt/holanda/amsterda/rijksmuseum
Museu Rijks, Amesterdão
O Museu Rijks (Museu Nacional) é um edifício histórico, sendo o maior museu nos Países Baixos. O Museu é o maior no numero relativamente às suas colecções, na área do edifício em si, no financiamento e no numero de funcionários empregados.
Cada ano, mais de um milhão de pessoas visitam o Museu Rijks. O Museu emprega cerca de 400 pessoas, incluindo 45 conservadores de museu que são especializados em todas as áreas.
O Museu Rijks é internacionalmente reconhecido pelas suas exibições e publicações, mas não só apenas por estes produtos de grande qualidade, mas também pelas áreas no museu em si que são fonte de inspiração e encorajam a criação de novas ideias.
O museu também tem recursos consideráveis para a educação, para a decoração e apresentação de exibições. Importantes designers são regularmente chamados a trabalharem em projectos no Museu Rijks.
O edifício principal do Museu Rijks está a ser renovado. A boa noticia é que a melhor parte da exposição está apresentada na redesenhada ala Philips. O nome desta exposição denomina-se "The Masterpieces'.
O museu abre diariamente das 10 da manhã até ás 5 da tarde.
A entrada é pela Stadhouderskade 42.
Rijksmuseum
Origem: Wikipédia, a enciclopédia livre.
O Rijksmuseum é um museu nacional dos Países Baixos, localizada em Amsterdão na Praça do museu. O Rijksmuseum é dedicado à artes e história. Ele tem uma larga coleção de pinturas da idade de ouro neerlandesa e uma substancial coleção de arte asiática.
O museu foi fundado em 1800 na cidade da Haia para exibir a coleção do primeiro-ministro. Foi inspirado no exemplo francês. Pelos neerlandeses ficou conhecida como Galeria de Arte. Em 1808 o museu mudou-se para Amsterdã pelas ordens do rei Louis Napoleón, irmão de Napoleão Bonaparte. As pinturas daquela cidade, como A Ronda Nocturna de Rembrandt, tornaram-se parte da coleção.
Em 1885 o museu mudou-se para sua localização atual, construído pelo arquiteto neerlandês Pierre Cuypers. Ele combinou elementos góticos e renascentistas. O museu tem um posição proeminente na Praça do Museu, próximo ao Museu van Gogh e ao Museu Stedelijk. A construção é ricamente decorada com referências da história da arte neerlandesa. A Ronda Nocturna de Rembrandt tem seu próprio corredor no museu desde 1906. Desde 2003 o museu sofreu restaurações, mas as obras-primas são constatemente presentes para o público.
A coleção de pinturas inclui trabalhos de artistas como Jacob van Ruysdael, Frans Hals, Johannes Vermeer e Rembrandt e de alunos de Rembrandt.
Em 2005, 95% do museu está fechado para renovação, mas as pinturas da coleção permanente ainda estão em mostra em uma exibição especial chamada As Obras-primas.
Algumas das pinturas do museu:
Rembrandt van Rijn
A Ronda Nocturna
Os síndicos da guilda dos fabricantes de tecidos
A noiva judia
A lição de Anatomia do Dr. Deyman
Pedro negando Cristo
Saskia com um véu
Retrato de Titus em hábito de monge
Auto-retrato como Apóstolo Paulo
Tobias, Ana e o Bode
Johannes Vermeer:
A Leiteira
A Carta de Amor
Mulher de Azul a ler uma carta
A Rua pequena
Frans Hals:
Retrato de um jovem casal
A Companhia Reynier Real
O bebedor alegre
Retrato de Lucas De Clercq
Retrato de Nicolaes Hasselaer
Retrato de um homem
Página oficial do Rijksmuseum
Virtual Collection of Masterpieces (VCM)
O melhor museu de Amsterdam: Rijksmuseum
O Commons possui uma categoria contendo imagens e outros ficheiros sobre Rijksmuseum
Rijksmuseum Amsterdam
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Se você visitar Amsterdam, precisará conhecer o Museu Nacional da Holanda: Rijksmuseum Amsterdam. O Museu Nacional fica na Praça do Museu, situada no centro de Amsterdam. O Museu Nacional, ou Rijksmuseum, possui uma maravilhosa coleção de arte e história holandesas. Após uma visita ao Rijksmuseum, você saberá mais sobre história e arte e terá visto alguns dos maiores marcos culturais da Holanda.
Obras-primas do Museu Nacional
Ao todo, a coleção do Rijksmuseum apresenta a história da Holanda em um contexto internacional, desde 1.100 até o presente. Há alguns ícones da história e cultura da Holanda que você não pode perder:
Ronda Noturna (de Nachtwacht) de Rembrandt é uma das mais famosas obras desse mestre holandês e é de tirar o fôlego.
O Rijksmuseum tem uma das melhores coleções de pinturas dos grandes mestres do século XVII, como Frans Hals, Jan Steen, Vermeer e Rembrandt.
Assim como o Museu Histórico de Haia, o Rijksmuseum apresenta lindas casas de bonecas, mobiliadas em detalhes, datando de 1676.
Se você não puder ir ao Delft Real, pode ainda apreciar algumas das melhores cerâmicas de Delft, de conjuntos de chá a vasos, no Museu Nacional.
Museu que é visita obrigatória em Amsterdam
Quer sua estadia em Amsterdam seja breve ou longa, você deve visitar o Rijksmuseum. Chegue cedo para evitar enfrentar filas. Combine a visita ao Rijksmuseum com várias outras atrações próximas, como o Museu Van Gogh, o Museu Stedelijk Amsterdam e a Coster Diamonds
Para obter mais informações sobre Amsterdam, retorne à página sobre Amsterdam ou à página sobre os museus de Amsterdam.
French language literary magazine 'Virages' : a collection of new short stories from French-Canadian writers, edited & published under the direction of Marguerite Andersen. Fall 2013 edition.
front cover photography : solitude / Ana Lee Smith
145-15 Bayside Avenue, Flushing, Queens, New York City, New York, United States
Summary
The Fitzgerald/Ginsberg Mansion is a rare 1920s, picturesque Tudor Revival style mansion in Flushing, Queens designed by architect John Oakman. Constructed in 1924, it features rusticated, irregularly shaped fieldstone walls, a multi-colored slate roof, casement and leaded glass windows, and picturesque massing. Large, suburban picturesque revival-style houses from the 1920s were at one time prevalent throughout New York City’s affluent residential outer neighborhoods, but have become increasingly rare. The Fitzgerald house is one of the last great mansions from this period still standing in Flushing.
The house represents the affluence and optimism of the 1920s. It was built immediately adjacent to an extension of Flushing’s Old Country Club and its golf course – a typical suburban pattern of those years. The Old Country Club, founded in 1887, built its golf course in 1902. It is credited as being one of the oldest private country clubs in the United States. The club house and golf course have since been demolished.
The architect of the house, John Oakman worked for Carrere & Hastings and then formed a partnership with W. Powell before starting his own practice in 1909, specializing in picturesque single family houses. The house was built for Charles and Florence Fitzgerald, who sold it in 1926 to Ethel and Morris Ginsberg. Ginsberg made his fortune as part of a family-owned business supplying sash, door and wooden trim for builders. The firm was considered to be one of the leaders in this field in the Long Island region. The Ginsberg family lived in the house for over seventy years.
DESCRIPTION AND ANALYSIS
The Development of Flushing
One of the oldest settlements within what is now the City of New York – and together with Newtown and Jamaica one of the three colonial settlements now comprising the borough of Queens – Flushing traces its roots to English settlers who received a patent in 1654 from Pieter Stuyvesant, governor of the Dutch colony. Early in the town’s history, Flushing residents stood together in support of a local Quaker community against the religious intolerance of Governor Stuyvesant. They lost the immediate battle, but their “Flushing Remonstrance” of 1657 stands as one of the earliest published defenses of religious freedom in the United States.
During the 17th century, Flushing began to develop as a major center for horticulture, an industry brought to the town by French Huguenots who imported fruit trees not native to the country. William Prince established Flushing’s first profitable nursery as early as 1737. In 1838, Samuel Parsons established a nursery that introduced to the United States such plants as the Asiatic rhododendron, the Japanese maple, the Valencia orange, and the weeping beech. Parsons’ nursery also provided trees for the city’s first public parks, including Central Park and Prospect Park.
As in the rest of Queens County, Flushing’s fortunes evolved with improvements in transportation. The introduction of regular train service to New York City in 1854 led to a post-Civil War boom in luxury house construction for wealthy New Yorkers. The extension of trolley lines into Flushing from 1888 to 1899, and the electrification of the Long Island Rail Road, helped turn Flushing into a commuter suburb. With the consolidation of Greater New York in 1898, Flushing became part of the new Borough of Queens.
From the 1890s until the outbreak of World War I, Flushing’s estates were divided up into new suburban developments including Ingleside, Murray Hill, Broadway-Flushing, Bowne Park, Kissena, and Queensborough Hill. Perhaps the biggest impetus to the growth of Flushing in particular and Queens in general was the opening in 1909 of the Queensborough Bridge connecting Queens with midtown Manhattan, followed by the extension of the IRT into the borough during the late 1910s. Over the next two decades, the population of Queens mushroomed by 750%. The boom continued well into the 1920s.
Flushing participated heavily in the borough’s growth, developing as a series of suburban neighborhoods surrounding a town center on Northern Boulevard. In 1910, just a year after the opening of the Queensborough Bridge, the Business Men’s Association of Flushing published Flushing: The Premier Suburban Colony of the City of New York, a typical booster book touting the suburban advantages of Flushing life:
Flushing has long waited to come into its own. Thousands of people who have enjoyed the luxuries of living in a community like this, where the home life, the social life, and the religious life are at their best, where rowing, yachting, fishing, tennis, golfing, baseball, driving, motoring, and other outdoor amusements are easy at hand and universally indulged in, have in the past found homes in Flushing, regardless of its inaccessibility to Manhattan. These people have preferred to put up with the annoyance, loss of time, and trouble in getting to and from their homes rather than suffer the inconveniences and disadvantages of a home in Manhattan or Brooklyn.
Now that the Pennsylvania Tunnels are completed, and a resident of Flushing can go from his home to Herald Square in sixteen minutes, and without change of cars, now that the great Queensboro Bridge is open to traffic, and a Flushing resident can go for a single five-cent fare by trolley in the finest cars in New York over this bridge in thirty minutes, and with the prospect of the Steinway Tunnel being quickly opened, tens of thousands of New York City’s increasing population will take advantage of and enjoy the same invaluable privileges that have previously been the privilege of only thousands.
The book extolled the neighborhood’s advantages in healthfulness, openness, good schools, water supply, and churches, and focused on its character as “a Colony of Homes”:
Flushing is distinctly and pre-eminently a residence place. It is and always has been a colony of homes - homes of detached houses, homes with broad lawns, large gardens, shrubs, trees, flowers, and abundance of God's pure, fresh air and sunshine. It has no apartment houses, neither has it any of the settlements which are characteristic of other places where there is much manufacturing. Flushing is clean, wholesome, and restful to a degree possibly not equaled in any other suburb of New York.
And the book proudly listed the prominent people who now called Flushing home, many of them New York City officials:
In later days many…men of note in various walks of life have established homes in Flushing. It would be well-nigh impossible to enumerate them all, but among those more widely known are Dr. William H. Maxwell, City Superintendent of Schools; Hon. Kingsley L. Martin, Commissioner of Bridges; Mr. J. Vipond Davies, Engineer of the McAdoo Tunnels; Mr. Arthur J. Nash, Superintendent of the Tiffany Studios; Mr. Clarence M. Lowes, Treasurer of the Williamsburg Dime Savings Bank; Mr. William O. Wood, President and General Manager of the New York and Queens County Railway; Mr. Charles G. M. Thomas, General Manager of the New York and Queens Electric Light and Power Company; Mr. Manley M. Gillam of the New York Herald; Mr. George N. Webster of the Wagner Palace Car Company; Mr. Foster Crowell, former Commissioner of Street Cleaning; Mr. David L. Van Nostrand, former County Clerk; Mr. Ellis Parker Butler, the author; Tax Commissioner John J. Halleran; Commissioner of Education Rupert B. Thomas; Mr. Frank A. Collins, Deputy Superintendent of School Buildings; Major Thomas K. Boggs, Capt. F.A. Hinman, U.S.A., retired, Rev. Dr. George R. Van DeWater, rector of St Andrew's Church, Manhattan, and so on indefinitely.
One of Flushing’s major attractions was the great variety of outdoor recreation available to its residents. As recounted in the Business Men’s Association publication of 1910:
Recreation and Entertainment: There is no excuse for any one failing to enjoy himself in Flushing. The place affords every conceivable form of diversion, recreation, and entertainment. Flushing Bay and River provide bathing, fishing, rowing, yachting and motor boating, and skating in winter. The unsurpassed roads, nearly all bordered by great trees, lead to unnumbered picturesque localities. The Shore Road at Whitestone is so close to the water one could toss a biscuit to the decks of the Sound steamers as they sail majestically by.
In particular, the existence of country clubs was considered a major advantage:
The Flushing Country Club [the original name of what became the Old Country Club] has excellent tennis courts and golf links in Whitestone Avenue.
Country clubs and golf clubs in suburban development and in Queens
According to historian James M. Mayo, the first known country club was the Myopia Club organized in 1879 in Winchester, a suburb of Boston. In 1882, several members of the Myopia Club organized the Country Club at Clyde Park in Brookline, Massachusetts. According to the Brookline club’s invitation to members:
The general idea is to have a comfortable clubhouse for the use of members with their families, a simple restaurant, bed-rooms, bowling-alley, lawn tennis grounds, etc.; also, to have race-meetings and, occasionally, music in the afternoon, and it is probable that a few gentlemen will club together to run a coach out every afternoon during the season, to convey members and their friends at a fixed charge.
Mayo lists other early country clubs including “The Buffalo (1889), Powelton (1882), Richmond County (1888), St. Andrew's Golf (1888), and Tuxedo (1886) Country Clubs of New York, and the Town and Country Club (1888) of St. Paul, Minnesota….” By 1900, more than 1,000 such clubs had opened. Initially, their sporting activities focused on horse-racing, polo or lawn tennis. But before long, those sports had been supplanted by golf, which became enormously popular.
The first club in the United States to build a golf course was the St. Andrew’s Golf Club in Yonkers, New York, which opened in 1888. By 1900 there were more than 1,000 golf courses throughout the country. According to Mayo:
Physically well suited for elites, golf was relatively injury-free and most people could play it. The equipment was not overly expensive; also some people wanted the countryside experience but were not enthusiastic about equestrian sports. Thus golf potentially optimized participation of many club members and their families.
Golf clubs and country clubs became major components of new American suburbs. According to Mayo:
The physical connection between the country club and the elite suburb increased as elites sought to relocate to the suburbs and to join a country club…. In the 1880s the country club phenomenon was so new that real estate developers had not recognized its potential relationship to the elite suburb. All the essential ingredients of commuting lines, suburban settlement, and club organizing were coming together, but elites and developers needed a successful experiment to see the possibilities of combining club and suburb.
The first such experiment was the development of Tuxedo Park, New York, planned with a clubhouse. The most influential suburban developer who depended on country clubs as part of his development was J.C. Nichols who, between 1906 and 1950, developed thousands of homes in Kansas City, including the Country Club District. Among his imitators were the developers of the Scioto Country Club (1914) outside Columbus, Ohio, River Oaks (1924) in Houston, Texas, Highland Park in Dallas, and many more.
In the early 20th century, of the five boroughs in the City of Greater New York, Queens was the most suburban in character, and had by far the largest number of golf clubs. A local Queens publication in 1924 described the borough as “Queens Borough - the Golfers' Paradise,” and “Queens Borough the Business Man’s Playground.”
No section of the country is better equipped to satisfy this craving for outdoor sport than Queens Borough, which has more golf courses than all the other boroughs of New York City combined - there being thirteen courses now in actual operation and two in course of making, the total occupying approximately 2,000 acres. The other four boroughs have a total of only six courses.
The same article described the Old Country Club in Flushing as “the oldest course on Long Island.”
The Old Country Club
The Old Country Club was organized in 1887 – just eight years after the pioneering Myopia Club – as the Flushing Athletic Club, making it one of the earliest such clubs in the United States. Though not originally planned with golf in mind, the club was not immune to the attractions of the sport. In the words of the club’s 1927 Year Book:
With the introduction of golf in this country, so many members became interested in the then new game, that golf soon became the principal activity. A Nine-Hole Course was constructed, and in 1902 the name was changed to The Flushing Country Club.
The Flushing Country Club was not part of a specific suburban development, but it played a large role in making the surrounding area desirable for suburban homes. Its nine-hole golf course, however, soon came to seem too small. As described by the Flushing Country Club’s 1927 Year Book:
Seventeen years passed, and in 1919 a majority of members banded together to form a new club on larger grounds. A handful of faithful golfers refused to leave their old course and promptly reorganized, taking the appropriate name of The Old Country Club, thus distinguishing themselves from the new club.
Steps were taken in 1922 to purchase the original Nine-Hole Course and sufficient adjacent property for nine additional holes. The membership was raised to Four Hundred, and The Old Country Club Land Company, Inc., was formed to acquire the desired land. …One year later the Eighteen-Hole Golf Course was ready.
The original site on which the Flushing Country Club was built had been acquired from the Mitchell estate, a large tract of land. The land purchased in 1922 by the Old Country Club Land Company, adjoining the original club grounds, was part of the estate of Cornelia Mitchell Wickham. Wickham’s heirs, members of the Mitchell family, owned a large plot, and sold land to other buyers as well. New York City in 1923 had already adopted a zoning code regulating land use, but the Mitchells must have had an eye to the value of their remaining parcels, and included very specific 50-year covenants in their deeds. The sale of the new plot to the Old Country Club Land Company included a detailed description not just of its potential club buildings, but also of potential residential development. The covenant occupied several pages of the deed, and noted that permission was granted for the construction of “churches and buildings for ordinary parochial activities, private schools and private social clubs other than clubs promoting boxing and wrestling matches.” Apparently the Mitchells foresaw the eventual sale and redevelopment of the golf club into yet another suburban development. And indeed, in 1936, just 13 years later, the Old Country Club Land Company sold the plot to Parsons Old Country Club Properties, Inc., for residential development.
The Fitzgerald Home
Barely six months before the Old Country Club Land Company acquired its new property from the Mitchells, the Mitchells sold a plot 100x200 feet directly adjoining the Club’s property to Charles and Florence Fitzgerald, formerly of Malba Drive. The Mitchells included 50-year restrictive covenants in this deed as well:
And the party of the second part covenants, for herself [Florence Fitzgerald], her heirs and assigns that no building shall be erected on the land conveyed other than private dwellings, to cost not less than $8000 each and one private garage for each such dwelling. Not more than two such dwellings shall be erected on the land conveyed. No such dwelling shall be erected nearer than 30 feet from the northerly line of Bayside Avenue and no such garage shall be nearer to Bayside Avenue than the rear line of the dwelling which it serves. Said lands, or any building erected thereon, shall not be used for any manufacturing or business purpose whatever, but the boarding or lodging of other persons in connection with the occupancy of the owner or lessee of the premises for dwelling purposes shall not be deemed a business, which covenant shall run with the land hereby conveyed for a period of 50 years.
Despite the covenant’s permission for the construction of two houses, the Fitzgeralds built only one house on the property, which became No. 290 Bayside Avenue (the address later changed to 145-15 Bayside Avenue). They hired architect John Oakman to design a handsome, Tudor-style mansion of the type that had become common in suburban developments.
John Oakman, architect
John Oakman (1878-1963) earned his B.A. at Williams College (1899) and went on to study architecture in Paris at the Ecole des Beaux-Arts (Architecte Diplome, 1906). He returned to America to enter architectural practice.
Available knowledge of Oakman’s career is sketchy. In 1906, on returning to the United States, Oakman joined the office of Carrere & Hastings as a draughtsman. From 1907 to 1911 he was in a partnership with W. Powell Robins, in the firm of Robins & Oakman. In 1907 and 1908, he renovated several buildings on the campus of his alma mater. In 1907, Robins & Oakman received a major commission to design train terminals and a powerhouse for the Hudson & Manhattan Railroad (now PATH). The Christopher Street station is still extant. Judging from his design for the H&M Powerhouse in New Jersey, Oakman had a strong sense both of historical styles and of dramatic massing.
In 1914 Oakman returned to France, where he served during World War I. After the war, he opened a practice in Manhattan. He is known to have designed a war memorial in 1925 for Westchester Square, in the Bronx, as well as the Knickerbocker Hospital and Nurses Residence at Amsterdam Avenue at West 131st Street (1920). He described his work in 1949 as:
Extensive practice, mostly residential and institutional buildings in N.Y. State and vicinity. Hospital design. Industrial work.
He listed examples of his work as:
Power House, Hudson & Manhattan Railway
Sub-Station, Hudson & Manhattan Railway
Protestant Episcopal Orphans’ Home, N.Y.C.
Williams College, Currier Hall, Dormitory & Commons Building (Competition)
Knickerbocker Hospital, N.Y.C. (Competition) Nurses Home, Knickerbocker Hospital, (N.Y.C.) (Competition) Numerous City and Country Residences.
Oakman’s very brief obituary in the New York Times described Oakman as specializing “in designing homes.” Oakman retired in 1940, and moved back to France, but spent the last five years of his life in Alabama.
Suburban Housing in the Early Twentieth Century
By the end of the nineteenth and early twentieth centuries, American suburbs were being filled with huge numbers of single-family homes, built to provide housing for the growing middle-class. Historian Alan Gowans calls this type of building the “Comfortable House.” These houses had evolved from the early picturesque rural cottages promoted by landscape architect Alexander Jackson Downing and his followers into something new, a “combination of country and city home.” They were not strictly country houses because they were situated on small lots rather than large estates, but they were not attached city houses either. With three fully articulated facades, they related to others on the street in terms of size and scale, but were not identical to each other as row houses are. They also broke away from the vertical orientation and boxy internal divisions seen in rowhouses and earlier Italianate and Queen Anne style houses, and were composed to be more horizontal, relating better to the streetscape, and with interior spaces that easily flowed from one to another.
The styles that were dominant for suburban houses during this period usually related to an historical style previously developed in America or Europe. These styles provided a sense of security for their residents, a sense of the familiar in a world that was rapidly changing because of an influx of immigrants, increasing industrialization and its resultant change in work patterns, and the country’s new and expanding role in the world at large. Going back to the past for visual metaphors was a way of expressing society’s roots, and they became symbols of shared cultural values. Additionally, since the family was seen as the basis of moral values, its stability was of utmost importance, and its center, the home itself, became the focus of much concern. On a practical level, the “Comfortable House” was appealing because it also included the latest technological developments to make life easier for its inhabitants: indoor plumbing, central heating, electricity and gas lines and laundry facilities.
Homes in this period used a variety of historical styles, but refined and rearranged them to meet contemporary design requirements. Popular styles included Beaux-Arts, Colonial Revival, Arts and Crafts, Tudor Revival, and Spanish Revival, among others. Although it would seem that these are very different types, they were linked by common attitudes among their designers, including “a willingness to use applied ornament, generous scale, systematically disciplined adaptation of past styles; and a vague, generalized sort of associationism,” along with a self-consciousness about what they were creating. Through the use of ornament, designers of the period helped maintain a sense of continuity with the past that was reassuring to their clients and to the community as a whole.
In domestic architecture, historically-based styles reinforced the status quo by confirming the pretensions of the emerging middle and upper class, with proportionally large and heavily elements, from fireplaces to columns and high ceilings. From Fifth Avenue mansions to revival style suburban houses, filtering down to working class bungalows, these details allowed homeowners to associate themselves with the history and culture of countries that had long and distinguished histories.
Suburbs from coast to coast soon filled with houses in a variety of historical revival styles. These buildings were publicized in architectural magazines and available from mail order companies. They were designed by individual architects or ordered from catalogues and constructed in all localities. Whether built on a grand scale or highly simplified, houses with historical references became the norm in American suburban life.
The Fitzgerald-Ginsberg house: Suburban Tudor
The house that John Oakman designed for Charles and Florence Fitzgerald is a handsome, large and unusually picturesque example of the 1920s Tudor Revival suburban home – a type sometimes referred to as “Stockbroker Tudor.” Tudor is one of the various medieval revival styles much in vogue in the early 20th century. In particular, it represents the residential side of that vogue; in that period, religious and educational buildings – and occasionally commercial as well – preferred a more academic Gothic Revival. Tudor appealed to architects of the day as a picturesque style appropriate to the suburbs, one that could make use of a variety of materials, shapes and textures, as well as a large natural site suitable for plantings.
The Tudor also suggested dignified prosperity. Typical elements of a Tudor house include full-length French doors, and numerous windows connecting the inside with the natural world outside. Windows – often grouped together – could be decorative, leaded windows, casements, bays or oriels. Larger buildings were often faced with masonry or decorative brick but could also have stucco contrasting with areas of dark wood framing or stone. The massing was usually irregular and was emphasized by large and prominent gables, chimneys with multiple stacks, or side-swept catslide roofs over entryways.
The house designed by John Oakman for the Fitzgeralds fits this description. A large two-story mansion with basement and attic, it sits on a plot 100 feet by 200 feet. Well set back from the property line, the house is approached by a curving drive. Most of the house is faced in large blocks of irregularly shaped fieldstone of varying color, meant to suggest the rustic qualities of the countryside. The house has a pitched roof, with multi-colored slate shingles, and two tall chimneys with multiple chimney pots. Many of the windows – in groups of two, three or four – are of leaded glass with diamond-shaped panes. The overall impression is one of grand, picturesque, prosperous suburban comfort.
Just two years after its construction, when the Fitzgeralds sold the property to the Ginsberg family, the New York Times singled out the house for praise in an article about recent real estate transactions:
Long Island provided several excellent transactions, especially in the Queens Borough section. At Flushing, where the realty demand has been steadily increasing, one of the finest residences was purchased by Morris Ginsberg from Charles Fitzgerald through the Halleran Agency and Arthur Knapp. The dwelling occupies a plot 200 by 100 feet at 290 Bayside Avenue. It is of stone construction with slate roof and was erected two years ago under the supervision of John Oakman of New York.
Later History
In 1926, the Fitzgeralds sold the house to Morris and Ethel Ginsberg. Morris Ginsberg was one of three sons of Hyman Ginsberg, proprietor of D. Ginsberg and Sons, a prominent Queens manufacturer of sash, door and trim. As described in an account in 1929:
The firm occupies considerable quarters in Corona…. In Corona their building is a landmark. The firm has business throughout Queens, and outside of it, and is conceded as one of the outstanding concerns in its field. D. Ginsberg and Sons are also interested in real estate, notably the mortgage end of it.
….Morris E. Ginsberg is in charge of the business end. The maturity of his business judgment found recognition in the fact that he is one of the youngest vice presidents of a national bank, being Vice President of the Woodside National Bank. Morris E. attended public school and high school in Queens, graduated and entered business immediately after. He is a forward-looking, well-informed, capable young businessman and is held in high regard by the builders who have on many occasions demonstrated the complete confidence they have in him. Morris E. is active in the civic and philanthropic affairs of the community, and is a member of a number of organizations.
The Ginsberg family lived in the house for over seventy years, during which few changes were made to the exterior.
During that time, however, the surrounding neighborhood changed dramatically. Flushing as a whole became heavily redeveloped with new homes and apartment houses, as well as new commercial buildings. The immediate area around the Fitzgerald mansion is occupied with much smaller houses, on small lots, built after the sale of the Old Country Club.
Today, because of its size and proportions, its deep setback on its lot, its entrance drive, its handsome rustic materials, and its carefully designed picturesque massing and details – all remarkably intact – the Fitzgerald/Ginsberg Mansion stands as an unusual survivor from the early 20th century history of Flushing and of Queens.
Description
The Fitzgerald-Ginsberg house is a substantial, two-story tall (plus basement and attic), Tudor Revival style mansion on a 100’ x 200’ lot, facing onto Bayside Avenue, with an attached garage at the rear. The house is substantially set back from the sidewalk, and approached by a curving gravel drive. Main façade: The main façade, facing Bayside Avenue, is a long, asymmetrically massed, picturesque composition, organized around two major gable-end sections. Each gabled section is two-and-a-half stories tall, with the gable forming the top half-story, and each is faced with irregular fieldstone blocks of varying shape (generally rectangular) and color. The gables have flared eaves. The roof is a graduated slate roof, with larger, thicker slate at the eaves, and narrower, thinner slate at the ridge line.
Windows are slightly recessed, with projecting lintels, and enframed by the fieldstone blocks. The gabled section to the east has a tripartite window at the ground floor level, each with small diamond panes, and at the second story level a smaller window with four tall, narrow casements. The gabled section to the west has two irregularly placed windows at the ground floor level, and a window at the second story level.
Between the two gabled sections, the pitched roof slopes down to a one-story section with the house’s main entrance; there is a small double dormer window set into the roof, but not directly over the entrance. The entrance is approached by two levels of flagstone; it is outlined by a finished stone surround that is curved at each of the upper corners of the entrance; a small period lantern is attached and centered just above the entranceway; the entrance is shaded by the roof eave which extends slightly over it. There is a historic wooden door, with vertical panels and a small light near the center top, at eye-level, and a non-historic storm door.
To the east of the eastern gabled section, there is a two-story section with a steeply sloping roof above; this section is faced not in stone but in stucco. The ground level is taken up almost entirely by a large four-part casement window with a painted wood frame. At the second story level, there is a smaller, four-part casement window, shaded by the roof eave which extends slightly over it.
To the west of the western gabled section, the roofline dips below the gable, though not as low as the roofline over the main entrance; there is a four-part casement window with a painted wood frame at the ground floor level, and a basement level below it, partly below-grade – where the ground slopes downward towards the west – with a similar four-part casement window; a retaining wall, constructed of the same unfinished fieldstone as the house, projects perpendicularly from the house just east of this window.
At the western edge of the façade, the ground slopes downward fully exposing the basement level of the façade. The house ends here in a two-story porch-like section corresponding to the ground-floor level and the basement level of the rest of the house. On the eastern half of this section, a stone stairway at the basement level leads to a ground-floor level doorway; the roof extends further down over this section, forming a separate pent-roof over the entrance; this roof section is supported by a wooden beam extending down to the second step of the stone staircase. On the western half of this section, the basement portion of the façade is faced in fieldstone, while the ground-level portion is almost entirely taken up by a large multipaned wooden window. East façade: The east façade is comprised of two sections: to the front of the house, a two-story-and-attic gabled section slightly shorter than the main section of the house but projecting out, eastward, from it; and to the rear a small, one-story, separately roofed area. Its ground-level story is faced in fieldstone in its lower portion, with a central doorway with six panels in its lower half and a nine-light window in its upper half, with a four-light transom above; the doorway is flanked on either side by two tall casement windows. The second-story and attic levels are faced in stucco, with a large five-part casement window at the second story. The small, separately roofed area towards the rear of the house is largely occupied by casement windows with diamond-shaped panes. West façade: The western façade has three sections: the projecting porch near the main façade, a stone wall behind it, and an attached garage. Porch: This is the porch-like section at the far western end of the main façade and continues its design, with a fieldstone lower portion and windowed section above, with a roughly stuccoed section of wall at its eastern end, where the porch meets the main portion of the house. The wall area behind it (to its north) is faced in fieldstone, and has a ground-floor level window and a second-floor level two-part casement window. A small square dormer window projects from the roof above. Attached garage: The attached garage has a gable end in rough stucco, a roof similar to the roof of the house, and one large wooden garage door. The driveway is paved in large rough masonry blocks. Rear façade: The rear façade to some extent mirrors the general layout of the front façade, with two major gable-end sections. Most of the façade is of irregular fieldstone, but the upper story of the gable to the west is faced in rough stucco.
The easternmost gable end has a double window at the ground-floor level with diamond-shaped panes, and a three-part casement window at the second-floor level; the attic level gable has one small square window.
The westernmost gable end has four windows at the ground floor level, and four casement windows with diamond panes at the second floor level. Beyond it is the rear of an attached garage.
Between the two gabled sections, the pitched roof slopes down to a one-and-a-half-story section with a second entrance, with casement windows above. The entrance is outlined by a finished stone surround that is curved at each of the upper corners of the entrance. The historic wood door is similar in design to the front door, and has a screen door as well. In the roof above this section, there is one small square dormer window. Above and to the east rises a four-part brick chimney.
- From the 1995 NYCLPC Landmark Designation Report
Published on the cover of the April edition of The Jeju Weekly.
Please view my stream LARGE on black:
This data-visualization has been published in the first issue of Bright Ideas Magazine (www.seedandspark.com/bright-ideas).
Since the late 80s, the Sundance Film Festival has been the premiere American market for independently-financed film. Despite a mid-recession lull in sale prices, more than a dozen films fetched seven-figure bids in
2013. One, The Way, Way Back, sold for more than $10 million. But what does a $2 million sale mean for a film that cost $6 million to make? To figure out a way to look at the available data in a new light, we selected a
handful of films that sold in Park City between 2011 and 2013, and engaged the Italian data visualization firm, Accurat, to re-imagine our spreadsheet as a three-dimensional work of analytical art. Feel free to spend hours staring at this.
The Postcard
A postally unused Quality Series postcard that was published by the Souvenir Novelty Co. Inc. of Salt Lake City, Utah. Their motto on the divided back of the card is 'Busy All The Time'.
The publishers have provided some information about the Mormon Temple:
'Mormon Temple,
Salt Lake City,
Utah.
The Temple was commenced
on April 6, 1853 and completed
April 6, 1893 at a cost of
approximately $4,000,000.
It is 186½ feet long by 99 feet
wide.
The foundation or footing
walls are 16 feet thick and
8 feet deep. The basement
walls are 9 feet thick and the
upper walls 6 feet thick.
The side walls are 107½ high.
East Center Tower, 210 feet
high, surmounted by a
hammered copper statue of
the Angel Moroni, 12½ feet
high, gilded with pure gold
leaf.'
Temple (Latter Day Saints)
The Salt Lake Temple, operated by The Church of Jesus Christ of Latter-day Saints, is the centerpiece of the 10 acre (40,000 m2) Temple Square in Salt Lake City.
In the Latter Day Saint movement, a temple is a building dedicated to be a house of God, and is reserved for special forms of worship. The most prolific builder of temples of the Latter Day Saint movement is The Church of Jesus Christ of Latter-day Saints (LDS Church).
There are 173 dedicated temples (167 currently operating; 5 previously dedicated, but closed for renovation; and 1 (Kyiv) which has temporarily suspended operations).
There are also 51 under construction, and 58 announced (but not yet under construction), giving a total of 282.
History
The Latter Day Saint movement was conceived as a restoration of practices believed to have been lost in a Great Apostasy from the true gospel of Jesus Christ. Temple worship played a prominent role in the Bible's Old Testament, and in the Book of Mormon.
On the 27th. December 1832, two years after the organization of the Church of Christ, the church's founder, Joseph Smith, reported receiving a revelation that called upon church members to restore the practice of temple worship. The Latter Day Saints in Kirtland, Ohio, were commanded to:
"Establish a house, even a house of prayer,
a house of fasting, a house of faith, a house
of learning, a house of glory, a house of
order, a house of God."
Latter Day Saints see temples as the fulfillment of a prophecy found in Malachi 3:1 (KJV):
"Behold, I will send my messenger, and he shall
prepare the way before me; and the Lord, whom
ye seek, shall suddenly come to his temple, even
the messenger of the covenant, whom ye delight
in: behold, he shall come, saith the Lord of hosts."
The prophesy, which features in Handel's Messiah, is believed to emphasize that when the Jesus comes again, he will come "to his temple."
As plans were drawn up to construct a temple in Kirtland, the decision was made to simultaneously begin work on a second temple at the church's colony in Jackson County, Missouri.
Surviving plans indicate that both temples would have the same dimensions and approximately the same appearance and both were to be at the "centerplaces" of cities designed according to Smith's plan for the City of Zion.
However conflict in Missouri led to the expulsion of the Mormons from Jackson County, preventing any possibility of building a temple there, but work on the temple in Kirtland continued.
At great cost and sacrifice, the Latter Day Saints finished the Kirtland Temple in early 1836. On the 27th. March, they held a lengthy dedication ceremony, and numerous spiritual experiences and visitations were reported.
Conflict relating to the failure of the church's Kirtland Safety Society bank, caused the church presidency to leave Kirtland and move the church's headquarters to the Mormon settlement of Far West, Missouri.
Far West was also designed along the lines of the City of Zion plan, and in 1838 the church began construction of a new, larger temple in the center of the town. However the 1838 Mormon War and the expulsion of the Mormons from Missouri left this attempt at temple-building no further progressed than excavating foundations.
In 1839, the Mormons regrouped at a new headquarters in Nauvoo, Illinois. They were again commanded to build a "House of the Lord"—this one even larger and greater than those that went before.
New conflicts arose that led to Smith being killed, along with his brother Hyrum, at Carthage Jail on the 27th. June 1844. The Nauvoo Temple stood only half finished at the time, but eventually, this temple was finished and dedicated. Some temple ordinances were performed before most of the Latter Day Saints followed Brigham Young west across the Mississippi River.
Smith's death resulted in a succession crisis which divided the movement into different sects. The concept of temple worship evolved separately in many of these sects, and until the 1990's only the sects claiming a succession through Brigham Young continued to build new temples.
In April 1990, the Reorganized Church of Jesus Christ of Latter Day Saints (RLDS Church) began to construct the Independence Temple, which was dedicated in 1994. The RLDS Church—now called the Community of Christ—owns the Kirtland Temple, which is used for worship services and special events, but is also open to visitors, including various Latter Day Saint denominations interested in the building's historical significance.
Salt Lake City
Because it is an integral part of their worship, Mormon pioneers, upon arriving in the Salt Lake Valley, began plans to build temples there, and built the Endowment House to allow members to receive the endowment until the temples were completed.
The Endowment House in Salt Lake City was razed in 1889 after church president Wilford Woodruff learned that plural marriages were being performed there without the authorization of the First Presidency.
The Salt Lake Temple
At 253,015 square feet (23,505.9 m2), it is the largest Latter-day Saint temple by floor area. Dedicated in 1893, it is the sixth temple completed by the church, requiring 40 years to complete, and the fourth temple built since the Mormon exodus from Nauvoo, Illinois, in 1846.
The temple was closed in December 2019 for a general remodelling and seismic renovations that are anticipated to take approximately four years.
Like other Latter-day Saint temples, the church and its members consider it sacred, and a temple recommend is required to enter, so there are no public tours inside the temple as there are for other adjacent buildings on Temple Square.
In 1912, the first public photographs of the interior were published in the book The House of the Lord, by James E. Talmage. Since then, various photographs have been published, including by Life magazine in 1938.
The temple grounds are open to the public and are a popular tourist attraction.
The temple includes some elements evoking Solomon's Temple at Jerusalem. It is oriented towards Jerusalem, and the large basin used as a baptismal font is mounted on the backs of twelve oxen, as was the Molten Sea in Solomon's Temple.
Location of the Temple
The temple is in downtown Salt Lake City, with several mountain peaks close by. Nearby, a shallow stream, City Creek, splits and flows both to the west and to the south, flowing into the Jordan River.
There is a wall around the 10-acre (4.0 ha) temple site. The surrounding wall became the first permanent structure on what has become known as Temple Square. The wall is a uniform 15 feet high, but varies in appearance because of the site's southwest slope.
Uses of the Temple
The temple is considered the house of God, and is reserved for special ceremonies for practicing Latter-Day Saints. The main ordinance rooms are used during the endowment ceremony—namely the creation, garden, telestial, terrestrial, and celestial rooms in that order of use.
A washing and anointing ceremony is also administered, and until 1921, the rooms were also used for healing rituals of washing and anointing for the sick or pregnant, and were administered by women and men.
The temple also serves as a place for marriage sealing ceremonies for live and deceased persons. Additional uses include functioning as a location for baptisms for the dead, baptisms for health (until being discontinued in 1921) and, briefly, for re-baptism for the renewal of covenants.
Other rituals performed in the temple include the second anointing ordinance for live and deceased persons, and meeting rooms for church leaders.
Temple Construction and Dedication
The temple's location was first marked by Brigham Young, the church's second president, on the 28th. July 1847, just four days after he arrived in the Salt Lake Valley.
In 1901, church apostle Anthon H. Lund recorded in his journal that "it is said" that Oliver Cowdery's divining rod was used to locate the temple site.
The temple site was dedicated on the 14th. February 1853, by Heber C. Kimball. Groundbreaking ceremonies were presided over by Young, who laid the cornerstone on the 6th. April 1853.
The architect was Truman O. Angell, and the temple features both Gothic and Romanesque elements.
Sandstone was originally used for the foundation. During the Utah War, the foundation was buried, and the lot made to look like a plowed field to prevent unwanted attention from federal troops.
After tensions eased in 1858 and work on the temple resumed, it was discovered that many of the foundation stones had cracked, making them unsuitable for use. Although not all of the sandstone was replaced, the cracked blocks were replaced.
The walls are quartz monzonite (which has the appearance of granite) from Little Cottonwood Canyon, twenty miles (32 km) away. Oxen transported the quarried rock initially, but as the Transcontinental Railroad neared completion in 1869 the remaining stones were carried by rail at a much faster rate.
The capstone—the granite sphere that holds the statue of the Angel Moroni—was laid on the 6th. April 1892, by means of an electric motor and switch operated by Wilford Woodruff, the church's fourth president, thus completing work on the temple's exterior.
The Angel Moroni statue was placed on top of the capstone later the same day. At the capstone ceremony, Woodruff proposed the building's interior be finished within one year, which would allow the temple to be dedicated forty years to the day after its commencement.
John R. Winder oversaw the interior's completion on schedule; he served as a member of the temple presidency until his death in 1910. Woodruff dedicated the temple on the 6th. April 1893, exactly forty years after the cornerstone was laid.
The 2019 to 2025 Renovation
At the end of 2019, the temple was closed for a seismic retrofitting designed to allow it to withstand a magnitude 7.3 earthquake, the strongest expected magnitude in the Salt Lake Valley.
Other facilities on Temple Square (and certain parts of the main temple) were to be demolished, reconstructed, and modernized in line with seismic code. Mechanical, electrical, and plumbing systems will be replaced.
Initially the interior and its historical artifacts were planned to be preserved, although plans were later changed and many historic elements were removed.
Prior to 2019, the building had never been decommissioned for renovation and only minor updating of finishes and systems had occurred within the temple proper (although multiple "annex" additions had been added and removed in the past).
This meant that the temple's core historic architecture, layout, and workmanship had been preserved for 126 years.
Before construction started, church leaders indicated that the temple's unique historicity would be preserved. Church employees stated that special efforts would be made to highlight and honor the pioneer craftsmanship, and indicated the interiors would essentially remain the same.
Various renderings were released showing the instruction rooms used for the endowment ceremony would remain intact, with the original layout, woodwork and murals being preserved.
In March 2021, the church announced significant changes to the renovation plan that affected many elements in the temple's historic interior. The progressive room-to-room live endowment ceremony would be removed, and the layout of the temple would change, with the baptistry being moved to the annex and new instruction rooms constructed in its place.
Other rooms and walls would be reconfigured, requiring the removal of the temple's murals. The murals and many other historic features of the building were photographed and otherwise documented before being permanently removed or destroyed. In December 2021, the church announced that renovations were expected to conclude in 2025.
These changes will allow for greater patron capacity, but the removal of many historic elements was met with criticism, especially the destruction of the temple's murals.
One prominent historian described the changes as a “huge and unnecessary loss,” and another noted them as a loss of “priceless cultural artifacts.”
Symbolism of the Temple
The Salt Lake Temple incorporates many symbolic adornments, including Masonic symbols. These symbols include the following:
-- The All-Seeing Eye – The center tower on each side has a depiction of the all-seeing eye of God representing how God sees all things.
-- The Angel Statue – The golden Angel Moroni statue, by sculptor Cyrus E. Dallin, tops the capstone of the temple. It symbolizes the angel mentioned in Revelation 14:6 that will come to welcome in the Second Coming of Christ. Early architectural plans showed two horizontally flying angels, and the earliest references to the Salt Lake Temple's angel were always Gabriel. The original blueprint drawings intended the angel to be wearing temple ceremonial clothing like the angel on the Nauvoo Temple, but Paris-trained sculptor Dallin's 12.5-foot statue wears a crown instead of a temple cap that included a bright light which created a halo effect at night. As a result of an earthquake on the 18th. March 2020, the statue's trumpet broke.
-- The Beehive – The beehive symbol (which appears on the Utah state seal) appears on external doors and doorknobs, and symbolizes the thrift, industry, perseverance, and order of the Mormon people.
-- The Big Dipper – On the west side of the temple the Big Dipper appears, which represents how the priesthood can help people find their way to heaven as the constellation helped travelers to find the North Star. The uppermost stars on the temple's constellation align with the actual North Star.
-- The Compass and Square – Early plan drawings of the temple show the Masonic arrangements of a compass and square placed around the second and fourth floor windows, but the plans were changed during construction. These symbols had appeared on the Nauvoo Temple weathervane.
-- The Clasped Hands – Above each external door and doorknob appears the "hand clasp," which is a representation of covenants that are made within temples or brotherly love.
-- Clouds – On the east side of the temple are "clouds raining down" representing the way God has continued revelation and still speaks to man "like the rains out of Heaven".
-- Earths – The Earthstones in the lower buttresses have been interpreted as the gospel of Christ spreading over the whole Earth.
-- Spires – The six spires of the temple represent the power of the priesthood. The three spires on the east side are a little higher than those on the west: they represent the Melchizedek, or "higher priesthood", and the Aaronic, or "preparatory priesthood" respectively. The three spires on the east side represent the church's First Presidency and the twelve smaller spires on those three represent the Twelve Apostles.
-- Sun, Moon, and Stars – Around the temple there are several carved stones depicting the Sun, Moon, and Stars which correspond respectively to the celestial, terrestrial, and telestial kingdoms of glory in the afterlife. The sunstones have also been interpreted to represent God, the moonstones in different phases as representing different phases of life, and the starstones representing Jesus Christ. These symbols were drawn from the Freemasonry practiced by many early church leaders in Nauvoo. Additionally, five-pointed stars have traditionally represented the five wounds of Christ (hands, feet, and side) and the five-pointed star with an elongated downward ray found on several LDS temples has been interpreted to represent Christ coming to Earth.
Incidents Associated With the Temple
-- Bombings
Two bombing incidents have damaged the temple. On the 10th. April 1910, a bomb at the nearby Hotel Utah (now the Joseph Smith Memorial Building) damaged the trumpet of the Moroni statue atop the temple.
On the 14th. November 1962, the southeast door of the Salt Lake Temple was bombed. FBI agents found that the explosive had been wrapped around the door handles on the temple's southeast entrance. The large wooden entrance doors were damaged by flying fragments of metal and glass. Damage to interior walls occurred 25 feet inside the temple, but damage to the interior was minor. Eleven exterior windows were shattered.
-- The 1999 Salt Lake City Tornado
The temple suffered damage in 1999 when a tornado rated F2 on the Fujita Scale struck Salt Lake City. A wedding taking place at the time allowed a photographer to record video of the tornado as it passed near the temple, forcing the wedding party to shelter against the temple doors and pillars for protection from the wind and debris.
They were not allowed inside to take shelter as the temple doors were locked. After being pelted with rain and hail, members of the wedding party surveyed the damage to the trees and surrounding buildings before resuming the ceremony.
-- The 2020 Salt Lake City Earthquake
On the morning of the 18th. March 2020, a magnitude 5.7 earthquake struck just outside Salt Lake City. Though most of the damage was outside the city, minor damage was inflicted on the temple.
The trumpet of the Angel Moroni on top of the temple's tallest spire was dislodged from the statue, and some stones from the smaller spires were displaced. No other damage to the temple was reported.
78 minutes starring Dana + Eve
video files added to my blog (LC)
enjoy your free download !
098-01 OFFICIAL VIDEO
by Jerome Duplessis
full-length-movie
initial-release
shot on 2003, September 16 + 20
published on Latex Culture
Note: this photo was published in a Nov 2, 2011 issue of Everyblock Los Angeles zipcodes blog titled "90012."
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After visiting the Occupy Wall Street (OWS) protest gathering in Zuccotti Park last week (which you can see in this Flickr site), I thought I would have a good idea of what to expect when I decided to visit the Occupy Los Angeles gathering outside City Hall in Los Angeles early Saturday morning. And to some extent, I was right: the protest was still focused on the excesses of the richest and most powerful 1% of the population, as well as corruption and paralysis in Washington.
But New York and Los Angeles are obviously on opposite sides of the country -- and in some respects, the two protests were completely different. It was already pleasantly warm when I showed up at 8:30 in the morning, and the previous evening had been seasonably mild; by contrast, it wet and freezing cold in New York City, with the earliest snow-fall in over 150 years making life somewhat miserable for the hundreds of shivering protesters who squatted under a long blue tarp that had been stretched over the food kitchen.
The mild weather may explain the first visible difference that I saw between the two "occupy" gatherings: there were many more tents in Los Angeles, each one seeming to hold three or four people who were just beginning to poke their heads out, sniffing the air for the presence of coffee or food that they could use to break their overnight fast. There was no need for heavy coats or hats or mittens; all I saw in Los Angeles was a few sweaters and light jackets. A visitor to my Flickr site jokingly asked why I had not photographed one of the (female) protesters in a topless outfit, and why none of the people were nude. Well, if that was going to happen, it would have happened in Los Angeles, not New York; and as for Los Angeles, the most extreme clothing I saw was one woman wearing a fairly un-revealing bikini top. Hardly the stuff of Woodstock; so much for the idea of sex, drugs, and rock-n-roll at these gatherings.
Speaking of rock-n-roll: there was none. But in Los Angeles, there were a lot more people with guitars. And mandolins, and fiddles, and even someone with a flute. Some of them played quietly, for their own amusement; but several of them drifted together beneath a statue that led up the stairs to the front entrance of City Hall, and jammed extemporaneously, with several simple, but enjoyable songs. I video-recorded several of these musical efforts, and I'll combine all of them together into a "composite" music-video on YouTube.
Another difference between Los Angeles and New YOrk involved the presence of cameras. Quite simply, there were many more in New York, and while I did not see any major-media journalists or reporters, there did seem to be a number of quasi-professional independent journalists who were not only photographing and recording everything they could see, but also interviewing everyone who looked interesting. Not so, in Los Angeles; yes, there were a few people with video cameras and DSLR still cameras (including me), but I only saw one or two interviews taking place. Ironically, I was one of the people interviewed: an earnest young man told me he was taking a class that required him to interview photographers at the protest gathering, and he wanted to know what I thought of the whole scene.
So I told him, in a summary fashion, what I had already written in the notes accompanying my OWS Flickr set, and I told him that I thought the Los Angeles gathering was quieter, with less energy, and more people just wandering around somewhat aimlessly. There were no speeches, there was no shouting, and there was almost no police presence. I did see two cops standing at the top of the stairs leading to the front entrance of of City Hall, but they vanished about half an hour after I arrived.
One last note, which may strike some readers as biased or unfair -- but I saw what I saw: several people wandered down the various sidewalks leading out of City Hall Park ... and then returned via the same sidewalks, ten or fifteen minutes later, carrying a large cup of Starbucks coffee. The revolution, it seems, runs on Starbucks.
That's when I began focusing on the clothing worn by the protesters. As noted above, it was obviously much warmer than it was in New York City, so perhaps I should not have been surprised to see half a dozen or more people wandering around barefoot. But the other thing that struck me was how carefully several of the people were dressed, and how much attention they seemed to have spent to make their physical appearance look appropriately fashionable, while simultaneously being disheveled and hippy. Like I said, I might be biased: you can look at the pictures and judge for yourself.
I spent more time here than I did in New York -- roughly three hours before I decided that I had seen everything there was to see. But as a result, I got a lot more pictures - some 700+ still pictures, and a dozen video clips. I've winnowed it down, as best I could, to 200 keepers. Enjoy!
Carte de visite published by James S. Earle & Son of Philadelphia, Pa. This French engraving mass produced in the United States illustrates a cultural photographic phenomenon that swept both countries and much of the rest of the world in the early 1860s: The carte de visite. or card photograph. These small images on albumen paper and mounted to card stock were the Facebook of the period. Albums, created to hold the images, became all the rage.
In this scene, we see a man with wavy hair, generous sideburns, soft eyes, and a knowing smile selecting one image from a fan of his own portraits held in his hand as if they were a deck of playing cards. Around him are gathered women of all ages and men of various occupations thrusting their albums towards him, hoping he will grace their collections with his likeness. Even a little dog with a large album in his mouth gets into the act.
A caption below the illustration captures the moment: "N'oubliez pas mon album, s'il vous plaît.” In English, “Don't forget my album, please.”
The name of the artist is located in he lower right. It appears to read Bedell, but I have not found an illustrator by this name.
The imprint on the back of the card stock mount advertises the galleries of James Strudwick Earle. A British immigrant, Earle, (1807-1879), learned the trade of dealing in artwork and picture frames from his uncle and built a thriving business in Philadelphia. According to Earle’s obituary, the gallery on 816 Chestnut Street “has long been one of the artistic centres of Philadelphia. After turning over gallery operations to his sons James and Edgar, Earle welcomed visitors with a kindly greeting.
Thanks to Cliff Krainik for his generosity, kindness and friendship.
I encourage you to use this image for educational purposes only. However, please ask for permission.
An aerial of Saddlebunch # 2 Bridge from the south taken on March 8, 1997. From a study published by Old Keys Bridges Task Force in November 1997.
This photo is published under Creative Commons Attribution-Share-Alike Licence, means you are free to use this photo with attribution under same licence. For credits, please use following;
Owner: Thai National Parks
The Porchester, published in the third issue of Solstice Magazine! You can purchase a physical and digital copy over at www.magcloud.com/browse/issue/993220 See our images on pages 66-73!
See more on my website at: www.tomsimmonds.com | www.tomsimmonds.com/analoguebox
And in my blog: clickedbytom.tumblr.com/post/131689519169/the-porchester | thomascolesimmondsphotography.blogspot.co.uk/2015/10/the-...
Model: Anastazja Rendak @ PRM Model Agency
Make-up: Silvia Tonelli
Hair: Johan John
Styling: Shirly Piperno
Designers: Chloé Marlow, Sebastian Aquiles Albornoz
Photography: Thomas Cole Simmonds
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© Thomas Cole Simmonds. All rights reserved. My images may not be used without my permission.
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