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195 images starring Coffin Jane

photo series 378-01 available on my blog

 

related link : ilovefrenchgirls.blog/2019/09/20/photo-series-378-01/

 

shot on 2013, March 10

published on Captive Culture

Published by La Selva, 1951-1967

Published in 1911 with attractive illustrated boards by the Religious Tract Society (RTS).

 

I created a series of flower characters for a book titled Blossom Buddies, published by teNeues in 2009. The book includes 100 blossom buddies.

I am thrilled to be featured in the Spring 2013 edition of Art Journaling! I blogged about it here.

I created this flower character for a book titled Blossom Buddies, published by teNeues in 2009. The book includes 100 of these plant characters.

... with JPG Magazine.

Many thanks, Derek & Heather & Paul!

 

- original image on Flickr here

- facing image, Kids, by the young & talented Camillo Longo, on jpgmag here

Self-published hand-made book Did we ever meet? Winner of Rock your dummy Award 2013. Full info, edition, price - www.offonroad.com/books/did-we-ever-meet/

Published to accompany the debut UK Steak Mtn. / Christopher Norris solo show – “Get Ready, Jungle Heat” at BEACH Gallery

 

Available from www.landfilleditions.com

published via Free Download Minecraft ift.tt/1mUHdFZ

ASTR

Webster Hall

November 19th, 2015

New York City

© 2015 LEROE24FOTOS.COM

ALL RIGHTS RESERVED.

THIS MATERIAL MAY NOT BE PUBLISHED,

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published in sonntagszeitung, 2011-03-20

Received my Dutch Book with this photo in it.

Halsey

Webster Hall

New York City

Thursday, Oktober 22nd, 2015

© 2015 LEROE24FOTOS.COM

ALL RIGHTS RESERVED.

THIS MATERIAL MAY NOT BE PUBLISHED,

BROADCAST, REWRITTEN OR REDISTRIBUTED.

Hurley, Frank, 1885-1962.

 

Part of John George Hunter collection of photographs of Antarctica, 1911-1914.; Published in: The home of the blizzard / by Douglas Mawson. London : William Heinemann, 1915, v. 1 facing p. 188.

 

Persistent URL

nla.gov.au/nla.pic-an23323329

Publish Janu,15/01/ 2017 BD LIVE HITS is a YouTube Chanel that presents all Hit Model, , Videos, News, , Live Performance, Juicy jokes etc ! ** Lisa Hayden married 3 months pregnant!** Love was long. However, there is no rush to get married actress Lisa Hayden never showed. 016 before the end of gulluke boyfriend had secretly married Lisa. Gullura the jamkajamakahinabhabe married in October with 016-Sareen the heroine! Lisa's Instagram shared wedding photos. The rules were conceived after the share Instagram pictures. After bikini, by the sea's "baby bump" She showed. He wrote, start another period of happiness! . Subscribe our channel : goo.gl/FD2h1b Share the video : youtu.be/OB4ivbc0IGk Facebook fun page : ift.tt/2gF3THr Twitter : twitter.com/anis01713734673 *****KEYWORD****** ** Lisa Hayden married 3 months pregnant **

The Postcard

 

A postally unused postcard that was published by The South African Garrison Institutes. The card was printed by Whitehead, Morris & Co. Ltd. of Cape Town. The card has a divided back.

 

Windhoek

 

Windhoek is the capital and largest city of Namibia. It is located in the Khomas Highland plateau area, at around 1,700 metres (5,600 ft) above sea level, almost exactly at the country's geographical centre.

 

The population of Windhoek in 2020 was 431,000 which is growing continuously due to an influx from all over Namibia.

 

Windhoek is the social, economic, political, and cultural centre of the country. Nearly every Namibian national enterprise, governmental body, educational and cultural institution is headquartered there.

 

The city developed at the site of a permanent hot spring known to the indigenous pastoral communities. It developed rapidly after Jonker Afrikaner, Captain of the Orlam, settled here in 1840 and built a stone church for his community.

 

In the decades following, multiple wars and armed hostilities resulted in the neglect and destruction of the new settlement. Windhoek was founded a second time in 1890 by Imperial German Army Major Curt von François, when the territory was colonised by the German Empire.

 

Herero and Nama Genocide

 

The Herero and Nama genocide was a campaign of ethnic extermination and collective punishment waged by the German Empire against the Herero and the Nama in German South West Africa.

 

It was the first genocide of the 20th. century, occurring between 1904 and 1908.

 

In January 1904, the Herero and Nama people rebelled against German colonial rule. On the 12th. January they killed more than 100 German settlers in the area of Okahandja, although women, children, missionaries and non-German Europeans were spared.

 

In August, German General Lothar von Trotha defeated the Hereros in the Battle of Waterberg and drove them into the desert of Omaheke, where most of them died of dehydration. In October, the Nama people also rebelled against the Germans, only to suffer a similar fate.

 

Between 24,000 and 100,000 Hereros and 10,000 Nama died in the genocide. The first phase of the genocide was characterised by widespread death from starvation and dehydration, due to the prevention of the Herero from leaving the Namib desert by German forces.

 

Once defeated, thousands of Hereros and Namas were imprisoned in concentration camps, where the majority died of diseases, abuse, and exhaustion.

 

In 1985, the United Nations' Whitaker Report classified the aftermath as an attempt to exterminate the Herero and Nama peoples of South West Africa.

 

In 2004, the German government recognised and apologised for the events, but ruled out financial compensation for the victims' descendants.

 

In July 2015, the German government and the speaker of the Bundestag officially called the events a "genocide". However, it still refused to consider reparations. Despite this, the last batch of skulls and other remains of slaughtered tribesmen which were taken to Germany to promote racial superiority were taken back to Namibia in 2018.

 

In May 2021, the German government agreed to pay €1.1 billion over 30 years to fund projects in communities that were impacted by the genocide.

 

Background to the Genocide

 

The Herero, who speak a Bantu language, were originally a group of cattle herders who migrated into what is now Namibia during the mid-18th. century. The Herero seized vast swaths of the arable upper plateaus which were ideal for cattle grazing.

 

Agricultural duties, which were minimal, were assigned to enslaved Khoisan and Bushmen. Over the rest of the 18th. century, the Herero slowly drove the Khoisan into the dry, rugged hills to the south and east.

 

The Hereros were a pastoral people whose entire way of life centred on their cattle. The Herero language, while limited in its vocabulary for most areas, contains more than a thousand words for the colours and markings of cattle. The Hereros were content to live in peace as long as their cattle were safe and well-pastured, but became formidable warriors when their cattle were threatened.

 

According to Robert Gaudi:

 

"The newcomers, much taller and more fiercely warlike

than the indigenous Khoisan people, were possessed

of the fierceness that comes from basing one's way of

life on a single source: everything they valued, all wealth

and personal happiness, had to do with cattle.

Regarding the care and protection of their herds, the

Herero showed themselves utterly merciless, and far

more 'savage' than the Khoisan had ever been.

Because of their dominant ways and elegant bearing,

the few Europeans who encountered Herero tribesmen

in the early days regarded them as the region's 'natural

aristocrats.'"

 

By the time of the Scramble for Africa, the area which was occupied by the Herero was known as Damaraland.

 

The Nama were pastorals and traders, and lived to the south of the Herero. 

 

In 1883, Adolf Lüderitz, a German merchant, purchased a stretch of coast near Lüderitz Bay (Angra Pequena) from the reigning chief. The terms of the purchase were fraudulent, but the German government nonetheless established a protectorate over it. At that time, it was the only overseas German territory deemed suitable for European settlement.

 

Chief of the neighbouring Herero, Maherero rose to power by uniting all the Herero. Faced with repeated attacks by the Khowesin, a clan of the Khoekhoe under Hendrik Witbooi, he signed a protection treaty on the 21st. October 1885 with Imperial Germany's colonial governor Heinrich Ernst Göring (father of World War I flying ace and World War II convicted war criminal Hermann Göring), but did not cede the land of the Herero.

 

This treaty was renounced in 1888 due to lack of German support against Witbooi, but it was reinstated in 1890.

 

The Herero leaders repeatedly complained about violation of this treaty, as Herero women and girls were raped by Germans, a crime that the German judges and prosecutors were reluctant to punish.

 

In 1890 Maherero's son, Samuel, signed a great deal of land over to the Germans in return for helping him to ascend to the Herero throne, and to subsequently be established as paramount chief.

 

German involvement in ethnic fighting ended in tenuous peace in 1894.  In that year, Theodor Leutwein became governor of the territory, which underwent a period of rapid development, while the German government sent the Schutztruppe (imperial colonial troops) to pacify the region.

 

German Colonial Policy

 

Both German colonial authorities and European settlers envisioned a predominately white "new African Germany," wherein the native populations would be put onto reservations and their land distributed among settlers and companies.

 

Under German colonial rule, colonists were encouraged to seize land and cattle from the native Herero and Nama peoples and to subjugate them as slave laborers. 

 

Resentment understandably brewed among the native populations over their loss of status and property to German ranchers arriving in South West Africa, and the dismantling of traditional political hierarchies. Previously ruling tribes were reduced to the same status as the other tribes they had previously ruled over and enslaved. This resentment contributed to the Herero Wars that began in 1904.

 

Major Theodor Leutwein, the Governor of German South West Africa, was well aware of the effect of the German colonial rule on the Hereros. He later wrote :

 

"The Hereros from early years were a freedom-loving

people, courageous and proud beyond measure. On

the one hand, there was the progressive extension of

German rule over them, and on the other their own

sufferings increasing from year to year."

 

The Dietrich Case

 

In January 1903, a German trader named Dietrich was walking from his homestead to the nearby town of Omaruru to buy a new horse. Halfway to Dietrich's destination, a wagon carrying the son of a Herero chief, his wife, and their son stopped by. As a common courtesy in Hereroland, the chief's son offered Dietrich a ride.

 

That night, however, Dietrich got very drunk and after everyone was asleep, he attempted to rape the wife of the chief's son. When she resisted, Dietrich shot her dead.

 

When he was tried for murder in Windhoek, Dietrich denied attempting to rape his victim. He alleged that he awoke thinking the camp was under attack, and had fired blindly into the darkness. The killing of the Herero woman, he claimed, was an unfortunate accident. The court acquitted him, alleging that Dietrich was suffering from "tropical fever" and temporary insanity.

 

The murder aroused extraordinary interest in Hereroland, especially since the murdered woman had been the wife of the son of a Chief and the daughter of another. Everywhere the question was asked:

 

"Have white people the right

to shoot native women?"

 

Governor Leutwein intervened. He made the Public Prosecutor appeal Dietrich's acquittal. A second trial took place (before the colony's supreme court), and this time Dietrich was found guilty of manslaughter and imprisoned.

 

The move prompted violent objections of German settlers who considered Leutwein a "race traitor".

 

Rising Tension

 

In 1903, some of the Nama clans rose in revolt under the leadership of Hendrik Witbooi. A number of factors led the Herero to join them in January 1904.

 

(a) Land Rights

 

One of the major issues was land rights. In 1903 the Herero learned of a plan to divide their territory with a railway line and to set up reservations where they would be concentrated.

 

The Herero had already ceded more than a quarter of their 130,000 km2 (50,000 sq mi) territory to German colonists by 1903,  before the Otavi railway line running from the African coast to inland German settlements was completed.

 

Completion of this line would have made the German colonies much more accessible, and would have ushered in a new wave of Europeans into the area.

 

Historian Horst Drechsler states that there was discussion of establishing and placing the Herero in native reserves, and that this was further proof of the German colonists' sense of ownership over the land.

 

Drechsler illustrates the gap between the rights of a European and an African; the Reichskolonialbund (German Colonial League) held that, in regards to legal matters, the testimony of seven Africans was equivalent to that of one colonist.

 

(b) Racial Tensions

 

There were also racial tensions underlying these developments; the average German colonist viewed native Africans as a lowly source of cheap labour, and others welcomed their extermination.  The German settlers often referred to black Africans as "baboons" and treated them with contempt.

 

One missionary reported:

 

"The real cause of the bitterness among the Hereros

toward the Germans is without question the fact that

the average German looks down upon the natives as

being about on the same level as the higher primates

('baboon' being their favourite term for the natives),

and treat them like animals.

The settler holds that the native has a right to exist only

in so far as he is useful to the white man. This sense of

contempt led the settlers to commit violence against

the Hereros."

 

The contempt manifested itself particularly in the concubinage of native women. In a practice referred to in Südwesterdeutsch as Verkafferung, native women were taken by male European traders and ranchers both willingly and by force.

 

(c) Debt Collection

 

A new policy on debt collection, enforced in November 1903, also played a role in the uprising. For many years, the Herero population had fallen in the habit of borrowing money from colonist moneylenders at extremely high interest rates.

 

For a long time, much of this debt went uncollected, and it accumulated, as most Herero had no means to pay. In order to correct this growing problem, Governor Leutwein decreed with good intentions that all debts not paid within the following year would be voided.

 

In the absence of hard cash, traders often seized cattle, or whatever objects of value they could get their hands on, as collateral. This fostered a feeling of resentment towards the Germans on the part of the Herero people. Resentment escalated to hopelessness when they saw that German officials were sympathetic to the moneylenders who were about to lose what they were owed.

 

Revolts

 

In 1903, the Hereros saw an opportunity to revolt. At that time, there was a distant Khoisan tribe in the south called the Bondelzwarts, who resisted German demands to register their guns. The Bondelzwarts engaged in a firefight with the German authorities which led to three Germans being killed and a fourth wounded.

 

The situation deteriorated further, and the governor of the Herero colony, Major Theodor Leutwein, went south to take personal command, leaving almost no troops in the north.

 

The Herero revolted in early 1904, killing between 123 and 150 German settlers, as well as seven Boers and three women, in what Nils Ole Oermann calls a "desperate surprise attack".

 

The timing of their attack was carefully planned. After successfully asking a large Herero clan to surrender their weapons, Governor Leutwein was convinced that they and the rest of the native population were essentially pacified, and so withdrew half of the German troops stationed in the colony.

 

Led by Chief Samuel Maherero, the Herero surrounded Okahandja and cut railroad and telegraph links to Windhoek, the colonial capital.

 

Maharero then issued a manifesto in which he forbade his troops to kill any Englishmen, Boers, uninvolved peoples, women and children in general, or German missionaries. 

 

The Herero revolts catalysed a separate revolt and attack on Fort Namutoni in the north of the country a few weeks later by the Ondonga.

 

A Herero warrior interviewed by German authorities in 1895 had described his people's traditional way of dealing with suspected cattle rustlers, a treatment which, during the uprising, was regularly extended to German soldiers and civilians:

 

"We came across a few Khoisan whom of course

we killed. I myself helped to kill one of them.

-- First we cut off his ears, saying, 'You will never

hear Herero cattle lowing.'

-- Then we cut off his nose, saying, 'Never again

shall you smell Herero cattle.'

-- And then we cut off his lips, saying, 'You shall

never again taste Herero cattle.'

And finally we cut his throat."

 

According to Robert Gaudi:

 

"Leutwein knew that the wrath of the German Empire

was about to fall on them and hoped to soften the

blow. He sent desperate messages to Chief Samuel

Maherero in hopes of negotiating an end to the war.

In this, Leutwein acted on his own, heedless of the

prevailing mood in Germany, which called for bloody

revenge."

 

The Hereros, however, were emboldened by their success and had come to believe that the Germans were too cowardly to fight in the open. They rejected Leutwein's offers of peace.

 

One missionary wrote:

 

"The Germans are filled with fearful hate. I must really

call it a blood thirst against the Hereros. One hears

nothing but talk of 'cleaning up,' 'executing,' 'shooting

down to the last man,' 'no pardon,' etc."

 

According to Robert Gaudi:

 

"The Germans suffered more than defeat in the early

months of 1904; they suffered humiliation, their brilliant

modern army unable to defeat a rabble of 'half-naked

savages.'

Cries in the Reichstag, and from the Kaiser himself, for

total eradication of the Hereros grew strident. When a

leading member of the Social Democratic Party pointed

out that the Hereros were as human as any German and

possessed immortal souls, he was howled down by the

entire conservative side of the legislature."

 

Leutwein was forced to request reinforcements and an experienced officer from the German government in Berlin. Lieutenant-General Lothar von Trotha was appointed commander-in-chief (German: Oberbefehlshaber) of South West Africa, arriving with an expeditionary force of 10,000 troops on the 11th. June 1904.

 

Leutwein was subordinate to the civilian Colonial Department of the Prussian Foreign Office, which was supported by Chancellor Bernhard von Bülow, while General Trotha reported to the military German General Staff, which was supported by Emperor Wilhelm II.

 

Leutwein wanted to defeat the most determined Herero rebels and negotiate a surrender with the remainder in order to achieve a political settlement.  Trotha, however, planned to crush the native resistance through military force. He stated that:

 

"My intimate knowledge of many central African

nations (Bantu and others) has everywhere

convinced me of the necessity that the Negro

does not respect treaties, but only brute force."

 

By late spring of 1904, German troops were pouring into the colony. In August 1904, the main Herero forces were surrounded and crushed at the Battle of Waterberg. 

 

Genocide

 

In 1900, Kaiser Wilhelm II had been enraged by the killing of Baron Clemens von Ketteler, the Imperial German minister plenipotentiary in Beijing, during the Boxer Rebellion. The Kaiser took it as a personal insult from a people he viewed as racially inferior, all the more because of his obsession with the "Yellow Peril".

 

On the 27th. July 1900, the Kaiser gave the infamous Hunnenrede (Hun speech) in Bremerhaven to German soldiers being sent to Imperial China, ordering them to show the Boxers no mercy, and to behave like Attila's Huns.

 

General von Trotha had served in China, and was chosen in 1904 to command the expedition to German South West Africa precisely because of his record in China.

 

In 1904, the Kaiser was made furious by the latest revolt in his colonial empire by a people whom he also viewed as inferior, and took the Herero rebellion as a personal insult, just as he had viewed the Boxers' assassination of Baron von Ketteler.

 

The tactless and bloodthirsty language that Wilhelm II used about the Herero people in 1904 is strikingly similar to the language he had used about the Chinese Boxers in 1900. Nevertheless, the Kaiser denied, together with Chancellor von Bülow, von Trotha's request to quickly quell the rebellion.

 

No written order by Wilhelm II ordering or authorising genocide has survived. In February 1945 an Allied bombing raid destroyed the building housing all of the documents of the Prussian Army from the Imperial period.

 

Despite this fact, surviving documents indicate that Trotha used the same tactics in Namibia that he had used in China, only on a much vaster scale. It is also known that throughout the genocide, Trotha sent regular reports to both the General Staff and to the Kaiser.

 

Historian Jeremy-Sarkin Hughes believes that regardless of whether or not a written order was given, the Kaiser must have given General von Trotha verbal orders. According to Hughes, the fact that Trotha was decorated and not court-martialed after the genocide had become public knowledge lends support to the thesis that he was acting under orders.

 

General von Trotha stated his proposed solution to end the resistance of the Herero people in a letter, before the Battle of Waterberg:

 

"I believe that the nation as such should be annihilated,

or, if this is not possible by tactical measures, have to be

expelled from the country. This will be possible if the water-

holes from Grootfontein to Gobabis are occupied.

The constant movement of our troops will enable us to

find the small groups of this nation who have moved

backwards, and destroy them gradually."

 

Trotha's troops defeated 3,000–5,000 Herero combatants at the Battle of Waterberg on 11th. and 12th. August 1904, but were unable to encircle and annihilate the retreating survivors. 

 

The pursuing German forces prevented groups of Herero from breaking from the main body of the fleeing force, and pushed them further into the desert. As exhausted Herero fell to the ground, unable to go on, German soldiers killed men, women, and children. Jan Cloete, acting as a guide for the Germans, witnessed the atrocities committed by the German troops, and deposed the following statement: 

 

"I was present when the Herero were defeated in a

battle in the vicinity of Waterberg. After the battle all

men, women, and children who fell into German hands,

wounded or otherwise, were mercilessly put to death.

Then the Germans set off in pursuit of the rest, and all

those found by the wayside and in the sandveld were

shot down and bayoneted to death.

The mass of the Herero men were unarmed and thus

unable to offer resistance. They were just trying to get

away with their cattle."

 

A portion of the Herero escaped the Germans and went to the Omaheke Desert, hoping to reach British Bechuanaland; fewer than 1,000 Herero managed to get there, where they were granted asylum by the British authorities.

 

To prevent them from returning, Trotha ordered the desert to be sealed off. German patrols later found skeletons around holes 13 m (43 ft) deep that had been dug in a vain attempt to find water. Some sources also state that the German colonial army systematically poisoned desert water wells.

 

Maherero and 500–1,500 men crossed the Kalahari into Bechuanaland where he was accepted as a vassal of the Batswana chief Sekgoma.

 

On the 2nd. October 1904, Trotha issued a warning to the Herero:

 

"I, the great general of the German soldiers, send this

letter to the Herero. The Herero are German subjects

no longer. They have killed, stolen, cut off the ears

and other parts of the body of wounded soldiers, and

now are too cowardly to want to fight any longer.

I announce to the people that whoever hands me one

of the chiefs shall receive 1,000 marks, and 5,000

marks for Samuel Maherero.

The Herero nation must now leave the country. If it

refuses, I shall compel it to do so with the 'long tube'

[cannon].

Any Herero found inside the German frontier, with or

without a gun or cattle, will be executed. I shall spare

neither women nor children. I shall give the order to

drive them away and fire on them. Such are my words

to the Herero people."

 

Trotha further gave orders that:

 

"This proclamation is to be read to the troops at roll-call,

with the addition that the unit that catches a captain will

also receive the appropriate reward, and that the shooting

at women and children is to be understood as shooting

above their heads, so as to force them to run away.

I assume absolutely that this proclamation will result in

taking no more male prisoners, but will not degenerate

into atrocities against women and children. The latter will

run away if one shoots at them a couple of times. The

troops will remain conscious of the good reputation of

the German soldier." 

 

Trotha gave orders that captured Herero males were to be executed, while women and children were to be driven into the desert where their death from starvation and thirst was to be certain.

 

Trotha argued that there was no need to make exceptions for Herero women and children, since these would "infect German troops with their diseases."

 

Trotha explained that:

 

"The insurrection is and remains

the beginning of a racial struggle."

 

After the war, Trotha argued that his orders were necessary, writing in 1909 that:

 

"If I had made the small water holes accessible

to the womenfolk, I would run the risk of an African

catastrophe comparable to the Battle of Beresonia." 

 

The German general staff were aware of the atrocities that were taking place; its official publication, named Der Kampf, noted that:

 

"This bold enterprise shows up in the most brilliant

light the ruthless energy of the German command

in pursuing their beaten enemy.

No pains, no sacrifices were spared in eliminating

the last remnants of enemy resistance. Like a

wounded beast the enemy was tracked down from

one water-hole to the next, until finally he became

the victim of his own environment.

The arid Omaheke Desert was to complete what

the German army had begun: the extermination of

the Herero nation."

 

Alfred von Schlieffen (Chief of the Imperial German General Staff and architect of the Great War Schlieffen Plan) approved of Trotha's intentions in terms of a "racial struggle" and the need to wipe out the entire nation or to drive them out of the country, but had doubts about his strategy, preferring their surrender.

 

Governor Leutwein, later relieved of his duties, complained to Chancellor von Bülow about Trotha's actions, seeing the general's orders as intruding upon the civilian colonial jurisdiction, and ruining any chance of a political settlement. 

 

According to Professor Mahmood Mamdani of Columbia University, opposition to the policy of annihilation was largely due to the fact that colonial officials looked at the Herero people as a potential source of labour, and thus economically important.  For instance, Governor Leutwein wrote that:

 

"I do not concur with those fanatics who want to

see the Herero destroyed altogether. I would

consider such a move a grave mistake from an

economic point of view. We need the Herero as

cattle breeders, and especially as labourers.

 

Having no authority over the military, Chancellor Bülow could only advise Emperor Wilhelm II that:

 

"Trotha's actions are contrary to Christian and

humanitarian principle, economically devastating

and damaging to Germany's international

reputation". 

 

Upon the arrival of new orders at the end of 1904, prisoners were herded into labor camps, where they were given to private companies as slave labourers, or exploited as human guinea pigs in medical experiments.

 

Concentration Camps

 

Survivors of the massacre, the majority of whom were women and children, were eventually put in places like Shark Island concentration camp, where the German authorities forced them to work as slave labour for the German military and settlers.

 

All prisoners were categorised into groups fit and unfit for work, and pre-printed death certificates indicating "death by exhaustion following privation" were issued. The British government published their well-known account of the German genocide of the Nama and Herero peoples in 1918.

 

Many Herero and Nama died of disease, exhaustion, starvation and malnutrition. Estimates of the mortality rate at the camps are between 45% and 74%.

 

Food in the camps was extremely scarce, consisting of rice with no additions.  As the prisoners lacked pots and the rice they received was uncooked, it was indigestible. Horses and oxen that died in the camp were later distributed to the inmates as food. 

 

Dysentery and lung diseases were common.  Despite the living conditions, the prisoners were taken outside the camp every day for labour under harsh treatment by the German guards, while the sick were left without any medical assistance or nursing care.  Many Herero and Nama were worked to death.

 

Shootings, hangings, beatings, and other harsh treatment of the forced labourers (including use of sjamboks) were common. A sjambok is a long, stiff whip, originally made from rhinoceros hide.

 

A 28th. September 1905 article in the South African newspaper Cape Argus detailed some of the abuse with the heading:

 

"In German S. W. Africa: Further Startling

Allegations: Horrible Cruelty".

 

In an interview with Percival Griffith, "an accountant of profession, who owing to hard times, took up on transport work at Angra Pequena, Lüderitz", related his experiences:

 

"There are hundreds of them, mostly women and

children and a few old men. When they fall they are

sjamboked by the soldiers in charge of the gang,

with full force, until they get up.

On one occasion I saw a woman carrying a child

of under a year old slung at her back, and with a

heavy sack of grain on her head - she fell.

The corporal sjamboked her for certainly more

than four minutes and sjamboked the baby as well.

The woman struggled slowly to her feet, and went

on with her load.

She did not utter a sound the whole time, but the

baby cried very hard."

 

During the war, a number of people from the Cape (in modern-day South Africa) sought employment as transport riders for German troops in Namibia. Upon their return to the Cape, some of these people recounted their stories, including those of the imprisonment and genocide of the Herero and Nama people. Fred Cornell, an aspiring British diamond prospector, was in Lüderitz when the Shark Island concentration camp was being used. Cornell wrote of the camp:

 

"Cold – for the nights are often bitterly cold there –

hunger, thirst, exposure, disease and madness

claimed scores of victims every day, and cartloads

of their bodies were every day carted over to the

back beach, buried in a few inches of sand at low

tide, and as the tide came in the bodies went out,

food for the sharks."

 

Shark Island was the worst of the German South West African camps. Lüderitz lies in southern Namibia, flanked by desert and ocean. In the harbour lies Shark Island, which then was connected to the mainland by only a small causeway.

 

The island is now, as it was then, barren and characterised by solid rock carved into surreal formations by the ocean winds. The camp was placed on the far end of the relatively small island, where the prisoners would have suffered complete exposure to the strong winds that sweep Lüderitz for most of the year.

 

German Commander Ludwig von Estorff wrote in a report that approximately 1,700 prisoners (including 1,203 Nama) had died by April 1907.

 

In December 1906, four months after their arrival, 291 Nama died (a rate of more than nine people per day). Missionary reports put the death rate at 12–18 per day; as many as 80% of the prisoners sent to Shark Island eventually died there.

 

There are accusations of Herero women being coerced into sex slavery as a means of survival.

 

Trotha was opposed to contact between natives and settlers, believing that the insurrection was "the beginning of a racial struggle," and fearing that the colonists would be infected by native diseases. 

 

Benjamin Madley has concluded that although Shark Island is referred to as a concentration camp, it in fact functioned as an extermination camp or death camp.

 

Medical Experiments and Scientific Racism

 

Prisoners were used for medical experiments, and their illnesses or their recoveries from them were used for research.

 

Experiments on live prisoners were performed by Dr. Bofinger, who injected Herero who were suffering from scurvy with various substances including arsenic and opium; afterwards he researched the effects of these substances via autopsy.

 

Experimentation with the dead body parts of the prisoners was rife. Zoologist Leonhard Schultze (1872–1955) noted taking "body parts from fresh native corpses" which according to him, was "a welcome addition." He also noted that he could use prisoners for that purpose.

 

An estimated 300 skulls were sent to Germany for experimentation, in part from concentration camp prisoners. In October 2011, after three years of talks, the first 20 of an estimated 300 skulls stored in the museum of the Charité were returned to Namibia for burial. In 2014, 14 additional skulls were repatriated by the University of Freiburg.

 

The Number of Victims

 

A census conducted in 1905 revealed that 25,000 Herero remained in German South West Africa.

 

According to the Whitaker Report, the population of 80,000 Herero had been reduced to 15,000 "starving refugees" by 1907. In 'Colonial Genocide and Reparations Claims in the 21st. Century: The Socio-Legal Context of Claims under International Law by the Herero against Germany for Genocide in Namibia' by Jeremy Sarkin-Hughes, the number of 100,000 victims is given. Up to 80% of the indigenous population were killed.

 

A political cartoon on German South West Africa was run in 1906 with the following caption:

 

"Even if it hasn't brought in much profit and

there are no better quality goods on offer,

at least we can use it to set up a bone-

grinding plant."

 

Newspapers in 2004 reported 65,000 victims when announcing that Germany officially recognized the genocide.

 

Aftermath of the Genocide

 

With the closure of the concentration camps, all surviving Herero were distributed as labourers for settlers in the German colony. From that time on, all Herero over the age of seven were forced to wear a metal disc with their labour registration number. They were also banned from owning land or cattle, a necessity for pastoral society. 

 

About 19,000 German troops were engaged in the conflict, of which 3,000 saw combat. The rest were used for upkeep and administration.

 

The German losses were 676 soldiers killed in combat, 76 missing, and 689 dead from disease.  The Reiterdenkmal (English: Equestrian Monument) in Windhoek was erected in 1912 to celebrate the victory and to remember the fallen German soldiers and civilians. Until after Independence, no monument was built to the killed indigenous population. It remains a bone of contention in independent Namibia.

 

The campaign cost Germany 600 million marks. The normal annual subsidy to the colony was 14.5 million marks. In 1908, diamonds were discovered in the territory, and this did much to boost its prosperity, though it was short-lived. 

 

In 1915, during the Great War, the German colony was taken over and occupied by the Union of South Africa, which was victorious in the South West Africa campaign. South Africa received a League of Nations mandate over South West Africa on the 17th. December 1920.

 

Link Between the Herero Genocide and the Holocaust

 

The Herero genocide has commanded the attention of historians who study issues of continuity between the Herero genocide and The Holocaust of WWII. It is argued that the Herero genocide set a precedent in Imperial Germany that would later be followed by Nazi Germany's establishment of death camps.

 

According to Benjamin Madley, the German experience in South West Africa was a crucial precursor to Nazi colonialism and genocide. He argues that personal connections, literature, and public debates served as conduits for communicating colonialist and genocidal ideas and methods from the colony to Germany.

 

Tony Barta, a research associate at La Trobe University, argues that the Herero genocide was an inspiration for Hitler in his war against the Jews, Slavs, Romani, and others whom he described as "non-Aryans".

 

According to Clarence Lusane, Eugen Fischer's medical experiments can be seen as a testing ground for medical procedures which were later followed during the Nazi Holocaust.

 

Fischer later became chancellor of the University of Berlin, where he taught medicine to Nazi physicians. Otmar von Verschuer was a student of Fischer; Verschuer himself had a prominent pupil, Josef Mengele.

 

Franz Ritter von Epp, who was later responsible for the liquidation of virtually all Bavarian Jews and Roma as governor of Bavaria, took part in the Herero and Nama genocide.

 

Mahmood Mamdani argues that the links between the Herero genocide and the Holocaust are beyond the execution of an annihilation policy and the establishment of concentration camps as there are also ideological similarities in the conduct of both genocides. He focuses on a written statement by General Trotha:

 

"I destroy the African tribes with streams

of blood. Only following this cleansing can

something new emerge, which will remain." 

 

Mamdani takes note of the similarity between the aims of the General and of the Nazis. According to Mamdani, in both cases there was a Social Darwinist notion of "cleansing", after which "something new" would "emerge". 

 

Reconciliation

 

In 1985, the United Nations' Whitaker Report classified the massacres as an attempt to exterminate the Herero and Nama peoples of South West Africa, and therefore one of the earliest cases of genocide in the 20th. century.

 

In 1998, German President Roman Herzog visited Namibia and met Herero leaders. Chief Munjuku Nguvauva demanded a public apology and compensation. Herzog expressed regret but stopped short of an apology. He pointed out that international law requiring reparation did not exist in 1907, but he undertook to take the Herero petition back to the German government.

 

On the 16th. August 2004, on the 100th, anniversary of the start of the genocide, a member of the German government, Heidemarie Wieczorek-Zeul, Germany's Federal Minister for Economic Development and Cooperation, officially apologised and expressed grief about the genocide, declaring in a speech that:

 

"We Germans accept our historical and

moral responsibility and the guilt incurred

by Germans at that time.

 

She ruled out paying special compensation, but promised continued economic aid for Namibia which in 2004 amounted to $14M a year. This amount has been significantly increased since then, with the budget for the years 2016–17 allocating a sum total of €138M in monetary support payments.

 

The Trotha family travelled to Omaruru in October 2007 by invitation of the royal Herero chiefs and publicly apologised for the actions of their relative. Wolf-Thilo von Trotha said,

 

"We, the von Trotha family, are deeply ashamed

of the terrible events that took place 100 years

ago. Human rights were grossly abused that time."

 

Negotiations and Agreement

 

The Herero filed a lawsuit in the United States in 2001 demanding reparations from the German government and Deutsche Bank, which financed the German government and companies in Southern Africa.

 

With a complaint filed with the United States District Court for the Southern District of New York in January 2017, descendants of the Herero and Nama people sued Germany for damages in the United States. The plaintiffs sued under the Alien Tort Statute, a 1789 U.S. law often invoked in human rights cases. Their proposed class-action lawsuit sought unspecified sums for thousands of descendants of the victims, for the "incalculable damages" that were caused.

 

Germany seeks to rely on its state immunity as implemented in US law as the Foreign Sovereign Immunities Act, arguing that, as a sovereign nation, it cannot be sued in US courts in relation to its acts outside the United States. In March 2019, the judge dismissed the claims due to the exceptions to sovereign immunity being too narrow for the case.

 

In September 2020, the Second Circuit stated that the claimants did not prove that money used to buy property in New York could be traced back to wealth resulting from the seized property, and therefore the lawsuit could not overcome Germany's immunity. In June 2021, the Supreme Court declined to hear a petition to revive the case.

 

Germany, while admitting brutality in Namibia, at first refused to call it a "genocide", claiming that the term only became international law in 1945.

 

However, in July 2015, then foreign minister Frank-Walter Steinmeier issued a political guideline stating that the massacre should be referred to as a "war crime and a genocide". Bundestag president Norbert Lammert wrote an article in Die Zeit that same month referring to the events as a genocide. These events paved the way for negotiations with Namibia.

 

In 2015, the German government began negotiations with Namibia over a possible apology, and by 2016, Germany committed itself to apologizing for the genocide, as well as to refer to the event as a genocide; but the actual declaration was postponed while negotiations stalled over questions of compensation.

 

On the 11th. August 2020, following negotiations over a potential compensation agreement between Germany and Namibia, President Hage Geingob of Namibia stated that the German government's offer was "not acceptable", while German envoy Ruprecht Polenz said:

 

"I am still optimistic that a

solution can be found."

 

On the 28th. May 2021, the German government announced that it was formally recognizing the atrocities committed as a genocide, following five years of negotiations. The declaration was made by foreign minister Heiko Maas, who also stated that Germany was asking Namibia and the descendants of the genocide victims for forgiveness.

 

In addition to recognizing the events as a genocide, Germany agreed to give as a "gesture of recognition of the immeasurable suffering" €1.1 billion in aid to the communities impacted by the genocide.

 

Following the announcement, the agreement needs to be ratified by both countries' parliaments, after which Germany will send its president, Frank-Walter Steinmeier, to officially apologize for the genocide. The nations agreed not to use the term "reparation" to describe the financial aid package.

 

The agreement was criticized by the chairman of the Namibian Genocide Association, Laidlaw Peringanda, who insisted that Germany should purchase their ancestral lands back from the descendants of the German settlers and return it to the Herero and Nama people.

 

The agreement was also criticized because negotiations were held solely between the German and Namibian governments, and did not include representatives of the Herero and Nama people.

 

Repatriation of the Skulls

 

Peter Katjavivi, a former Namibian ambassador to Germany, demanded in August 2008 that the skulls of Herero and Nama prisoners of the 1904–1908 uprising, which were taken to Germany for scientific research to claim the superiority of white Europeans over Africans, be returned to Namibia.

 

Katjavivi was reacting to a German television documentary which reported that its investigators had found more than 40 of these skulls at two German universities, among them probably the skull of a Nama chief who had died on Shark Island.

 

In September 2011 the skulls were returned to Namibia. In August 2018, Germany returned all of the remaining skulls and other human remains which were examined in Germany to scientifically promote white supremacy. This was the third such transfer, and shortly before it occurred, German Protestant bishop Petra Bosse-Huber stated:

 

"Today, we want to do what should have been

done many years ago – to give back to their

descendants the remains of people who

became victims of the first genocide of the

20th. century."

 

As part of the repatriation process, the German government announced on the 17th. May 2019 that it would return a stone symbol it took from Namibia in the 1900's.

 

The Genocide in the Media

 

-- A BBC documentary, 'Namibia – Genocide and the Second Reich' (2005), explores the Herero and Nama genocide and the circumstances surrounding it.

 

-- In the documentary '100 Years of Silence', filmmakers Halfdan Muurholm and Casper Erichsen portray a 23-year-old Herero woman, whose great-grandmother was raped by a German soldier. The documentary explores the past and the way Namibia deals with it now.

 

-- Mama Namibia, a historical novel by Mari Serebrov, provides two perspectives of the 1904 genocide in German South West Africa. The first is that of Jahohora, a 12-year-old Herero girl who survives on her own in the veld for two years after her family is killed by German soldiers. The second story is that of Kov, a Jewish doctor who volunteered to serve in the German military to prove his patriotism. As he witnesses the atrocities of the genocide, he rethinks his loyalty to the Fatherland.

 

-- Thomas Pynchon's novel 'V'. (1963) has a chapter that included recollections of the genocide; there are memories of events that took place in 1904 in various locations, including the Shark Island concentration camp.

 

-- Jackie Sibblies Drury's play, 'We Are Proud To Present a Presentation About the Herero of Namibia Between the Years 1884–1915', is about a group of actors developing a play about the Herero and Nama genocide.

Not too sure about this 'New, new Flickr' thing... my brain hurts..!

Oor Wullie (English: Our Willie) is a Scottish comic strip published in the D.C. Thomson newspaper The Sunday Post.

 

It features a character called Wullie Russell .

 

Wullie is the familiar Scots nickname for boys named William.

 

His trademarks are spiky hair, dungarees and an upturned bucket, which he uses as a seat - most strips since early 1937 begin and end with a single panel of Wullie sitting on his bucket.

 

The earliest strips, with little dialogue, ended with Wullie complaining ("I nivver get ony fun roond here!").

 

The artistic style settled down by 1940 and has changed little since. A frequent tagline reads, "Oor Wullie! Your Wullie! A'body's Wullie!" (Our Willie! Your Willie! Everybody's Willie!).

 

Created by Thomson editor R. D. Low and drawn by cartoonist Dudley D. Watkins, the strip first appeared on 8 March 1936.

 

Watkins continued to draw Oor Wullie until his death in 1969, after which the Post recycled his work into the 1970s.

 

New strips were eventually commissioned from Tom Lavery, followed by Peter Davidson and Robert Nixon. Ken H. Harrison drew the strip from 1989 until 1997, when Davidson resumed duties.

 

Between January 2005 and 2006 storylines were written by broadcaster Tom Morton from his home in Shetland,[1] and subsequently they were written by Dave Donaldson, managing director of Thomson's comics division.

The current writer is former Dandy editor Morris Heggie.

 

The Oor Wullie bucket Trail begins on the 17th June 2019 and is even bigger than the last one 3 years ago.

 

In 2016 Dundee held a bucket trail with over 50 sculptures all painted with different designs to celebrate 80 years of Oor Wullie.

 

This was a huge success with the sculptures raising over £800,000 at auction for the local childrens charity.

 

They have decided to bring it back this year but on a far bigger scale with 150 sculptures and this time you will be able to find them not only in Dundee, but Edinburgh, Glasgow, Aberdeen, Inverness and a few dotted in other towns and cities across the country.

 

At the end of the summer these will once again be auctioned off and the money will be split between 3 childrens charities.

 

Oor Wullie’s BIG Bucket Trail runs for 11 weeks from 17th June 2019 – 30th August 2019, culminating in a series of Farewell Events and nationwide auctions in each of the five host cities, Glasgow, Edinburgh, Dundee, Aberdeen and Inverness.

 

Scotland’s first ever national public art trail aims to unite the country as it raises awareness and vital funds for Scotland’s children’s hospital charities.

 

Funds raised through the trail will support Glasgow Children’s Hospital Charity,Edinburgh Children’s Hospital Charity,and the ARCHIE Foundation, helping children in hospital across the country.

 

Oor Wullie’s BIG Bucket Trail is a Wild in Art event, and would not be possible without the support of DC Thomson Media.

Mammút

Icelandic Showcase

CMJ Music Fest

New York City

November 2015

© 2015 LEROE24FOTOS.COM

ALL RIGHTS RESERVED.

THIS MATERIAL MAY NOT BE PUBLISHED,

BROADCAST, REWRITTEN OR REDISTRIBUTED.

Published: ettg.eu/corona-virus-covid19/profiteers-of-the-pandemic-c...

www.politicalresearch.org/2020/06/02/globalist-within

  

Frankfurt Kaufland.

The Spiegel and all other politically correct German media are fighting against fake-news and conspiracy theories. But the Spiegel implies, without proof, that the corona virus in China was intentionally constructed. A conspiracy theory.

  

Carolina Home and Garden Magazine recently ran a full feature on me in their magazine, so I thought I'd post the article for everyone to check out. The rest of the article is in another post linked in the first post below...

Published by Grande Consórcio Suplementos Nacionais, Brazil 1944

Designer: Deepk Perwani

Published in Brides & You Volume 05, Issue 04

 

BRINGING IN THE FEED

The crew at EC Farms loads bales in the Rural Municipality of Lorne in southern Manitoba.

Also published in the Book: 101 Ways to Do More with Your Dog: Make Your Dog a Superdog with Sports, Games, Exercises, Tricks, Mental Challenges, Crafts, and Bonding by Kyra Sundance. See it on page 60.

 

Additional photos available at: www.FrankFennemaPhotography.com

Published by Nai. Design by Mevis and Van Deursen.

Published by Taika, Brazil 1968

A truck strategically parked outside 200 George Street building site

This is a look into a brochure that introduces a collection of 130 CDs, called "Musik in Deutschland 1950-2000", published by the "Deutscher Musikrat" two decades ago.

 

But who, may you well ask, is the "Deutscher Musikrat"? The name sounds uncannily Orwellian, as if it were a secretive government agency that dictates what kind of music should be made and heard in Germany. The reality is not quite that sinister. "Rat" doesn’t mean "rat". It is an NGO, they have a website and they have even answered my e-mail. But they do have the mysterious smell of a secret society. After 20 years I still don’t really know who they are and what they are up to.

 

I know only one thing: The CDs promoted here constitute a monument to German post-war music and I am proud to own the whole set. No other country has done that. It would take almost a week to listen to the 1750 pieces of music - 6 days and 17 hours non-stop. If these were vinyl records the set would comprise of more than 200 LPs. Every CD comes with a booklet of up to 32 pages with informative text, scores of scores, photos and almost all the lyrics. The booklets alone would be a valuable document for everybody interested in modernist culture. Reading them I learnt a lot not only about music, but also about poetry, literature, dance, theatre, film and other forms of art.

 

The curators of the collection were careful to present composers from both German states without bias and prejudice. Thanks to this you can hear many gems that would otherwise be forgotten and impossible to find, even in the age of the mouse click. Where else can you hear "Socialist Realism"? I knew examples of Socialist Realism in painting, sculpture and architecture but never heard Socialist Realism music before – but, hey, now I can listen to recitals of Stalinist propaganda as well as speeches of Lenin and Honnecker put into grandiose song arrangements.

 

Where else can you hear music from an electronic opera, written by the Chinese-born composer Boris Blacher in 1966? And where else can you enjoy a live recording of a hilarious Wolf Vostell performance of 1969?

 

This is all good news. Now for the snags.

 

It is always easy to complain about the selection on a music compilation. It goes without saying that not all 1750 pieces are good and there a hundreds that I don’t care much about, but let’s not dwell on this, because there are less forgivable problems:

 

Every booklet starts with an introduction that says that the curators had to do a "strict selection", but it does not disclose what their selection criteria were (secret society again!). May there be a clue in the title of the collection "Musik in Deutschland 1950-2000" perhaps? No! All criteria in that name are violated. Many of the featured musicians and composers are not German, some recordings were made in other countries and some works were created long before 1950. The most recent work is "Fälschung" by Orm Finnendahl - written in 2003 (but a great piece, so it’s fine with me)! Some tracks are not even music. At one point Oskar Pastior is reading his poems, one of the aesthetic nadirs of the set, if you ask me.

 

Could it be that the selection focuses on what was widely heard by the people of Germany after the 2nd World War? Wrong again! I am sure that 99% of Germans have never listened to any of the music in this collection. This is because it has a strong focus on what most people would call "classical music" (I personally would prefer to call it "music by modernist composers" or "art music" because much of it is not "classical" at all) which is enjoyed by only a small minority of music lovers. True, there is one box with jazz and one with pop music, but the jazz is mostly of the "artsy" kind (often not very different from the “classical” music of the same period) and the pop box is only an afterthought and not really part of the set (it is, for example, not mentioned in the brochure shown above). I have no problem with this, but I still don’t know what the selection criteria were.

 

The worst mistake in any music compilation would be to include a song more than once, particularly when strict selection criteria are claimed. But even this mistake has been made - twice: The "Fünf Neapolitanische Lieder" by Hans Werner Henze are presented twice, and so are 2 "Hölderin Fragments" by Wolfgang Rihm, although on different CDs and performed by different singers.

 

Even worse are the editing problems. The booklets are informative and well written, but look cheap. A terrible sans-serif typeface is used throughout and typos are not unheard of. Formatting is awful. The captions are printed onto the photos with disregard of the background and often impossible to decipher. It is obvious that the authors are experts, but no professional editor was involved. The beautiful line "it was evening all afternoon" by Wallace Stevens is clumsily translated as "Es war den Nachmittag über Abend" instead of the more accurate and elegant "Am ganzen Nachmittag war Abend", to give just one example of the many mistranslations.

 

The whole set is organised in a complex multi-layered system, which is explained at the back of each CD. It says that there are 19 boxes of CDs, structured in 6 categories and 26 sub-categories. That sounds simple. But the actual CDs are difficult to align with this system. At the same time there is another underlying structure: Every category (or sub-category?) is sub-divided into „Serie“ and „Portraits“. Don’t waste your precious time trying to understand the difference, because whatever the rationale behind this is, it brakes down with the box "Angewandte Musik", if not earlier. It is obvious that the concept of this project has changed several times during its short lifetime and there were multiple attempts to categorise the music - all failed. The names of the categories and the discs must have changed several times as well, and some CDs were announced but have never materialised (e.g. "Musizieren im Alltag") whereas others do exist but seem to never have been part of the plan (e.g. "Free Jazz" - appropriately, because free jazz abhors planning). The names of some CDs even change between the cover and the disc inside. A CD called "Solo & Klavier" contains a few songs with guitar (instead of piano).

 

It seems that the publishers were overwhelmed by their own complex system and the multiple layers of categories they tried to establish.

 

However, by far the worst problem with this collection is the marketing - how it was sold. When it all started at the beginning of the millennium the discs were sold one by one. I first bought one, to see if it is any good and then more and more. When I had a few dozen CDs they stopped selling them individually and you could only buy whole boxes, containing 5 to 10 discs each. At that time I had decided to collect the whole set, which meant that I had to start buying boxes with CDs that I already owned. That was annoying - but it got worse. In 2010 they stopped selling the boxes and you could only buy the whole set. I had already bought 14 of the 19 boxes at that stage.

 

So, with a heavy heart and after long hesitation, I bought the whole set in 2011 although at that time only a third of the CDs were still missing in my shelf. Shortly after that, the whole series was taken off the market and became unavailable in any form. I don’t regret the purchase, it’s a great thing to have, even in a time when CDs have become an obsolete format. Today some of the CDs are sold on the second hand market for more money than I paid for the entire set of 130 items, even if you include the money I wasted on the single discs and boxes.

 

Any reference to this comprehensive compilation has been deleted from the Musikrat’s website although this must have been one of the most impressive and interesting projects they have ever done. I cannot imagine how many hours of hard work went into this, but in the end it must have been a huge financial disaster for everybody involved. I’m sure they had a grandiose vision when it all started, with ideas aplenty, but the implementation lacked continuity, leadership and there was no demand. Although they finally managed to publish all 130 CDs it is, in hindsight, an excellent case study of an over-ambitious and failed endeavour. We can learn from this, not only about business and project management, but about human nature.

 

Some statistical analysis: The most extensively featured composer is Hans Werner Henze with 57 works, adding up to more than 5 hours playing time. Paul Dessau comes second with 50 pieces in the set, but they are mostly short (3½ minutes on average) so he comes only 7th when considering playing time (a bit less than 3 hours). Friedrich Schenker is second in terms of time (3½ hours of his music can be heard in the collection) and the Argentinian Mauricio Kagel comes third with 3 hours and 17 minutes. He and Wolfgang Rihm both have 36 pieces of music in the compilation.

 

Mr. Karlheinz Stockhausen, the most famous German post-war composer, is an also-run with only 10 works in the set. They add up to 2 hours, which is not much, if you compare him to less-known composers like Georg Katzer (2½ hours) and Friedrich Goldmann (3 hours). I can think of 2 reasons. One is probably the restrictive copyright protection of the Stockhausen œuvre (the same reason why Kraftwerk is conspicuously absent in the pop box). But I believe another one to be the determination of the curators to represent both German states equally, which led to an over-representation of the East-German music scene, simply because there was less of it. Just as Wartburg would be more dominant than Borgward in a book about the German post-war car industry that tries to represent both German states in a balanced way.

 

Having listened to the whole set several times, I am now able to draw wide-reaching, sweeping and judgemental conclusions about German post-war culture. Here are examples:

 

(1)

At first the differences between the cultures of capitalist West Germany and the East German one-party-state seem obvious. A superficial listening suggests that the East was being restricted by political diktat and a closed society, while the West was open for experimentation and inspiration from everywhere and everything. But after a while you realise that the reality was more complicated and on this compilation you find surprisingly daring works from the East as well as a fair share of conservative dullness from the West. Overall, I found it more interesting to note what the two states had in common. For example:

 

(2)

The old prejudice that German culture is heavy and humourless is, all in all, confirmed. It is difficult to find any light-hearted melody in this set. Admittedly, there is some humour, some of it by composers of non-Germanic provenance (Ligeti and Kagel), but this is clownish stuff that hasn’t stood the test of time and wasn't really funny in the first place.

 

(3)

More than in any other epoch, in post-war Germany composers felt the need to put their works into a political and sociocritical context – on both sides of the fence. Even creators of completely abstract instrumental compositions tried to express sophisticated views with their music, which is, most of the time, not obvious to the listener until he reads the booklet.

 

(4)

In the West as well as in the East two types of artists dominate: Leftist intellectuals and confessing Christians. And surprisingly it’s the Christians who are often more daring in their musical experiments. Even more surprisingly, Marxist views are as dominant among western composers as they are in the East. An opera about free trade, entrepreneurship and representative democracy would have been as taboo in 1960s Western Germany as it would have been in the East. I know why, but I stop now. I talk too much...

Published on DOVE, Italian travel magazine, November 2020.

Back column 63#

   

This photograph was published in an online article in VANCOUVER IS AWESOME written by James Schaefer on February 9th 2023 and titled:

  

'' Opinion: As we fight to protect species on the brink of extinction, let's not forget the familiar ones - To guard against extinction, we must advocate for common species ''

  

VANCOUVER IS AWESOME is a continuously evolving media newsroom under the Glacier media network on all digital platforms in Canada.

  

This photograph previously became my 3,035th frame Selected for sale in the GETTY IMAGES COLLECTION on March 15th 2018

  

CREATIVE RF gty.im/929585072 MOMENT OPEN COLLECTION**

 

I currently have 6,000 photographs with Getty Images.

  

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This photograph of a wild Barren-ground Caribou (Rangifer tarandus groenlandicus) was taken at an altitude of Eight hundred and thirty eight metres at 13:28pm on Wednesday May 11th 2016 on the Alaska Highway 97 at Muncho Lake, in the Muncho Lake Provincial Park in British Columbia, Canada.

  

These are a subspecies of the reindeer (or the caribou in North America) that is found in the Canadian territories of Nunavut and the Northwest Territories, in northern Alaska and in south-western, Greenland. It includes the Porcupine caribou of Yukon and Alaska.

  

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Nikon D800 500mm 1/250s f/10.0 iso320 RAW (14Bit)Hand held with Nikkor VR vibration reduction on. Nikon back focus button enabled. AF-C Continuous point focus with 3-D tracking. Manual exposure. Matrix metering. Auto white balance.Nikon Fine tune on (+10).

  

Nikkor AF-S 200-500mm f/5.6G ED VR. Power Up 95mm UV filter. Nikon MB-D12 battery grip. Two Nikon EN-EL15 batteries. Nikon DK-17M 1.2x Magnifying Eyepiece. Nikon DK-19 soft rubber eyecup. Digi-Chip 64GB Class 10 UHS-1 SDXC card. Lowepro Transporter camera strap. Lowepro Vertex 200 AW Photo/ 15.4" Notebook Backpack camera bag. Nikon GP-1 GPS unit.

  

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LATITUDE: N 59d 1m 51.46s

LONGITUDE: W 125d 46m 36.56s

ALTITUDE: 838.00m

  

RAW (TIFF) FILE SIZE: 103.00MB

PROCESSED (JPeg) SIZE: 45.60MB

  

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PROCESSING POWER:

  

Nikon D800 Firmware versions A 1.10 B 1.10 L 2.009 (Lens distortion control version 2)

  

HP 110-352na Desktop PC with AMD Quad-Core A6-5200 APU processor. AMD Radeon HD8400 graphics. 8 GB DDR3 Memory with 1TB SATA storage. 64-bit Windows 10. Verbatim USB 2.0 1TB desktop hard drive. WD My Passport Ultra 1tb USB3 Portable hard drive. Nikon ViewNX2 Version 2.10.3 64bit. Adobe photoshop Elements 8 Version 8.0 64bit.

 

The Postcard

 

A postally unused postcard that was published by the Rachel Arthur Gallery.

 

On the divided back of the card it states:

 

"Queen Elizabeth the Queen

Mother with members of the

Royal Family outside Clarence

House."

 

The policeman on the right has managed to get into the photograph, but the one on the left wasn't so successful.

 

Elizabeth Bowes-Lyon

 

Elizabeth Bowes-Lyon (4th. August 1900 – 30th. March 2002), or Queen Elizabeth, the Queen Mother, and popularly known as The Queen Mum, was Queen consort of George VI of the United Kingdom (1936–1952) and the mother of Queen Elizabeth II.

 

Thoughts From Elizabeth Bowes-Lyon

 

-- In a public declaration during the early years of World War II:

 

"The children won't go without me.

I won't leave the King. And the King

will never leave."

 

-- After the Luftwaffe bombed the Buckingham Palace whilst the King and Queen were in residence on the 13th. September 1940:

 

"I am glad we have been bombed.

Now we can look the East End in

the eye."

 

-- In a valediction in a letter to her niece in 1940:

 

"Tinkety tonk old fruit, and

down with the Nazis."

 

-- On the Germans, to Woodrow Wyatt:

 

"Never trust them, never trust

them. They can't be trusted."

 

-- After a Tory minister advised her not to employ homosexuals:

 

"We'd have to go self-service."

 

-- On the Duke of Windsor, previously Edward VIII:

 

"We loved him."

 

-- Whilst playing cards:

 

Elizabeth: "How are you getting on?

You don't look very happy."

Lord Salisbury: "Oh, Ma'am, I've been left

with a horrible queen."

Elizabeth: "I don't think that's a very good

way of putting it, do you?"

 

-- On returning a toilet roll to a demonstrator

who had thrown it at her:

 

"Was this yours? Oh, could you take it?"

 

-- On being warned that a functionary to whom

she was about to be introduced was a communist:

 

"But I love communists!"

 

-- As quoted by Michael Parker:

 

"Wouldn't it be terrible if you'd spent all your life

doing everything you were supposed to do, didn't

drink, didn't smoke, didn't eat things, took lots of

exercise, all the things you didn't want to do, and

suddenly one day you were run over by a big red

bus, and as the wheels were crunching into you

you'd say:

'Oh my god, I could have

got so drunk last night!'

That's the way you should live your life, as if

tomorrow you'll be run over by a big red bus."

 

-- Said to the Archbishop of Canterbury, Dr George Carey, when she realised he had taken her glass of wine just as she prepared to propose a toast during a lunch to celebrate her 100th. birthday:

 

"That's mine!"

 

-- On hearing that Edwina Mountbatten had

been buried at sea:

 

"Dear Edwina, she always

liked to make a splash."

 

-- Murmured to the gay writer Sir Noël Coward

at a gala. While she mounted a staircase lined

with Guards, she noticed Coward's eyes flicker

momentarily over the soldiers:

 

"I wouldn't if I were you, Noël; they

count them before they put them out."

 

-- On the fate of a gift of a nebuchadnezzar of

champagne (20 bottles' worth) even if her family

didn't come for the holidays:

 

"I'll polish it off myself."

Maker: Henri Sauvaire (1831-1896)

Born: France

Active: Jordan

Medium: lithograph based on a photograph

Size: 9 9/16 in x 7-1/2 in.

Location: Jordan

 

Object No. 2016.084

Shelf: B-21

 

Publication: Voyage D'Exploration a La Mer Morte, 1871 - 1876, Plate 11

 

Other Collections:

 

Notes: This image was made during a trip from Karack to Chauback in 1866 by archaeologist Christopher Edward Mauss and photographer Henri Sauvaire, at the behest of the Duke de Luynes, for the purpose of inspecting and bringing back visual records of the region's major antiquities and historic sites. They required a medium that was adaptable to the heat, unbreakable and light enough for their lengthy travel itinerary. They chose calotype paper negatives, of which Sauvaire made 73 exposures on this trip. Upon his return from France the Duke gave the negatives to Charles Negre for printing and was later published as the above lithograph made by Eugene Ciceri in Voyage D'Exploration a La Mer Morte, 1871 - 1876. For more information on Sauvaire, see: Perez, Focus East, pp.216-217, and Brettell, et. al., Paper and Light: The Calotype in France and Great Britain, 1839-1870, pp.182-183, and Henri Sauvaire (1831-1896)

  

To view our archive organized by Collections, visit: OUR COLLECTIONS

 

For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE

Published in the UK by Marvel Magazines.

Written and illustrated with photographs by Minami Minoru, and published in 1921 by ARS in Tokyo. Minami was a photographer who worked in the Pictorialist style of photography, which a lot of people look down on these days, but I think these images are interesting and well-done. This publication preceded the magazine "Geijutsu Shashin Kenkyo," which was edited by Minami and published by ARS. After 1923, it merged with "Kamera" magazine, which ran until the 1950s. This is a small, hard-bound, well-made book, printed on quality paper and sold with a heavy cardstock slipcase. There are at least 9 copies of this book in Japanese libraries, one at the British Museum, and a few in private collections. My copy came from a book dealer in California. How many of these were printed? If you look at the colophon (the third from the left image in the top row), it states that this is from the 15th edition. No, it's not. Japanese publishers were fond of embellishing edition sizes when this was published. Realistically, there were at least two true editions, because the British Museum's copy (marked as a 21st edition copy) is dated 1922. Let's say there were perhaps 5,000 total copies published. What wasn't sold would have been lost to various sorts of attrition- changing tastes in photography, The Great Kanto Earthquake of 1923, The Great Depression, The Firebombings of Japan in 1945, and Time...leaving perhaps a few hundred on dealer shelves and in libraries and private collections. Here's a link to the copy at the incredible National Diet Library in Tokyo: dl.ndl.go.jp/info:ndljp/pid/965015

20091119_1182

 

View On Black

 

Vandaag ontving ik per post mijn presentexemplaar van Heel Nederland een gids, geschreven door Rik Zaal.

 

Toen mij gevraagd werd of men deze foto mocht gebruiken en daar geen geld voor wilden neertellen maar me wel een presentexemplaar toezegde ben ik akkoord gegaan. Ik had toen nog geen idee van de omvang van dit boek en het PR plan eromheen (presentatie bij Pauw en Witteman, overal lezingen door Heel Nedereland e.d.)

Ik ben helemaal trots dat hier ook een foto in staat die ik gemaakt heb. Zoals jullie zien heeft de foto een prominente plaats gekregen en is de naamsvermelding direct onder de foto geplaatst.

  

Het boekwerk bestaat uit twee delen van elk ongeveer 650 pagina's dik.

Kost tot 1 januari 59,95, daarna 69,95.

    

I finally took an SNES Mini an dumped some ROMs on it. I've been meaning to play through some old SNES games for a while now, but I just haven't felt like playing many games at all.

 

And maybe this is the reason why! I had to finally just get this out of my system, because it's been driving me nuts. Lots of folks online seem to love Soul Blazer, Illusion of Gaia, and Terranigma (only available in Europe). They're a kind of loose trilogy from Enix, published for the SNES in the 90s. Enix is the publisher of Dragon Quest, Actraiser, and some other stuff. This is before they got married to Squaresoft to become Squeenix.

 

I don't know what kind of crack the developers of these games were smoking, but it must've had hallucinogenic properties. This is NORMAL dialogue for this game and Soul Blazer. I'd say a good 3/4 of it is like this. The rest directly relates to gameplay. But the "story" text is almost all non-sequiturs and just random crap like this. Sure, every once in a while you'll get a coherent side story, but the bulk of it is just weird.

 

I don't understand the legions of people online who claim to love these games. Are they all just trolling? Are they having a laugh at my expense? I never played through these games back in the day - that's why I thought it might be fun to check them out now. Maybe I missed some diamonds in the rough by only playing quality games like Super Metroid and Chrono Trigger late in the SNES's life.

 

It doesn't seem that way so far! I've replayed Super Metroid, Chrono Trigger, Final Fantasy III (nee VI), heck even Super Mario World - and the writing in those games holds up! This is just weird gibberish that seems like it was either written by a drug-addled maniac or translated by one.

 

In Soul Blazer a girl tells you she likes the goat she's hanging out with and she named it Turbo because it looks like a dog she had once. Spoiler alert - Turbo makes a cameo in Illusion of Gaia.

 

Maybe people enjoy the games because of the hilariously bad writing. I don't know. But given how storied the Dragon Quest series is, and how good Actraiser is, I would've thought people would at least warn that this series of games is an acquired taste. But I guess not! And the gameplay hardly makes up for it. It's not great. The most you can say about it is, "Yes. It is gameplay and it functions well." The graphics are colorful. The only superlative I can manage the is music is really well done.

 

If you're into what they call "retro" gaming these days, I say avoid this crap. Listen to the soundtrack on the YouTubes. But there's far, FAR better games.

 

Well, I don't know about Terranigma yet. I've still got to play that one. But at this point my expectations are a lot lower than when I started.

The Postcard

 

A postcard that was published by Francis Frith & Co. Ltd. of Reigate. The card was posted in Maidenhead using a 3d. stamp on Saturday the 10th. September 1966.

 

The card was sent to:

 

Mrs. Bristow,

205, Wells Road,

Bristol.

 

The message on the divided back of the card was as follows:

 

"Showing you a hotel

where we had a meal -

to remind you of eggs

and milk.

It's very lovely around

here.

Love,

Sally."

 

Sally is probably referring to the pub on the left which is called the George and Dragon. It is still going strong to this day

 

Wonderloaf

 

Note the Wonderloaf van. Wonderloaf is a British icon - the first British bread slicing and wrapping machine was installed at the Wonderloaf Bakery in Tottenham in 1937, having been patented in America in 1934.

 

The war slowed things down a bit, but by the 1950's, the sliced loaf accounted for 80 per cent of the bread market in Great Britain.

 

Wonderloaf slogans included:

 

- 'Of course it's fresh, it's Wonderloaf.'

 

- 'As fresh as the news every day.'

 

- 'Bakers eat it.'

 

- 'The same price as ordinary bread.'

 

The War Memorial

 

The Grade II Listed war memorial on the right of the photograph commemorates the fallen of Marlow during the First and Second World Wars. 230 men from Marlow and the surrounding area died in the Great War.

 

The unveiling ceremony took place on the 25th. July 1920, and was attended by Gen. Sir George Higginson GCB GCVO.

 

The plinth supporting the stone cross bears the following inscription:

 

'Sons of this place,

Let this of you be said,

That you who live are

worthy of your dead.

These gave their lives

that you who live may

reap a richer harvest

Ere you fall asleep.

TFR.'

 

Douglas 'Pete' Peterson

 

So what else happened on the day that Sally posted the card?

 

Well, on the 10th. September 1966, U.S. Air Force Captain Douglas "Pete" Peterson was flying an F-4 Phantom over North Vietnam when he was shot down.

 

He was held as a prisoner of war in the "Hanoi Hilton" for six and a half years until his release on the 4th. March 1973.

 

After serving as a U.S. Representative for Florida for six years, Pete returned to Hanoi in 1997, as the first United States Ambassador to Vietnam.

 

On his drive to and from the Embassy, Peterson made it a point to drive past the former POW camp.

 

Hendrik Verwoerd

 

Also on that day, Hendrik Verwoerd's state funeral, attended by a quarter of a million people (almost entirely white), was held in Pretoria, South Africa.

 

Muhammad Ali

 

Also on the 10th. September 1966, heavyweight boxer Muhammad Ali defended his world title in Frankfurt, West Germany, in a challenge by the European heavyweight champion, Karl Mildenberger, who had not lost a bout in four years.

 

Although Mildenberger was cut above both eyes in the fourth round, and knocked down by Ali in the fifth, the American boxer slowed his pace, giving the German champ time to recover.

 

Finally, in the 12th. round, Ali won by a technical knockout after the referee stepped in to stop the fight.

 

Children's Cartoons

 

Also on the 10th. September 1966, all three American TV networks debuted their Saturday morning lineup of children's cartoons.

 

CBS capitalized on the popularity of superheroes with The New Adventures of Superman and with new heroes created for television by Hanna-Barbera Productions, notably Space Ghost and Frankenstein Jr. and The Impossibles.

 

Atlas-Agena

 

Also on that day, the scheduled Atlas-Agena launch was postponed because of apparent problems with the target launch vehicle autopilot.

 

The launch was rescheduled for the 12th. September 1966.

 

Emil Gumbel

 

The 10th. September 1966 also marked the death at the age of 75 of the German mathematician and political commentator Emil Gumbel.

 

Emil had fled the Nazi government in 1932 after his demotion from Heidelberg University.

 

The Beatles

 

Also on that day, the Number One chart hit record in the UK was 'Yellow Submarine' by The Beatles.

I'm so excited I just had to share one of my photos has been published on the coupons for the 17th Annual Carolina Renaissance Festival in Huntersville, NC.

 

My photo is the lower left one of Serendipity (lady in Red blowing bubbles) and the little girl trying to catch them. Serendipity is from clan Tynker

 

You can see my original photo here www.flickr.com/photos/grantbrummett/3363299133/

 

Thanks so much Ron for letting me know these hit the streets, you can see Ron's wonderful work at www.flickr.com/photos/45019444@N07/

 

My image taken originally taken with a Canon EOS 5D Mark II camera and Canon EF 85mm F/1.2L II USM Lens.

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