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More photos from the City Encounters event for the Salisbury International Arts Festival
This is Project_Vee by Circus Geeks and Pangottic
This project explores personal identity through personal belongings. Wallets from friends, family and strangers are going to be drawn and documented. The idea is to create an identity system without faces or names, but through possessions. What do the things a person carries around say about them? This is one of my first wallets, hopefully there will be many more to come.
For more information on, or to join The Crisis Project, visit: www.crisisproject.com
The Crisis Project was named after the interpretation of the definitions of the word Crisis:
“A stage in a sequence of events at which the trend of all future events, esp. for better or for worse, is determined; turning point “
“A condition of instability, or danger, as in a social, economic, political, or international affairs, leading to decisive change.”
“A dramatic emotional or circumstantial upheaval in a person’s or people’s existence.”
The goal of The Crisis Project is to alter people’s perception of ‘the suburbs’, while both encouraging artists to use the public space as their canvass, and to create a sense of fear within the affected communities for those who don’t understand.
The Suburbs have the undeniable connotation of: “white picket fences, and safe community living for all.” Those who live here by choice do so to: either escape the negative aspects of city dwelling, or to move out of the country in search of a more connected lifestyle. Those who are born here, who grow up in ‘Suburbia’ don’t see their surroundings as an escape, but as a prison of town parks and strip malls.
Excluding illuminated store signs and the odd billboard, the suburbs are devoid of any visual stimulation, exactly what property owners want, and expect. But this existence, compounded with the many destructive aspects of the suburban youth lifestyle, only intensifies the angst against the powers that be, by starving creativity.
The Crisis Project is the initial attack on the habituated suburban lifestyle, which hopes to both bring together suburban youth to inspire art and creativity, and to initiate the waves of change against the clean walls, and municipal supremacy.
If you would like to participate, please either visit: www.crisisproject.com or email your mailing address to: crisisproject@hotmail.com and you will be mailed resources for you to help perpetuate the project.
Philip working in the Garden Shed at the Wapping Project. www.whatsinwapping.co.uk/philips-garden-shed-shop-at-the-...
Project CARS 2 features an expanded roster of over 170 cars and 60+ tracks, brand-new fan-requested Online Championships game mode, and additional racing disciplines – including ice, dirt, snow, and mud racing.
More PlayStation screenshots, trailers and trophies and everything for PS3, PS Vita and PS4: www.psmania.net/
Join us on Facebook: www.facebook.com/psmania.net/
Follow us on Twitter: twitter.com/TeamPSM
For more information on, or to join The Crisis Project, visit: www.crisisproject.com
The Crisis Project was named after the interpretation of the definitions of the word Crisis:
“A stage in a sequence of events at which the trend of all future events, esp. for better or for worse, is determined; turning point “
“A condition of instability, or danger, as in a social, economic, political, or international affairs, leading to decisive change.”
“A dramatic emotional or circumstantial upheaval in a person’s or people’s existence.”
The goal of The Crisis Project is to alter people’s perception of ‘the suburbs’, while both encouraging artists to use the public space as their canvass, and to create a sense of fear within the affected communities for those who don’t understand.
The Suburbs have the undeniable connotation of: “white picket fences, and safe community living for all.” Those who live here by choice do so to: either escape the negative aspects of city dwelling, or to move out of the country in search of a more connected lifestyle. Those who are born here, who grow up in ‘Suburbia’ don’t see their surroundings as an escape, but as a prison of town parks and strip malls.
Excluding illuminated store signs and the odd billboard, the suburbs are devoid of any visual stimulation, exactly what property owners want, and expect. But this existence, compounded with the many destructive aspects of the suburban youth lifestyle, only intensifies the angst against the powers that be, by starving creativity.
The Crisis Project is the initial attack on the habituated suburban lifestyle, which hopes to both bring together suburban youth to inspire art and creativity, and to initiate the waves of change against the clean walls, and municipal supremacy.
If you would like to participate, please either visit: www.crisisproject.com or email your mailing address to: crisisproject@hotmail.com and you will be mailed resources for you to help perpetuate the project.
#294 of 365 Daily Drawings
Inspiration: a doodle while I was on the phone, on hold.
Result: NUTS
Materials: Sakura Micron 005 in a Stillman & Birn Epsilon series sketchbook
Location: Home
Note: Ages ago I'd made a note for myself to draw words with squirrels...while trapped in automated answering service hell. In that context...a lot of strange ideas makes sense.
Very simple drawing today....my hands ache from weeding yesterday and gripping a pen/pencil is just not something I can do for long.
The Eden Project is a visitor attraction in Cornwall, England. Inside the two biomes are plants that are collected from many diverse climates and environments. The project is located in a reclaimed Kaolinite pit, located 2 km (1.2 mi) from the town of St Blazey and 5 km (3 mi) from the larger town of St Austell, Cornwall.
The complex is dominated by two huge enclosures consisting of adjoining omes that house thousands of plant species, and each enclosure emulates a natural biome. The biomes consist of hundreds of hexagonal and pentagonal, inflated, plastic cells supported by steel frames. The largest of the two biomes simulates a Rainforest environment and the second, a Mediterranean environment. The attraction also has an outside botanical garden which is home to many plants and wildlife native to Cornwall and the UK in general; it also has many plants that provide an important and interesting backstory, for example, those with a prehistoric heritage.
He took it out on my vintage camera at the time. Wolverine was my subject for the 365 day project of my blog. He sadly went missing on a photoshoot and this brought the project to an end at day 64.
Read all about it in my photoblog at: takingpictures101.blogspot.com/2011/12/wolverine-day-64th...
Thanks for watching.
Gerry :)
More photos from the City Encounters event for the Salisbury International Arts Festival
This is Project_Vee by Circus Geeks and Pangottic
Project Moonwatch was a brilliant example of citizen science. Using a worldwide network of amateur and professional astronomers, thousands of observers tracked the first satellites. The US (probably the Smithsonian, as they were primary organizers) sent this nice telescope to Shiraz, Iran for Project Moonwatch. And my grandparents paid it a visit. (Thanks to the NASA History Office for the info.)
Read more about it here: en.wikipedia.org/wiki/Operation_Moonwatch
Storm chasers (left to right) Bryan Draper, Chris Bowman and Matthew Rydzik converse as they watch a storm in southern Kansas from a distance during Project Vortex 2, June 4, 2009.
Project Vortex 2 is a two year National Science Foundation and NOAA funded science mission to study tornadoes and supercell thunderstorms.
these pictures are not the new vegas... it's the old, tired and worn out. i hope you feel the desert and desolation.
Leica M6
Leica Summicron 50/2
Fuji Neopan/400
Scanned Epson V700
Taken from the top of the stairs at the back of the National Library. The building is down, the fencing is up, but nothing else seems to have been done to this for months.
Monday, 14th January 2019
This morning Jae and I and some Momentum members 'picked our own' lavender at a farm in the Wairarapa. It was a gloriously sunny day, almost too hot.
After the lavender we had lunch at Lone Star then went to Mount Bruce to see the white kiwi.
In the evening three of us went to the concert at the Wellington Botanic Gardens.
Saturday, 23rd January 2016.
This is what the London end of the distributed Project Board meeting looked like for the last ever meeting on 4th March 2010.