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This was an assignment for an alternative colour photography course at my local community college. This is shot on Fuji RTP II – an ISO 64 tungsten balanced transparency film that I had developed as negative film. Love what is going on with the colour shifts and the contrast.
It's been so long that I can't remember how we lit this anymore. My apologies on that front.
The best way for me to come up with new ideas is by changing or challenging the process itself.
I used the roller paint to save time, but I think it had a real effect on the overall shapes of the letters. Looking forward to more...
Zo'n lens als de Loawa Dreamer heb je niet gelijk onder de knie, dus heb ik hier een uitsnede gemaakt van wat wel gelukt is.
You can't master a lens like the Loawa Dreamer straight away, so I've made a crop here of what I did manage.
Collin Street Bakery Farm (Corsicana) is the largest organic golden pineapple farm in Costa Rica and is Fair Trade Certified. Pineapples are loaded from the field to the conveyer belt, where they ones that are not aesthecially pleasing are sent off to be canned.
AxMG_1893
Anonymous picture in an article by Sakaki Yoshinobu (榊由信) in the May 1953 issue of Shashin Kōgyō (写真工業).
Document owned and scanned by Rebollo_fr. It is in public domain, as are all anonymous documents published in Japan more than fifty years ago.
See also the Camera-wiki page about the Elmoflex.
Desenho submerso em recipiente de vidro com água, água sanitária e oxigenada (45 dias de submersão).
Grafite, carvão e pastel seco sobre papel - 2012.
Here is a (messy) shot of the RFID reader sending serial in Processing and Processing sending values out to a mess o' LED's through the network via the Cobox
Shannon Slane: Processed
An Exploration of modern food through new sculpture. Sculpture, Senior Exhibition.
The Granite Room
211 Peters St SW
Atlanta, GA 30313
My current work addresses the production of food in modern American society. From factory farming to locally raised produce, I seek to explore what may be one of the most pressing issues of our time in a lighthearted and approachable manner. It is widely acknowledged that the industrialization of food manufacturing has transformed the lives, habits, and bodies of Americans, as well as alerted the way that most of our society thinks-or doesn’t think-about where food comes from and what food is. I create digitally fabricated representations of animals that are engineered and produced, and may have more in common with products or raw materials than other living creatures. These animals, which are designed, fabricated and then placed on assembly lines that guide their existence from inception to processing, include chickens, cows, pigs, and fish. My work is also concerned with edible plants and their role in our lives both historically and presently. Plants as well as animals are now being generated inside laboratories, and travel unimaginable distances to reach our supermarkets and tables. This is a marvel of human technology and global society as well as a complex system that may need re-working if humanity is to move toward a sustainable future.
I hope that I can put what goes onto your plate into your thoughts as well.
The scan of this print did not work as well as I wanted it to but this is one of my fav landscape pics, taken from the dirt road running behind the Langeberg Mountains, past Tradouw towards Heidelberg. The "sheep" on the hill are actually rocks; the colours are all distorted because of the cross processing.
~ Scan of print taken with an old Canon SLR (cross process film)
The Case of the Found Slide Film
We went to New Jersey for Halloween. This is were we were given an Argus camera that was recently found in a garage cleaning. It is a very solid camera, more boxy than my Kodak Signet 40. They were certainly built to last back in the day.
When we popped it open, we found a used roll of film.
“Whoa, do you think we could develop this?”
After a little research, (reading the canister, mostly), the film is ANSCOCHROME and yes, it sounds more interesting if it is in all capital letters. What we know is that it was slide film (I’m actually not sure how we figured that out). It is probably 30 years old. And that it is probably color (chrome gives it away). It has 12 photos from the past and I want them.
I brought it into Freestyle where they in turn sent it to Swan Photo Lab, who I was confident could at least diagnose what it is. If they couldn’t handle it, I knew we’d be one step closer to figuring this out.
Yesterday, I got the film back.
This is what we found out: it does not use E6 but E4 processing and they do not do it. Fair enough. It’s tungsten type film (says on the canister) and that does mean that it is color. Also on the canister: ”Only open in total darkness. Process in 80 F chemistry.” That means little of anything to me, but this may be the key to deciphering the processing/developing type.
It also caused a good laugh in the store about warming up chemicals and putting it in. ”Do you guys have any bleach? Let’s put it in that!”
A google search in store said that one of the differences between E6 and E4 processing is that a hardener is added to the process. Nowadays, slide film has a hardener added to it in manufacturing, according to Freestyle peeps. I expect that this information will be corroborated once I…
TO BE CONTINUED!