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Zo'n lens als de Loawa Dreamer heb je niet gelijk onder de knie, dus heb ik hier een uitsnede gemaakt van wat wel gelukt is.
You can't master a lens like the Loawa Dreamer straight away, so I've made a crop here of what I did manage.
Desenho submerso em recipiente de vidro com água, água sanitária e oxigenada (45 dias de submersão).
Grafite, carvão e pastel seco sobre papel - 2012.
Shannon Slane: Processed
An Exploration of modern food through new sculpture. Sculpture, Senior Exhibition.
The Granite Room
211 Peters St SW
Atlanta, GA 30313
My current work addresses the production of food in modern American society. From factory farming to locally raised produce, I seek to explore what may be one of the most pressing issues of our time in a lighthearted and approachable manner. It is widely acknowledged that the industrialization of food manufacturing has transformed the lives, habits, and bodies of Americans, as well as alerted the way that most of our society thinks-or doesn’t think-about where food comes from and what food is. I create digitally fabricated representations of animals that are engineered and produced, and may have more in common with products or raw materials than other living creatures. These animals, which are designed, fabricated and then placed on assembly lines that guide their existence from inception to processing, include chickens, cows, pigs, and fish. My work is also concerned with edible plants and their role in our lives both historically and presently. Plants as well as animals are now being generated inside laboratories, and travel unimaginable distances to reach our supermarkets and tables. This is a marvel of human technology and global society as well as a complex system that may need re-working if humanity is to move toward a sustainable future.
I hope that I can put what goes onto your plate into your thoughts as well.
The scan of this print did not work as well as I wanted it to but this is one of my fav landscape pics, taken from the dirt road running behind the Langeberg Mountains, past Tradouw towards Heidelberg. The "sheep" on the hill are actually rocks; the colours are all distorted because of the cross processing.
~ Scan of print taken with an old Canon SLR (cross process film)
Made during the Spring Semester of 2008 for my Typography II class. This is a preliminary sketch of the typography that I would sew into the sheets.
-Megan Baxter
Midori Passport sized sketchpad...Its small leather cover which utilizes an elastic system to hold pads of paper in them. I was not crazy about the actual Midori brand paper which came with it, not enough pages, not the best quality paper, cost prohibitive and of course the wait for the paper to get to me. Some of my peers gave me the idea just make my own pads which slip in just as easily. I have color coded mine, colors I like each specific for a type of paper (Mixed medium etc etc) This has allowed for me to do pads with far more pages using papers that I enjoy. I go with 2 pads in my holder at a time as the Midori is not the main one I take out with me all the time but if it were I could easily fit four pads in. All you need is a stapler, heavy stock for a cover and a table cutter and a ruler. (Not for use without permission)
I still have quite a bit of fringe work to complete on this piece. Still haven't decided on what to do for the neck strap. I apologize for the horrible pic, no time to futz with it, it's getting late and I have to go to work!
An image processed into a mozaic. Each square contains a circle which covers half the square. The square (background) and the circle are colored different colors which average to the average color of the image in that square. The goal was to select colors as dissimilar as possible, but that is not quite what is done here, since one extremity will always be a "corner" color, of which there are only 8, and so the result would lack the color variety that this one has.
Made with processing.org .
MAZAR-E SHARIF, 30 June 2016 - Afghan women working at a Mazar-e-Sharif food processing cooperative.
With the support of UNDP’s Gender Equality Program, women at the cooperative have had access to machinery and hands-on training related to production and marketing.
Photo UNAMA / Sayed Barez.
Rural Women’s group in Kokoligu, Upper West region of Ghana, in focus group discussions on how to generate an income to improve their livelihoods through shea nut processing. In collaboration with the Ministry of Food and Agriculture, FAO is in the process of procuring the community with a shea-butter milling machine. The picture also shows how the shea-nuts are pounded in the mortar. Photo taken in December 2015. ©FAO/Cecilia Akita and Sebastian Brahene
I have printed off the block to see where the imperfections are from the marbelling, then marked them on layout paper so I can work out the image
Why, why, why oh why...?
isn't it a privilege to live each day
a live performance,
a festival of kindred spirits
a reflection of soulful conformance
I get back up again and again
to do it again and again
watching you procumbent
feels so special when I'm close to you
what opinion has come to represent
I thought you should know
when I run out of comments
these sweet arms of spathic will
meet if you keep your memory still
raining down harder where heartbeats fulfill
my body aches as it breaks new ground
a tonguetied convergence of silence
deactivating sorrow and regret
for what we are about to embrace
our lateral desire enflames what it can never forget.
by anglia24
13h30: 07/10/2007
© 2007anglia24
☀