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Dept. of Chemical Engineering & Applied Chemistry - Mahadevan Lab, Faculty of Applied Science & Engineering, University of Toronto
Photo by Sara Collaton
Mordancage is kind of hard to explain. Essentially, it takes your b&w image and allows you to manipulate or remove the purest black areas. You can also create these lovely 'veils' of black but again, hard to explain. Once I have a successful image, I will scan it in and show you what I mean! =)
Edit: Ah, I should probably explain what's going on, lol.
1) I placed my print (after it's been soaking in water for a bit) in the mordancage chemicals. It's essential an acid that will bleach your print.
2) The image after it's been bleached for 3 minutes. I left it in for an extra three minutes after this shot.
3) Then I placed it developer so that the grays and other tones will come back. The blacks should be visible and able to be lifted off the print.
You can either completely remove the black or you can move it around. It creates really cool effects.
Trying out the new lasercutter at work, I made an enlarged version of an old growth form. This is cut from 6mm black acrylic - works pretty nicely as a heat mat.
This is my edited version of Belle âme.'s photo.
I did this for the Process my photo (not better, just different) Group (Week 12))
Reworking the Tentacles piece (aka Nebulae). Should have a realtime version working soon. This one does a bunch with the pixel array for the entire frame so it runs at about 1fps.
I watched the Lion King in Spanish yesterday, so from now on my cat will be called "Seem-ba!" XD
Cross-process FTW. Or so I hear. :)
curves and desaturated a little bit in GIMP (the red was very in your face) then a "San Carmen" effect in Aviary... (the Flickr built-in editing app)
How to process "stuff". Organizing and implementing the David Allen "Getting Things Done" method (gtd.) Taken from the DA website at davidco.com/tips_tools/tip32.html. I use it as a screensaver.
Proyecto: Tienda OFFCORSS 2012.
Ubicación: Centro Comercial El Tesoro (MedellÃn, Colombia).
Concepto: OFFCORSS + PLASMA DISEÑO
Diseño: FFCORSS + PLASMA DISEÑO
Directores de proyecto: Ana I. Saldarriaga (Jefe de Marca OFFCORSS) + Carlos GarcÃa (Director de proyectos)
Diseñadores industriales: Andrea Uribe (OFFCORSS) +David Patiño y Juan E. Ballesteros (Plasma)
Diseñador gráfico: Javier Gómez (Plasma).
Arquitecta: Alexandra Sánchez (Plasma).
Producción: Construcivil GC, Mueble Ideas, D-mension Studio, Wizard 3d, Isotipo, Eso es Queso, Plasma Diseño.
Fotógrafo: Tato Gómez.
Cliente: C.I. Hermeco S.A.
MedellÃn, 2012.
You walk in and you're not only greeted by Tom Brady's jersey (which is huge, by the way) but also the tank full of aging meat.
I'm naturally strawberry blonde and last July decided to go brunette and over the months continued to go darker and then added red highlights... I finally decided I'm over it (mainly for monetary and upkeep reasons because I'm not much of a high maintainence chick). I spent almost all day at the salon I used to work at while they stripped, processed, foiled and rocked out my hair. The next time it should be fully back to it's natural state :). We just had a lot of goofy fun during the whole process so I wanted to share it.