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I thought it might be of interest to show how I process my HDR shots and how it transforms the original photos.
Here is the process I used for one of my last photos, "Bamboo Forest" :
- First, I take 3 shots from the same position using the bracketing feature of my camera. Here I bracketed at +-3EV because the sky was very bright and I wanted to capture it in the best conditions. Turns out it was not enough because even in the -3EV shot, the sky is still a bit burned.
- Then, I use Photomatix to merge the three shots in one HDR picture and tone-map the HDR into an LDR picture. The tone-mapped picture allows to see at the same time the bright and dark areas of the original shots. A lot of settings are involved in the tone-mapping process and the result can vary from natural to very artificial looking. I try to always keep my processing natural.
- Finally, I edit the tone-mapped picture in Lightroom. Here, the picture lacked global contrast and was not well framed (when looking near the edges, the eye could be drawn out of the picture). So I finely tuned the exposition and contrast curve, added a bit of sharpness and the last touch was a soft vignetting, darkening the edges but not too much.
I am quite happy with the result !
Bre Pettis demonstrates Eric Skiffs method for binary counting on your fingers for use in my binary clock processing sketch.
We have a few wind chimes in the back garden, glass ones of a butterfly and dragonfly. I wanted to see what they looked like in the morning light and played around with the saturation and vibrancy.
Made with Processing. Working on a system where a branch gets parameters from its parent, but is allowed to mutate further sending these mutations down the line to their children.
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First the image was converted into a set data vectors in format (x,y,r,g,b), one for each pixel in image.
Then this 5D-data was projected to 2D-space using principal component analysis, The resulting image was rebuilt based on that reduced information.
Bre Pettis demonstrates Eric Skiffs method for binary counting on your fingers for use in my binary clock processing sketch.
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This is a photo in two parts because I couldn't get back far enough to capture the whole thing in one shot. This is an installation for the Culture Crawl preview show. I'm trying to demonstrate the process of making an altered book.
More about this on my blog.
Title: Poultry processing facility
Creator: Adolph B. Rice Studio
Date: 1960 Mar. 31
Identifier: Rice Collection 2779C
Format: 1 negative, safety film, 4 x 5 in.
Rights Info: No known restrictions on publication.
Repository: Library of Virginia, Visual Studies, 800 E. Broad St., Richmond, VA, 23219, USA, digitool1.lva.lib.va.us:8881/R