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A few quick snaps of some of my Collodion process Victorian Negatives. A few people have asked to see what the texture looks like. Most of the negatives I have have the gum on both sides which makes it a little tricky to know which way round the negative is meant to be.
Do take a look at my other photographs! I also have an Etsy site full of vintage photography curiosities: www.etsy.com/uk/shop/TallyHoOxford?ref=si_shop
Thanks x
Bre Pettis demonstrates Eric Skiffs method for binary counting on your fingers for use in my binary clock processing sketch.
MAZAR-E SHARIF, 30 June 2016 - Afghan women working at a Mazar-e-Sharif food processing cooperative.
With the support of UNDP’s Gender Equality Program, women at the cooperative have had access to machinery and hands-on training related to production and marketing.
Photo UNAMA / Sayed Barez.
Abstract re-interpretations of landscape photographs. Produced using a modified Hough transform implemented in Processing and Photoshop: www.cutsquash.com/2014/03/hough-colour-swirls/
Why, why, why oh why...?
isn't it a privilege to live each day
a live performance,
a festival of kindred spirits
a reflection of soulful conformance
I get back up again and again
to do it again and again
watching you procumbent
feels so special when I'm close to you
what opinion has come to represent
I thought you should know
when I run out of comments
these sweet arms of spathic will
meet if you keep your memory still
raining down harder where heartbeats fulfill
my body aches as it breaks new ground
a tonguetied convergence of silence
deactivating sorrow and regret
for what we are about to embrace
our lateral desire enflames what it can never forget.
by anglia24
13h30: 07/10/2007
© 2007anglia24
☀
I know, heavily processed. I used some speedlights to help get lighting to the rear flowers with a white behind. It will spilt opinion but I reckon if you're going to process, process quite heavily. Much more to do with getting an arty effect than anything. Colours white and pink work.
Early in the render process. Probably too much red. After a few hundred frames, I think the red is going to overwhelm. Whatev. I will let it ride.
Read about it here.
Reworking of this image.
Artists and passersby at the free art festival, Southsea.
Aged with colour tones and HSV, masked multiply layer over the top to bring back the clouds, vignette to finish.
Related links:
Mordancage is kind of hard to explain. Essentially, it takes your b&w image and allows you to manipulate or remove the purest black areas. You can also create these lovely 'veils' of black but again, hard to explain. Once I have a successful image, I will scan it in and show you what I mean! =)
Edit: Ah, I should probably explain what's going on, lol.
1) I placed my print (after it's been soaking in water for a bit) in the mordancage chemicals. It's essential an acid that will bleach your print.
2) The image after it's been bleached for 3 minutes. I left it in for an extra three minutes after this shot.
3) Then I placed it developer so that the grays and other tones will come back. The blacks should be visible and able to be lifted off the print.
You can either completely remove the black or you can move it around. It creates really cool effects.