View allAll Photos Tagged process
One frame from an art piece that will hopefully be projected on a dome screen. Image is created with Processing.
Bre Pettis demonstrates Eric Skiffs method for binary counting on your fingers for use in my binary clock processing sketch.
Escultura marmol de Antonio Canovas (1808) en museo del Hermitage, Sant Petersburgo
Cianotipia sobre papel Montval 300 gr.
The best way for me to come up with new ideas is by changing or challenging the process itself.
I used the roller paint to save time, but I think it had a real effect on the overall shapes of the letters. Looking forward to more...
Making the pattern for the face and fur covering.
I got a lot of great tips and help from thisthis tutorial on projectpuppet.com, which is an amazing puppet resource.
All tabs cranked , fit fixture A.O.K. Tubes “n” all...Chainstay dropout tabs knifed, have to finish fitting the seatstay to dropout tabs and then knife those tabs. The profile of the tabs, their height above the stays, will be probably reduced as I see fit after Brazing.
Ektachrome 100 from 1995, Zenith E (1980 Olympics model), Görlitz Lydith 30mm lens. Film acceleration process.
Illustrations / logo work for The StillPointe Llama Sanctuary
See it BIG
Sketch --> Draw --> Add Color --> Add Life Partner --> Texture
Oh... and listen to this on loop: www.albinoblacksheep.com/flash/llama
Shot with a Mamiya 645 Pro TL & 80mm f/2.8 lens... Fuji Velvia 50, Cross Processed...Scanned with my Epson 4490
Goma bicromatada sobre cianotípia.
Papel Canson Montval 300 gr.
1ª capa.- pigmento Siena Quemado
2ª capa.- pigmento Siena Natural
3ª capa.- pigmento Marrón Natural.
Negativo digital.
Anonymous picture in an article by Sakaki Yoshinobu (榊由信) in the May 1953 issue of Shashin Kōgyō (写真工業).
Document owned and scanned by Rebollo_fr. It is in public domain, as are all anonymous documents published in Japan more than fifty years ago.
See also the Camera-wiki page about the Elmoflex.
Desenho submerso em recipiente de vidro com água, água sanitária e oxigenada (45 dias de submersão).
Grafite, carvão e pastel seco sobre papel - 2012.
Shannon Slane: Processed
An Exploration of modern food through new sculpture. Sculpture, Senior Exhibition.
The Granite Room
211 Peters St SW
Atlanta, GA 30313
My current work addresses the production of food in modern American society. From factory farming to locally raised produce, I seek to explore what may be one of the most pressing issues of our time in a lighthearted and approachable manner. It is widely acknowledged that the industrialization of food manufacturing has transformed the lives, habits, and bodies of Americans, as well as alerted the way that most of our society thinks-or doesn’t think-about where food comes from and what food is. I create digitally fabricated representations of animals that are engineered and produced, and may have more in common with products or raw materials than other living creatures. These animals, which are designed, fabricated and then placed on assembly lines that guide their existence from inception to processing, include chickens, cows, pigs, and fish. My work is also concerned with edible plants and their role in our lives both historically and presently. Plants as well as animals are now being generated inside laboratories, and travel unimaginable distances to reach our supermarkets and tables. This is a marvel of human technology and global society as well as a complex system that may need re-working if humanity is to move toward a sustainable future.
I hope that I can put what goes onto your plate into your thoughts as well.
The scan of this print did not work as well as I wanted it to but this is one of my fav landscape pics, taken from the dirt road running behind the Langeberg Mountains, past Tradouw towards Heidelberg. The "sheep" on the hill are actually rocks; the colours are all distorted because of the cross processing.
~ Scan of print taken with an old Canon SLR (cross process film)