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Goma bicromatada sobre cianotípia.
Papel Canson Montval 300 gr.
1ª capa.- pigmento Siena Quemado
2ª capa.- pigmento Siena Natural
3ª capa.- pigmento Marrón Natural.
Negativo digital.
Desenho submerso em recipiente de vidro com água, água sanitária e oxigenada (45 dias de submersão).
Grafite, carvão e pastel seco sobre papel - 2012.
First, weft threads are tied tightly in a pattern- this has a floral motif (impossible to see)
Maria shared her ikat making process- she has several sarongs in the works.
Near the end of the summer, I was asked by the publishers of Popular Science magazine to produce a visualization piece that explored the archive of their publication. PopSci has a history that spans almost 140 years, so I knew there would be plenty of material to draw from. Working with Mark Hansen, I ended up making a graphic that showed how different technical and cultural terms have come in and out of use in the magazine since it's inception.
Fa traditional chief and president of the Timber Association focused on wood works. There are several sections of the operation: reception of wood, wood processing and sales displays (Counter). The wood comes from the forests but also the UTB (government processing unit), sawmills and community forests and unknown sources. The processing is done on a per-order basis. We would like to replant our forests, but for now it is not possible. Yaoundé - Cameroon.
Photo by Ollivier Girard/CIFOR
If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org
A few quick snaps of some of my Collodion process Victorian Negatives. A few people have asked to see what the texture looks like. Most of the negatives I have have the gum on both sides which makes it a little tricky to know which way round the negative is meant to be.
Do take a look at my other photographs! I also have an Etsy site full of vintage photography curiosities: www.etsy.com/uk/shop/TallyHoOxford?ref=si_shop
Thanks x
I still have quite a bit of fringe work to complete on this piece. Still haven't decided on what to do for the neck strap. I apologize for the horrible pic, no time to futz with it, it's getting late and I have to go to work!
Bre Pettis demonstrates Eric Skiffs method for binary counting on your fingers for use in my binary clock processing sketch.
MAZAR-E SHARIF, 30 June 2016 - Afghan women working at a Mazar-e-Sharif food processing cooperative.
With the support of UNDP’s Gender Equality Program, women at the cooperative have had access to machinery and hands-on training related to production and marketing.
Photo UNAMA / Sayed Barez.
I have printed off the block to see where the imperfections are from the marbelling, then marked them on layout paper so I can work out the image
Abstract re-interpretations of landscape photographs. Produced using a modified Hough transform implemented in Processing and Photoshop: www.cutsquash.com/2014/03/hough-colour-swirls/
Here is the company's logo laser cut from 1/4" maple plywood. I just did this today! I've owrked tons with the laser but never using vector graphics before. You have to use vectors to cut. There are four of them total (plus on extra in case anything gets screwed up). It's for the tradeshow booth we are producing for Telltale Games to take to PAX in Seattle.
To do this i used the laser at Techshop in Menlo Park.
I know, heavily processed. I used some speedlights to help get lighting to the rear flowers with a white behind. It will spilt opinion but I reckon if you're going to process, process quite heavily. Much more to do with getting an arty effect than anything. Colours white and pink work.
Early in the render process. Probably too much red. After a few hundred frames, I think the red is going to overwhelm. Whatev. I will let it ride.
Read about it here.