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Rembrandt Harmensz van Rijn was born in Leiden, the son of a miller. After finishing Latin School, his parents enrolled him at Leiden University. Rembrandt soon dropped out and became an apprentice painter under Jacob van Swanenburch in Leiden, and later Pieter Lastman in Amsterdam. Back in Leiden, he set up as an independent artist together with Jan Lievens. At this time, Rembrandt mainly painted biblical scenes in a precise style and with vibrant colours.
In 1631, he moved to Amsterdam where he received numerous commissions for portraits. His many pupils included Ferdinand Bol, Govert Flinck and Carel Fabritius. In this period, Rembrandt develop a more powerful chiaroscuro, a looser brush and a greater sense of drama. He focused more on historical scenes, and made numerous etchings and drawings.
In 1634, Rembrandt married Saskia Uylenburgh. They had a son, Titus, in 1641. Then a year later Saskia died. Later, in 1654, Rembrandt had a daughter with Hendrickje Stoffels. By now, he had accumulated huge debts and was forced to sell his house and property. He died in 1669 and was buried in Amsterdam's Westerkerk.
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Riverside Cemetery, Kalamazoo, Michigan
Argus Anastigmat 50mm f/4.5 on Sony A7RM2.
Argus-Ilex-Precise I.R.C. f/4.5 Anastigmat (from the early Argus A camera series) on Sony A7RM2.
Converted to black-and-white in Lightroom CC; distortion, vignette and edge softness come with the lens.
EXHIBITION
100 Best Posters 14
GERMANY, AUSTRIA, SWITZERLAND
MI, MO 11/11/2015, 03/28/2016
MAK Art Print Hall
Already for the tenth time, the MAK in the exhibition 100 Best Posters 14. Germany Austria Switzerland shows the hundred most compelling design concepts in the probably hottest medium of visual everyday culture: the poster. The current winning projects of the popular graphic design competition are characterized by an enigmatic pictural humor, explosive colors as well as precise designs and demonstrate impressively that a poster can be more than just an banal advertising space. Many of the award-winning works furthermore also rely on a subtle play with typography. Innovative ideas can also be found in the manufacturing process: This year's competition shows that you can readily knit posters in high-tech process or use a thermo-insulating space blanket as carrier material for screen printing.
Hardly any medium is such clocked on the consumption and nevertheless sets trends at the cutting edge. "[...] The poster designer challenges himself repeatedly and enjoys himself at gained symbols." Says Götz Gramlich, President of the association 100 Best Posters eV, and he postulats. "A good poster unfolds in the mind of the beholder."
From over 1 800 submitted individual posters, composed of contract work, self-initiated posters/self-promotion as well as student project orders from Germany, Austria and Switzerland, awarded the international jury, consisting of Richard van der Laken (Amsterdam, Chairman), Christof Nardin (Wien), Jiri Oplatek (Basel), Nicolaus Ott (Berlin) and Ariane Spanier (Berlin), the 100 winning posters of the year 2014.
In the competition participated 575 submitters (men and women), of which 48 are from Austria, 128 from Switzerland and 399 from Germany. The leader among the winning 100 best is Switzerland with 51 winning projects, followed by 44 German and 5 Austrian contributions.
The by sensomatic design (Christine Zmölnig and Florian Koch, Vienna) designed catalog offers in addition to the illustrations of all the winning posters and the contacts with the designers also this year a captivating essay by Thomas Friedrich: On the dialectics of image and text in the poster today. In a concise way, he looks at the contextuality of posters and explains the theme facetiously and pictorially based on a poster for a bullfight. Read more in the catalog!
For the corporate design of this year's competition and the new Web Visuals also sensomatic design, Vienna, is responsible. Since June 2014, the new online archive on the homepage of the 100 Best Posters Registered Association offers a comprehensive overview of all award-winning works from the years 2001-2014.
The exhibition takes place in cooperation with 100 Best Posters e. V.
100-beste-plakate.de
Curator Peter Klinger, Deputy Head of the MAK Library and Works on Paper Collection
AUSSTELLUNG
100 Beste Plakate 14
DEUTSCHLAND ÖSTERREICH SCHWEIZ
MI, 11.11.2015–MO, 28.03.2016
MAK-KUNSTBLÄTTERSAAL
Bereits zum zehnten Mal zeigt das MAK in der Ausstellung 100 BESTE PLAKATE 14. Deutschland Österreich Schweiz die einhundert überzeugendsten Gestaltungskonzepte im wohl heißesten Medium der visuellen Alltagskultur: dem Plakat. Die aktuellen Siegerprojekte des beliebten Grafikdesignwettbewerbs bestechen mit hintergründigem Bildwitz, explosiver Farbgebung sowie exakten Ausführungen und demonstrieren eindrücklich, dass ein Plakat mehr als nur banale Werbefläche sein kann. Viele der prämierten Arbeiten setzen außerdem auf ein subtiles Spiel mit Typografie. Innovative Ideen finden sich auch im Herstellungsprozess: Der diesjährige Wettbewerb zeigt, dass man Plakate ohne Weiteres im Hightech-Verfahren stricken oder eine thermo-isolierende Rettungsdecke als Trägermaterial für einen Siebdruck verwenden kann.
Kaum ein Medium ist derart auf den Verbrauch hin getaktet und setzt dennoch Trends am Puls der Zeit. „[…] der Plakatgestalter fordert sich immer wieder selbst heraus und erfreut sich an gewonnenen Sinnbildern.“ so Götz Gramlich, Präsident des Vereins 100 Beste Plakate e. V., und er postuliert: „Ein gutes Plakat entfaltet sich im Kopf des Betrachters.“
Aus über 1 800 eingereichten Einzelplakaten, zusammengesetzt aus Auftragsarbeiten, selbst initiierten Plakaten/Eigenwerbungen sowie studentischen Projektaufträgen aus Deutschland, Österreich und der Schweiz, prämierte die international besetzte Fachjury, bestehend aus Richard van der Laken (Amsterdam, Vorsitz), Christof Nardin (Wien), Jiri Oplatek (Basel), Nicolaus Ott (Berlin) und Ariane Spanier (Berlin), die 100 Siegerplakate des Jahres 2014.
Am Wettbewerb hatten sich 575 EinreicherInnen beteiligt, davon 48 aus Österreich, 128 aus der Schweiz und 399 aus Deutschland. Spitzenreiter unter den prämierten 100 Besten ist die Schweiz mit 51 Siegerprojekten, gefolgt von 44 deutschen und 5 österreichischen Beiträgen.
Der von sensomatic design (Christine Zmölnig und Florian Koch, Wien) gestaltete Katalog bietet neben den Abbildungen aller Siegerplakate und den Kontakten zu den GestalterInnen auch dieses Jahr einen bestechenden Aufsatz von Thomas Friedrich: Zur Dialektik von Bild und Text im Plakat heute. In pointierter Form geht er auf die Kontextualität von Plakaten ein und erklärt das Thema witzig und bildhaft anhand eines Plakats für einen Stierkampf. Mehr dazu im Katalog!
Für das Corporate Design des diesjährigen Wettbewerbs und die neuen Web-Visuals zeichnet ebenfalls sensomatic design, Wien, verantwortlich. Seit Juni 2014 bietet das neue Online-Archiv auf der Homepage der 100 Beste Plakate e. V. einen umfassenden Überblick aller prämierten Arbeiten aus den Jahren 2001 bis 2014.
Die Ausstellung findet in Kooperation mit 100 Beste Plakate e. V. statt.
100-beste-plakate.de
Kurator: Peter Klinger, Stellvertretende Leitung MAK-Bibliothek und Kunstblättersammlung
or to be more precise, Mr. Wright and a bunch of students.
en.wikipedia.org/wiki/Florida_Southern_College
From their brochure: The Annie Pfeiffer Chapel is the hallmark of the Wright buildings on campus. Student labor enabled this building to be constructed from 1939 to 1941. The Chapel is considered to be a true specimen of Wright's work, with all the basic elements of his architecture integrated within. One can truly experience Wright's desire of being lifted 'out of the ground, into the light ...' while standing beneath the tower. Wright used colored pieces of glass to break the monotony of the blocks, allowing natural light to enter. The building's tower is also affectionately referred to as 'the bicycle rack in the sky' and 'the bowtie' because of the wrought iron work atop the exterior concrete design.
Florida Southern has the largest one-site collection of Wright's architecture in the world. Twelve structures were built between 1939 and 1958, with six left on the drawing board.
We recently had a week’s holiday to take – Jayne’s job dictates my holidays – we went through the usual process of leaving it late and then desperately selecting a shortlist of cities where we thought the weather might be ok, after a reasonably short flight and we can fly from the north of England. Budapest was the chosen destination.
Budapest is touted as possibly the most beautiful city in Europe and we had a stream of people tell us that it was fantastic. It is. I was looking forward to getting there, no agenda other than walking, photographing the sights and trying to get off the beaten track. We certainly walked – over 70 miles – I photographed it ( I’m a bit embarrassed to say how many shots but it was a lot ) but I’m not sure we got off the beaten track as much as I wanted to.
We flew over Eastern England (and home actually – a first for us) and out over Europe. It was a late afternoon flight on a stunning day, one of the more interesting flights I’ve had. I was glued to the window watching the world go by, wondering about all of lives being played out beneath us. It was dark when we arrived. We were staying on the Buda or Castle Hill side of the city. What we didn’t know was, we were staying in one of the most prominent hotels in the city, sat on the hilltop overlooking Budapest. The Hilton sits on an historic sight and features in every photo taken of the Castle District from Pest. We had time to get out before bedtime and photograph the Matthias Church next door – floodlit – like all of the major buildings in Budapest.
Unfortunately after leaving the best weather of the year in the UK, Budapest was forecast to be a bit dull and cool – not what we wanted. There was occasional sun over the first two days but it was generally grey. Now I have to admit, I let the dullness get me down, I took photos because I wasn’t sure how the week would unfold but I was fairly sure that I was wasting my time. The photos would be disappointing and if it was sunny later we would have to revisit all of the famous landmarks again to get something that I was happy with. This is essentially what happened. The next four days were gorgeous and we did revisit, more than once all of the places that we walked to in the first two days. This meant that we didn’t have the time to go “off piste” or venture further afield as much later in the week.
The sun was rising before seven and we were staying in the best location for watching it rise. By day three I was getting up at 6.00 (5.00 our time) and getting out there with my gear. By day four I was using filters and tripod, not something I usually bother with despite always having this gear with me, and dragging it miles in my backpack. One morning I was joined by a large and noisy party of Japanese photographers, they appeared to have a model with them who danced around the walls of the Fisherman’s Bastion being photographed. Once the orange circle started to appear above the city they started clicking at the horizon like machine guns. We all got on well though and said goodbye as we headed off for breakfast – still only 7.15am.
By 8.00am everyday we were out on foot wandering along the top of Castle Hill wondering where to go that day. We tend to discover the sights as we walk on a city break, frequently discovering things as we head for a distant park or building and research it afterwards with a glass of wine. It works for us. We walked out to Heroes’ Square and beyond, returning by less well known streets. We walked along the Danube to Rákóczi Bridge a couple of times then back into Pest using a different route. Having been under the thumb of Russia for so long and considering its turbulent past there are lots of large Russian style monuments, tributes to great struggles, or the working man – very socialist and very much like Prague in a lot of respects. The Railway stations were also very similar to Prague, you could walk across the tracks and no one bothered. In the main station, now famed for the migrant crisis a few weeks previously, there was a mixture of very new and very old rolling stock from the surrounding countries, all very interesting. Considering that this station is the first thing some visitors to the city will see it is an appalling state. One side of the exterior is shored up and fenced off. This contrasts with the expensive renovation work that has been well executed in the city centre. It really is like stepping into the past when you enter the station building. It all seems to work efficiently though, unlike the UK.
Transport in Budapest is fascinating. Trams everywhere, trolley buses, ancient and new, bendybuses, again, very old and very new, the underground metro, yellow taxis in enormous numbers and of course the river and boats. This never ending eclectic mix seems to operate like clockwork with people moved around in vast numbers seamlessly. The trams looked packed at any time of day. Anyone dealing with tourists seemed to speak very good English, which is just as well as we didn’t have any grasp of Hungarian. Cost wise it was a very economical week for us in a capital city.
Once the weather (or light, to be precise) improved, I cheered up and really enjoyed Budapest. A common comment after visiting is that , although you’ve “done Budapest” you wouldn’t hesitate to go back, which isn’t always the case after a city visit. As ever, I now have a lot of work to do to produce a competent album of work. I think I will end up discarding a lot of the early days material – but then again, I’m not renowned for my discarding skills.
Thank you for looking.
Church of St Lawrence Bidford on Avon, Warwickshire - The precise date of the founding of the church is unknown, No priest is mentioned here in the 1086 Domesday Survey and if there was a church here then, it was probably a chapelry of Salford.. It appears as such in Henry I's time when Bernard, the first Prior of Kenilworth (1122–30), successfully claimed it for his house and the Canons of Kenilworth presented until the Dissolution . - The first named incumbent is of 1206 followed by a second 75 years later.
After the mid 16c Dissolution of Kenilworth Abbey, certain lands were granted in 1544 to Thomas Broke, merchant, of London. in 1602 Rice Griffin of Brome Court flic.kr/p/2ff6ysh sold the advowson and rectory to Sir John Sedley …...
Standing at the crossing of an ancient trade route, the area has long been inhabited, The remains of a Roman bridge have been found and also an Anglo-Saxon graveyard.
The present church dates largely from 1835 when the old nave was pulled down and a new, wider one built by architect Joseph Lattimore of Stratford. The nave pews were taken out in the 1960s
The c1250 tower and chancel both survive . The tower battlements probably dating from the 1835 rebuilding.
On the south chancel wall is a portrait in stone of Dorothy Skipwith who died 3rd February, 1655, she was the 1st wife of Fulwar Skipworth d1678 of Newbold Hall, who bought the manor in 1654 from Sir John Clarke , and in whose family it descended until 1840- Dorothy was the daughter of Thomas Parker of Bottesham by Elizabeth daughter of Thomas Hobson.
Also on the same wall is a memorial to Woodchurch Clarke d1647 - Sadly there is not picture of these to be had, and the church is usually locked.
There are 8 bells in the tower which are still rung regularly, six dating from 1791 with two added in 1954. The clock dates from 1683 and was rebuilt in 1887. An automatic winding mechanism being installed in 2005.
2021 Cracker Barrel
National Battle of the Bands
Presented by Pepsi Zero Sugar
NRG Stadium
Houston, TX
8-29-21
Norfolk State University
Hot Ice
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Warangal Fort, in the present-day Indian state of Telangana, appears to have existed since at least the 13th century CE. Although precise dating of its construction and subsequent enhancements are uncertain, historians and archaeologists generally accept that an earlier brick-walled structure was replaced with stone by Ganapatideva, who died in 1262, and that his successors – Rudramadevi and Prataparudra II – added to its height and added gateways, square bastions and additional circular earthern walls prior to the latter's death in 1323. This places the construction towards the end of the Kakatiya period. There were later modifications between the 15th and 17th centuries, comprising principally the addition of barbicans to the four gates in the stone wall and the creation of gates in the outer earthern wall.
Remnants of the structure can be seen today near to the town of Warangal, which was the Kakatiya capital. The Archaeological Survey of India has listed the remains as a Monument of National Importance.
_____________________________
The 12th and the 13th centuries saw the emergence of the Kakatiyas. They were at first the feudatories of the Western Chalukyas of Kalyana, ruling over a small territory near Warangal. A ruler of this dynasty, Prola II, who ruled from A.D.1110 to 1158, extended his sway to the south and declared his independence. His successor Rudra (A.D.1158--1195) pushed the kingdom to the north up to the Godavari delta. He built a fort at Warangal to serve as a second capital and faced the invasions of the Yadavas of Devagiri. The next ruler Mahadeva extended the kingdom to the coastal area. In A.D.1199, Ganapati succeeded him. He was the greatest of the Kakatiyas and the first after the Satavahanas to bring the entire Telugu area under one rule. He put an end to the rule of the Velanati Cholas in A.D.1210. He forced the Telugu Cholas of Vikramasimhapura to accept his suzerainty. He established order in his vast dominion and encouraged trade.
As Ganapati Deva had no sons, his daughter Rudramba succeeded him in A.D.1262 and carried on the administration. Some generals, who did not like to be ruled by her, rebelled. She could, however, suppress the internal rebellions and external invasions with the help of loyal subordinates. The Cholas and the Yadavas suffered such set backs at her hands that they did not think of troubling her for the rest of her rule.
Prataparudra succeeded his grandmother Rudramba in A.D.1295 and ruled till A.D.1323. He pushed the western border of his kingdom up to Raichur. He introduced many administrative reforms. He divided the kingdom into 75 Nayakships, which was later adopted and developed by the Rayas of Vijayanagara. In his time the territory constituting Andhra Pradesh had the first experience of a Muslim invasion. In A.D.1303, the Delhi Sultan Ala-ud-din Khilji sent an army to plunder the kingdom. But Prataparudra defeated them at Upparapalli in Karimnagar district. In A.D. 1310, when another army under Malik Kafur invaded Warangal, Prataparudra yielded and agreed to pay a large tribute. In A.D.1318, when Ala-ud-din Khilji died, Prataparudra withheld the tribute. It provoked another invasion of the Muslims. In A.D.1321, Ghiaz-ud-din Tughlaq sent a large army under Ulugh Khan to conquer the Telugu country then called Tilling. He laid siege to Warangal, but owing to internal dissensions he called off the siege and returned to Delhi. Within a short period, he came back with a much bigger army. In spite of unpreparedness, Prataparudra fought bravely. For want of supplies, he surrendered to the enemy who sent him to Delhi as a prisoner, and he died on the way. Thus ended the Kakatiya rule, opening the gates of the Telugu land to anarchy and confusion yielding place to an alien ruler.
The Kakatiya period was rightly called the brightest period of the Telugu history. The entire Telugu speaking area was under the kings who spoke Telugu and encouraged Telugu. They established order throughout the strife torn land and the forts built by them played a dominant role in the defence of the realm. Anumakonda and Gandikota among the `giridurgas', Kandur and Narayanavanam among the `vanadurgas', Divi and Kolanu among the `jaladurgas', and Warangal and Dharanikota among the `sthaladurgas' were reckoned as the most famous strongholds in the Kakatiya period. The administration of the kingdom was organized with accent on the military.
Though Saivism continued to be the religion of the masses, intellectuals favoured revival of Vedic rituals. They sought to reconcile the Vaishnavites and the Saivites through the worship of Harihara. Arts and literature found patrons in the Kakatiyas and their feudatories.
WIKIPEDIA & WIKIMAPIA
Union Major General George McClellan's plans for the Battle included precise, coordinated attacks on the left and right wings of General Lee's Confederate army. The Federals hoped that, with both flanks threatened, Lee would pull reinforcements from, and consequently weaken, his center. A concentrated thrust through the Southerners' middle could then split and destroy the Army of Northern Virginia. However, despite repeated orders to advance against Lee's right flank, Major General Burnside's 12,000 men were held at bay by about 450 to 500 determined Georgians perched on the bluffs overlooking the bridge. The stone for the bridge had been mined from the bluffs overlooking the creek. This left depressions in the hillside forming ready-made rifle pits to fire from in relative safety. Pictured here, the Antietam Creek quietly flows under the now peaceful Rohrbach or Burnside's Bridge.
Describing the ground and the valiant efforts of his tremendously outnumbered men, CSA Brigadier General Robert Toombs reported, "Its chief strength lay in the fact that, from the nature of the ground on the other side, the enemy were compelled to approach mainly by the road which led up the river for near 300 paces, parallel with my line of battle, and distant there from 50 to 150 feet, thus exposing his flank to a destructive fire the most of that distance.
At between 9 and 10 o'clock the enemy made his first attempt to carry the bridge by a rapid assault, and was repulsed with great slaughter, and at irregular intervals, up to about 1 o'clock, made four other attempts of the same kind, all of which were gallantly met and successfully repulsed by the Twentieth and Second Georgia...After these repeated disastrous repulses, the enemy, despairing of wresting the bridge from the grasp of its heroic defenders, and thus forcing his passage across the river at this point, turned his attention to the fords before referred to, and commenced moving fresh troops in that direction by his left flank."
Union Major General Ambrose E. Burnside would describe the battle in a similar fashion. His plan was to send a force downstream to ford the river and then, while Union soldiers stormed the Confederate front, the flanking troops would come in on their right and catch the small but well entrenched Confederate forces between the Federal hammer and anvil. "At 10 o'clock I received an order from the general commanding to make the attack. i directed Colonel Kingsbury, of the Eleventh Connecticut, to move forward with his line of skirmishers, and directed General Cox to detail General Crook's brigade to make the assault. General Rodman was directed to cross over at the ford below the bridge, and join on to the left of the command, which was to be thrown over the bridge. From General Crook's position it was found to be almost impossible to carry the bridge, and General Sturgis was ordered to make a detail from his division for that purpose. He immediately sent forward the Second Maryland (Lieutenant-Colonel Duryea) and the Sixth New Hampshire (Colonel Griffin), which regiments made several successive attacks in the most gallant style, but were driven back by the galling fire of the enemy. I then directed the batteries on the left to concentrate their fire on the woods above the bridge, and sent word to General Sturgis to detail the Fifty-first Pennsylvania (Colonel Hartranft) and the Fifty-first New York (Colonel Potter) to assault the bridge and carry it at all hazards. In the mean time Colonel Crook had brought a section of his battery to bear upon the heights just above the bridge. General Sturgis, by a judicious posting of these two regiments in rear of a spur which fronted the bridge, succeeded in protecting them from the enemy's fire until they reached the crest of the spur, at which point they commenced their charge and carried the bridge at the point of the bayonet at about 1 o'clock, the whole division following immediately."
CSA Brigadier General Robert Toombs would lament the lack of response to his request for reinforcements. He felt that, with a small force of men, he could have kept the Union soldiers from crossing downstream and held the men in blue in check. "Not being able to get any re-enforcements for the defense of these two fords, and seeing that the enemy was moving upon them to cross, thus enabling him to attack my small force in front, right flank, and rear, and my two regiments having been constantly engaged from early in the morning up to 1 o'clock with a vastly superior force of the enemy, aided by three heavy batteries, the commanding officer, Lieutenant-Colonel Holmes, of the Second, having been killed in the action, and the only remaining field officer, Major [Skidmore] Harris, being painfully wounded, and fully one half of this regiment being killed or wounded, and the Twentieth having also suffered severely in killed and wounded, and the ammunition of both regiments being nearly exhausted, and Eubank's battery having been withdrawn to the rear nearly two hours before, I deemed it my duty, in pursuance of your original order, to withdraw my command and place it in the position designated."
Antietam Battlefield-Sharpsburg Md.
AutoChef's sensor measures the temperature from the bottom of the pan and applies only the perfect amount of energy to the element in order to deliver precise cooking results, every time, and without waste of energy.
Pica, actually; High Park to be precise... This - and another - little building were built either during or just after WWII as a radio beacon, named after nearby Dean Cross.
Dean Cross still exists in the world of aviation radio-navigation, but is located twelve miles north of here, at Moota.
Unsure of the role of this building, but there's what looks suspiciously like an RF feeder window above the door, and there are, or were, the remains of a stove and toilet within. The site used a rhombic antenna. Photographed about 1982.
If this pic looks familiar, there's more detail on my web-site.
Pentax MX, 28mm lens, Ilford FP4 ISO 125 B&W negative film.
An evening's relaxation chez Bentos, 1988. Precise date unknown, but the first of the sprogs came along in April (memo to self: remember birthday) and relaxation was to be severely curtailed. I didn't think anything of smoking cigars indoors in those days. The missus didn't mind, she said, but I sometimes noticed a little flicker of disapproval cross her features when I sparked up. Eventually I too came to dislike the pong of stale cigar smoke in the house and removed myself to the shed for my twice-daily bit of peace and quiet.
The fabric on the cushion matched the curtains and had come from Habitat. I got hold of a Dulux colour chart, matched the three colours and bought co-ordinated paint for my newly replastered walls. Lesson 1; colours that look good in small areas don't necessarily look good when applied to whole rooms: Lesson 2; there is no such thing as a "square" room. I had decided on this arty décor with the lower third of the wall painted a darker colour. I was going for the "institutional" look ...something reminiscent of the corridors of a Victorian school or lunatic asylum. The lower part was blue, the upper part pink with the ceiling a sort of ice cream colour. I first tried to do all the bands and lines with masking tape, but the paint tended to seep underneath it and eventually I had to do the job by hand with a fitch brush. The ceiling paint was carried a few inches down the wall and the boundary between the two colours defined by a one-inch blue band. I'd taken all my measurements from the floor up but, when I came to rule out the upper band I discovered that the ceiling was not parallel with the floor ...not by a long chalk. The colour-scheme I had chosen might have been chosen to emphasize this effect. Visiting friends found it most amusing.
2021 Cracker Barrel
National Battle of the Bands
Presented by Pepsi Zero Sugar
NRG Stadium
Houston, TX
8-29-21
Norfolk State University
Hot Ice
@hotice_precise
DDiamond
unified all unique designs and the consummation technology, precise innovation pure presenting, creation love. Attracts your vision, causes your innermost feelings deep emotion. Let the people free fervor capture! The impression profound looked how our product does research and develop engineer to achieve DDiamond® to the mechanical circulation precision, the experience DDiamond® how controls all in theirs movement performance, and pushes us to the product limit. Invites you enjoy heartily DDiamond® world!
When you are riding a bike, you are free®
Enjoy U `r Ride®
DDiamond
結合了所有獨特設計和完善技術,精確創新的純淨呈獻,創造迷戀。 吸引你的目光,引起您內心的深深情感。讓人們自由的激情奪取! 印象深刻的看我們的產品研發工程師怎麼達到DDiamond®對機械循環的精確度,體驗DDiamond®怎麼控制一切在他們的運動表現並且推擠我們對產品的極限。
請您盡情享受DDiamond®的世界!
When you are riding a bike, you are free®
Enjoy U`r Ride®
Once upon a time, 2 Leica R and a 90mm Summicron-M were all the lenses I could afford for my M6TTL. I shot with just the 90mm for 2 years before I bought the R lenses (for use on my then Olympus E1 and, later, Canon 5D). One day I bought the proper adapter, stuck the 28mm Elmarit-R on my M6, and fell in love with the results.
Using the 28mm Elmarit-R on an M body -- especially a non-metered one like the M4-P -- makes for ultra-simple photography. Everything is done by feel. Good way to learn hyperfocusing, train yourself to judge distance and shooting with Sunny 16. Excellent.
I eventually got a proper Elmarit M version but soon found that using the R lens still made more sense for a quick walkaround set up. With the M lens you are tempted to keep verifying your guessed distance in the lens. This slowed me down. Whereas with the R lens I just quickly guess the distance and exposure, set the dials, and shoot. No second-guessing.
Precise focusing on a wide angle actually makes little sense because the deep depth of focus means at medium distances you are likely to hit the target more often than not. Set f8 for 2 metres. That's all you need for street grabshots.
This is a component for a nanofactory.
A device to lock out arbitrary shaped micro-components from a practically perfect vacuum (green)** to a gas or liquid filled environment (red) without letting a single molecule of the medium back in. The device needs to be atomically precise with atomically flat piston surfaces. As of 2015 this device is not yet producible.
** Practically perfect vacuum is a requirement for mechanosynthesis of diamond. Although it is not yet possible to attain such a vacuum in today’s ultra high vacuum (UHV) vessels (which are in the meter scale and have imperfect steel walls which adsorb gas molecules) estimative calculations show that practically perfect vacuum certainly will be possible in microscopic atomically precise vessels made from gemstone like materials.
CC-BY Lukas M. Süss aka mechadense
Another commissioned model: a darth vader minifigure (sw020 to be precise) in 11:1 scale.
Around 3500 parts used.
Measures approx. 50 cm high (without the saber).
2 custom parts: the cape and a metal technic axle in the hand to hold the up the heavy lightsaber.
The right arm + hand had to be fixed due to the weight of the lightsaber.
The left arm + hand can move freely thanks to ball joints.
Legs are also fixed as per request of the customer.
The customer wants to keep it exclusive so I will not provide instructions/copies.
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"Historical
II
English Association formed 1871.
English Cup 1871 15 Clubs.
In 1888 divided into North & South. Too many clubs.
Spectators 120000 Final Tie 1894. Today 92000. Could [sell?] 250000
Amateur Football Association founded 1907.
Returned to F.A. 1914 after Great War"
Notes, apparently for a speech delivered at a club function in the 1930s. Some written on the back of club balance sheets for 1932/33. Author of the notes, date and location of the speech and precise sequence of the pages all unknown.
Wheels: COR Precise w/ Step Lip
Finish: Matte Anthracite Face with Matte Black Windows and Hand-brushed Powder Coat Clear Step Lips
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Rear Wheels: 22x11
Front Tires: 255/30R 20
Rear Tires: 315/25R 22
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Day 40
8 July 2009
Today is a bit of a milestone being that I made it to day 40. Anyway, the Pilot Precise V5 and Moleskine are are my absolute favorite pen and paper. I use them every single day, so I thought it was a good shot since it's something that's part of my everyday life.
Warangal Fort, in the present-day Indian state of Telangana, appears to have existed since at least the 13th century CE. Although precise dating of its construction and subsequent enhancements are uncertain, historians and archaeologists generally accept that an earlier brick-walled structure was replaced with stone by Ganapatideva, who died in 1262, and that his successors – Rudramadevi and Prataparudra II – added to its height and added gateways, square bastions and additional circular earthern walls prior to the latter's death in 1323. This places the construction towards the end of the Kakatiya period. There were later modifications between the 15th and 17th centuries, comprising principally the addition of barbicans to the four gates in the stone wall and the creation of gates in the outer earthern wall.
Remnants of the structure can be seen today near to the town of Warangal, which was the Kakatiya capital. The Archaeological Survey of India has listed the remains as a Monument of National Importance.
_____________________________
The 12th and the 13th centuries saw the emergence of the Kakatiyas. They were at first the feudatories of the Western Chalukyas of Kalyana, ruling over a small territory near Warangal. A ruler of this dynasty, Prola II, who ruled from A.D.1110 to 1158, extended his sway to the south and declared his independence. His successor Rudra (A.D.1158--1195) pushed the kingdom to the north up to the Godavari delta. He built a fort at Warangal to serve as a second capital and faced the invasions of the Yadavas of Devagiri. The next ruler Mahadeva extended the kingdom to the coastal area. In A.D.1199, Ganapati succeeded him. He was the greatest of the Kakatiyas and the first after the Satavahanas to bring the entire Telugu area under one rule. He put an end to the rule of the Velanati Cholas in A.D.1210. He forced the Telugu Cholas of Vikramasimhapura to accept his suzerainty. He established order in his vast dominion and encouraged trade.
As Ganapati Deva had no sons, his daughter Rudramba succeeded him in A.D.1262 and carried on the administration. Some generals, who did not like to be ruled by her, rebelled. She could, however, suppress the internal rebellions and external invasions with the help of loyal subordinates. The Cholas and the Yadavas suffered such set backs at her hands that they did not think of troubling her for the rest of her rule.
Prataparudra succeeded his grandmother Rudramba in A.D.1295 and ruled till A.D.1323. He pushed the western border of his kingdom up to Raichur. He introduced many administrative reforms. He divided the kingdom into 75 Nayakships, which was later adopted and developed by the Rayas of Vijayanagara. In his time the territory constituting Andhra Pradesh had the first experience of a Muslim invasion. In A.D.1303, the Delhi Sultan Ala-ud-din Khilji sent an army to plunder the kingdom. But Prataparudra defeated them at Upparapalli in Karimnagar district. In A.D. 1310, when another army under Malik Kafur invaded Warangal, Prataparudra yielded and agreed to pay a large tribute. In A.D.1318, when Ala-ud-din Khilji died, Prataparudra withheld the tribute. It provoked another invasion of the Muslims. In A.D.1321, Ghiaz-ud-din Tughlaq sent a large army under Ulugh Khan to conquer the Telugu country then called Tilling. He laid siege to Warangal, but owing to internal dissensions he called off the siege and returned to Delhi. Within a short period, he came back with a much bigger army. In spite of unpreparedness, Prataparudra fought bravely. For want of supplies, he surrendered to the enemy who sent him to Delhi as a prisoner, and he died on the way. Thus ended the Kakatiya rule, opening the gates of the Telugu land to anarchy and confusion yielding place to an alien ruler.
The Kakatiya period was rightly called the brightest period of the Telugu history. The entire Telugu speaking area was under the kings who spoke Telugu and encouraged Telugu. They established order throughout the strife torn land and the forts built by them played a dominant role in the defence of the realm. Anumakonda and Gandikota among the `giridurgas', Kandur and Narayanavanam among the `vanadurgas', Divi and Kolanu among the `jaladurgas', and Warangal and Dharanikota among the `sthaladurgas' were reckoned as the most famous strongholds in the Kakatiya period. The administration of the kingdom was organized with accent on the military.
Though Saivism continued to be the religion of the masses, intellectuals favoured revival of Vedic rituals. They sought to reconcile the Vaishnavites and the Saivites through the worship of Harihara. Arts and literature found patrons in the Kakatiyas and their feudatories.
WIKIPEDIA & WIKIMAPIA
A precise example of when the interior design is coloured with more light tonnes andsupported with full sunlight, it makes the layout more spacious, cozy and intimate. Curved seating group, dining area and a automated TV is located full glass living area.
#yacht #yachting #superyacht #megayacht #superyachtlife #vyd #vyd_studio #yachtinglifestyle #millonairelifestyle #interior #interiordesign #luxury #luxurydesign #luxurylife #lifestyle #luxurystyle #yachtdesign #yachtlife #design #exteriordesign #motoryacht #exploreryacht #sailing #sailyacht
BARKSDALE AIR FORCE BASE, La. -- Airman 1st Class Andre Avilez and Senior Airman Kyle Farmer, members of the 2nd Civil Engineer Squadron, take measurements to place wood frames in preparation for laying down sidewalk here Jan. 16, 2013. The 2nd CES has the responsibility of maintaining base infrastructure and setting up construction projects. (U.S. Air Force photo/Airman 1st Class Andrew Moua)
Warangal Fort, in the present-day Indian state of Telangana, appears to have existed since at least the 13th century CE. Although precise dating of its construction and subsequent enhancements are uncertain, historians and archaeologists generally accept that an earlier brick-walled structure was replaced with stone by Ganapatideva, who died in 1262, and that his successors – Rudramadevi and Prataparudra II – added to its height and added gateways, square bastions and additional circular earthern walls prior to the latter's death in 1323. This places the construction towards the end of the Kakatiya period. There were later modifications between the 15th and 17th centuries, comprising principally the addition of barbicans to the four gates in the stone wall and the creation of gates in the outer earthern wall.
Remnants of the structure can be seen today near to the town of Warangal, which was the Kakatiya capital. The Archaeological Survey of India has listed the remains as a Monument of National Importance.
_____________________________
The 12th and the 13th centuries saw the emergence of the Kakatiyas. They were at first the feudatories of the Western Chalukyas of Kalyana, ruling over a small territory near Warangal. A ruler of this dynasty, Prola II, who ruled from A.D.1110 to 1158, extended his sway to the south and declared his independence. His successor Rudra (A.D.1158--1195) pushed the kingdom to the north up to the Godavari delta. He built a fort at Warangal to serve as a second capital and faced the invasions of the Yadavas of Devagiri. The next ruler Mahadeva extended the kingdom to the coastal area. In A.D.1199, Ganapati succeeded him. He was the greatest of the Kakatiyas and the first after the Satavahanas to bring the entire Telugu area under one rule. He put an end to the rule of the Velanati Cholas in A.D.1210. He forced the Telugu Cholas of Vikramasimhapura to accept his suzerainty. He established order in his vast dominion and encouraged trade.
As Ganapati Deva had no sons, his daughter Rudramba succeeded him in A.D.1262 and carried on the administration. Some generals, who did not like to be ruled by her, rebelled. She could, however, suppress the internal rebellions and external invasions with the help of loyal subordinates. The Cholas and the Yadavas suffered such set backs at her hands that they did not think of troubling her for the rest of her rule.
Prataparudra succeeded his grandmother Rudramba in A.D.1295 and ruled till A.D.1323. He pushed the western border of his kingdom up to Raichur. He introduced many administrative reforms. He divided the kingdom into 75 Nayakships, which was later adopted and developed by the Rayas of Vijayanagara. In his time the territory constituting Andhra Pradesh had the first experience of a Muslim invasion. In A.D.1303, the Delhi Sultan Ala-ud-din Khilji sent an army to plunder the kingdom. But Prataparudra defeated them at Upparapalli in Karimnagar district. In A.D. 1310, when another army under Malik Kafur invaded Warangal, Prataparudra yielded and agreed to pay a large tribute. In A.D.1318, when Ala-ud-din Khilji died, Prataparudra withheld the tribute. It provoked another invasion of the Muslims. In A.D.1321, Ghiaz-ud-din Tughlaq sent a large army under Ulugh Khan to conquer the Telugu country then called Tilling. He laid siege to Warangal, but owing to internal dissensions he called off the siege and returned to Delhi. Within a short period, he came back with a much bigger army. In spite of unpreparedness, Prataparudra fought bravely. For want of supplies, he surrendered to the enemy who sent him to Delhi as a prisoner, and he died on the way. Thus ended the Kakatiya rule, opening the gates of the Telugu land to anarchy and confusion yielding place to an alien ruler.
The Kakatiya period was rightly called the brightest period of the Telugu history. The entire Telugu speaking area was under the kings who spoke Telugu and encouraged Telugu. They established order throughout the strife torn land and the forts built by them played a dominant role in the defence of the realm. Anumakonda and Gandikota among the `giridurgas', Kandur and Narayanavanam among the `vanadurgas', Divi and Kolanu among the `jaladurgas', and Warangal and Dharanikota among the `sthaladurgas' were reckoned as the most famous strongholds in the Kakatiya period. The administration of the kingdom was organized with accent on the military.
Though Saivism continued to be the religion of the masses, intellectuals favoured revival of Vedic rituals. They sought to reconcile the Vaishnavites and the Saivites through the worship of Harihara. Arts and literature found patrons in the Kakatiyas and their feudatories.
WIKIPEDIA & WIKIMAPIA
This is the nominate race, breeding in mainland western and central Europe, migrating through North Africa and the Middle East.
Related Species
Yellow Wagtail
Motacilla flava
Sykes' Wagtail
Motacilla flava beema
Ashy-headed Wagtail
Motacilla flava cinereocapilla
Black-headed Wagtail
Motacilla flava feldegg
Grey-headed Wagtail
Motacilla flava thunbergi
[order] Passeriformes | [family] Motacillidae | [latin] Motacilla flava | [UK] Blue-Headed Wagtail | [FR] Bergeronnette printanière | [DE] Schafstelze | [ES] Lavandera Boyera | [IT] Cutrettola | [NL] Gele Kwikstaart
Measurements
spanwidth min.: 24 cm
spanwidth max.: 28 cm
size min.: 15 cm
size max.: 16 cm
Breeding
incubation min.: 11 days
incubation max.: 13 days
fledging min.: 14 days
fledging max.: 17 days
broods 1
eggs min.: 4
eggs max.: 7
Eukaryote
KingdomAnimalia
PhylumChordata
ClassAves
OrderPasseriformes
FamilyMotacillidae
GenusMotacilla
Speciesflava
Subspeciesflava
Physical characteristics
Smallest, most compact of west Palearctic wagtails, with form and silhouette more like pipit than any of the others. Plumage of both adult and 1st-winter basically yellow below and on patterned edges of wing-feathers. Adult breeding male of the many races differ in head pattern: various combinations of yellow, white, bluish, grey, and black. Sexes dissimilar in summer, less so in winter. Seasonal variation most marked on head of male only and chest.
Habitat
Breeds in west Palearctic from lower middle to high latitudes, in arctic rundra and subarctic, boreal, temperate, steppe, and Mediterranean zones, mainly continental but marginally oceanic, largely on level or gently sloping lowlands.
Other details
Motacilla flava is a widespread summer visitor to most of Europe, which accounts for less than half of its global breeding range. Its European breeding population is very large (>7,900,000 pairs), and was stable between 1970-1990. Although there were widespread declines—most notably in Romania—during 1990-2000, other key populations (such as those in Russia, Belarus, Poland, Ukraine and Bulgaria) were stable, and the species probably underwent only a slight decline overall.
Feeding
Small invertebrates. Three main foraging techniques, including use of high flight: 1) Picking, picks items from ground or water sufface while walking. 2) Run-picking, makes quick darting run at prey, picking it op either from surface or as it takes off. 3) Flycatching, makes short flight from ground or perch, catching prey in mid-air either in bill or by knocking it down with wings. Occasionally takes insects from plants in hovering fllight, or flies low over water snatching insects fromsurface. Tail assists balance when turning rapidly in flight.
Conservation
This species has a large range, with an estimated global Extent of Occurrence of 10,000,000 km². It has a large global population estimated to be 5,000,000-50,000,000 individuals (Rich et al. 2003). Global population trends have not been quantified, but the species is not believed to approach the thresholds for the population decline criterion of the IUCN Red List (i.e. declining more than 30% in ten years or three generations). For these reasons, the species is evaluated as Least Concern. [conservation status from birdlife.org]
Breeding
Breeding starts May-June in Scandinavia, April-May in Britain and Ireland, April-June in Southern and Eastern Europe, April-May in North Africa. Nest site is built on ground, in side of tuft of vegetation. Nest, cup of grass leaves and stems placed in shallow scrape, lined with hair, wool, or fur. Clutch size is 4-6 eggs, which are Incubated 11-13 days by both sexes.
Migration
Most populations migratory, wintering Afrotropics, India, and south-east Asia. Egyptian race largely resident, and some parts of breeding range in north-west Africa and southern Spain occupied through the winter, with possibility that some individuals are resident. Several factors make this a particularly well documented migrant: large populations; conspicuous (mostly diurnal) movement; use of huge communal roosts, both on migration and in winter, facilitating ringing; assumption by males of racially distinct breeding plumage shortly before spring migration. On the other hand, confusion can arise through racial intermediates and disjunct pattern of geographical variation. Precise wintering areas of the various races are not well established but in the main lie between south-east and south-west of respective breeding areas. Movement broad-front in both spring and autumn, with numerous sightings of migrants at sea in all areas. Autumn passage in Switzerland has been noted as early as late July but main passage begins second half of August and peaks through September usually to end abruptly in early October, though individuals have been noted still passing in first third of November. At Straits of Gibraltar, passage extends from early August to early November peaking mid-September. Arrives in Afrotropics in late September, further south in October. Movement north in spring, after build-up of fat just south of Sahara, is also on broad front, starting in March and extending to early May. males reach breeding grounds before females; arrivals are from late March in south, west, and much of central Europe, from mid-April in Moscow area, and from early May or early June in Lapland. Many records occur of birds resembling a particular race well outside that race‘s normal range, but some (at least) of these are part of the species‘ normal variability and do not necessarily indicate vagrancy. Birds showing the characters of several races have been recorded in Britain, for example, mainly in spring and sometimes well outside their normal range: continental nominate flava occurs regularly and has bred occasionally.
Precise Shot (2020) is Chinese Bromance Series
#精准 射击 #preciseshot #chinesemovie #yaoi #blchinese #chinesedrama #blmovie #blseries #boyslove #china #romance #bldrama #love #fujoshi #kissingboy #boysxboys #gay #loveislove #dramaboyslove
Precise Shot Synopsis
Shao Yi You, who was an air pistol shooter due to his pre-competition tension, could not join the provincial team many times. To help his son overcome psychological difficulties, let his father live with Shao Yi You, especially the young Shao Yi Liang, who has a talent for shooting, as an adopted son. And the two kids start helping each other out to solve their problems.
Precise Shot Details
Drama: Precise Shot
Country: China
Episodes: 20
Aired: Dec 18, 2020 - Jan 6, 2021
Aired On: Monday, Tuesday, Wednesday, Thursday, Friday, Saturday, Sunday
Original Network: Sohu TV
Duration: 5 min.
Native Title: 精准射击
- Broadcaster: Sohu TV / Youtube
Also Known As: Jing Zhun She Ji , Jeng Jeun Ye Gik , 精准射擊
Genres: Friendship, Youth, Sports, Web Series, Bromance, Cold Man/Warm Man, Athlete, Family Pressure, Rich Guy/Poor Guy, Hidden Identity, Father-Son Relationship, Censored Adaptation Of Same-sex Original Work, Adapted From A Manhua
Precise Shot Trailer
www.youtube.com/watch?v=sqys0-UFkSM
Precise Shot Music / OST / Soundtrack
www.youtube.com/watch?v=NMJ1khP4CI4
Watch Precise Shot
Watch Precise Shot below the link (Red Button)
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Warangal Fort, in the present-day Indian state of Telangana, appears to have existed since at least the 13th century CE. Although precise dating of its construction and subsequent enhancements are uncertain, historians and archaeologists generally accept that an earlier brick-walled structure was replaced with stone by Ganapatideva, who died in 1262, and that his successors – Rudramadevi and Prataparudra II – added to its height and added gateways, square bastions and additional circular earthern walls prior to the latter's death in 1323. This places the construction towards the end of the Kakatiya period. There were later modifications between the 15th and 17th centuries, comprising principally the addition of barbicans to the four gates in the stone wall and the creation of gates in the outer earthern wall.
Remnants of the structure can be seen today near to the town of Warangal, which was the Kakatiya capital. The Archaeological Survey of India has listed the remains as a Monument of National Importance.
_____________________________
The 12th and the 13th centuries saw the emergence of the Kakatiyas. They were at first the feudatories of the Western Chalukyas of Kalyana, ruling over a small territory near Warangal. A ruler of this dynasty, Prola II, who ruled from A.D.1110 to 1158, extended his sway to the south and declared his independence. His successor Rudra (A.D.1158--1195) pushed the kingdom to the north up to the Godavari delta. He built a fort at Warangal to serve as a second capital and faced the invasions of the Yadavas of Devagiri. The next ruler Mahadeva extended the kingdom to the coastal area. In A.D.1199, Ganapati succeeded him. He was the greatest of the Kakatiyas and the first after the Satavahanas to bring the entire Telugu area under one rule. He put an end to the rule of the Velanati Cholas in A.D.1210. He forced the Telugu Cholas of Vikramasimhapura to accept his suzerainty. He established order in his vast dominion and encouraged trade.
As Ganapati Deva had no sons, his daughter Rudramba succeeded him in A.D.1262 and carried on the administration. Some generals, who did not like to be ruled by her, rebelled. She could, however, suppress the internal rebellions and external invasions with the help of loyal subordinates. The Cholas and the Yadavas suffered such set backs at her hands that they did not think of troubling her for the rest of her rule.
Prataparudra succeeded his grandmother Rudramba in A.D.1295 and ruled till A.D.1323. He pushed the western border of his kingdom up to Raichur. He introduced many administrative reforms. He divided the kingdom into 75 Nayakships, which was later adopted and developed by the Rayas of Vijayanagara. In his time the territory constituting Andhra Pradesh had the first experience of a Muslim invasion. In A.D.1303, the Delhi Sultan Ala-ud-din Khilji sent an army to plunder the kingdom. But Prataparudra defeated them at Upparapalli in Karimnagar district. In A.D. 1310, when another army under Malik Kafur invaded Warangal, Prataparudra yielded and agreed to pay a large tribute. In A.D.1318, when Ala-ud-din Khilji died, Prataparudra withheld the tribute. It provoked another invasion of the Muslims. In A.D.1321, Ghiaz-ud-din Tughlaq sent a large army under Ulugh Khan to conquer the Telugu country then called Tilling. He laid siege to Warangal, but owing to internal dissensions he called off the siege and returned to Delhi. Within a short period, he came back with a much bigger army. In spite of unpreparedness, Prataparudra fought bravely. For want of supplies, he surrendered to the enemy who sent him to Delhi as a prisoner, and he died on the way. Thus ended the Kakatiya rule, opening the gates of the Telugu land to anarchy and confusion yielding place to an alien ruler.
The Kakatiya period was rightly called the brightest period of the Telugu history. The entire Telugu speaking area was under the kings who spoke Telugu and encouraged Telugu. They established order throughout the strife torn land and the forts built by them played a dominant role in the defence of the realm. Anumakonda and Gandikota among the `giridurgas', Kandur and Narayanavanam among the `vanadurgas', Divi and Kolanu among the `jaladurgas', and Warangal and Dharanikota among the `sthaladurgas' were reckoned as the most famous strongholds in the Kakatiya period. The administration of the kingdom was organized with accent on the military.
Though Saivism continued to be the religion of the masses, intellectuals favoured revival of Vedic rituals. They sought to reconcile the Vaishnavites and the Saivites through the worship of Harihara. Arts and literature found patrons in the Kakatiyas and their feudatories.
WIKIPEDIA & WIKIMAPIA