View allAll Photos Tagged precise

Kilmallie Parish / Banavie War Memorial

More precise NGR NN 10875 76986

-

Many local war memorials have been recently cleaned so came to see if this one had been cleaned but does not seem to have had any work done on it

---

TO THE GLORIOUS MEMORY

OF THESE LOCHABER MEN WHO DIED

FOR KING AND COUNTRY IN THE GREAT WAR

1914- 1916

-

MJR. E.S. GOOCH, TORCASTLE, BERKS YEOMANRY

TPR. A. MACDOUGALL, CORPACH, SCOTTISH HORSE

Q.M.S. J. CAMERON, MUIRSHEARLICH, LOVAT SCOUTS

TPR. J. MACSALMAN, BANAVUIE, LOVAT SCOUTS

TPR. A. CAMERON, GLENLOY, LOVAT SCOUTS

TPR. A. CAMERON, GUISACHAN, LOVAT SCOUTS

GUNR. D. MACDOUGALL, CORPACH, ARG.MTN.BTY.

PTE. D. CAMERON, CAOL, ROYAL SCOTS.

PTE. A. DONALDSON, MOUNT, K.O.S.B.

PTE. J. ROY DALZIEL, GUISACHAN, SCOTTISH RFLS.

PTE. A. GILLIES, LOCHY-SIDE, SCOTTISH RFLS.

L/CPL. A. CAMERON, BRAINCHAMUS, BLACK WATCH

L/CPL. J. GILMOUR, BLAICH, BLACK WATCH

SERGT. D. CAMPBELL, GLENPEAN, SEAFORTH HDRS.

L/CPL. J. GRAY, BANAVIE, SEAFORTH HDRS.

L/CPL. E. CAMPBELL, GLENPEAN, GORDON HDRS.

PTE. A. MACPHERSON, MUIRSHEARLICH, GORDON HDRS.

CAPT. A. CAMERON. OF LOCHIEL, CAMERON HDRS.

LIEUT. ARCHD. CAMERON. OF LOCHIEL, CAMERON HDRS.

PTE. P.A. SHAND, ACHNACARRY, CAMERON HDRS.

PTE. J. MACDONALD, ACHNACARRY, CAMERON HDRS.

PTE. H. MACCULLOCH, ACHNACARRY, CAMERON HDRS.

PTE. R. BAKER, ACHNACARRY, CAMERON HDRS.

PTE. P. MACDONALD, PUTACHAN, CAMERON HDRS.

PTE. J. MACLENNAN, GLEN-KINGIE, CAMERON HDRS.

PTE. B. SUTHERLAND, GLEN-KINGIE, CAMERON HDRS.

PTE. D. CAMPBELL, GAIRLOCHY,, CAMERON HDRS.

PTE. A. MACMASTER, MUIRSHEARLICH, CAMERON HDRS.

PTE. R.R.S. CRAWFORD, MANSE, CAMERON HDRS.

PTE. A. MACKENZIE, CORPACH, CAMERON HDRS.

PTE. D. MACMILLAN, CORPACH, CAMERON HDRS.

PTE. A. MACINTYRE, TRISLAIG, CAMERON HDRS.

PTE. J. CAMPBELL, BADABRIE, CAMERON HDRS.

PTE. A. MACLAREN, ARDECHIVE, CAMERON HDRS.

PTE. A. CAMERON, ACHAPHUBLE, CAMERON HDRS.

PTE. A. CAMERON, GLENMAILLIE, CAMERON HDRS.

PTE. J. MACLAREN, GLENFINNAN, CAMERON HDRS.

L/CPL. N. MARTIN, BANAVIE, ARG. & SUTHD. HDRS.

PTE. A.C. CAMERON, GLENMAILLIE, M.C.G.

PTE. M. COLQUHOUN, CORPACH, R.A.M.C.

PTE. J. CAMPBELL, GLENPEAN, R.A.M.C.

PTE. J. MACMASTER, FASSFERN, CANADIAN SFTHS.

D. GILLIES, LOCHY=SIDE, TRANSPORT

-

"BITHIDH AN CLIU BUAN"

--

1939 - 1945

A.B. T. ALEXANDER, TOMONIE, R.N.

A.B. J. MACDONALD, CORPACH, R.N.

A.B. D. ROBERTSON, CORPACH, R.N.

SGT. A. MACINTOSH, CORPACH, R.A.F.

PTE. D. MACDOUGALL, CORPACH, R.A.S.C.

PTE. K. MACDONALD, ACHNACARRY, CAM. HRS.

PTE. P. WILSON, TOMONIE, CAM. HRS.

---

ID:MHG52984

Type of record:Monument

Name:Banavie War Memorial, Fort William

Grid Reference:NN 10871 76995

Map Sheet:NN17NW

Civil Parish:KILMALLIE

Geographical Area:LOCHABER

-

Site Type WAR MEMORIAL (20TH CENTURY)

Canmore ID 318842

Site Number NN17NW 63

NGR NN 10871 76994

Council HIGHLAND

Parish KILMALLIE

Former Region HIGHLAND

Former District LOCHABER

Former County INVERNESS-SHIRE

Warangal Fort, in the present-day Indian state of Telangana, appears to have existed since at least the 13th century CE. Although precise dating of its construction and subsequent enhancements are uncertain, historians and archaeologists generally accept that an earlier brick-walled structure was replaced with stone by Ganapatideva, who died in 1262, and that his successors – Rudramadevi and Prataparudra II – added to its height and added gateways, square bastions and additional circular earthern walls prior to the latter's death in 1323. This places the construction towards the end of the Kakatiya period. There were later modifications between the 15th and 17th centuries, comprising principally the addition of barbicans to the four gates in the stone wall and the creation of gates in the outer earthern wall.

 

Remnants of the structure can be seen today near to the town of Warangal, which was the Kakatiya capital. The Archaeological Survey of India has listed the remains as a Monument of National Importance.

_____________________________

 

The 12th and the 13th centuries saw the emergence of the Kakatiyas. They were at first the feudatories of the Western Chalukyas of Kalyana, ruling over a small territory near Warangal. A ruler of this dynasty, Prola II, who ruled from A.D.1110 to 1158, extended his sway to the south and declared his independence. His successor Rudra (A.D.1158--1195) pushed the kingdom to the north up to the Godavari delta. He built a fort at Warangal to serve as a second capital and faced the invasions of the Yadavas of Devagiri. The next ruler Mahadeva extended the kingdom to the coastal area. In A.D.1199, Ganapati succeeded him. He was the greatest of the Kakatiyas and the first after the Satavahanas to bring the entire Telugu area under one rule. He put an end to the rule of the Velanati Cholas in A.D.1210. He forced the Telugu Cholas of Vikramasimhapura to accept his suzerainty. He established order in his vast dominion and encouraged trade.

 

As Ganapati Deva had no sons, his daughter Rudramba succeeded him in A.D.1262 and carried on the administration. Some generals, who did not like to be ruled by her, rebelled. She could, however, suppress the internal rebellions and external invasions with the help of loyal subordinates. The Cholas and the Yadavas suffered such set backs at her hands that they did not think of troubling her for the rest of her rule.

 

Prataparudra succeeded his grandmother Rudramba in A.D.1295 and ruled till A.D.1323. He pushed the western border of his kingdom up to Raichur. He introduced many administrative reforms. He divided the kingdom into 75 Nayakships, which was later adopted and developed by the Rayas of Vijayanagara. In his time the territory constituting Andhra Pradesh had the first experience of a Muslim invasion. In A.D.1303, the Delhi Sultan Ala-ud-din Khilji sent an army to plunder the kingdom. But Prataparudra defeated them at Upparapalli in Karimnagar district. In A.D. 1310, when another army under Malik Kafur invaded Warangal, Prataparudra yielded and agreed to pay a large tribute. In A.D.1318, when Ala-ud-din Khilji died, Prataparudra withheld the tribute. It provoked another invasion of the Muslims. In A.D.1321, Ghiaz-ud-din Tughlaq sent a large army under Ulugh Khan to conquer the Telugu country then called Tilling. He laid siege to Warangal, but owing to internal dissensions he called off the siege and returned to Delhi. Within a short period, he came back with a much bigger army. In spite of unpreparedness, Prataparudra fought bravely. For want of supplies, he surrendered to the enemy who sent him to Delhi as a prisoner, and he died on the way. Thus ended the Kakatiya rule, opening the gates of the Telugu land to anarchy and confusion yielding place to an alien ruler.

 

The Kakatiya period was rightly called the brightest period of the Telugu history. The entire Telugu speaking area was under the kings who spoke Telugu and encouraged Telugu. They established order throughout the strife torn land and the forts built by them played a dominant role in the defence of the realm. Anumakonda and Gandikota among the `giridurgas', Kandur and Narayanavanam among the `vanadurgas', Divi and Kolanu among the `jaladurgas', and Warangal and Dharanikota among the `sthaladurgas' were reckoned as the most famous strongholds in the Kakatiya period. The administration of the kingdom was organized with accent on the military.

 

Though Saivism continued to be the religion of the masses, intellectuals favoured revival of Vedic rituals. They sought to reconcile the Vaishnavites and the Saivites through the worship of Harihara. Arts and literature found patrons in the Kakatiyas and their feudatories.

 

WIKIPEDIA & WIKIMAPIA

 

My cousin Gandalf is always getting into trouble and coming to ask me to rescue him.

 

The Legend of Ronzig (Chapter 1)

 

Very long ago, long before the age of science, long before the Ice Age even, there was an age which humans have pushed from their memory. This was the age of magic, when sorcerers and wizards fought great battles in search of an outcome to the conflict between good and evil. Sorcerers sought to arm themselves with the powers of evil in order to gain control of the world and wizards sought to use the powers of good to defeat these sorcerers and keep the world free.

 

As the world explored the great secrets of science, foolish people decided that magic could not exist in this world because it was not scientific. Only a few of the great wizards of the past understood how very wrong this line of thinking was, for magic, more than any other discipline was a precise, scientific branch of learning. The problem was amplified by the fact that it took hundreds of years of dedicated study for a novice to even begin to master this craft. Only the brightest students reached the level of learning necessary to overcome death and complete their studies. The reason that the Gods designed the science of magic to be so difficult to master is quite simple really. If more than a few were allowed to master the powers of magic, the conflict between the two branches would threaten to rip apart the very fabric of time and space. There was another limiting factor involved, for each master magician could only take his first born son as an apprentice and there was no other way to learn the secrets of magic except by apprenticeship to a master.

 

Now Ronzig was the first born son of Ronik, the most powerful wizard of that time and as first born, it was his destiny to become Ronik’s apprentice. However, thirteen minutes after Ronzig was born, he was followed into this world by his twin brother Ronzak. As the twins reached the age of apprenticeship, Ronzig began his studies with his father and Ronzak was left to seek other, less challenging disciplines.

 

As is often the case with siblings, the younger brother was more intelligent than his older brother, but was lacking in the elder brother’s wisdom. Ronzak could not tolerate being second to his less intelligent brother and he left the family home to roam the world.

 

Ronik’s arch rival, Sonod the Sorcerer was quick to recognize an opportunity to gain the upper hand over Ronik. Sonod had no sons, so he was free to take any apprentice he chose, and he chose Ronzak who already carried the magic gene in his body. This set into motion, the events which led to the fiercest battle of magic which the world has ever known, The Battle of the Twins.

 

By the time the twin brothers had reached the age of 313, they had far surpassed the knowledge and skills of their mentors. They were the two most powerful magicians ever to walk the face of the Earth.

Ronzig the Wizard and Ronzak the Sorcerer were destined to clash, for one had embraced the powers of the Gods and the other had embraced the powers of the demons.

 

The legend of this battle is another story for another time. It is enough for the purpose of this tale to relate the fact that the conflagration lasted over 500 years and so disrupted the balance of the universe that it triggered an ice age on the planet Earth.

 

Ronzig was near defeat as the tide of battle had swung to favour Ronzak, but in his wisdom, he conjured up a box with the last of his powers. This was no ordinary box, for it was set to capture all dark magic. Its workings followed the principles of a black hole. The more Ronzak used his powers to fight the containing box, the stronger the box became, until it had drained Ronzak of all of his magic.

  

Unwilling to destroy his twin brother, Ronzig chose to lock Ronzak’s magic into the box. Ronzak laughs and says he will pick the lock and retrieve his magic. Ronzig knows that his brother can pick any lock, so he conjures up a combination lock, into which he secures the magic. Ronzak laughs and says he will have no trouble devising the combination. Once he has his magic restored, he will meet Ronzig in a final conflict. As Ronzig walks away, he calls to his brother, telling him that the lock is no ordinary one. It has been designed to set its own combination to the number of characters determined by Ronzig. The final genius of the container is that the number of characters in the combination is set to infinity. The lock will never finish generating its combination and cannot be opened unless the complete combination is entered.

 

And this was the final outcome of a millennium long battle between the two branches of magic. The power of dark magic was defeated and locked away for all eternity, but without the force of dark magic to counter; there was no longer any need for Ronzig’s great magic. Since people no longer were witness to the powers of magic being practiced, they soon forgot that magic was very real and very powerful and they began to believe that the legends of sorcerers and wizards were only myths.

 

Although Ronzag no longer has his magic powers he is still a very strong force in the world. He has changed his name to BILL and he guards the GATES of Hell.

 

Ronzig, the last of the great wizards, uses his magic in less dramatic ways than he did in the old days. Now Ronzig the Wizard conjures up amazing digital photoArt creations with his magic mouse.

  

Ronzig

 

If you have an event to record or need other photography services or would like to purchase a print of one of my works please contact me. Prints are available in 11" x 14" or 13" x 19" sizes.

 

ronzig@rogers.com

 

View my Portfolio, References and Upcoming Shows

www.ronzigsgallery.com/

 

View my activism website where I explore the issues of homelessness, poverty, addiction and other social diseases which may all be traced back to one problem.

Down, But Not Out

www.downbutnotout.ca/

 

View the ongoing saga of Ronzig The Wizard

rronzigthewizard.blogspot.com/

All rights reserved.

Precise Perspective for Playboy

Paving work at Queen and Greenwood requires a detour.

The NASA/ESA Hubble Space Telescope has spotted a UFO — well, the UFO Galaxy, to be precise. NGC 2683 is a spiral galaxy seen almost edge-on, giving it the shape of a classic science fiction spaceship. This is why the astronomers at the Astronaut Memorial Planetarium and Observatory gave it this attention-grabbing nickname. While a bird’s eye view lets us see the detailed structure of a galaxy (such as this Hubble image of a barred spiral), a side-on view has its own perks. In particular, it gives astronomers a great opportunity to see the delicate dusty lanes of the spiral arms silhouetted against the golden haze of the galaxy’s core. In addition, brilliant clusters of young blue stars shine scattered throughout the disc, mapping the galaxy’s star-forming regions. Perhaps surprisingly, side-on views of galaxies like this one do not prevent astronomers from deducing their structures. Studies of the properties of the light coming from NGC 2683 suggest that this is a barred spiral galaxy, even though the angle we see it at does not let us see this directly. NGC 2683, discovered on 5 February 1788 by the famous astronomer William Herschel, lies in the Northern constellation of Lynx. A constellation named not because of its resemblance to the feline animal, but because it is fairly faint, requiring the “sensitive eyes of a cat” to discern it. And when you manage to get a look at it, you’ll find treasures like this, making it well worth the effort. This image is produced from two adjacent fields observed in visible and infrared light by Hubble’s Advanced Camera for Surveys. A narrow strip which appears slightly blurred and crosses most the image horizontally is a result of a gap between Hubble’s detectors. This strip has been patched using images from observations of the galaxy made by ground-based telescopes, which show significantly less detail. The field of view is approximately 6.5 by 3.3 arcminutes.

Precise Cleaning Service

6473 HWY 44 Suite#204, Gonzales, LA, 70737

(225) 224-0222

 

At Precise Cleaning Service, we specialize in making sure your business always looks its absolute best. Let us show you what a difference precise cleaning can make!

Janitorial Service, Commercial Cleaning, Floor Cleaning, Office Cleaning, Janitorial Cleaning, Janitorial Company, janitor, floor cleaner, office cleaner, janitorial cleaner

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Janitorial Service, Commercial Cleaning, Window Cleaner , Janitorial and Cleaning Service, Office Cleaning Service

 

precise-cleaning.com/

 

If I asked you what we're looking at here, I'd hazard a guess that quite a few of you would propose... well, what would you say?

 

And I'd say you were wrong. How far from reality could you get whilst believing you were actually in a Parisian metro station (St. Ambroise, to be precise, and let's be quite precise about our irreality, right?) seeing a girl being reflected in a mirror being peeked at by a shadowy figure in a stairwell.

 

So wrong. We're all actually looking at a bit of luminescent plastic called a screen. No?

 

Which got me to thinking about how far from honest to goodness reality we've actually wandered, this good species of ours, in the last few decades. Talking into pieces of hollow Bakelite. 'Listening' to vibrating cones which make us laugh or cry. And above all, having our emotions piqued by shiny bits of plastic, or glass or canvas of some sort or other. None of it 'real', as it were.

 

How many hours do you, or people you know, spend 'glued to the box', as we used to say. These days maybe it's an even more extreme form of irreality we indulge in, where we really do believe (almost) we're driving that racecar, thrashing Nadal or, most popular and fun of all, killing vast numbers of people in the most inventively horrifying ways possible. All in the name of good clean fun. Because we can't actually 'do it' in 'reality'.

 

Is reality such an awful thing? It would seem so for a lot of us. Although we might argue that watching TV or being immersed in Second Life or World of Warcraft is the new reality.

 

It's soap operas which depress me the most. Living other people's misery like it's our own. That and the slew of gory murder series you get all evening, every evening on more than one handy channel in the comfort of your own 'living' room.

 

I'm as guilty as anyone of living a virtual reality, and maybe even a virtual life.

 

I kid myself that I'm 'communicating' with people as I type these words, whereas, to extend my own point, all I'm doing is hitting a set of plastic clickety-clack buttons on a 'keyboard' in a certain order with my fingers and talking to myself about my thoughts. There ain't no-one 'hearing' them at the same time as me. Maybe no-one ever will. But then again someone just might. And think they're actually on the platform at St. Ambroise metro station in Paris looking at a strangely reflected reality (look closely if you dare) of sorts and imagine themselves 'there', wherever 'there' is. In which case, nice you could join me. I'll maybe meet you down 'there' sometime.

The precise moment of impact frozen. These boys were young and had less strategy than some of the older fighters. As a result, blood would soon be shed... Out of all my shots, the ref in this one is the most involved with the match, he is focused on the moment as well while some in the audience look on indifferently...

 

Kilmallie Parish / Banavie War Memorial

More precise NGR NN 10875 76986

-

Many local war memorials have been recently cleaned so came to see if this one had been cleaned but does not seem to have had any work done on it

---

TO THE GLORIOUS MEMORY

OF THESE LOCHABER MEN WHO DIED

FOR KING AND COUNTRY IN THE GREAT WAR

1914- 1916

-

MJR. E.S. GOOCH, TORCASTLE, BERKS YEOMANRY

TPR. A. MACDOUGALL, CORPACH, SCOTTISH HORSE

Q.M.S. J. CAMERON, MUIRSHEARLICH, LOVAT SCOUTS

TPR. J. MACSALMAN, BANAVUIE, LOVAT SCOUTS

TPR. A. CAMERON, GLENLOY, LOVAT SCOUTS

TPR. A. CAMERON, GUISACHAN, LOVAT SCOUTS

GUNR. D. MACDOUGALL, CORPACH, ARG.MTN.BTY.

PTE. D. CAMERON, CAOL, ROYAL SCOTS.

PTE. A. DONALDSON, MOUNT, K.O.S.B.

PTE. J. ROY DALZIEL, GUISACHAN, SCOTTISH RFLS.

PTE. A. GILLIES, LOCHY-SIDE, SCOTTISH RFLS.

L/CPL. A. CAMERON, BRAINCHAMUS, BLACK WATCH

L/CPL. J. GILMOUR, BLAICH, BLACK WATCH

SERGT. D. CAMPBELL, GLENPEAN, SEAFORTH HDRS.

L/CPL. J. GRAY, BANAVIE, SEAFORTH HDRS.

L/CPL. E. CAMPBELL, GLENPEAN, GORDON HDRS.

PTE. A. MACPHERSON, MUIRSHEARLICH, GORDON HDRS.

CAPT. A. CAMERON. OF LOCHIEL, CAMERON HDRS.

LIEUT. ARCHD. CAMERON. OF LOCHIEL, CAMERON HDRS.

PTE. P.A. SHAND, ACHNACARRY, CAMERON HDRS.

PTE. J. MACDONALD, ACHNACARRY, CAMERON HDRS.

PTE. H. MACCULLOCH, ACHNACARRY, CAMERON HDRS.

PTE. R. BAKER, ACHNACARRY, CAMERON HDRS.

PTE. P. MACDONALD, PUTACHAN, CAMERON HDRS.

PTE. J. MACLENNAN, GLEN-KINGIE, CAMERON HDRS.

PTE. B. SUTHERLAND, GLEN-KINGIE, CAMERON HDRS.

PTE. D. CAMPBELL, GAIRLOCHY,, CAMERON HDRS.

PTE. A. MACMASTER, MUIRSHEARLICH, CAMERON HDRS.

PTE. R.R.S. CRAWFORD, MANSE, CAMERON HDRS.

PTE. A. MACKENZIE, CORPACH, CAMERON HDRS.

PTE. D. MACMILLAN, CORPACH, CAMERON HDRS.

PTE. A. MACINTYRE, TRISLAIG, CAMERON HDRS.

PTE. J. CAMPBELL, BADABRIE, CAMERON HDRS.

PTE. A. MACLAREN, ARDECHIVE, CAMERON HDRS.

PTE. A. CAMERON, ACHAPHUBLE, CAMERON HDRS.

PTE. A. CAMERON, GLENMAILLIE, CAMERON HDRS.

PTE. J. MACLAREN, GLENFINNAN, CAMERON HDRS.

L/CPL. N. MARTIN, BANAVIE, ARG. & SUTHD. HDRS.

PTE. A.C. CAMERON, GLENMAILLIE, M.C.G.

PTE. M. COLQUHOUN, CORPACH, R.A.M.C.

PTE. J. CAMPBELL, GLENPEAN, R.A.M.C.

PTE. J. MACMASTER, FASSFERN, CANADIAN SFTHS.

D. GILLIES, LOCHY=SIDE, TRANSPORT

-

"BITHIDH AN CLIU BUAN"

--

1939 - 1945

A.B. T. ALEXANDER, TOMONIE, R.N.

A.B. J. MACDONALD, CORPACH, R.N.

A.B. D. ROBERTSON, CORPACH, R.N.

SGT. A. MACINTOSH, CORPACH, R.A.F.

PTE. D. MACDOUGALL, CORPACH, R.A.S.C.

PTE. K. MACDONALD, ACHNACARRY, CAM. HRS.

PTE. P. WILSON, TOMONIE, CAM. HRS.

---

ID:MHG52984

Type of record:Monument

Name:Banavie War Memorial, Fort William

Grid Reference:NN 10871 76995

Map Sheet:NN17NW

Civil Parish:KILMALLIE

Geographical Area:LOCHABER

-

Site Type WAR MEMORIAL (20TH CENTURY)

Canmore ID 318842

Site Number NN17NW 63

NGR NN 10871 76994

Council HIGHLAND

Parish KILMALLIE

Former Region HIGHLAND

Former District LOCHABER

Former County INVERNESS-SHIRE

Kilmallie Parish / Banavie War Memorial

More precise NGR NN 10875 76986

-

Many local war memorials have been recently cleaned so came to see if this one had been cleaned but does not seem to have had any work done on it

---

TO THE GLORIOUS MEMORY

OF THESE LOCHABER MEN WHO DIED

FOR KING AND COUNTRY IN THE GREAT WAR

1914- 1916

-

MJR. E.S. GOOCH, TORCASTLE, BERKS YEOMANRY

TPR. A. MACDOUGALL, CORPACH, SCOTTISH HORSE

Q.M.S. J. CAMERON, MUIRSHEARLICH, LOVAT SCOUTS

TPR. J. MACSALMAN, BANAVUIE, LOVAT SCOUTS

TPR. A. CAMERON, GLENLOY, LOVAT SCOUTS

TPR. A. CAMERON, GUISACHAN, LOVAT SCOUTS

GUNR. D. MACDOUGALL, CORPACH, ARG.MTN.BTY.

PTE. D. CAMERON, CAOL, ROYAL SCOTS.

PTE. A. DONALDSON, MOUNT, K.O.S.B.

PTE. J. ROY DALZIEL, GUISACHAN, SCOTTISH RFLS.

PTE. A. GILLIES, LOCHY-SIDE, SCOTTISH RFLS.

L/CPL. A. CAMERON, BRAINCHAMUS, BLACK WATCH

L/CPL. J. GILMOUR, BLAICH, BLACK WATCH

SERGT. D. CAMPBELL, GLENPEAN, SEAFORTH HDRS.

L/CPL. J. GRAY, BANAVIE, SEAFORTH HDRS.

L/CPL. E. CAMPBELL, GLENPEAN, GORDON HDRS.

PTE. A. MACPHERSON, MUIRSHEARLICH, GORDON HDRS.

CAPT. A. CAMERON. OF LOCHIEL, CAMERON HDRS.

LIEUT. ARCHD. CAMERON. OF LOCHIEL, CAMERON HDRS.

PTE. P.A. SHAND, ACHNACARRY, CAMERON HDRS.

PTE. J. MACDONALD, ACHNACARRY, CAMERON HDRS.

PTE. H. MACCULLOCH, ACHNACARRY, CAMERON HDRS.

PTE. R. BAKER, ACHNACARRY, CAMERON HDRS.

PTE. P. MACDONALD, PUTACHAN, CAMERON HDRS.

PTE. J. MACLENNAN, GLEN-KINGIE, CAMERON HDRS.

PTE. B. SUTHERLAND, GLEN-KINGIE, CAMERON HDRS.

PTE. D. CAMPBELL, GAIRLOCHY,, CAMERON HDRS.

PTE. A. MACMASTER, MUIRSHEARLICH, CAMERON HDRS.

PTE. R.R.S. CRAWFORD, MANSE, CAMERON HDRS.

PTE. A. MACKENZIE, CORPACH, CAMERON HDRS.

PTE. D. MACMILLAN, CORPACH, CAMERON HDRS.

PTE. A. MACINTYRE, TRISLAIG, CAMERON HDRS.

PTE. J. CAMPBELL, BADABRIE, CAMERON HDRS.

PTE. A. MACLAREN, ARDECHIVE, CAMERON HDRS.

PTE. A. CAMERON, ACHAPHUBLE, CAMERON HDRS.

PTE. A. CAMERON, GLENMAILLIE, CAMERON HDRS.

PTE. J. MACLAREN, GLENFINNAN, CAMERON HDRS.

L/CPL. N. MARTIN, BANAVIE, ARG. & SUTHD. HDRS.

PTE. A.C. CAMERON, GLENMAILLIE, M.C.G.

PTE. M. COLQUHOUN, CORPACH, R.A.M.C.

PTE. J. CAMPBELL, GLENPEAN, R.A.M.C.

PTE. J. MACMASTER, FASSFERN, CANADIAN SFTHS.

D. GILLIES, LOCHY=SIDE, TRANSPORT

-

"BITHIDH AN CLIU BUAN"

--

1939 - 1945

A.B. T. ALEXANDER, TOMONIE, R.N.

A.B. J. MACDONALD, CORPACH, R.N.

A.B. D. ROBERTSON, CORPACH, R.N.

SGT. A. MACINTOSH, CORPACH, R.A.F.

PTE. D. MACDOUGALL, CORPACH, R.A.S.C.

PTE. K. MACDONALD, ACHNACARRY, CAM. HRS.

PTE. P. WILSON, TOMONIE, CAM. HRS.

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ID:MHG52984

Type of record:Monument

Name:Banavie War Memorial, Fort William

Grid Reference:NN 10871 76995

Map Sheet:NN17NW

Civil Parish:KILMALLIE

Geographical Area:LOCHABER

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Site Type WAR MEMORIAL (20TH CENTURY)

Canmore ID 318842

Site Number NN17NW 63

NGR NN 10871 76994

Council HIGHLAND

Parish KILMALLIE

Former Region HIGHLAND

Former District LOCHABER

Former County INVERNESS-SHIRE

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Rear Tires: 315/25R 22

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Wheels: COR Precise w/ Step Lip

Finish: Matte Anthracite Face with Matte Black Windows and Hand-brushed Powder Coat Clear Step Lips

Front Wheels: 22.95

Rear Wheels: 22x11

Front Tires: 255/30R 20

Rear Tires: 315/25R 22

More Details: www.corwheels.com/precise/

Become our fan on facebook: www.facebook.com/CORForged

twitter.com/Memoire2cite - Sotteville Construction de l’Anjou, le premier immeuble de la Zone Verte sottevilleaufildutemps.fr/2017/05/04/construction-de-limm... - www.20minutes.fr/paris/diaporama-7346-photo-854066-100-an... - www.ladepeche.fr/article/2010/11/02/940025-140-ans-en-arc... dreux-par-pierlouim.over-blog.com/article-chamards-1962-9...missionphoto.datar.gouv.fr/fr/photographe/7639/serie/7695... Mémoire2cité Mémoire2Ville Mémoire de l'Habitat,içi la page listant mes 43 albums photos disponibles, çe x 1000 pour chacuns d'entre eux ..Merci aux 5859 followers qui porte une attention particuliere à nos quartiers..la Grande Borne 91, le Vaudreuil 27, Avoriaz, Avenue de Flandres à Paris, tours Picasso à Nanterre, vues de la défense, Benghazi Libye 1975 Réalisateur : Sydney Jézéquel, Karenty

Ministère de l'Équipement et de l'Aménagement du Territoire - Dotation par la France d'autoroutes modernes "nécessité vitale" pour palier à l'inadaptation du réseau routier de l'époque voué à la paralysie : le reportage nous montre des images d'embouteillages. Le ministre de l'Équipement et de l'Aménagement du Territoire dans les deux gouvernements de Pierre Messmer, de 1972 à 1974, Olivier Guichard explique les ambitions du programme de construction qui doit atteindre 800 km par ans en 1978. L'ouverture de section nouvelles va bon train : Nancy / Metz par exemple. Le reportage nous montre l'intérieur des bureaux d'études qui conçoivent ces autoroute dont la conception est assistée par ordinateurs dont le projet d'ensemble en 3D est visualisé sur un écran. La voix off nous informe sur le financement de ces équipements. Puis on peut voir des images de la construction du pont sur la Seine à Saint Cloud reliant l'autoroute de Normandie au périphérique, de l'échangeur de Palaiseau sur 4 niveau : record d'Europe précise le commentaire. Le reportage nous informe que des sociétés d'économies mixtes ont étés crées pour les tronçons : Paris / Lille, Paris / Marseille, Paris / Normandie. Pour accélérer la construction l’État a eu recours à des concessions privées par exemple pour le tronçon Paris / Chartres. "Les autoroutes changent le visage de la France : artères économiques favorisant le développement industriel elles permettent de revitaliser des régions en perte de vitesse et de l'intégrer dans le mouvement général de l'expansion" Sur le plan européen elles vont combler le retard de la France et réaliser son insertion. Images de l'inauguration de l'autoroute entre Paris et Bruxelles par le président Georges Pompidou. Le reportage rappel que l'autre fonction capitale des autoroute est de favoriser la sécurité. La question de la limitation de vitesse est posée au ministre de l’Équipement, qui n'y est favorable que sur certains tronçons. Un des facteur de sécurité selon le commentaire est l'humanisation des autoroutes : aires de repos, restaurants, signalisation touristiques... "Rien n'est impossible aux techniques modernes" nous apprend la voix off qui prend comme exemple le déplacement sur rail de 65 mètres d'un château classé afin de faire passer l'autoroute Lille / Dunkerque.Durée : 4 minutes 30 secondes Sur les routes de France les ponts renaissent 1945 reconstruction de la France après la Seconde Guerre mondiale www.dailymotion.com/video/xuxrii?playlist=x34ije , Quelques mois après la fin de la Seconde Guerre mondiale, un triste constat s'impose : 5 944 passages sont coupés, soit plus de 110 km de brèches ; de nombreuses villes se trouvent isolées.Les chantiers s'activent dans toute la France pour "gagner la bataille des communications routières". Mais outre la pénurie de main d’œuvre, il faut faire face au manque de matériaux (béton, métal) et donc déployer des trésors d'imagination pour reconstruire les ponts détruits. Si le savoir faire des tailleurs de pierre est exploité, le plus spectaculaire est le relevage des ponts, comme le pont de Galliéni à Lyon, où 7 à 800 tonnes d'acier sont sorti de l'eau avec des moyens de l'époque. En avril 1945, il reste 5 700 ponts à reconstruire soit 200 000 tonnes d'acier, 600 000 tonnes de ciment, 250 000 m3 de bois, 10 millions de journées d'ouvrier, prix de l'effort de reconstruction.1945

Auteurs / réalisateurs : images : G.Delaunay, A.Pol, son : C.Gauguier Production : Direction Technique des Services des Ponts et Chaussées / Ministère des Travaux Publics et des Transports Support original : 16 mm noir et blanc Durée : 14 min Thèmes principaux : infrastructures-ouvrages d'art Mot clés : chantier, pont, Reconstruction, restauration, béton précontraint, ministère des travaux publics et des transportsLieux : Lyon, Tournon, Caen - Le Bosquel, un village renait 1947 l'album cinématographique de la reconstruction, réalisation Paul de Roubaix production ministère de la Reconstruction et de l'Urbanisme, village prototype, architecte Paul Dufournet, www.dailymotion.com/video/xx5tx8?playlist=x34ije - Demain Paris 1959 dessin animé présentant l'aménagement de la capitale dans les années 60, Animation, dessin animé à vocation pédagogique visant à promouvoir la politique d’aménagement suivie dans les années 60 à Paris. Un raccourci historique sur l’extension de Paris du Moyen Âge au XIXe siècle (Lutèce, œuvres de Turgot, Napoléon, Haussmann), ce dessin animé retrace la naissance de la banlieue et de ses avatars au XXe siècle. Il annonce les grands principes d’aménagement des villes nouvelles et la restructuration du centre de Paris (référence implicite à la charte d’Athènes). Le texte est travaillé en rimes et vers. Une chanson du vieux Paris conclut poétiquement cette vision du futur. Thèmes principaux : Aménagement urbain / planification-aménagement régional Mots-clés : Banlieue, extension spatiale, histoire, quartier, ville, ville nouvelle Lieu géographique : Paris 75 Architectes ou personnalités : Eugène Haussmann, Napoléon, Turgot Réalisateurs : André Martin, Michel Boschet Production : les films Roger Leenhardt

www.dailymotion.com/video/xw6lak?playlist=x34ije - Rue neuve 1956 la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, villes, villages, grands ensembles réalisation : Jack Pinoteau , Panorama de la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, ce film de commande évoque les villes et villages français détruits puis reconstruits dans un style respectant la tradition : Saint-Malo, Gien, Thionville, Ammerschwihr, etc. ainsi que la reconstruction en rupture avec l'architecture traditionnelle à Châtenay-Malabry, Arles, Saint Étienne, Évreux, Chambéry, Villeneuve-Saint-Georges, Abbeville, Le Havre, Marseille, Boulogne-sur-Mer, Dunkerque. Le documentaire explique par exemple la manière dont a été réalisée la reconstruction de Saint-Malo à l'intérieur des rempart de la vieille ville : "c'est la fidélité à l'histoire et la force du souvenir qui a guidé l'architecte". Dans le même esprit à Gien, au trois quart détruite en 1940, seul le château construit en 1494 pour Anne de Beaujeu, fille aînée de Louis XI, fut épargné par les bombardements. La ville fut reconstruite dans le style des rares immeubles restant. Gien est relevé de ses ruines et le nouvel ensemble harmonieux est appelé « Joyau de la Reconstruction française ». Dans un deuxième temps est abordé le chapitre de la construction des cités et des grands ensembles, de l’architecture du renouveau qualifiée de "grandiose incontestablement". S’il est précisé "on peut aimer ou de ne pas aimer ce style", l’emporte au final l’argument suivant : les grands ensembles, c'est la campagne à la ville, un urbanisme plus aéré, plus vert." les films caravelles 1956, Réalisateur : Jack Pinoteau (connu pour être le metteur en scène du film Le Triporteur 1957 qui fit découvrir Darry Cowl) www.dailymotion.com/video/xuz3o8?playlist=x34ije , Levittown: The Construction and Systematic Execution of Discrimination in Modern Suburbia (NHD 2018) www.youtube.com/watch?v=9_KrD6PkX0M … … 17000 maisons en 2 ans un record dans l histoire des annees 60 @ la grande Acceleration @ Un point de bascule avec le changement de regime d'existence les 30 glorieuses americaine @ la constructions de masse.., ici LEVITTOWN a LONGISLAND, 17000 pavillons en 2 ans un Record...Yes this is it my Our Home Town: Levittown, PA (1954) - www.youtube.com/watch?v=9_KrD6PkX0M les 30 glorieuses atomique @ le projet PLOWSHARE de 1957 LE FILM ICI www.youtube.com/watch?v=kpjFU_kBaBE … STRAUSS le promoteur du nucleaire Americain les 30 glorieuses Américaine @ quand celles çi ratent le coche sur le developpement solaire... les occasions manquées de soigner notre humanité..www.dailymotion.com/video/xuxrii?playlist=x34ije Lyon, Tournon, Caen - Le Bosquel, un village renait 1947 l'album cinématographique de la reconstruction, réalisation Paul de Roubaix production ministère de la Reconstruction et de l'Urbanisme, village prototype, architecte Paul Dufournet, www.dailymotion.com/video/xx5tx8?playlist=x34ije - Demain Paris 1959 dessin animé présentant l'aménagement de la capitale dans les années 60, Animation, dessin animé à vocation pédagogique visant à promouvoir la politique d’aménagement suivie dans les années 60 à Paris. Un raccourci historique sur l’extension de Paris du Moyen Âge au XIXe siècle (Lutèce, œuvres de Turgot, Napoléon, Haussmann), ce dessin animé retrace la naissance de la banlieue et de ses avatars au XXe siècle. Il annonce les grands principes d’aménagement des villes nouvelles et la restructuration du centre de Paris (référence implicite à la charte d’Athènes). Le texte est travaillé en rimes et vers. Une chanson du vieux Paris conclut poétiquement cette vision du futur. Thèmes principaux : Aménagement urbain / planification-aménagement régional Mots-clés : Banlieue, extension spatiale, histoire, quartier, ville, ville nouvelle Lieu géographique : Paris 75 Architectes ou personnalités : Eugène Haussmann, Napoléon, Turgot Réalisateurs : André Martin, Michel Boschet Production : les films Roger Leenhardt

www.dailymotion.com/video/xw6lak?playlist=x34ije - Rue neuve 1956 la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, villes, villages, grands ensembles réalisation : Jack Pinoteau , Panorama de la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, ce film de commande évoque les villes et villages français détruits puis reconstruits dans un style respectant la tradition : Saint-Malo, Gien, Thionville, Ammerschwihr, etc. ainsi que la reconstruction en rupture avec l'architecture traditionnelle à Châtenay-Malabry, Arles, Saint Étienne, Évreux, Chambéry, Villeneuve-Saint-Georges, Abbeville, Le Havre, Marseille, Boulogne-sur-Mer, Dunkerque. Le documentaire explique par exemple la manière dont a été réalisée la reconstruction de Saint-Malo à l'intérieur des rempart de la vieille ville : "c'est la fidélité à l'histoire et la force du souvenir qui a guidé l'architecte". Dans le même esprit à Gien, au trois quart détruite en 1940, seul le château construit en 1494 pour Anne de Beaujeu, fille aînée de Louis XI, fut épargné par les bombardements. La ville fut reconstruite dans le style des rares immeubles restant. Gien est relevé de ses ruines et le nouvel ensemble harmonieux est appelé « Joyau de la Reconstruction française ». Dans un deuxième temps est abordé le chapitre de la construction des cités et des grands ensembles, de l’architecture du renouveau qualifiée de "grandiose incontestablement". S’il est précisé "on peut aimer ou de ne pas aimer ce style", l’emporte au final l’argument suivant : les grands ensembles, c'est la campagne à la ville, un urbanisme plus aéré, plus vert." les films caravelles 1956, Réalisateur : Jack Pinoteau (connu pour être le metteur en scène du film Le Triporteur 1957 qui fit découvrir Darry Cowl) www.dailymotion.com/video/xuz3o8?playlist=x34ije - www.dailymotion.com/video/xk1g5j?playlist=x34ije Brigitte Gros - Urbanisme - Filmer les grands ensembles 2016 - par Camille Canteux chercheuse au CHS -Centre d'Histoire Sociale - Jeanne Menjoulet - Ce film du CHS daté de 2014 www.youtube.com/watch?v=VDUBwVPNh0s … L'UNION SOCIALE POUR L'HABITAT le Musée des H.L.M. musee-hlm.fr/ union-habitat.org/ - EXPOSITION :LES 50 ANS DE LA RESIDENCe SALMSON POINT-Du JOUR www.salmsonlepointdujour.fr/pdf/Exposition_50_ans.pdf - Sotteville Construction de l’Anjou, le premier immeuble de la Zone Verte sottevilleaufildutemps.fr/2017/05/04/construction-de-limm... - www.20minutes.fr/paris/diaporama-7346-photo-854066-100-an... - www.ladepeche.fr/article/2010/11/02/940025-140-ans-en-arc... dreux-par-pierlouim.over-blog.com/article-chamards-1962-9... missionphoto.datar.gouv.fr/fr/photographe/7639/serie/7695.. A partir des années 1950, le trafic de la banlieue parisienne suit l’urbanisation galopante et les dessertes ferroviaires doivent s’adapter et se moderniser.Quelques amateurs ont su immortaliser un monde ferroviaire qui était alors en voie de disparition. Dans ce film, nous retrouvons les dessertes 750 volts par troisième rail en rames « Standard » sur les lignes de Versailles-RD, sur la ligne d’Auteuil et entre Puteaux et Issy-Plaine mais aussi les derniers trains à vapeur à St Lazare, à La Bastille et sur le Nord et quelques ultimes voyages sur les lignes de Ceinture --------------De la révolution industrielle à aujourd’hui, un décryptage minutieux de la course au développement qui a marqué le point de départ de l’ère de l'anthropocène (ou l'ère de l'Homme) et de la déterioration continue de la planète. www.arte.tv/fr/videos/073938-000-A/l-homme-a-mange-la-terre/ Quelque 1 400 milliards de tonnes de CO2 sont aujourd’hui prisonnières de la basse atmosphère. Réchauffement climatique, déforestation, inondations, épuisement des ressources, pollutions, déchets radioactifs... : en deux siècles, la course au progrès et à la croissance a durablement altéré la planète, la crise environnementale se doublant d’une rupture géologique, avec l’avènement de l’ère anthropocène. Portée par l’exploitation des énergies fossiles – du charbon de la révolution industrielle en Angleterre au tout-pétrole de la domination économique des États-Unis –, l’industrialisation et ses corollaires, taylorisme et colonialisme, entraînent une exponentielle production de masse. Un processus qu’accélère la Première Guerre mondiale, les firmes chimiques mobilisées pour tuer l’ennemi se reconvertissant dans la destruction du vivant avec les herbicides, insecticides et fertilisants de l’agriculture intensive. Alors que l’urbanisation s’étend, la voiture, qui sonne le glas du tramway, se généralise, et l’Amérique s’inspire du modèle autoroutier nazi. La Seconde Guerre mondiale engendre une nouvelle organisation du travail, laquelle devient la norme, et annonce l’ère nucléaire de la guerre froide. Dans sa démesure, l’homme rêve déjà d’usages civils de l’atome (y compris pour l’abattement de montagnes et la dissolution des calottes glaciaires !). Le plastique et le béton deviennent les piliers de la consommation de masse, dévoreuse de matières premières et antidote à la contestation sociale, jusqu’à la révolution numérique. Liaisons dangereuses En balayant, avec de formidables archives issues du monde entier, deux siècles de progrès jusqu’à l’ère du big data, le film remonte aux sources de la crise écologique, en interrogeant avec précision les enjeux scientifiques, économiques et politiques qui y ont conduit. Fourmillant d’informations, il éclaire l’histoire de cette marche folle, et les liaisons dangereuses entre industries militaire et civile. Entre capitalisme et mondialisation imposés par les grandes puissances, un décryptage passionnant du basculement dans l’anthropocène, funeste asservissement de la nature par l’homme. le Logement Collectif* 50,60,70's dans tous ses états..Histoire & Mémoire de l'Habitat / Rétro-Villes / HLM / Banlieue / Renouvellement Urbain / Urbanisme URBANISME S’imaginer Paris et le Grand Paris @ Les 50ans d'Apur (link: 50ans.apur.org/#intro) 50ans.apur.org/#intro @ Où en est l'histoire urbaine des sociétés contemporaines ? Cet ouvrage, inspiré par Annie Fourcaut, qui contribua de manière décisive à son développement, propose un état des lieux de ce champ et explore des pistes de recherche ouvrant l'histoire urbaine à une variété de " genres ". Où en est l'histoire urbaine des sociétés contemporaines ? Cet ouvrage, inspiré par Annie Fourcaut, qui contribua de manière décisive à son développement, propose un état des lieux de ce champ. De Femmes à l'usine (1981), Bobigny, banlieue rouge (1986), à La banlieue en morceaux (2000), en passant par les publications collectives qu'elle a coordonnées et les travaux qu'elle a encadrés, la trajectoire de cette historienne a conduit l'histoire sociale et politique – telle qu'on la pratiquait dans les années 1970 – vers une histoire urbaine renouvelée. Le livre revient sur cette évolution et explore des pistes de recherche ouvrant l'histoire urbaine à une variété de " genres ". Les auteurs, historiennes et historiens, sociologues, politistes, géographes, architectes, urbanistes et décideurs politiques proposent une histoire urbaine à la fois interdisciplinaire et ancrée dans la fabrique de la ville et ses représentations, portant la marque de sa dédicataire.Les quatre sections de l'ouvrage dessinent les chantiers qu'Annie Fourcaut a investis : " Du social à l'urbain " met en avant la conviction qu'étudier l'histoire des villes, c'est toujours faire de l'histoire sociale ; " Qu'elle était belle la banlieue " est centré sur les banlieues, son territoire d'étude de prédilection ; " Les habits neufs des politiques de la ville " interroge les politiques urbaines successives et leur transformation ; enfin, " Banc d'essai des modernités " propose une analyse historique de l'urbanisme, comme discipline et comme pratique. www.benjamingibeaux.fr/portfolio/petite-histoire-de-lhabi... Le Label « Patrimoine du XXe siècle » créé en 1999 par le ministère de la Culture et de la Communication a pour but de faire connaître l’architecture de cette période. La comparaison des labellisations réalisées par les DRAC d’Île-de-France et d’Occitanie (ex Languedoc-Roussillon et de Midi-Pyrénées) montre la variété des méthodes employées pour rendre compte soit de l’importance numérique des édifices remarquables soit de la difficulté à établir ce corpus et de la nécessité de s’appuyer sur les inventaires ou études thématiques ou monographiques. Si l’attribution du label, désormais appelé "Architecture contemporaine remarquable" s’est faite depuis vingt ans de façon très diverse selon les régions, elle est toujours l’occasion de mettre en lumière et de porter à la connaissance du public des œuvres architecturales remarquables, notamment via une augmentation impressionnante des publications de qualité sur l'architecture du XXe siècle. En 1999, le ministère de la Culture et de la Communication propose la mise en place d’un nouvel outil pour permettre la reconnaissance et la sauvegarde des constructions élevées au cours du siècle qui s’achève. Le label « Patrimoine du XXe siècle » est une déclinaison nationale de la recommandation du conseil de l’Europe sur la prise en compte de l’architecture du XXe siècle. Ce dernier évoque, pour la conservation de ce patrimoine « moins reconnu », une absence d’intérêt « en raison de sa proximité dans l’Histoire, de l’abondance de ses témoignages et de son caractère hétérogène » et sa crainte de « pertes irréparables »2 . Le label mis en place par la France vise à appeler « l’attention des décideurs, des aménageurs, mais aussi et surtout de ses usagers et du public sur les productions remarquables de ce siècle » Chargées de mettre en place le label, les directions régionales des affaires culturelles (Drac), services déconcentrés du ministère de la Culture, ont à cette date déjà construit, chacune à sa manière, leur approche de la préservation du patrimoine du XXe siècle. Elles s’emparent alors diversement du label, appliquant de facto des labellisations aux immeubles de ce siècle déjà protégés au titre des monuments historiques4 ou mettant en place de véritables stratégies pour répondre pleinement aux attendus de la directive nationale. À partir de nos expériences, il nous a paru intéressant de montrer la diversité de la mise en place du label dans trois Drac parmi d’autres, l’Île-de-France ainsi que Languedoc-Roussillon et Midi-Pyrénées qui composent aujourd’hui la région Occitanie5. Pour chacune de ces Drac, il s’agit de montrer comment la connaissance de ce patrimoine, mais aussi ses particularités territoriales ont joué un rôle important dans le choix des méthodologies de sélection des œuvres à labelliser ainsi que la détermination de critères, et de présenter les résultats et les actions de valorisation menées pour faire connaître et apprécier ces créations architecturales récentes. Le label « Patrimoine du XXe siècle » en Île-de-France : gérer l’abondance La Drac Île-de-France s’est emparée tardivement du label « Patrimoine du XXe siècle », pour plusieurs raisons. Parmi les freins à l’action, il faut citer la question du pilotage de la mise en place du label entre différents services de la Drac, les interrogations liées à l’opportunité de ce nouveau dispositif et un relatif scepticisme quant à son efficacité, l’ampleur de la tâche au vu du corpus concerné, le plus important de France en quantité et sans doute en qualité, mais surtout l’engagement pris de longue date par cette Drac et les membres de sa commission régionale du patrimoine et des sites (CRPS) en faveur du patrimoine du XXe siècle. En effet, c’est sans doute dans cette région que l’on protège le plus grand nombre d’édifices contemporains au titre des monuments historiques : dans la première décennie du XXIe siècle, selon les années, 50 à 70 % des protections concernent des édifices construits au siècle précédent. Ainsi, ce nouveau dispositif, dépourvu de dispositions contraignantes, étranger à la culture de la conservation régionale des monuments historiques (CRMH) dont l’action est liée à la protection, peinait à démontrer son intérêt au regard de ce qu’offre la législation sur les monuments historiques. Cependant, au vu de l’enjeu que constitue la préservation de l’architecture contemporaine en Île-de-France, lié à la fois à l’ampleur de la production et aux évolutions urbaines et réglementaires constantes engageant sa conservation, la question de la mise en place du label était régulièrement posée à la Drac. Pilotée par la CRMH, la première expérience de labellisation y fut menée en 2004. Elle s’inscrivait dans la suite de l’étude menée par le groupe d’experts dirigé par Bernard Toulier, conservateur du Patrimoine au département du pilotage de la recherche et de la politique scientifique du ministère de la Culture, qui avait produit une liste d’édifices du XXe siècle repérés en bibliographie, inventaire devant servir de base à la constitution de propositions de labellisations. Selon la méthode suivie par ce groupe d’experts, on fit le choix de présenter tous les immeubles concernés regroupés par larges typologies. Les membres de la CRPS, devant lesquels fut présentée cette liste d’édifices, rejetèrent en bloc la sélection où voisinaient l’aérogare 1 de l’aéroport Roissy-Charles de Gaulle et la modeste mairie du 17e arrondissement de Paris présentée à la demande de son maire, arguant de l’impossibilité à valider le choix d’édifices que rien ne rapprochait. De plus, nombre des immeubles retenus étaient candidats à la protection au titre des monuments historiques, brouillant de fait l’identité du label et réfutant du même coup la conception un temps énoncée du label comme « antichambre » de la protection. En effet, si la grande qualité de la plupart des édifices sélectionnés montrait toute la richesse des créations contemporaines franciliennes, la seule présentation des plus remarquables d’entre eux résultait d’une absence de sélection argumentée, selon l’esprit du label. La présentation de cette première liste en CRPS tourna donc court. - La question des critères de sélection a été débattue à la lumière de l’expérience de la labellisa (...) En 2008, toujours sous l’impulsion du service des monuments historiques, une nouvelle orientation fut prise. Un pilotage, un groupe de travail, un objectif furent mis en place. Trois orientations furent définies : selon les recommandations de la CRMH de la région PACA, procéder par thématiques typologiques, méthode propice à l’élaboration de critères de sélection ; cibler un patrimoine déprécié ou en danger, pour répondre parfaitement aux attendus de la directive européenne ; pour cette première campagne de labellisation, choisir un champ vierge de reconnaissance patrimoniale, éloigné de la protection au titre des monuments historiques afin d’éviter toute confusion entre les édifices labellisés et les édifices protégés. Le thème des ensembles de logements, nombreux dans cette région, s’est naturellement dégagé. À géométrie variable, le groupe de travail dirigé par la cellule protection était formé d’un premier cercle pérenne, garant de la cohérence de la démarche de labellisation et des choix des thématiques, et d’un second, composé de spécialistes de chaque thématique retenue. Le premier cercle était constitué d’agents de la Drac (conservation des monuments historiques, service architecture, un architecte des bâtiments de France, chargé de faire le lien avec l’ensemble des services départementaux de l’architecture et du patrimoine de la région), de représentants du monde universitaire et de la recherche dans le domaine de l’architecture du XXe siècle.

Pour les ensembles de logements, le second cercle du groupe de travail a permis d’associer des acteurs de terrain, des représentants des bailleurs sociaux, des experts. Le sujet fut restreint chronologiquement (1945-1975), son acception précisée (habitat collectif et individuel) et le corpus, basé sur les inventaires existants et la bibliographie, fut établi à partir des critères élaborés par le groupe de travail : histoire, forme urbaine, valeur d’usage, technique, style - Composée d’environ un tiers de ses membres, la délégation permanente est une émanation de la CRPS (...) De façon exceptionnelle, la liste des ensembles de logements fut en premier lieu présentée devant les membres de la délégation permanente de la CRPS7 pour en valider les orientations et s’assurer de l’adhésion des membres, à la fois pour ne pas risquer de réitérer l’expérience malheureuse de 2004 mais surtout pour interroger la commission sur le bien-fondé à distinguer ces ensembles de logements d'après-guerre, constructions parmi les plus décriées du XXe siècle.

La méthodologie proposée a conduit à la labellisation d’une première série d’immeubles, quarante ensembles de logements en 2010 (fig. 2, 3), puis d’une seconde série de soixante-quinze lieux de culte en 2011 (fig. 4, 5). Les critères peuvent être adaptés ou précisés selon le thème retenu : pour les édifices religieux, la qualité et l’originalité du décor furent ajoutés et la valeur d’usage exclue.La méthode choisie a été vertueuse : elle a permis de labelliser un grand nombre d’édifices, d’associer largement les services patrimoniaux de l’État et des collectivités, de créer des synergies avec l’université et les chercheurs, de valoriser l’action de l’État par des présentations en CRPS, des publications, des journées d’études, des expositions, actions relayées par la presse généraliste et spécialisée8 (fig. 6 et 7). Un partenariat pérenne s’est développé avec l’éditeur Beaux-Arts pour la publication de chaque campagne de labellisation, avec diffusion en kiosque au plus près du public concerné pour un prix inférieur à 15 €. Elle a également permis d’impliquer les acteurs de terrain, répondant ainsi à l’objectif visé de sensibilisation du public à cette architecture mal aimée Depuis 2016, la Drac Île-de-France a conduit trois nouvelles campagnes, toutes thématiques, fondées sur des partis méthodologiques diversifiés, adaptés aux sujets d’étude.

- Note méthodologique « Étude du patrimoine du XXe siècle de la métropole du Grand Paris », La manu (...) - La loi relative à la liberté de la création, à l’architecture et au patrimoine (LCAP) promulguée (...) Une campagne vise à identifier les édifices et ensembles contribuant à structurer le territoire de la récente métropole du Grand Paris. L’établissement d’une critériologie et la sélection ont été confiés à un bureau d’études, la Manufacture du patrimoine, associé à un groupe de travail conduit par la Drac. Des critères dits généraux, divisés en critères primaires et complémentaires, ont été retenus. Pour la thématique étudiée, se sont ajoutés sept critères spécifiques répondant aux enjeux de « l’émergence et du rayonnement de la métropole »10. Les grands travaux présidentiels ont été concernés dans un premier temps, aboutissant à la labellisation de dix édifices en novembre 2016, avant une présentation plus large d’édifices emblématiques, retenus pour l’obtention d’un label « Architecture contemporaine remarquable »11 en juin 2018.

- Introduite par la loi relative à la liberté de la création, à l’architecture et au patrimoine (LC (...) De façon innovante, la Drac a conclu un partenariat avec l’école nationale supérieure d’architecture (ENSA) Paris-Belleville avec laquelle elle s’est associée dès l’élaboration du premier label (colloque, exposition, travaux avec l’IPRAUS). Le thème choisi, inscrit dans la droite ligne du précédent, s’attache à l’étude des villes nouvelles. Par son caractère récent et spécifique dans l’histoire de la planification urbaine, cet objet d’étude implique une nouvelle approche, menée dans le cadre d’une convention triennale de chaire partenariale avec l’ENSA Paris-Belleville. La méthodologie s’appuie sur la grille d’analyse habituellement employée par la Drac, enrichie pour inclure davantage l’espace public. Des édifices de la ville d’Évry (Essonne), qui manifesta en 2016 son souhait de voir son patrimoine labellisé, ont été présentés en novembre 2018 aux membres de la commission régionale de l’architecture et du patrimoine (CRPA)12 en vue d’une labellisation.- Valérie Gaudard remercie vivement Mmes Agnès Chauvin, cheffe du bureau de la protection, et Maria (...)Enfin, le champ de l’architecture scolaire est abordé dès 2010. Au vu de l’immensité du corpus, la Drac a choisi en 2016 de s’attacher dans un premier temps aux lycées, en lien avec le service de l’Inventaire de la région Île-de-France Le label en Languedoc-Roussillon : une succession d’opportunités V- La Poste Art Nouveau de Tuchan, l’hôtel du Belvédère à Cerbère. - Certains construits vers 1900 relèvent davantage d’une esthétique encore XIXe comme la villa Las (...) - Le 3 octobre 2001, une CRPS dédiée a examiné onze propositions de protection, dont deux seulement (...)

Dans ce territoire riche en monuments anciens, l’attention pour l’architecture du XXe siècle s’observe dès les années 1980 avec la décentralisation. La commission régionale du patrimoine historique archéologique et ethnologique (Corephae) du 15 décembre 1986 a examiné les premiers dossiers14. Parmi des édifices de la première moitié du siècle, bénéficiant du recul et bien documentés, plus faciles à appréhender15, on peut citer les cliniques Saint-Charles à Montpellier, exemple d’architecture des années 1930, ornées des sculptures monumentales de Joachim Costa et des verrières d’Émile Brière, sauvées in extremis de la démolition. En l’an 2000, une campagne de protection thématique est lancée16, distinguant des bâtiments majeurs de l’entre-deux-guerres, comme le théâtre municipal de Carcassonne, le Palais des Arts et du Travail de Narbonne, le lycée technique Dhuoda à Nîmes, l’église Sainte-Thérèse à Montpellier mais également le centre d’apprentissage pour garçons, actuel lycée Mermoz à Béziers, œuvre de Pierre Jeanneret, à laquelle ont collaborés Jean Prouvé et Charlotte Perriand.

- Monument inscrit MH en 2009 Toujours à Odeillo, un petit collectif de maisons solaires, initiativ (...) Plus récemment ont été inscrits au titre des monuments historiques, le centre de vol à voile de la Montagne Noire, à Labécède-Lauragais, haut lieu de formation des pilotes entre 1932 et 1980 ou des installations solaires en Cerdagne, liées à la personnalité de Félix Trombe dont les recherches aboutissent à la construction entre 1962 et 1968 par le CNRS du four solaire d’Odeillo à Font-Romeu-Odeillo-Via Pourtant, cette architecture du XXe siècle, représentant un nombre de réalisations jamais atteint, restait mal appréciée, mal aimé.

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Kilmallie Parish / Banavie War Memorial

 

More precise NGR NN 10875 76986

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Many local war memorials have been recently cleaned so came to see if this one had been cleaned but does not seem to have had any work done on it

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TO THE GLORIOUS MEMORY

OF THESE LOCHABER MEN WHO DIED

FOR KING AND COUNTRY IN THE GREAT WAR

1914- 1916

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MJR. E.S. GOOCH, TORCASTLE, BERKS YEOMANRY

TPR. A. MACDOUGALL, CORPACH, SCOTTISH HORSE

Q.M.S. J. CAMERON, MUIRSHEARLICH, LOVAT SCOUTS

TPR. J. MACSALMAN, BANAVUIE, LOVAT SCOUTS

TPR. A. CAMERON, GLENLOY, LOVAT SCOUTS

TPR. A. CAMERON, GUISACHAN, LOVAT SCOUTS

GUNR. D. MACDOUGALL, CORPACH, ARG.MTN.BTY.

PTE. D. CAMERON, CAOL, ROYAL SCOTS.

PTE. A. DONALDSON, MOUNT, K.O.S.B.

PTE. J. ROY DALZIEL, GUISACHAN, SCOTTISH RFLS.

PTE. A. GILLIES, LOCHY-SIDE, SCOTTISH RFLS.

L/CPL. A. CAMERON, BRAINCHAMUS, BLACK WATCH

L/CPL. J. GILMOUR, BLAICH, BLACK WATCH

SERGT. D. CAMPBELL, GLENPEAN, SEAFORTH HDRS.

L/CPL. J. GRAY, BANAVIE, SEAFORTH HDRS.

L/CPL. E. CAMPBELL, GLENPEAN, GORDON HDRS.

PTE. A. MACPHERSON, MUIRSHEARLICH, GORDON HDRS.

CAPT. A. CAMERON. OF LOCHIEL, CAMERON HDRS.

LIEUT. ARCHD. CAMERON. OF LOCHIEL, CAMERON HDRS.

PTE. P.A. SHAND, ACHNACARRY, CAMERON HDRS.

PTE. J. MACDONALD, ACHNACARRY, CAMERON HDRS.

PTE. H. MACCULLOCH, ACHNACARRY, CAMERON HDRS.

PTE. R. BAKER, ACHNACARRY, CAMERON HDRS.

PTE. P. MACDONALD, PUTACHAN, CAMERON HDRS.

PTE. J. MACLENNAN, GLEN-KINGIE, CAMERON HDRS.

PTE. B. SUTHERLAND, GLEN-KINGIE, CAMERON HDRS.

PTE. D. CAMPBELL, GAIRLOCHY,, CAMERON HDRS.

PTE. A. MACMASTER, MUIRSHEARLICH, CAMERON HDRS.

PTE. R.R.S. CRAWFORD, MANSE, CAMERON HDRS.

PTE. A. MACKENZIE, CORPACH, CAMERON HDRS.

PTE. D. MACMILLAN, CORPACH, CAMERON HDRS.

PTE. A. MACINTYRE, TRISLAIG, CAMERON HDRS.

PTE. J. CAMPBELL, BADABRIE, CAMERON HDRS.

PTE. A. MACLAREN, ARDECHIVE, CAMERON HDRS.

PTE. A. CAMERON, ACHAPHUBLE, CAMERON HDRS.

PTE. A. CAMERON, GLENMAILLIE, CAMERON HDRS.

PTE. J. MACLAREN, GLENFINNAN, CAMERON HDRS.

L/CPL. N. MARTIN, BANAVIE, ARG. & SUTHD. HDRS.

PTE. A.C. CAMERON, GLENMAILLIE, M.C.G.

PTE. M. COLQUHOUN, CORPACH, R.A.M.C.

PTE. J. CAMPBELL, GLENPEAN, R.A.M.C.

PTE. J. MACMASTER, FASSFERN, CANADIAN SFTHS.

D. GILLIES, LOCHY=SIDE, TRANSPORT

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"BITHIDH AN CLIU BUAN"

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1939 - 1945

A.B. T. ALEXANDER, TOMONIE, R.N.

A.B. J. MACDONALD, CORPACH, R.N.

A.B. D. ROBERTSON, CORPACH, R.N.

SGT. A. MACINTOSH, CORPACH, R.A.F.

PTE. D. MACDOUGALL, CORPACH, R.A.S.C.

PTE. K. MACDONALD, ACHNACARRY, CAM. HRS.

PTE. P. WILSON, TOMONIE, CAM. HRS.

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ID:MHG52984

Type of record:Monument

Name:Banavie War Memorial, Fort William

Grid Reference:NN 10871 76995

Map Sheet:NN17NW

Civil Parish:KILMALLIE

Geographical Area:LOCHABER

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Site Type WAR MEMORIAL (20TH CENTURY)

Canmore ID 318842

Site Number NN17NW 63

NGR NN 10871 76994

Council HIGHLAND

Parish KILMALLIE

Former Region HIGHLAND

Former District LOCHABER

Former County INVERNESS-SHIRE

We recently had a week’s holiday to take – Jayne’s job dictates my holidays – we went through the usual process of leaving it late and then desperately selecting a shortlist of cities where we thought the weather might be ok, after a reasonably short flight and we can fly from the north of England. Budapest was the chosen destination.

 

Budapest is touted as possibly the most beautiful city in Europe and we had a stream of people tell us that it was fantastic. It is. I was looking forward to getting there, no agenda other than walking, photographing the sights and trying to get off the beaten track. We certainly walked – over 70 miles – I photographed it ( I’m a bit embarrassed to say how many shots but it was a lot ) but I’m not sure we got off the beaten track as much as I wanted to.

 

We flew over Eastern England (and home actually – a first for us) and out over Europe. It was a late afternoon flight on a stunning day, one of the more interesting flights I’ve had. I was glued to the window watching the world go by, wondering about all of lives being played out beneath us. It was dark when we arrived. We were staying on the Buda or Castle Hill side of the city. What we didn’t know was, we were staying in one of the most prominent hotels in the city, sat on the hilltop overlooking Budapest. The Hilton sits on an historic sight and features in every photo taken of the Castle District from Pest. We had time to get out before bedtime and photograph the Matthias Church next door – floodlit – like all of the major buildings in Budapest.

 

Unfortunately after leaving the best weather of the year in the UK, Budapest was forecast to be a bit dull and cool – not what we wanted. There was occasional sun over the first two days but it was generally grey. Now I have to admit, I let the dullness get me down, I took photos because I wasn’t sure how the week would unfold but I was fairly sure that I was wasting my time. The photos would be disappointing and if it was sunny later we would have to revisit all of the famous landmarks again to get something that I was happy with. This is essentially what happened. The next four days were gorgeous and we did revisit, more than once all of the places that we walked to in the first two days. This meant that we didn’t have the time to go “off piste” or venture further afield as much later in the week.

 

The sun was rising before seven and we were staying in the best location for watching it rise. By day three I was getting up at 6.00 (5.00 our time) and getting out there with my gear. By day four I was using filters and tripod, not something I usually bother with despite always having this gear with me, and dragging it miles in my backpack. One morning I was joined by a large and noisy party of Japanese photographers, they appeared to have a model with them who danced around the walls of the Fisherman’s Bastion being photographed. Once the orange circle started to appear above the city they started clicking at the horizon like machine guns. We all got on well though and said goodbye as we headed off for breakfast – still only 7.15am.

 

By 8.00am everyday we were out on foot wandering along the top of Castle Hill wondering where to go that day. We tend to discover the sights as we walk on a city break, frequently discovering things as we head for a distant park or building and research it afterwards with a glass of wine. It works for us. We walked out to Heroes’ Square and beyond, returning by less well known streets. We walked along the Danube to Rákóczi Bridge a couple of times then back into Pest using a different route. Having been under the thumb of Russia for so long and considering its turbulent past there are lots of large Russian style monuments, tributes to great struggles, or the working man – very socialist and very much like Prague in a lot of respects. The Railway stations were also very similar to Prague, you could walk across the tracks and no one bothered. In the main station, now famed for the migrant crisis a few weeks previously, there was a mixture of very new and very old rolling stock from the surrounding countries, all very interesting. Considering that this station is the first thing some visitors to the city will see it is an appalling state. One side of the exterior is shored up and fenced off. This contrasts with the expensive renovation work that has been well executed in the city centre. It really is like stepping into the past when you enter the station building. It all seems to work efficiently though, unlike the UK.

 

Transport in Budapest is fascinating. Trams everywhere, trolley buses, ancient and new, bendybuses, again, very old and very new, the underground metro, yellow taxis in enormous numbers and of course the river and boats. This never ending eclectic mix seems to operate like clockwork with people moved around in vast numbers seamlessly. The trams looked packed at any time of day. Anyone dealing with tourists seemed to speak very good English, which is just as well as we didn’t have any grasp of Hungarian. Cost wise it was a very economical week for us in a capital city.

 

Once the weather (or light, to be precise) improved, I cheered up and really enjoyed Budapest. A common comment after visiting is that , although you’ve “done Budapest” you wouldn’t hesitate to go back, which isn’t always the case after a city visit. As ever, I now have a lot of work to do to produce a competent album of work. I think I will end up discarding a lot of the early days material – but then again, I’m not renowned for my discarding skills.

 

Thank you for looking.

  

Warangal Fort, in the present-day Indian state of Telangana, appears to have existed since at least the 13th century CE. Although precise dating of its construction and subsequent enhancements are uncertain, historians and archaeologists generally accept that an earlier brick-walled structure was replaced with stone by Ganapatideva, who died in 1262, and that his successors – Rudramadevi and Prataparudra II – added to its height and added gateways, square bastions and additional circular earthern walls prior to the latter's death in 1323. This places the construction towards the end of the Kakatiya period. There were later modifications between the 15th and 17th centuries, comprising principally the addition of barbicans to the four gates in the stone wall and the creation of gates in the outer earthern wall.

 

Remnants of the structure can be seen today near to the town of Warangal, which was the Kakatiya capital. The Archaeological Survey of India has listed the remains as a Monument of National Importance.

_____________________________

 

The 12th and the 13th centuries saw the emergence of the Kakatiyas. They were at first the feudatories of the Western Chalukyas of Kalyana, ruling over a small territory near Warangal. A ruler of this dynasty, Prola II, who ruled from A.D.1110 to 1158, extended his sway to the south and declared his independence. His successor Rudra (A.D.1158--1195) pushed the kingdom to the north up to the Godavari delta. He built a fort at Warangal to serve as a second capital and faced the invasions of the Yadavas of Devagiri. The next ruler Mahadeva extended the kingdom to the coastal area. In A.D.1199, Ganapati succeeded him. He was the greatest of the Kakatiyas and the first after the Satavahanas to bring the entire Telugu area under one rule. He put an end to the rule of the Velanati Cholas in A.D.1210. He forced the Telugu Cholas of Vikramasimhapura to accept his suzerainty. He established order in his vast dominion and encouraged trade.

 

As Ganapati Deva had no sons, his daughter Rudramba succeeded him in A.D.1262 and carried on the administration. Some generals, who did not like to be ruled by her, rebelled. She could, however, suppress the internal rebellions and external invasions with the help of loyal subordinates. The Cholas and the Yadavas suffered such set backs at her hands that they did not think of troubling her for the rest of her rule.

 

Prataparudra succeeded his grandmother Rudramba in A.D.1295 and ruled till A.D.1323. He pushed the western border of his kingdom up to Raichur. He introduced many administrative reforms. He divided the kingdom into 75 Nayakships, which was later adopted and developed by the Rayas of Vijayanagara. In his time the territory constituting Andhra Pradesh had the first experience of a Muslim invasion. In A.D.1303, the Delhi Sultan Ala-ud-din Khilji sent an army to plunder the kingdom. But Prataparudra defeated them at Upparapalli in Karimnagar district. In A.D. 1310, when another army under Malik Kafur invaded Warangal, Prataparudra yielded and agreed to pay a large tribute. In A.D.1318, when Ala-ud-din Khilji died, Prataparudra withheld the tribute. It provoked another invasion of the Muslims. In A.D.1321, Ghiaz-ud-din Tughlaq sent a large army under Ulugh Khan to conquer the Telugu country then called Tilling. He laid siege to Warangal, but owing to internal dissensions he called off the siege and returned to Delhi. Within a short period, he came back with a much bigger army. In spite of unpreparedness, Prataparudra fought bravely. For want of supplies, he surrendered to the enemy who sent him to Delhi as a prisoner, and he died on the way. Thus ended the Kakatiya rule, opening the gates of the Telugu land to anarchy and confusion yielding place to an alien ruler.

 

The Kakatiya period was rightly called the brightest period of the Telugu history. The entire Telugu speaking area was under the kings who spoke Telugu and encouraged Telugu. They established order throughout the strife torn land and the forts built by them played a dominant role in the defence of the realm. Anumakonda and Gandikota among the `giridurgas', Kandur and Narayanavanam among the `vanadurgas', Divi and Kolanu among the `jaladurgas', and Warangal and Dharanikota among the `sthaladurgas' were reckoned as the most famous strongholds in the Kakatiya period. The administration of the kingdom was organized with accent on the military.

 

Though Saivism continued to be the religion of the masses, intellectuals favoured revival of Vedic rituals. They sought to reconcile the Vaishnavites and the Saivites through the worship of Harihara. Arts and literature found patrons in the Kakatiyas and their feudatories.

 

WIKIPEDIA & WIKIMAPIA

 

Warangal Fort, in the present-day Indian state of Telangana, appears to have existed since at least the 13th century CE. Although precise dating of its construction and subsequent enhancements are uncertain, historians and archaeologists generally accept that an earlier brick-walled structure was replaced with stone by Ganapatideva, who died in 1262, and that his successors – Rudramadevi and Prataparudra II – added to its height and added gateways, square bastions and additional circular earthern walls prior to the latter's death in 1323. This places the construction towards the end of the Kakatiya period. There were later modifications between the 15th and 17th centuries, comprising principally the addition of barbicans to the four gates in the stone wall and the creation of gates in the outer earthern wall.

 

Remnants of the structure can be seen today near to the town of Warangal, which was the Kakatiya capital. The Archaeological Survey of India has listed the remains as a Monument of National Importance.

_____________________________

 

The 12th and the 13th centuries saw the emergence of the Kakatiyas. They were at first the feudatories of the Western Chalukyas of Kalyana, ruling over a small territory near Warangal. A ruler of this dynasty, Prola II, who ruled from A.D.1110 to 1158, extended his sway to the south and declared his independence. His successor Rudra (A.D.1158--1195) pushed the kingdom to the north up to the Godavari delta. He built a fort at Warangal to serve as a second capital and faced the invasions of the Yadavas of Devagiri. The next ruler Mahadeva extended the kingdom to the coastal area. In A.D.1199, Ganapati succeeded him. He was the greatest of the Kakatiyas and the first after the Satavahanas to bring the entire Telugu area under one rule. He put an end to the rule of the Velanati Cholas in A.D.1210. He forced the Telugu Cholas of Vikramasimhapura to accept his suzerainty. He established order in his vast dominion and encouraged trade.

 

As Ganapati Deva had no sons, his daughter Rudramba succeeded him in A.D.1262 and carried on the administration. Some generals, who did not like to be ruled by her, rebelled. She could, however, suppress the internal rebellions and external invasions with the help of loyal subordinates. The Cholas and the Yadavas suffered such set backs at her hands that they did not think of troubling her for the rest of her rule.

 

Prataparudra succeeded his grandmother Rudramba in A.D.1295 and ruled till A.D.1323. He pushed the western border of his kingdom up to Raichur. He introduced many administrative reforms. He divided the kingdom into 75 Nayakships, which was later adopted and developed by the Rayas of Vijayanagara. In his time the territory constituting Andhra Pradesh had the first experience of a Muslim invasion. In A.D.1303, the Delhi Sultan Ala-ud-din Khilji sent an army to plunder the kingdom. But Prataparudra defeated them at Upparapalli in Karimnagar district. In A.D. 1310, when another army under Malik Kafur invaded Warangal, Prataparudra yielded and agreed to pay a large tribute. In A.D.1318, when Ala-ud-din Khilji died, Prataparudra withheld the tribute. It provoked another invasion of the Muslims. In A.D.1321, Ghiaz-ud-din Tughlaq sent a large army under Ulugh Khan to conquer the Telugu country then called Tilling. He laid siege to Warangal, but owing to internal dissensions he called off the siege and returned to Delhi. Within a short period, he came back with a much bigger army. In spite of unpreparedness, Prataparudra fought bravely. For want of supplies, he surrendered to the enemy who sent him to Delhi as a prisoner, and he died on the way. Thus ended the Kakatiya rule, opening the gates of the Telugu land to anarchy and confusion yielding place to an alien ruler.

 

The Kakatiya period was rightly called the brightest period of the Telugu history. The entire Telugu speaking area was under the kings who spoke Telugu and encouraged Telugu. They established order throughout the strife torn land and the forts built by them played a dominant role in the defence of the realm. Anumakonda and Gandikota among the `giridurgas', Kandur and Narayanavanam among the `vanadurgas', Divi and Kolanu among the `jaladurgas', and Warangal and Dharanikota among the `sthaladurgas' were reckoned as the most famous strongholds in the Kakatiya period. The administration of the kingdom was organized with accent on the military.

 

Though Saivism continued to be the religion of the masses, intellectuals favoured revival of Vedic rituals. They sought to reconcile the Vaishnavites and the Saivites through the worship of Harihara. Arts and literature found patrons in the Kakatiyas and their feudatories.

 

WIKIPEDIA & WIKIMAPIA

Warangal Fort, in the present-day Indian state of Telangana, appears to have existed since at least the 13th century CE. Although precise dating of its construction and subsequent enhancements are uncertain, historians and archaeologists generally accept that an earlier brick-walled structure was replaced with stone by Ganapatideva, who died in 1262, and that his successors – Rudramadevi and Prataparudra II – added to its height and added gateways, square bastions and additional circular earthern walls prior to the latter's death in 1323. This places the construction towards the end of the Kakatiya period. There were later modifications between the 15th and 17th centuries, comprising principally the addition of barbicans to the four gates in the stone wall and the creation of gates in the outer earthern wall.

 

Remnants of the structure can be seen today near to the town of Warangal, which was the Kakatiya capital. The Archaeological Survey of India has listed the remains as a Monument of National Importance.

_____________________________

 

The 12th and the 13th centuries saw the emergence of the Kakatiyas. They were at first the feudatories of the Western Chalukyas of Kalyana, ruling over a small territory near Warangal. A ruler of this dynasty, Prola II, who ruled from A.D.1110 to 1158, extended his sway to the south and declared his independence. His successor Rudra (A.D.1158--1195) pushed the kingdom to the north up to the Godavari delta. He built a fort at Warangal to serve as a second capital and faced the invasions of the Yadavas of Devagiri. The next ruler Mahadeva extended the kingdom to the coastal area. In A.D.1199, Ganapati succeeded him. He was the greatest of the Kakatiyas and the first after the Satavahanas to bring the entire Telugu area under one rule. He put an end to the rule of the Velanati Cholas in A.D.1210. He forced the Telugu Cholas of Vikramasimhapura to accept his suzerainty. He established order in his vast dominion and encouraged trade.

 

As Ganapati Deva had no sons, his daughter Rudramba succeeded him in A.D.1262 and carried on the administration. Some generals, who did not like to be ruled by her, rebelled. She could, however, suppress the internal rebellions and external invasions with the help of loyal subordinates. The Cholas and the Yadavas suffered such set backs at her hands that they did not think of troubling her for the rest of her rule.

 

Prataparudra succeeded his grandmother Rudramba in A.D.1295 and ruled till A.D.1323. He pushed the western border of his kingdom up to Raichur. He introduced many administrative reforms. He divided the kingdom into 75 Nayakships, which was later adopted and developed by the Rayas of Vijayanagara. In his time the territory constituting Andhra Pradesh had the first experience of a Muslim invasion. In A.D.1303, the Delhi Sultan Ala-ud-din Khilji sent an army to plunder the kingdom. But Prataparudra defeated them at Upparapalli in Karimnagar district. In A.D. 1310, when another army under Malik Kafur invaded Warangal, Prataparudra yielded and agreed to pay a large tribute. In A.D.1318, when Ala-ud-din Khilji died, Prataparudra withheld the tribute. It provoked another invasion of the Muslims. In A.D.1321, Ghiaz-ud-din Tughlaq sent a large army under Ulugh Khan to conquer the Telugu country then called Tilling. He laid siege to Warangal, but owing to internal dissensions he called off the siege and returned to Delhi. Within a short period, he came back with a much bigger army. In spite of unpreparedness, Prataparudra fought bravely. For want of supplies, he surrendered to the enemy who sent him to Delhi as a prisoner, and he died on the way. Thus ended the Kakatiya rule, opening the gates of the Telugu land to anarchy and confusion yielding place to an alien ruler.

 

The Kakatiya period was rightly called the brightest period of the Telugu history. The entire Telugu speaking area was under the kings who spoke Telugu and encouraged Telugu. They established order throughout the strife torn land and the forts built by them played a dominant role in the defence of the realm. Anumakonda and Gandikota among the `giridurgas', Kandur and Narayanavanam among the `vanadurgas', Divi and Kolanu among the `jaladurgas', and Warangal and Dharanikota among the `sthaladurgas' were reckoned as the most famous strongholds in the Kakatiya period. The administration of the kingdom was organized with accent on the military.

 

Though Saivism continued to be the religion of the masses, intellectuals favoured revival of Vedic rituals. They sought to reconcile the Vaishnavites and the Saivites through the worship of Harihara. Arts and literature found patrons in the Kakatiyas and their feudatories.

 

WIKIPEDIA & WIKIMAPIA

Kilmallie Parish / Banavie War Memorial

 

More precise NGR NN 10875 76986

-

Many local war memorials have been recently cleaned so came to see if this one had been cleaned but does not seem to have had any work done on it

---

TO THE GLORIOUS MEMORY

OF THESE LOCHABER MEN WHO DIED

FOR KING AND COUNTRY IN THE GREAT WAR

1914- 1916

-

MJR. E.S. GOOCH, TORCASTLE, BERKS YEOMANRY

TPR. A. MACDOUGALL, CORPACH, SCOTTISH HORSE

Q.M.S. J. CAMERON, MUIRSHEARLICH, LOVAT SCOUTS

TPR. J. MACSALMAN, BANAVUIE, LOVAT SCOUTS

TPR. A. CAMERON, GLENLOY, LOVAT SCOUTS

TPR. A. CAMERON, GUISACHAN, LOVAT SCOUTS

GUNR. D. MACDOUGALL, CORPACH, ARG.MTN.BTY.

PTE. D. CAMERON, CAOL, ROYAL SCOTS.

PTE. A. DONALDSON, MOUNT, K.O.S.B.

PTE. J. ROY DALZIEL, GUISACHAN, SCOTTISH RFLS.

PTE. A. GILLIES, LOCHY-SIDE, SCOTTISH RFLS.

L/CPL. A. CAMERON, BRAINCHAMUS, BLACK WATCH

L/CPL. J. GILMOUR, BLAICH, BLACK WATCH

SERGT. D. CAMPBELL, GLENPEAN, SEAFORTH HDRS.

L/CPL. J. GRAY, BANAVIE, SEAFORTH HDRS.

L/CPL. E. CAMPBELL, GLENPEAN, GORDON HDRS.

PTE. A. MACPHERSON, MUIRSHEARLICH, GORDON HDRS.

CAPT. A. CAMERON. OF LOCHIEL, CAMERON HDRS.

LIEUT. ARCHD. CAMERON. OF LOCHIEL, CAMERON HDRS.

PTE. P.A. SHAND, ACHNACARRY, CAMERON HDRS.

PTE. J. MACDONALD, ACHNACARRY, CAMERON HDRS.

PTE. H. MACCULLOCH, ACHNACARRY, CAMERON HDRS.

PTE. R. BAKER, ACHNACARRY, CAMERON HDRS.

PTE. P. MACDONALD, PUTACHAN, CAMERON HDRS.

PTE. J. MACLENNAN, GLEN-KINGIE, CAMERON HDRS.

PTE. B. SUTHERLAND, GLEN-KINGIE, CAMERON HDRS.

PTE. D. CAMPBELL, GAIRLOCHY,, CAMERON HDRS.

PTE. A. MACMASTER, MUIRSHEARLICH, CAMERON HDRS.

PTE. R.R.S. CRAWFORD, MANSE, CAMERON HDRS.

PTE. A. MACKENZIE, CORPACH, CAMERON HDRS.

PTE. D. MACMILLAN, CORPACH, CAMERON HDRS.

PTE. A. MACINTYRE, TRISLAIG, CAMERON HDRS.

PTE. J. CAMPBELL, BADABRIE, CAMERON HDRS.

PTE. A. MACLAREN, ARDECHIVE, CAMERON HDRS.

PTE. A. CAMERON, ACHAPHUBLE, CAMERON HDRS.

PTE. A. CAMERON, GLENMAILLIE, CAMERON HDRS.

PTE. J. MACLAREN, GLENFINNAN, CAMERON HDRS.

L/CPL. N. MARTIN, BANAVIE, ARG. & SUTHD. HDRS.

PTE. A.C. CAMERON, GLENMAILLIE, M.C.G.

PTE. M. COLQUHOUN, CORPACH, R.A.M.C.

PTE. J. CAMPBELL, GLENPEAN, R.A.M.C.

PTE. J. MACMASTER, FASSFERN, CANADIAN SFTHS.

D. GILLIES, LOCHY=SIDE, TRANSPORT

-

"BITHIDH AN CLIU BUAN"

--

1939 - 1945

A.B. T. ALEXANDER, TOMONIE, R.N.

A.B. J. MACDONALD, CORPACH, R.N.

A.B. D. ROBERTSON, CORPACH, R.N.

SGT. A. MACINTOSH, CORPACH, R.A.F.

PTE. D. MACDOUGALL, CORPACH, R.A.S.C.

PTE. K. MACDONALD, ACHNACARRY, CAM. HRS.

PTE. P. WILSON, TOMONIE, CAM. HRS.

---

ID:MHG52984

Type of record:Monument

Name:Banavie War Memorial, Fort William

Grid Reference:NN 10871 76995

Map Sheet:NN17NW

Civil Parish:KILMALLIE

Geographical Area:LOCHABER

-

Site Type WAR MEMORIAL (20TH CENTURY)

Canmore ID 318842

Site Number NN17NW 63

NGR NN 10871 76994

Council HIGHLAND

Parish KILMALLIE

Former Region HIGHLAND

Former District LOCHABER

Former County INVERNESS-SHIRE

Warangal Fort, in the present-day Indian state of Telangana, appears to have existed since at least the 13th century CE. Although precise dating of its construction and subsequent enhancements are uncertain, historians and archaeologists generally accept that an earlier brick-walled structure was replaced with stone by Ganapatideva, who died in 1262, and that his successors – Rudramadevi and Prataparudra II – added to its height and added gateways, square bastions and additional circular earthern walls prior to the latter's death in 1323. This places the construction towards the end of the Kakatiya period. There were later modifications between the 15th and 17th centuries, comprising principally the addition of barbicans to the four gates in the stone wall and the creation of gates in the outer earthern wall.

 

Remnants of the structure can be seen today near to the town of Warangal, which was the Kakatiya capital. The Archaeological Survey of India has listed the remains as a Monument of National Importance.

_____________________________

 

The 12th and the 13th centuries saw the emergence of the Kakatiyas. They were at first the feudatories of the Western Chalukyas of Kalyana, ruling over a small territory near Warangal. A ruler of this dynasty, Prola II, who ruled from A.D.1110 to 1158, extended his sway to the south and declared his independence. His successor Rudra (A.D.1158--1195) pushed the kingdom to the north up to the Godavari delta. He built a fort at Warangal to serve as a second capital and faced the invasions of the Yadavas of Devagiri. The next ruler Mahadeva extended the kingdom to the coastal area. In A.D.1199, Ganapati succeeded him. He was the greatest of the Kakatiyas and the first after the Satavahanas to bring the entire Telugu area under one rule. He put an end to the rule of the Velanati Cholas in A.D.1210. He forced the Telugu Cholas of Vikramasimhapura to accept his suzerainty. He established order in his vast dominion and encouraged trade.

 

As Ganapati Deva had no sons, his daughter Rudramba succeeded him in A.D.1262 and carried on the administration. Some generals, who did not like to be ruled by her, rebelled. She could, however, suppress the internal rebellions and external invasions with the help of loyal subordinates. The Cholas and the Yadavas suffered such set backs at her hands that they did not think of troubling her for the rest of her rule.

 

Prataparudra succeeded his grandmother Rudramba in A.D.1295 and ruled till A.D.1323. He pushed the western border of his kingdom up to Raichur. He introduced many administrative reforms. He divided the kingdom into 75 Nayakships, which was later adopted and developed by the Rayas of Vijayanagara. In his time the territory constituting Andhra Pradesh had the first experience of a Muslim invasion. In A.D.1303, the Delhi Sultan Ala-ud-din Khilji sent an army to plunder the kingdom. But Prataparudra defeated them at Upparapalli in Karimnagar district. In A.D. 1310, when another army under Malik Kafur invaded Warangal, Prataparudra yielded and agreed to pay a large tribute. In A.D.1318, when Ala-ud-din Khilji died, Prataparudra withheld the tribute. It provoked another invasion of the Muslims. In A.D.1321, Ghiaz-ud-din Tughlaq sent a large army under Ulugh Khan to conquer the Telugu country then called Tilling. He laid siege to Warangal, but owing to internal dissensions he called off the siege and returned to Delhi. Within a short period, he came back with a much bigger army. In spite of unpreparedness, Prataparudra fought bravely. For want of supplies, he surrendered to the enemy who sent him to Delhi as a prisoner, and he died on the way. Thus ended the Kakatiya rule, opening the gates of the Telugu land to anarchy and confusion yielding place to an alien ruler.

 

The Kakatiya period was rightly called the brightest period of the Telugu history. The entire Telugu speaking area was under the kings who spoke Telugu and encouraged Telugu. They established order throughout the strife torn land and the forts built by them played a dominant role in the defence of the realm. Anumakonda and Gandikota among the `giridurgas', Kandur and Narayanavanam among the `vanadurgas', Divi and Kolanu among the `jaladurgas', and Warangal and Dharanikota among the `sthaladurgas' were reckoned as the most famous strongholds in the Kakatiya period. The administration of the kingdom was organized with accent on the military.

 

Though Saivism continued to be the religion of the masses, intellectuals favoured revival of Vedic rituals. They sought to reconcile the Vaishnavites and the Saivites through the worship of Harihara. Arts and literature found patrons in the Kakatiyas and their feudatories.

 

WIKIPEDIA & WIKIMAPIA

 

I was introduced to Jeremy by a friend in a bar - hence the wine glass in the foreground and the lack of clarity of the picture....that and the fact that he was moving. I decided to post anyway as I think it captures his personality.

 

Not shy, but not the sort of person who likes to be the centre of attention I think. He comes to life when he is making a point, talking about something that interests him and I think this picture shows that. I asked him what his fondest childhood memory was he told me that when he was 4 he was scared of dogs and his parents bought one as a form of aversion therapy. He had a sister, but no one to "rough house" with and his Dog, which he came to love, became his substitute brother, the person he'd roll around and generally spar with. Also, cured him of his fear of dogs so win, win!

 

(No 16) 100 Strangers Projects now has a group page, check it out here: www.flickr.com/groups/100_strangers_project/

Watching the gracefully beautiful Snowy Egrets never tires . . . And especially during their hunt for fish. The movements are so precise while surveying the activity just below the water surface.

Mill Creek Marsh, with its vast array of wildlife, never ceases to amaze visitors of nature’s wonders, right here in the great metropolis. Seasonal changes always keep things interesting and fresh, with the wide range of migratory birds, furry critters, reptiles, insects, and plants appearing at different times of the year. What makes the central landscape so unique is the fact that it was once a thriving white cedar forest centuries ago, only to be altered by man, but leaving the resilient stumps, hauntingly protruding from the marsh waters, while dramatically altering the scenery depending on the tide level and weather conditions. It is one of the most fascinating landscapes for photographers and nature enthusiasts. The main circuit trail is slightly over a mile in length, and the view of the aforementioned is always present. Golden hour—early in the morning or later in the day—is simply magnificent here, and the views toward any direction are unlike anything else. In addition, the New York City skyscrapers to the east can also be quite rewarding, with varying moods at any given time. Check out some of the SETS related to the Meadowlands, including Mill Creek Marsh, Richard DeKorte Park, and Laurel Hill Park.

 

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3301. The location and precise time of this photo - held at the Queensland Air Museum, Caloundra - is not known. Just a reminder, however, that it was the chance discovery of a single, very special 1956 RAN flightdeck scene at the QAM that caused us to be in touch with the long-time vice-president Ron Cuskelly, and seek some permissions.

 

That photo was a rare colour 1956 scene of HMAS MELBOURNE [II] and HMAS SYDNEY [III] at sea operating together, as their crews relaxed at make and mend on the flight deck. It was pic NO. 3184, which can be seen again here:

 

www.flickr.com/photos/41311545@N05/5103555091/

 

This photo: Collection of Roger Hinnrichsen, it was donated to QAM by Ben Patynowski, author of the Fairey Gannets book 'Submarine Hunter,' and appears here with the QAM's consent, pending any contact from the original owner who could not be reached.

 

A COMPENDIUM of links to some 350 images of HMAS MELBOURNE [II] on this Photostream begins at Pic 5444 and extends over seven entries. It starts here:

 

www.flickr.com/photos/41311545@N05/6707592179/in/photostream

    

Warangal Fort, in the present-day Indian state of Telangana, appears to have existed since at least the 13th century CE. Although precise dating of its construction and subsequent enhancements are uncertain, historians and archaeologists generally accept that an earlier brick-walled structure was replaced with stone by Ganapatideva, who died in 1262, and that his successors – Rudramadevi and Prataparudra II – added to its height and added gateways, square bastions and additional circular earthern walls prior to the latter's death in 1323. This places the construction towards the end of the Kakatiya period. There were later modifications between the 15th and 17th centuries, comprising principally the addition of barbicans to the four gates in the stone wall and the creation of gates in the outer earthern wall.

 

Remnants of the structure can be seen today near to the town of Warangal, which was the Kakatiya capital. The Archaeological Survey of India has listed the remains as a Monument of National Importance.

_____________________________

 

The 12th and the 13th centuries saw the emergence of the Kakatiyas. They were at first the feudatories of the Western Chalukyas of Kalyana, ruling over a small territory near Warangal. A ruler of this dynasty, Prola II, who ruled from A.D.1110 to 1158, extended his sway to the south and declared his independence. His successor Rudra (A.D.1158--1195) pushed the kingdom to the north up to the Godavari delta. He built a fort at Warangal to serve as a second capital and faced the invasions of the Yadavas of Devagiri. The next ruler Mahadeva extended the kingdom to the coastal area. In A.D.1199, Ganapati succeeded him. He was the greatest of the Kakatiyas and the first after the Satavahanas to bring the entire Telugu area under one rule. He put an end to the rule of the Velanati Cholas in A.D.1210. He forced the Telugu Cholas of Vikramasimhapura to accept his suzerainty. He established order in his vast dominion and encouraged trade.

 

As Ganapati Deva had no sons, his daughter Rudramba succeeded him in A.D.1262 and carried on the administration. Some generals, who did not like to be ruled by her, rebelled. She could, however, suppress the internal rebellions and external invasions with the help of loyal subordinates. The Cholas and the Yadavas suffered such set backs at her hands that they did not think of troubling her for the rest of her rule.

 

Prataparudra succeeded his grandmother Rudramba in A.D.1295 and ruled till A.D.1323. He pushed the western border of his kingdom up to Raichur. He introduced many administrative reforms. He divided the kingdom into 75 Nayakships, which was later adopted and developed by the Rayas of Vijayanagara. In his time the territory constituting Andhra Pradesh had the first experience of a Muslim invasion. In A.D.1303, the Delhi Sultan Ala-ud-din Khilji sent an army to plunder the kingdom. But Prataparudra defeated them at Upparapalli in Karimnagar district. In A.D. 1310, when another army under Malik Kafur invaded Warangal, Prataparudra yielded and agreed to pay a large tribute. In A.D.1318, when Ala-ud-din Khilji died, Prataparudra withheld the tribute. It provoked another invasion of the Muslims. In A.D.1321, Ghiaz-ud-din Tughlaq sent a large army under Ulugh Khan to conquer the Telugu country then called Tilling. He laid siege to Warangal, but owing to internal dissensions he called off the siege and returned to Delhi. Within a short period, he came back with a much bigger army. In spite of unpreparedness, Prataparudra fought bravely. For want of supplies, he surrendered to the enemy who sent him to Delhi as a prisoner, and he died on the way. Thus ended the Kakatiya rule, opening the gates of the Telugu land to anarchy and confusion yielding place to an alien ruler.

 

The Kakatiya period was rightly called the brightest period of the Telugu history. The entire Telugu speaking area was under the kings who spoke Telugu and encouraged Telugu. They established order throughout the strife torn land and the forts built by them played a dominant role in the defence of the realm. Anumakonda and Gandikota among the `giridurgas', Kandur and Narayanavanam among the `vanadurgas', Divi and Kolanu among the `jaladurgas', and Warangal and Dharanikota among the `sthaladurgas' were reckoned as the most famous strongholds in the Kakatiya period. The administration of the kingdom was organized with accent on the military.

 

Though Saivism continued to be the religion of the masses, intellectuals favoured revival of Vedic rituals. They sought to reconcile the Vaishnavites and the Saivites through the worship of Harihara. Arts and literature found patrons in the Kakatiyas and their feudatories.

 

WIKIPEDIA & WIKIMAPIA

 

I find that I shoot better in company, photographic company to be precise. When shooting alone, I feel kinda lost. With at least another photographer alongside, I feel I work more creatively. I donot prefer to shoot with a crowd though.

On a recent visit with my family to Tajpur, a serene beach with an unspoiled beauty of nature, around 170 kms from Kolkata (West Bengal, India), I faced that photographer’s block. My family members were not interested traipsing the whole length on the beach, to look for interesting compositions, they were happy to be in the water and generally enjoy themselves around where they first got into the water. So I walked the whole length of the beach, and just couldn’t conceptualise a composition that would generally do justice to the expansive beauty of the beach. Tajpur being a secluded sun kissed wide beach, with silver waves, red crabs, and casuarina forests adorning the shore, I wished I could picture a frame that would convey a bit of that, but no ideas came to head. That’s when I felt that had there been a photographic partner, maybe we could have exchanged thoughts and figure out something. As I walked on, the sun shining, I realised that the sun has to be a part of the frame (and for that I had to choose a composition quickly) for it usually disappears into the haze by the evening, and then luckily I came across a fisherman’s boat left on the beach and I could conceptualise something. The boat, the expanse of the beach, the casuarina trees, the sun….only if there was a red crab around, though crab holes were plenty…and I had my frame. A small moment of inspiration brought in by the sun shining down, and that’s why I captioned this….Always the Sun.

 

Precise cropping also helps to shape perceptions of crowd sizes.

From the museum label:

 

"Through color, I have sought to concentrate on beauty and happiness, rather than on man's inhumanity to man." -Alma Thomas

 

Forsythia and Pussy Willows Begin Spring provides an iconic example of Alma Thomas's widely acclaimed painting style of the 1960s and 1970s. An avid gardener, Thomas frequently painted the flowers from her colorful backyard. Here, she included the bright yellow forsythia blossoms and pussy willow catkins that serve as early signs of spring. Although abstracted, Thomas's work evokes the beauty of nature through her precise dabs of vibrant color placed in a successive vertical grid.

A precise shifter on the MAZDASPEED3 lets you grab the next gear with minimal movement

  

JML03154

 

Récolté à Québec (banlieue nord/est) par J. Labrecque

Date de récolte: 2014-07-18

Habitat: forêt mixte (peuplier, sapin, hêtre, bouleau, érable, mélèze), sur grosse bille moussue de hêtre

Odeur faible, difficile à préciser

Saveur légèrement astringente, indistincte

Chapeau jusqu'à 3 cm de diam.

Sporée crème

 

Warangal Fort, in the present-day Indian state of Telangana, appears to have existed since at least the 13th century CE. Although precise dating of its construction and subsequent enhancements are uncertain, historians and archaeologists generally accept that an earlier brick-walled structure was replaced with stone by Ganapatideva, who died in 1262, and that his successors – Rudramadevi and Prataparudra II – added to its height and added gateways, square bastions and additional circular earthern walls prior to the latter's death in 1323. This places the construction towards the end of the Kakatiya period. There were later modifications between the 15th and 17th centuries, comprising principally the addition of barbicans to the four gates in the stone wall and the creation of gates in the outer earthern wall.

 

Remnants of the structure can be seen today near to the town of Warangal, which was the Kakatiya capital. The Archaeological Survey of India has listed the remains as a Monument of National Importance.

_____________________________

 

The 12th and the 13th centuries saw the emergence of the Kakatiyas. They were at first the feudatories of the Western Chalukyas of Kalyana, ruling over a small territory near Warangal. A ruler of this dynasty, Prola II, who ruled from A.D.1110 to 1158, extended his sway to the south and declared his independence. His successor Rudra (A.D.1158--1195) pushed the kingdom to the north up to the Godavari delta. He built a fort at Warangal to serve as a second capital and faced the invasions of the Yadavas of Devagiri. The next ruler Mahadeva extended the kingdom to the coastal area. In A.D.1199, Ganapati succeeded him. He was the greatest of the Kakatiyas and the first after the Satavahanas to bring the entire Telugu area under one rule. He put an end to the rule of the Velanati Cholas in A.D.1210. He forced the Telugu Cholas of Vikramasimhapura to accept his suzerainty. He established order in his vast dominion and encouraged trade.

 

As Ganapati Deva had no sons, his daughter Rudramba succeeded him in A.D.1262 and carried on the administration. Some generals, who did not like to be ruled by her, rebelled. She could, however, suppress the internal rebellions and external invasions with the help of loyal subordinates. The Cholas and the Yadavas suffered such set backs at her hands that they did not think of troubling her for the rest of her rule.

 

Prataparudra succeeded his grandmother Rudramba in A.D.1295 and ruled till A.D.1323. He pushed the western border of his kingdom up to Raichur. He introduced many administrative reforms. He divided the kingdom into 75 Nayakships, which was later adopted and developed by the Rayas of Vijayanagara. In his time the territory constituting Andhra Pradesh had the first experience of a Muslim invasion. In A.D.1303, the Delhi Sultan Ala-ud-din Khilji sent an army to plunder the kingdom. But Prataparudra defeated them at Upparapalli in Karimnagar district. In A.D. 1310, when another army under Malik Kafur invaded Warangal, Prataparudra yielded and agreed to pay a large tribute. In A.D.1318, when Ala-ud-din Khilji died, Prataparudra withheld the tribute. It provoked another invasion of the Muslims. In A.D.1321, Ghiaz-ud-din Tughlaq sent a large army under Ulugh Khan to conquer the Telugu country then called Tilling. He laid siege to Warangal, but owing to internal dissensions he called off the siege and returned to Delhi. Within a short period, he came back with a much bigger army. In spite of unpreparedness, Prataparudra fought bravely. For want of supplies, he surrendered to the enemy who sent him to Delhi as a prisoner, and he died on the way. Thus ended the Kakatiya rule, opening the gates of the Telugu land to anarchy and confusion yielding place to an alien ruler.

 

The Kakatiya period was rightly called the brightest period of the Telugu history. The entire Telugu speaking area was under the kings who spoke Telugu and encouraged Telugu. They established order throughout the strife torn land and the forts built by them played a dominant role in the defence of the realm. Anumakonda and Gandikota among the `giridurgas', Kandur and Narayanavanam among the `vanadurgas', Divi and Kolanu among the `jaladurgas', and Warangal and Dharanikota among the `sthaladurgas' were reckoned as the most famous strongholds in the Kakatiya period. The administration of the kingdom was organized with accent on the military.

 

Though Saivism continued to be the religion of the masses, intellectuals favoured revival of Vedic rituals. They sought to reconcile the Vaishnavites and the Saivites through the worship of Harihara. Arts and literature found patrons in the Kakatiyas and their feudatories.

 

WIKIPEDIA & WIKIMAPIA

Warangal Fort, in the present-day Indian state of Telangana, appears to have existed since at least the 13th century CE. Although precise dating of its construction and subsequent enhancements are uncertain, historians and archaeologists generally accept that an earlier brick-walled structure was replaced with stone by Ganapatideva, who died in 1262, and that his successors – Rudramadevi and Prataparudra II – added to its height and added gateways, square bastions and additional circular earthern walls prior to the latter's death in 1323. This places the construction towards the end of the Kakatiya period. There were later modifications between the 15th and 17th centuries, comprising principally the addition of barbicans to the four gates in the stone wall and the creation of gates in the outer earthern wall.

 

Remnants of the structure can be seen today near to the town of Warangal, which was the Kakatiya capital. The Archaeological Survey of India has listed the remains as a Monument of National Importance.

_____________________________

 

The 12th and the 13th centuries saw the emergence of the Kakatiyas. They were at first the feudatories of the Western Chalukyas of Kalyana, ruling over a small territory near Warangal. A ruler of this dynasty, Prola II, who ruled from A.D.1110 to 1158, extended his sway to the south and declared his independence. His successor Rudra (A.D.1158--1195) pushed the kingdom to the north up to the Godavari delta. He built a fort at Warangal to serve as a second capital and faced the invasions of the Yadavas of Devagiri. The next ruler Mahadeva extended the kingdom to the coastal area. In A.D.1199, Ganapati succeeded him. He was the greatest of the Kakatiyas and the first after the Satavahanas to bring the entire Telugu area under one rule. He put an end to the rule of the Velanati Cholas in A.D.1210. He forced the Telugu Cholas of Vikramasimhapura to accept his suzerainty. He established order in his vast dominion and encouraged trade.

 

As Ganapati Deva had no sons, his daughter Rudramba succeeded him in A.D.1262 and carried on the administration. Some generals, who did not like to be ruled by her, rebelled. She could, however, suppress the internal rebellions and external invasions with the help of loyal subordinates. The Cholas and the Yadavas suffered such set backs at her hands that they did not think of troubling her for the rest of her rule.

 

Prataparudra succeeded his grandmother Rudramba in A.D.1295 and ruled till A.D.1323. He pushed the western border of his kingdom up to Raichur. He introduced many administrative reforms. He divided the kingdom into 75 Nayakships, which was later adopted and developed by the Rayas of Vijayanagara. In his time the territory constituting Andhra Pradesh had the first experience of a Muslim invasion. In A.D.1303, the Delhi Sultan Ala-ud-din Khilji sent an army to plunder the kingdom. But Prataparudra defeated them at Upparapalli in Karimnagar district. In A.D. 1310, when another army under Malik Kafur invaded Warangal, Prataparudra yielded and agreed to pay a large tribute. In A.D.1318, when Ala-ud-din Khilji died, Prataparudra withheld the tribute. It provoked another invasion of the Muslims. In A.D.1321, Ghiaz-ud-din Tughlaq sent a large army under Ulugh Khan to conquer the Telugu country then called Tilling. He laid siege to Warangal, but owing to internal dissensions he called off the siege and returned to Delhi. Within a short period, he came back with a much bigger army. In spite of unpreparedness, Prataparudra fought bravely. For want of supplies, he surrendered to the enemy who sent him to Delhi as a prisoner, and he died on the way. Thus ended the Kakatiya rule, opening the gates of the Telugu land to anarchy and confusion yielding place to an alien ruler.

 

The Kakatiya period was rightly called the brightest period of the Telugu history. The entire Telugu speaking area was under the kings who spoke Telugu and encouraged Telugu. They established order throughout the strife torn land and the forts built by them played a dominant role in the defence of the realm. Anumakonda and Gandikota among the `giridurgas', Kandur and Narayanavanam among the `vanadurgas', Divi and Kolanu among the `jaladurgas', and Warangal and Dharanikota among the `sthaladurgas' were reckoned as the most famous strongholds in the Kakatiya period. The administration of the kingdom was organized with accent on the military.

 

Though Saivism continued to be the religion of the masses, intellectuals favoured revival of Vedic rituals. They sought to reconcile the Vaishnavites and the Saivites through the worship of Harihara. Arts and literature found patrons in the Kakatiyas and their feudatories.

 

WIKIPEDIA & WIKIMAPIA

 

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Precise Perspective for Playboy

The precise spot where the sand was collected is where the zip lock bag is located (left center).

The darker grains on this beach represent grains created by the weathering of the local basalt, which is very rich in magnetite. (Many of the black grains are highly magnetic.)

 

For a general view of this beach, follow this link:

www.flickr.com/photos/usageology/35090137020/in/dateposted/

Used for precise, automatic and repeatable camera movement.

Nissan GTR on 21" COR Classic Series: Precise

 

Finished in Matte Grey Centers, with Polished Step Lips

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