View allAll Photos Tagged practicality
Cinemateum Victoria - Men on the Edge - Fishermen’s Diary, a film by Avner Faingulernt & Macabit Abramson, 2005, 90 Min., Hebrew/Arabic (English sub.)
Shortly about me:
It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.
In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.
The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »
The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .
If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.
Copyright © Kevin Cooper Photoline NUJ: Seamus McKee (BBC Radio Ulster) opened the conference and give context to the debate as chairperson of Business Rates Conference 2016 which took place on Tuesday, 12 January 2016 in Riddel Hall at Queen's University Belfast. Speakers included: Richard Johnston - Associate Director, NI Centre for Economic Policy, UU; David Sterling - Permanent Secretary, Department of Finance & Personnel; Stephen Kelly, Chief Executive, Manufacturing NI; Aodhán Connolly, Director, NI Retail Consortium, Seamus McAleavey â Chief Executive, NICVA, Derek McCallan â Chief Executive, NILGA, Followed by a panel discussion with David Sterling â DFP, Stephen Kelly â Manufacturing NI, Aodhán Connolly â NI Retail Consortium, Seamus McAleavey â NICVA, Derek McCallan â NILGA. After a short break the discussion continued with A system that it is fit for purpose: the practicalities involved: Brian McClure â Head of Rating Policy Division, Department of Finance & Personnel, Funding local services: a new system for securing businesses contributions: Martin McTague â Chairman, Local Government Committee, Federation of Small Businesses, Getting it right: the UK and international perspective:
David Magor OBE - Chief Executive, Institute of Revenues, Rating and Valuation. Finishing the final panel discussion was with: Brian McClure â Department of Finance & Personnel, Martin McTague â FSB and David Magor â IRRV. Seamus McKee, Chairperson of the conference made some concluding remarks before breaking for lunch. Business Rates Conference 2016, which was part of the Chambré Public Affairs âEye on the Hillâ series of policy events, provided participants with a unique insight into an important programme of reform. The conference offered context and analysis from the Minister, senior officials, sector leaders and noted experts, the conference is perfectly timed to inform responses to the consultation, which closes a fortnight later. On 26 October 2015, Finance Minister Arlene Foster launched a public consultation on a wide-ranging Review of Northern Ireland's Non-Domestic Rating System. The consultation asks questions that touch upon every sector in Northern Ireland, giving respondents the chance to provide imaginative suggestions to improve how revenue is raised locally. Key questions include whether the 100% exemption for charities should be maintained, and how the system could be changed to better suit the demands of local business. Because of the Departmentâs willingness to engage creatively with the business community and other stakeholders, this consultation represents a rare opportunity to influence major change. Business rating is a vital form of taxation, raising some £592m of revenue for regional and local Government in Northern Ireland. However, it is also a significant expense for the businesses that are the lifeblood of the local economy, and can act as a particular disincentive to smaller enterprises who want to invest and expand. At the other end of the spectrum, charities in Northern Ireland benefit significantly from the current rating system, enjoying a 100% rates exemption.
Can technology help prevent and respond to gender-based violence (GBV), particularly in low- and middle-income countries? Increasingly, cell phones, cameras, crowd-sourcing, and mobile apps are being used in innovative ways to address GBV, but questions surrounding ethics, effectiveness, and practicality remain. The Interagency Gender Working Group, U. S. Agency for International Development, Woodrow Wilson Center, CARE, and Population Reference Bureau will host a panel discussion exploring the ethics around new technologies to combat GBV; how effective they are; and what some of the more practical and actionable ways forward might be.
Read more: www.wilsoncenter.org/event/gender-based-violence-and-inno...
Shortly about me:
It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.
In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.
The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »
The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .
If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.
Shortly about me:
It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.
In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.
The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »
The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .
If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.
Shortly about me:
It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.
In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.
The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »
The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .
If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.
If I change my car in 2 years time, this could be my choice. Not sure if I could live with a lack of practicality though (always so sensible) :-))
The Jaguar I-PACE is the electric vehicle drivers have been waiting for Clean, smart and safe, the
I-PACE delivers sustainable sports car performance, next-generation artificial intelligence (AI) technology and five-seat SUV practicality to place Jaguar at the forefront of the EV revolution.
Shortly about me:
It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.
In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.
The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »
The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .
If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.
Shortly about me:
It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.
In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.
The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »
The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .
If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.
Shortly about me:
It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.
In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.
The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »
The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .
If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.
An Israeli in Palestine, by Jeff Halper, Reading at the Educational Bookshop, Jerusalem, 25th February 2011
Shortly about me:
It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.
In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.
The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »
The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .
If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.
Concert and exhibition opening in the evangelical Lutheran church of Augusta Victoria on The Mount of Olives in Jerusalem, on Friday the 16th of December at 6 a clock pm. The exhibition is a complete Biblical cycle of both The Old- and The New Testament developed by the Norwegian, surrealist painter Håkon Gullvåg. The exhibition was in 2005 made as a temporary decoration for Nidaros Cathedral in Trondheim, which is the national sanctuary of Norway. The motifs will through this show “come home” to their historical context, and will be displayed in the church during both Christmas 2011 and Easter 2012.
Opening speeches will be held by H. E. the Norwegian Minister of Government Administration, Reform and Church affairs Rigmor Aasrud, and by the bishop of the Evangelical Lutheran Church in Jordan and the Holy Land the Rt. Rev. Dr. Munib A. Younan.
The concert that follows the exhibition opening will be held by the Norwegian chamber ensemble The Trondheim Soloists, the Norwegian musician and composer Henning Sommeroe, together with the Palestinian artist and composer Rim Banna.
Shortly about me:
It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.
In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.
If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.
Heiko Flottau
«The Iron Wall»
Heiko Flottau will read passages from his book "The Iron Wall" in German. In his
research, which goes back to the time before 1948, he is presenting causes,
mistakes and consequences of the Israeli Politic and give the word to its
victims.
Reading of the Arabic Text: Mohammad Zahaikah
Moderation: Frau Prof. Dr. Helga Baumgarten
Reading in German and Arabic, moderation and discussion in English
Shortly about me:
It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.
In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.
The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »
The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .
If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.
French-German Cultural Center, Ramallahkshop, 19 Salah Eddin Street Jerusalem
Another major European introduction for 1982 was the all-new 700 series from Volvo. Designed to replace the 200 series (itself derived from the 100 series of 1966), the 700 was produced alongside for 12 years. The two models are very close in exterior dimension.
The 700 underwent minor exterior changes to become the 900 series in 1991, notably a smoother front end treatment and revised rear treatment on the sedan. The sedan also received an independent rear suspension, with the estate car retaining a live rear axle. The 900 series was futher revised and named the S90/V90 in 1997 in line with Volvo's new naming convention. The model finally went out of production in 1998. The sedan models were subsequently replaced by the front-wheel-drive Volvo S80.
The engine line up included 4-cylinder, 4-cylinder turbocharged (one of the first major turbocharged passenger car ranges) and carryover vee-six cylinder engines shared with PSA and Renault. The 900 series later replaced the V6 with an inline six developed as part of a modular engine design of inline 4, 5 and 6-cylinder engines.
At launch the car was strongly criticised for its overtly rectilinear styling. The car matched the style that was popular in North America at the time, including a near vertical rear window. Unfortunately for Volvo this was the model year introduction of a key competitor, the Audi 100, which was notably aerodynamic in form.
This styling theme does have its advantages, with large windows and good visibility. It also provides ample space as an estate car. The model was popular with middle-class families with children, dogs etc, and are now considered 'Lifestyle' families.
Volvo's success in this market segment was later eroded by SUV and 'crossover' vehicles which emphasised the adventure part of the lifestyle image without being any more practical as a family car. Volvo went on to launch a vehicle in the crossover segment in place of the 900 wagon, the XC90. This model was very well recieved for its family practicality relative to other vehicles in the luxury crossover segment.
This miniland scale model has been created using Lego Digital Designer for Flickr LUGNuts 43rd build challenge - 'Plus or Mius Ten' - celebraing vehilces produced ten years before or after the birth year of the modeller. In this case 1982.
Armacham TC (Technology Corporation) F-03 "Jackal" Enhanced Power Armour
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The F-03 Jackal is an Enhanced Power Armour suit designed by Armacham Technology Corporation for the UT armoured cores by contract in 2029.
Original plans for this machine began around 2025, after Armacham's sister company, Altair Industries, released their revolutionary MAT Armoured Biped.
www.flickr.com/photos/64024690@N02/7666130656/in/photostr...
The F-03 is powered by hydrogen fuel cells in a heavily armoured section on the rear. Piloted by one man sitting in the shielded cockpit section; information, video feed (regular and infrared) is relayed to him via cameras on the outside to large screens on the inside.
It features three main weapons.
The right "arm" boasts a GShG S550-G1 large tri-barreled gatling gun based off of the "Molniya". It fires high calibre explosive rounds, mainly used against infantry targets, or armour piercing rounds, used for armoured targets, depending on the users choice. Ammo can be quickly switched in the heat of battle with a simple flick of a switch. It is also very effective against low flying aircraft.
The left "arm" boasts a single 90mm coilgun, very similar in nature and practicality to the MAT's railgun. "The coilgun is designed to fire specially high explosive LINAC (linear accelerator) rounds, which coat themselves in the plasma produced by the railgun's firing. This plasma can simply melt through armor and, theoretically, could help to overload energy shielding systems." The LINAC rounds are made of tungsten and have an long armour piercing shape. The magazine holds 30 of these LINAC rounds and is easily reloaded by an infantryman.
Last but not least, it features a missile launching system mounted on top of it. Equipped with 10 Tupovlev Tu-2M Multipurpose Guided Missiles, these missiles are some of the most advanced, fastest, and powerful ones on the market. Guided by infrared or user controlled via EMP-proof wireless camera. It can be used on air targets or ground units.
This machine is powerful enough to destroy even the heaviest of tanks.
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Credits:
-Magnus - Colors
-IcyNudibranch - Complete inspiration
-Shark - Techniques, Inspiration
Code:
Might be up soon.
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GC Cost: 19,200 Credits (Tier 3)
Shortly about me:
It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.
In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.
The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »
The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .
If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.
Concert and exhibition opening in the evangelical Lutheran church of Augusta Victoria on The Mount of Olives in Jerusalem, on Friday the 16th of December at 6 a clock pm. The exhibition is a complete Biblical cycle of both The Old- and The New Testament developed by the Norwegian, surrealist painter Håkon Gullvåg. The exhibition was in 2005 made as a temporary decoration for Nidaros Cathedral in Trondheim, which is the national sanctuary of Norway. The motifs will through this show “come home” to their historical context, and will be displayed in the church during both Christmas 2011 and Easter 2012.
Opening speeches will be held by H. E. the Norwegian Minister of Government Administration, Reform and Church affairs Rigmor Aasrud, and by the bishop of the Evangelical Lutheran Church in Jordan and the Holy Land the Rt. Rev. Dr. Munib A. Younan.
The concert that follows the exhibition opening will be held by the Norwegian chamber ensemble The Trondheim Soloists, the Norwegian musician and composer Henning Sommeroe, together with the Palestinian artist and composer Rim Banna.
Shortly about me:
It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.
In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.
If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.
Copyright © Kevin Cooper Photoline NUJ: Seamus McKee (BBC Radio Ulster) opened the conference and give context to the debate as chairperson of Business Rates Conference 2016 which took place on Tuesday, 12 January 2016 in Riddel Hall at Queen's University Belfast. Speakers included: Richard Johnston - Associate Director, NI Centre for Economic Policy, UU; David Sterling - Permanent Secretary, Department of Finance & Personnel; Stephen Kelly, Chief Executive, Manufacturing NI; Aodhán Connolly, Director, NI Retail Consortium, Seamus McAleavey â Chief Executive, NICVA, Derek McCallan â Chief Executive, NILGA, Followed by a panel discussion with David Sterling â DFP, Stephen Kelly â Manufacturing NI, Aodhán Connolly â NI Retail Consortium, Seamus McAleavey â NICVA, Derek McCallan â NILGA. After a short break the discussion continued with A system that it is fit for purpose: the practicalities involved: Brian McClure â Head of Rating Policy Division, Department of Finance & Personnel, Funding local services: a new system for securing businesses contributions: Martin McTague â Chairman, Local Government Committee, Federation of Small Businesses, Getting it right: the UK and international perspective:
David Magor OBE - Chief Executive, Institute of Revenues, Rating and Valuation. Finishing the final panel discussion was with: Brian McClure â Department of Finance & Personnel, Martin McTague â FSB and David Magor â IRRV. Seamus McKee, Chairperson of the conference made some concluding remarks before breaking for lunch. Business Rates Conference 2016, which was part of the Chambré Public Affairs âEye on the Hillâ series of policy events, provided participants with a unique insight into an important programme of reform. The conference offered context and analysis from the Minister, senior officials, sector leaders and noted experts, the conference is perfectly timed to inform responses to the consultation, which closes a fortnight later. On 26 October 2015, Finance Minister Arlene Foster launched a public consultation on a wide-ranging Review of Northern Ireland's Non-Domestic Rating System. The consultation asks questions that touch upon every sector in Northern Ireland, giving respondents the chance to provide imaginative suggestions to improve how revenue is raised locally. Key questions include whether the 100% exemption for charities should be maintained, and how the system could be changed to better suit the demands of local business. Because of the Departmentâs willingness to engage creatively with the business community and other stakeholders, this consultation represents a rare opportunity to influence major change. Business rating is a vital form of taxation, raising some £592m of revenue for regional and local Government in Northern Ireland. However, it is also a significant expense for the businesses that are the lifeblood of the local economy, and can act as a particular disincentive to smaller enterprises who want to invest and expand. At the other end of the spectrum, charities in Northern Ireland benefit significantly from the current rating system, enjoying a 100% rates exemption.
Copyright © Kevin Cooper Photoline NUJ: Seamus McKee (BBC Radio Ulster) opened the conference and give context to the debate as chairperson of Business Rates Conference 2016 which took place on Tuesday, 12 January 2016 in Riddel Hall at Queen's University Belfast. Speakers included: Richard Johnston - Associate Director, NI Centre for Economic Policy, UU; David Sterling - Permanent Secretary, Department of Finance & Personnel; Stephen Kelly, Chief Executive, Manufacturing NI; Aodhán Connolly, Director, NI Retail Consortium, Seamus McAleavey â Chief Executive, NICVA, Derek McCallan â Chief Executive, NILGA, Followed by a panel discussion with David Sterling â DFP, Stephen Kelly â Manufacturing NI, Aodhán Connolly â NI Retail Consortium, Seamus McAleavey â NICVA, Derek McCallan â NILGA. After a short break the discussion continued with A system that it is fit for purpose: the practicalities involved: Brian McClure â Head of Rating Policy Division, Department of Finance & Personnel, Funding local services: a new system for securing businesses contributions: Martin McTague â Chairman, Local Government Committee, Federation of Small Businesses, Getting it right: the UK and international perspective:
David Magor OBE - Chief Executive, Institute of Revenues, Rating and Valuation. Finishing the final panel discussion was with: Brian McClure â Department of Finance & Personnel, Martin McTague â FSB and David Magor â IRRV. Seamus McKee, Chairperson of the conference made some concluding remarks before breaking for lunch. Business Rates Conference 2016, which was part of the Chambré Public Affairs âEye on the Hillâ series of policy events, provided participants with a unique insight into an important programme of reform. The conference offered context and analysis from the Minister, senior officials, sector leaders and noted experts, the conference is perfectly timed to inform responses to the consultation, which closes a fortnight later. On 26 October 2015, Finance Minister Arlene Foster launched a public consultation on a wide-ranging Review of Northern Ireland's Non-Domestic Rating System. The consultation asks questions that touch upon every sector in Northern Ireland, giving respondents the chance to provide imaginative suggestions to improve how revenue is raised locally. Key questions include whether the 100% exemption for charities should be maintained, and how the system could be changed to better suit the demands of local business. Because of the Departmentâs willingness to engage creatively with the business community and other stakeholders, this consultation represents a rare opportunity to influence major change. Business rating is a vital form of taxation, raising some £592m of revenue for regional and local Government in Northern Ireland. However, it is also a significant expense for the businesses that are the lifeblood of the local economy, and can act as a particular disincentive to smaller enterprises who want to invest and expand. At the other end of the spectrum, charities in Northern Ireland benefit significantly from the current rating system, enjoying a 100% rates exemption.
Shortly about me:
It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.
In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.
The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »
The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .
If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.
Most of the shots were taken at Bolton Street Railway Station because of the poor weather conditions for photography. We had snow, sleet, rain, fog and eventually the sun came out in the afternoon.
The Lancashire and Yorkshire Railway (L&YR) Class 27 is a class of 0-6-0 steam locomotive designed for freight work.
They were designed by John Aspinall and 484 were built between 1889 - 1918 at Horwich works. The Class 27 was the standard goods engine of the Lancashire & Yorkshire Railway. Aspinall opted for the two cylinder format with a non superheated round top boiler. David Joy's configuration of valve gear was employed. By the time of Aspinall's departure from the L&YR in 1899 over 400 of these simple but powerful engines had been built. More were built under his successor Henry Hoy and George Hughes, albeit with some modifications. By 1918 the class totalled 484.
It was under Hughes that the class became the subject of early experiments in superheating. This was the process of increasing the temperature of the steam produced in the boiler so the minimum of energy was lost. After many months of trails a further 20 superheated engines were authorised to be built and the first of these superheated class 27's emerged from Horwich Works in 1909. The superheated 27's retained the boiler pressure of the originals (180 psi). This first batch had round topped boilers but in 1912 a second batch of 20 was constructed with Belpaire fireboxes.
Although the class was augmented by a further 60 engines between 1900 and 1909 with another ten added in 1917-18. The final five built reverted entirely to the original 1889 specification. It is a tribute to the soundness usefulness and simple practicality of Aspinall's design that some 300 of the class passed into the hands of the LMS and around 50 were still in British Railways service as late as the summer of 1960.
Chinese mother carrying her son outside the Terra Cotta Soldiers Museum. The young boy is wearing traditional Chinese pants noted for their practicality. It took some time to get this shot.
Shortly about me:
It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.
In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.
The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »
The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .
If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.
Syrian and Coptic Orthodox celebrate the feast of the Epiphany at the baptismal site known as Qasr el-Yahud on the banks of the Jordan River near the West Bank city of Jericho January 19, 2011. Orthodox Christians flocked to the Jordan River to celebrate the feast of the Epiphany at the traditional site where it is believed John the Baptist baptised Jesus Christ.
Shortly about me:
It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.
In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.
The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »
The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .
If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.
Syrian and Coptic Orthodox celebrate the feast of the Epiphany at the baptismal site known as Qasr el-Yahud on the banks of the Jordan River near the West Bank city of Jericho January 19, 2011. Orthodox Christians flocked to the Jordan River to celebrate the feast of the Epiphany at the traditional site where it is believed John the Baptist baptised Jesus Christ.
Shortly about me:
It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.
In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.
The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »
The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .
If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.
Obol, Neapolis 320-300, AR 0.66 g. Head of Mars r., wearing Corinthian helmet; behind, oak spray (?). Rev. Head of horse r.; behind, corn ear and before, ROMANO downwards. Fiorelli Annali 1846, p. 23 and pl. I, fig, 29. Garrucci pl. 77, 18. Bahrfeldt RN 1900, pp. 33-34, 31 and pl. 26, 1 (possibly this obverse die). Sydenham 2. Crawford 13/2. Historia Numorum Italy 267.
Of the highest rarity, only the third specimen known. An issue of great fascination and importance missing in all the major collections. Toned and good very fine.
This is the first time that this extremely rare coin has appeared in a public auction since 1869 when the San Giorgio collection piece was offered in an auction in Paris. The image of a second specimen was published by Bahrfeldt in RIN 1900. In the same article the great scholar reports that such coin was offered to Imhoof-Blumer by Rollin & Feuardent in Paris, but that he had to pass on it due to the very high price requested. We have decided to share Rutter’s opinion who in Historia Numorum Italy attributes these coins to the Naples mint contrary to Crawford who assigns them to the mint of Metapontum. That said however, we have decided to refer to the coin as an obol and not as a litra as suggested by both Rutter and Crawford. The reasons for this decision are very simple: we obviously agree that this coin belongs to Crawford’s series 13, which was intended for trades with Magna Grecia. On this basis, it seems only logical that we refer to it as an obol and not a litra. Its weight and its general appearance are consistent with coaeval obols of Camapianian mints such as: Fistelia, Peripoloi Pitanai and Allifae, which most probably were circulating along with this coin. Obviously the production of such a small denomination did not have any commercial purpose, but, as my father rightly argued in Numismatica Sottovoce, the Romans would never overlook practicality or propaganda and for these reasons one can assume that they decided to produce, together with the didrachm, also this nominal to which the local population of Campania and South Italy in general were accustomed.
NAC72, 396
Dr. Michael Bröning has presented his book and moderated the discussion, The Politics of Change in Palestine: State-Building and Non-Violent Resistance.
“The Politics of Change in Palestine” discusses these changes. The book contradicts the prevalent myth that incompetent, corrupt, and uncompromising Palestinian decision-makers are responsible for the lasting stalemate in the Middle-East Peace Process. The book highlights recent political developments in Palestine that fundamentally redefine important parameters of the Israeli-Palestinian conflict. These include the re-invention of Hamas, reforms within the Fatah movement, state-building efforts of the Palestinian Authority and the surge of non-violent resistance.
More Information available at:
Shortly about me:
It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.
In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.
The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »
The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .
If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.
Copyright © Kevin Cooper Photoline NUJ: Seamus McKee (BBC Radio Ulster) opened the conference and give context to the debate as chairperson of Business Rates Conference 2016 which took place on Tuesday, 12 January 2016 in Riddel Hall at Queen's University Belfast. Speakers included: Richard Johnston - Associate Director, NI Centre for Economic Policy, UU; David Sterling - Permanent Secretary, Department of Finance & Personnel; Stephen Kelly, Chief Executive, Manufacturing NI; Aodhán Connolly, Director, NI Retail Consortium, Seamus McAleavey â Chief Executive, NICVA, Derek McCallan â Chief Executive, NILGA, Followed by a panel discussion with David Sterling â DFP, Stephen Kelly â Manufacturing NI, Aodhán Connolly â NI Retail Consortium, Seamus McAleavey â NICVA, Derek McCallan â NILGA. After a short break the discussion continued with A system that it is fit for purpose: the practicalities involved: Brian McClure â Head of Rating Policy Division, Department of Finance & Personnel, Funding local services: a new system for securing businesses contributions: Martin McTague â Chairman, Local Government Committee, Federation of Small Businesses, Getting it right: the UK and international perspective:
David Magor OBE - Chief Executive, Institute of Revenues, Rating and Valuation. Finishing the final panel discussion was with: Brian McClure â Department of Finance & Personnel, Martin McTague â FSB and David Magor â IRRV. Seamus McKee, Chairperson of the conference made some concluding remarks before breaking for lunch. Business Rates Conference 2016, which was part of the Chambré Public Affairs âEye on the Hillâ series of policy events, provided participants with a unique insight into an important programme of reform. The conference offered context and analysis from the Minister, senior officials, sector leaders and noted experts, the conference is perfectly timed to inform responses to the consultation, which closes a fortnight later. On 26 October 2015, Finance Minister Arlene Foster launched a public consultation on a wide-ranging Review of Northern Ireland's Non-Domestic Rating System. The consultation asks questions that touch upon every sector in Northern Ireland, giving respondents the chance to provide imaginative suggestions to improve how revenue is raised locally. Key questions include whether the 100% exemption for charities should be maintained, and how the system could be changed to better suit the demands of local business. Because of the Departmentâs willingness to engage creatively with the business community and other stakeholders, this consultation represents a rare opportunity to influence major change. Business rating is a vital form of taxation, raising some £592m of revenue for regional and local Government in Northern Ireland. However, it is also a significant expense for the businesses that are the lifeblood of the local economy, and can act as a particular disincentive to smaller enterprises who want to invest and expand. At the other end of the spectrum, charities in Northern Ireland benefit significantly from the current rating system, enjoying a 100% rates exemption.
Copyright © Kevin Cooper Photoline NUJ: Seamus McKee (BBC Radio Ulster) opened the conference and give context to the debate as chairperson of Business Rates Conference 2016 which took place on Tuesday, 12 January 2016 in Riddel Hall at Queen's University Belfast. Speakers included: Richard Johnston - Associate Director, NI Centre for Economic Policy, UU; David Sterling - Permanent Secretary, Department of Finance & Personnel; Stephen Kelly, Chief Executive, Manufacturing NI; Aodhán Connolly, Director, NI Retail Consortium, Seamus McAleavey â Chief Executive, NICVA, Derek McCallan â Chief Executive, NILGA, Followed by a panel discussion with David Sterling â DFP, Stephen Kelly â Manufacturing NI, Aodhán Connolly â NI Retail Consortium, Seamus McAleavey â NICVA, Derek McCallan â NILGA. After a short break the discussion continued with A system that it is fit for purpose: the practicalities involved: Brian McClure â Head of Rating Policy Division, Department of Finance & Personnel, Funding local services: a new system for securing businesses contributions: Martin McTague â Chairman, Local Government Committee, Federation of Small Businesses, Getting it right: the UK and international perspective:
David Magor OBE - Chief Executive, Institute of Revenues, Rating and Valuation. Finishing the final panel discussion was with: Brian McClure â Department of Finance & Personnel, Martin McTague â FSB and David Magor â IRRV. Seamus McKee, Chairperson of the conference made some concluding remarks before breaking for lunch. Business Rates Conference 2016, which was part of the Chambré Public Affairs âEye on the Hillâ series of policy events, provided participants with a unique insight into an important programme of reform. The conference offered context and analysis from the Minister, senior officials, sector leaders and noted experts, the conference is perfectly timed to inform responses to the consultation, which closes a fortnight later. On 26 October 2015, Finance Minister Arlene Foster launched a public consultation on a wide-ranging Review of Northern Ireland's Non-Domestic Rating System. The consultation asks questions that touch upon every sector in Northern Ireland, giving respondents the chance to provide imaginative suggestions to improve how revenue is raised locally. Key questions include whether the 100% exemption for charities should be maintained, and how the system could be changed to better suit the demands of local business. Because of the Departmentâs willingness to engage creatively with the business community and other stakeholders, this consultation represents a rare opportunity to influence major change. Business rating is a vital form of taxation, raising some £592m of revenue for regional and local Government in Northern Ireland. However, it is also a significant expense for the businesses that are the lifeblood of the local economy, and can act as a particular disincentive to smaller enterprises who want to invest and expand. At the other end of the spectrum, charities in Northern Ireland benefit significantly from the current rating system, enjoying a 100% rates exemption.
See more car pics on my facebook page!
- - -
The Citroën Revolte is a hybrid compact city concept car that was presented by Citroën at the 2009 Frankfurt Motor Show.
The Revolte is based on the historical Citroën 2CV.[2] The concept car shows the changes that have been happening in terms of the role small cars and that style and elegance have become as important as economy and practicality.
The Revolte concept features Citroën’s bold design, which has become part of its history bringing a new contemporary approach to its compact city cars.
The Revolte is 3.68m long, 1.73m wide and 1.35m tall. With well defined wheel arches, curving bonnet, forceful lines and sculpted sides, matching the roof line, the Revolte has a sleek and elegant profile, similar to that of the Citroen Survolt, a concept hybrid supercar still under development by Citroen.
(Wikipedia)
Recently, Sussex Transport were asked by the Arabian Tent Company to move four containers, using one of it’s dedicated HIAB vehicles.
The Arabian Tent Company create beautiful, sumptuous party surroundings . They have travelled the World sourcing tent ideas from Morocco, textiles from Thailand, Arabian furniture from Dubai, craftsmen from India and structure designs from America to create a range of bespoke tents, marquee linings and event furniture, providing a perfect fusion between Ethnic style and Western practicality. Their spectacular collection of themed tents have Arabic, Indian, Bollywood and Moroccan influences, as well as some more unusual offerings such as a Peacock inspired Tent, a Purple velvet interiored ‘Regency’ marquee and a Vintage Tea Tent…with a new interior being added to the collection every year.
The Arabian Tent Company supplied the dining tent featured in the second world war spy thriller…’Glorious 39′ starring Bill Nighy, David Tennant, Julie Christie, Christopher Lee and Hugh Bonneville amongst others.
Their website is a feast for the eyes and definitely worth a look! www.arabiantents.com
Shortly about me:
It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.
In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.
The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »
The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .
If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.
Shortly about me:
It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.
In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.
The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »
The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .
If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.
Syrian and Coptic Orthodox celebrate the feast of the Epiphany at the baptismal site known as Qasr el-Yahud on the banks of the Jordan River near the West Bank city of Jericho January 19, 2011. Orthodox Christians flocked to the Jordan River to celebrate the feast of the Epiphany at the traditional site where it is believed John the Baptist baptised Jesus Christ.
Shortly about me:
It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.
In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.
The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »
The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .
If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.
310 Claydon Way is located in one of the finer neighborhoods of Sacramento. Having the advantage of being almost riverside, access to the American River Parkway and bicycle path is just one block from the home, providing lovely walks through incredible natural scenery and wildlife.
Year round, this beautiful neighborhood known as Wilhaggin, shows off its aesthetic pride with floral blossoms and blooms. Unlike other fine neighborhoods in the Sacramento area, Wilhaggin is mostly composed of sprawling single story dwellings. with wide streets, sidewalks and street lights.
The "ambiance" of this kind of neighborhood intention is palpable -- quietude, modest elegance, comfortable curb appeal, an abundance of mature and establish landscaping and shade trees.
Back when these houses were made in the sixties -- before magazine living lifestyle took over and replaced practicality with the discomforts of looking sharp -- strong bones and durability were time-honored architectural concepts. Pleasing oneself was more important than pleasing the neighbors, so the focus of the aesthetic addressed things like "hot summers", "colder winters" and the need for shade and light.
There were many independent builders at that time who became famous for their designs and also for their creative concepts for creating ideal settings for a river-living climate.
Among those that rose to fame, Lewis & Bristow are known for their comfortable living designs that centered around poolside appreciation. Shaped like a "U", 310 Claydon Way has three giant sliders that open up onto a giant back yard patio. The patio has roll-down awnings for late afternoon sun shade but also lends itself to an outside office or enclosed dinner-time eating.
The automated irrigation system has just been completely restored and upgraded. Other changes that have been done recently include brand new carpet, new paint and a remodeled entry way.
The grounds are fully established and mature. There are an abundance of roses and azaleas which bloom seasonally. The redwood trees on the property and surrounding the property in the backyard are invaluable for shade and beauty.
And 310 Claydon Way is loaded with all manner of little details of this nature which make it easy to maintain with a minimal amount of work. A truly beautiful home with over 3100 square feet, 310 Claydon way has been called "Shangri La" and has particularly great appeal to a buyer who loves outdoor living as much as indoor living.
BASIC DETAILS:
2 car garage
It's a four bedroom home with the following breakdown:
2 bedrooms
Gigantic master suite with walk in closet
a fully functioning 15' x 22' sky-lighted with bay windows live/work studio suite or playroom nursery (wet bar sink in studio and giant bathroom with shower).
Pool
Established landscaping and strategically placed and invaluable Sequoia trees.
House-wide vacuuming system.
Attic exhaust fan system and shade awnings.
Built in cabinetry throughout.
Shortly about me:
It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.
In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.
The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »
The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .
If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.
Shortly about me:
It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.
In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.
The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »
The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .
If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.
The Timberlake Tavern was built in the late 1920's as a part of the 70-acre resort lake and golf course which was aimed at Lynchburg's well-to-do
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The following history was published on the Tavern's web site:
“The ‘Timberlake Tavern’, located on a knoll overlooking the lake, has a superb view of distant hills and mountains. Here indeed is a haven for the traveler, or one in search of a modern hostelry in a setting of beauty ideally adapted to the enjoyment of sports or rest.” ( excerpts from a promotional brochure published by Timber Lake Corporation at Lynchburg, Virginia circa 1930 ). While the views are not quite as good as they used to be, due to foliage growth, the place itself is immaculate.
"Timberlake Tavern is the work of Edley Craighill and Fred Showalter, the two Lynchburgers who formed Craighill & Showalter Construction Company after serving proudly in the 29th Division during WWI. At the time, our nation was experiencing the economic boom of the ‘Roaring Twenties’-giving birth to new business opportunities daily. The brainchild of Edley Craighill, Timberlake Tavern was conceived as a resort lodge and area for rich Lynchburgers ( in 1910, Lynchburg had the third best income average in the nation ).
"Built in the late 1920’s, the Timberlake Tavern first opened its doors to the public on a Friday evening June 15th 1929. Built by the Timber Lake developers, Mr. Edley Craighill and Mr. Fred Showalter, the ‘Tavern’ treated approximately 135 guests that evening to a typical (of its time) Virginia dinner of fried chicken, old ham and accompanying delicacies.
"Built as a focal point and gathering place ‘the center of the new Timberlake resort’ for the guests and residents of the approximate 100 acre Timber Lake Resort, which surrounds the Timberlake Tavern, the Timberlake Tavern represented the architectural style and practicality of both the Lake founders with the high pitched gable roofs and symmetrically intersecting angles built of oversize brick and wood. A large central gable flanked near each end by the chimneys, which are finally flanked by the broad angled porch roofs. The 1800 square foot plus, over 100 foot long deep veranda is a beautiful place to sit and reminisce about days gone by while enjoying the lake breeze blown in from the coves that surround the Tavern."
The familiar octagonal Colgate clock, facing Manhattan, dates back to 1924 and is a reminder of the time when factories dominated the city's waterfront. Its design was inspired by Colgate's Octagon Soap. The surface of the clock is 1,963.5 square feet and 50 feet in diameter. The minute hand is 25 feet, 10 inches long; the hour hand is 20 feet long. The timepiece can be adjusted and is maintained to stay within one minute of accurate time. There was a small master clock in the Colgate building that was checked against the US Naval Observatory in Washington, DC The clock's mechanism is like that of a traditional wall clock with weights and wheels but is powered by twenty-eight large-volt batteries that are recharged.
The octagonal clock replaced an earlier smaller clock designed by Colgate engineer Warren Day and built by the Seth Thomas Company for the centennial of the Colgate Company in 1906. The clock, thirty-eight feet in diameter, was made of structural steel and its face of stainless steel slats. It was part of a sign set on the roof of an eight-story warehouse at the southeast corner of York and Hudson Streets also built for the anniversary. Engineer William P. Field designed the sign reading "COLGATE'S SOAPS AND PERFUMES" in 20-foot-high letters. The 200-foot-long, 40-foot-high sign was illuminated at night by 1,607 bulbs and was visible from 20 miles away from the Jersey City waterfront to Staten Island and the Bronx. It received acclaim as an identifying symbol of the company along with its practicality. When removed for the new clock, it was retired to Jeffersonville, Indiana.
The Colgate's Soap and Perfumery Works, later Colgate-Palmolive Peet, was founded by William Colgate in New York in 1806. When he moved his company to Paulus Hook (Jersey City) from New York, it was referred to as "Colgate's Folly." The Colgate-Palmolvie factory complex was completed in 1847; it made chemically produced soap and perfume but eventually gave up perfume production. The Colgate-Palmolive Company became a very successful and modern plant for its time and expanded over a six-block site by the 1950s.
With the clock overlooking the Hudson River, the Colgate structure and signage had become a Jersey City landmark. The signage was altered in 1983. A toothpaste tube, noting one of Colgate's best selling products, replaced the lettering for soap and perfume.
In 1985, Colgate decided to leave Jersey City, and the complex, excepting the clock, was razed. The site is part of the redevelopment of the Jersey City waterfront. The clock remains on a soon-to-be developed lot awaiting a decision whether it will be made a part of the frontage of a new building or replaced by a new clock as part of new building on the lot. Time will tell!
Shortly about me:
It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.
In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.
The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »
The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .
If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.
Heiko Flottau
« The Iron Wall »
Heiko Flottau will read passages from his book "The Iron Wall" in German. In his research, which goes back to the time before 1948, he is presenting causes, mistakes and consequences of the Israeli Politic and give the word to its victims.
Reading of the Arabic Text: Dr. Mohammad Abu Zaid
Moderation: Dr Adel Yahya
Wednesday 16, 6 p.m.
Shortly about me:
It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.
In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.
The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »
The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .
If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.
French-German Cultural Center, Ramallah
Located at number 4. Murray Street, Colac's former post office is in a prime location at the gateway into the historical centre of the town.
Built in 1876 by the Public Works Department, it was extended in 1888 to reflect the Victorian Free Classical building that is seen today. It features a classical colonnade entrance, windows with attenuated vertical proportions, aedicules using prominent pillar detailing and a classically inspired clock over the entranceway.
The building has seen many changes over the years, as has its usage. The Colac telephone exchange commenced on the premises in 1904 with twenty-five subscribers.
Times have changed in Twentieth Century Colac, and the post office with a capacious dwelling for the postmaster became too large for the practicalities of the modern day business that Australia Post is, and they relocated to smaller, more modern and more central promises. Now the former Colac post office has found new life as a Chinese restaurant. However, because it is protected by the National Heritage Committee, no exterior advertising is permitted to be attached to the classical facade, which is why there are discreet signs in the upper floor windows and dainty Chinese lanterns hanging from the colonnade's arches. At night the clock, which still keeps good time, is illuminated by a violet coloured neon light that encircles the face.
Located approximately 150 kilometres to the south-west of Melbourne, past Geelong is the small Western District city of Colac. The area was originally settled by Europeans in 1837 by pastoralist Hugh Murray. A small community sprung up on the southern shore of a large lake amid the volcanic plains. The community was proclaimed a town, Lake Colac, in 1848, named after the lake upon which it perches. The post office opened in 1848 as Lake Colac and was renamed Colac in 1854 when the city changed its name. The township grew over the years, its wealth generated by the booming grazing industries of the large estates of the Western District and the dairy industry that accompanied it. Colac has a long high street shopping precinct, several churches, botanic gardens, a Masonic hall and a smattering of large properties within its boundaries, showing the conspicuous wealth of the city. Today Colac is still a commercial centre for the agricultural district that surrounds it with a population of around 10,000 people. Although not strictly a tourist town, Colac has many beautiful surviving historical buildings or interest, tree lined streets. Colac is known as “the Gateway to the Otways” (a reference to the Otway Ranges and surrounding forest area that is located just to the south of the town).
310 Claydon Way is located in one of the finer neighborhoods of Sacramento. Having the advantage of being almost riverside, access to the American River Parkway and bicycle path is just one block from the home, providing lovely walks through incredible natural scenery and wildlife.
Year round, this beautiful neighborhood known as Wilhaggin, shows off its aesthetic pride with floral blossoms and blooms. Unlike other fine neighborhoods in the Sacramento area, Wilhaggin is mostly composed of sprawling single story dwellings. with wide streets, sidewalks and street lights.
The "ambiance" of this kind of neighborhood intention is palpable -- quietude, modest elegance, comfortable curb appeal, an abundance of mature and establish landscaping and shade trees.
Back when these houses were made in the sixties -- before magazine living lifestyle took over and replaced practicality with the discomforts of looking sharp -- strong bones and durability were time-honored architectural concepts. Pleasing oneself was more important than pleasing the neighbors, so the focus of the aesthetic addressed things like "hot summers", "colder winters" and the need for shade and light.
There were many independent builders at that time who became famous for their designs and also for their creative concepts for creating ideal settings for a river-living climate.
Among those that rose to fame, Lewis & Bristow are known for their comfortable living designs that centered around poolside appreciation. Shaped like a "U", 310 Claydon Way has three giant sliders that open up onto a giant back yard patio. The patio has roll-down awnings for late afternoon sun shade but also lends itself to an outside office or enclosed dinner-time eating.
The automated irrigation system has just been completely restored and upgraded. Other changes that have been done recently include brand new carpet, new paint and a remodeled entry way.
The grounds are fully established and mature. There are an abundance of roses and azaleas which bloom seasonally. The redwood trees on the property and surrounding the property in the backyard are invaluable for shade and beauty.
And 310 Claydon Way is loaded with all manner of little details of this nature which make it easy to maintain with a minimal amount of work. A truly beautiful home with over 3100 square feet, 310 Claydon way has been called "Shangri La" and has particularly great appeal to a buyer who loves outdoor living as much as indoor living.
BASIC DETAILS:
2 car garage
It's a four bedroom home with the following breakdown:
2 bedrooms
Gigantic master suite with walk in closet
a fully functioning 15' x 22' sky-lighted with bay windows live/work studio suite or playroom nursery (wet bar sink in studio and giant bathroom with shower).
Pool
Established landscaping and strategically placed and invaluable Sequoia trees.
House-wide vacuuming system.
Attic exhaust fan system and shade awnings.
Built in cabinetry throughout.
Choir and Organ Loft:
Pew
Originally, Christians stood for worship, and that is still the case in many eastern churches. The pew, a long, backed bench upon which congregants sit, was an innovation of western medieval Christianity. Pews were inherited by Protestants from the Roman Catholic Church, and because of their practicality, have spread to some Orthodox churches located in the west.
In 1887, following a much publicized period of discernment and debate concerning moving the congregation away from Shelton Square, Mrs. Trueman G. Avery, a faithful member of the congregation who lived at the site now occupied by Kleinhans Music Hall, donated a parcel of land across the circle at the corner of Wadsworth and Pennsylvania Streets in memory of her parents, Mr. and Mrs. Stephen G. Austin. Thus begins the story of the present edifice, designed by the renowned architectural firm of Green & Wicks. Following a well published design competition the winning design by the architectural firm of Edward Brodhead Green & William Sidney Wicks stood out from the other three finalists, it was noted for its Romanesque exterior, Byzantine-revival styled sanctuary and tall central tower that would dominate the skyline of late 19th century Buffalo through the present day.
Ground breaking took place and the first services were held in the newly built chapel on September 11, 1889, then on December 13, 1891 the first services were held in the newly constructed sanctuary. However the new building was not dedicated until after the completion of the tower on May 16, 1897
@wikipedia
Allentown Historic District NRHP #80002605
310 Claydon Way is located in one of the finer neighborhoods of Sacramento. Having the advantage of being almost riverside, access to the American River Parkway and bicycle path is just one block from the home, providing lovely walks through incredible natural scenery and wildlife.
Year round, this beautiful neighborhood known as Wilhaggin, shows off its aesthetic pride with floral blossoms and blooms. Unlike other fine neighborhoods in the Sacramento area, Wilhaggin is mostly composed of sprawling single story dwellings. with wide streets, sidewalks and street lights.
The "ambiance" of this kind of neighborhood intention is palpable -- quietude, modest elegance, comfortable curb appeal, an abundance of mature and establish landscaping and shade trees.
Back when these houses were made in the sixties -- before magazine living lifestyle took over and replaced practicality with the discomforts of looking sharp -- strong bones and durability were time-honored architectural concepts. Pleasing oneself was more important than pleasing the neighbors, so the focus of the aesthetic addressed things like "hot summers", "colder winters" and the need for shade and light.
There were many independent builders at that time who became famous for their designs and also for their creative concepts for creating ideal settings for a river-living climate.
Among those that rose to fame, Lewis & Bristow are known for their comfortable living designs that centered around poolside appreciation. Shaped like a "U", 310 Claydon Way has three giant sliders that open up onto a giant back yard patio. The patio has roll-down awnings for late afternoon sun shade but also lends itself to an outside office or enclosed dinner-time eating.
The automated irrigation system has just been completely restored and upgraded. Other changes that have been done recently include brand new carpet, new paint and a remodeled entry way.
The grounds are fully established and mature. There are an abundance of roses and azaleas which bloom seasonally. The redwood trees on the property and surrounding the property in the backyard are invaluable for shade and beauty.
And 310 Claydon Way is loaded with all manner of little details of this nature which make it easy to maintain with a minimal amount of work. A truly beautiful home with over 3100 square feet, 310 Claydon way has been called "Shangri La" and has particularly great appeal to a buyer who loves outdoor living as much as indoor living.
BASIC DETAILS:
2 car garage
It's a four bedroom home with the following breakdown:
2 bedrooms
Gigantic master suite with walk in closet
a fully functioning 15' x 22' sky-lighted with bay windows live/work studio suite or playroom nursery (wet bar sink in studio and giant bathroom with shower).
Pool
Established landscaping and strategically placed and invaluable Sequoia trees.
House-wide vacuuming system.
Attic exhaust fan system and shade awnings.
Built in cabinetry throughout.
Shortly about me:
It’s my passion to create stories and bring back pictures of events, people and places that are rarely seen. It’s a combination of exploration, exposition and artistry that together create a life of adventure and excitement.
In my work it is imperative for me that information be accurate and the images must be respectful of the subject and viewer. My goal is to combine creativity with practicality to capture the best possible images to document events, tell a story, meet the picture editor's deadlines.
The exhibition “Beautiful Faces of Balata” currently on show at the Church of the Ascension at the “Kaiserin Auguste Victoria Foundation” on the Mount of Olive's can be visited on a virtual tour on my website. Virtual tour of the Exhibition »
The exhibition is a project of Public Culture - Palpics, under the auspices of the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) GmbH and the Yafa Cultural Center (YCC) .
If you would like to know more, or even just pick my brains to discuss your project with me, please visit my homepage documentary photography or send me an Email.
Can technology help prevent and respond to gender-based violence (GBV), particularly in low- and middle-income countries? Increasingly, cell phones, cameras, crowd-sourcing, and mobile apps are being used in innovative ways to address GBV, but questions surrounding ethics, effectiveness, and practicality remain. The Interagency Gender Working Group, U. S. Agency for International Development, Woodrow Wilson Center, CARE, and Population Reference Bureau will host a panel discussion exploring the ethics around new technologies to combat GBV; how effective they are; and what some of the more practical and actionable ways forward might be.
Read more: www.wilsoncenter.org/event/gender-based-violence-and-inno...