Famine

"Famine' (1997) was commissioned by Norma Smurfit and presented to the City of Dublin in 1997. The sculpture is a commemorative work dedicated to those Irish people forced to emigrate during the 19th century Irish Famine. The bronze sculptures were designed and crafted by Dublin sculptor Rowan Gillespie and are located on Custom House Quay in Dublin's Docklands.

This location is a particularly appropriate and historic as one of the first voyages of the Famine period was on the 'Perserverance' which sailed from Custom House Quay on St. Patrick's Day 1846. Captain William Scott, a native of the Shetland Isles, was a veteran of the Atlantic crossing, gave up his office job in New Brunswick to take the 'Perserverance' out of Dublin. He was 74 years old. The Steerage fare on the ship was £3 and 210 passengers made the historical journey. They landed in New York on the 18th May 1846. All passengers and crew survived the journey. source : www.docklands.ie

I F S C :

The International Financial Services Centre (IFSC) is a major financial services centre in North Wall, Dublin, Ireland. The centre employs 14,000 people and was the brainchild businessman Dermot Desmond,[1] who's NCB financed a study by Price Waterhouse on the feasibilities of an 'IFSC'.[2] Mr Desmond then approached Charles Haughey, then in opposition, who made it the centrepiece of his economic manifesto when he came back into power.". The Finance Act, 1987 (Section 30) allowed for the designation of such an area.

The IFSC comprises the area between Memorial Road, Amiens Street, Lower Sheriff Street (including part of Crinan Strand), Guild Street, and the River Liffey along North Wall Quay and Custom House Quay. Adjacent districts include East Wall to the north and Spencer Dock to the east; the Custom House, Busáras and the city centre lie to the west.

Within the IFSC, the original development area lies west of Commons Street. East of Commons Street is the later IFSC II area, along North Wall Quay and Lower Mayor Street. It is an integrated development located in the centre of the city which incorporates office accommodation, educational institutions, housing, restaurants and shopping facilities. It has expanded beyond its original site and has become a part of the wider Irish economy.

The centre now houses financial institutions, together with a law firms and accountancy and taxation advisors who support them. The National College of Ireland is situated within the IFSC and provides a range of courses.

There are currently more than 500 financial operations allowed to trade within the IFSC. According to the official website it is home to more than half of the worlds top 50 financial institutions including Citibank, Commerzbank and Sumitomo.[3] Wikipedia.

from Kiki Dances, written and illustrated by Charlotte Steiner, copyright 1949.

Edinburgh Castle is an historic fortress which dominates the skyline of the city of Edinburgh, Scotland from its position on the Castle Rock. Archaeologists have established human occupation of the rock since at least the Iron Age (2nd century AD), although the nature of the early settlement is unclear. There has been a royal castle on the rock since at least the reign of David I in the 12th century, and the site continued to be a royal residence until the Union of the Crowns in 1603. From the 15th century the castle's residential role declined, and by the 17th century it was principally used as military barracks with a large garrison. Its importance as a part of Scotland's national heritage was recognised increasingly from the early 19th century onwards, and various restoration programmes have been carried out over the past century and a half. As one of the most important strongholds in the Kingdom of Scotland, Edinburgh Castle was involved in many historical conflicts from the Wars of Scottish Independence in the 14th century to the Jacobite Rising of 1745. It has been besieged, both successfully and unsuccessfully, on several occasions.

The castle stands upon the plug of an extinct volcano, which is estimated to have risen some 350 million years ago during the lower Carboniferous period. The Castle Rock is the remains of a volcanic pipe (the original magma core), which cut through the surrounding sedimentary rock before cooling to form very hard dolerite, a type of basalt. Subsequent glacial erosion was resisted by the dolerite, which protected the softer rock to the east, leaving a crag and tail formation, on which now stands the Royal Mile.[Wikipedia]

bare 430exii at 135 degrees camera right bounced into lid of 15" Macbook pro for fill

Nikon D80

Nikkor 18-55mm F/3.5-5.6 Lens

ISO 100

45mm

f/5.3

1/8

Vivitar 285HV

1/16 power at 3ft

Cybersync trigger

For children to be able to understand and communicate positions and directions, knowledge of ordinal numbers is important. Print, laminate and play simple games involving ordinal numbers with your pupils or for spelling too. They can also be used as classroom display. Available for FREE at:

www.sharemylesson.com/teaching-resource/Trophy-and-amp-Ro...

Craig Sinclair came 2nd in the Caber Competition at Lochearnhead Highland Games 2017

at Oslo, Norway

Perspective: from the light source

Greenpoint Historic District, Greenpoint, Brooklyn, New York City, New York, United States of America

If you want to know more about my walks and photos, check out my blog.

About the historic district:

The Greenpoint Histrict District occupies a unique position among Brooklyn's historic districts. Unlike the middle-class neighborhoods of Brooklyn's "brownstone belt,—Brooklyn Heights, Fort Greene, Clinton Hill, and Park Slope— whose residents commuted to professional and white collar jobs in downtown Brooklyn or Manhattan, Greenpoint was intimately linked to Brooklyn's industrial development. Its residents worked in nearby factories, and its architecture reflects the varied nature of the neighborhood's occupants. The buildings include substantial rowhouses built for the owners and managers of nearby businesses and factories, more modest rowhouses and numerous flathouses (walk-up apartment houses) for the factory laborers, as well as a variety of commercial buildings on the streets where the residents shopped.

Residential development of the area followed the advent of industry, the first of which was shipbuilding, located on the waterfront. The residential area grew inland from the waterfront. Perhaps because of the industrial character of the area, real estate developers were much less active in Greenpoint than in many other Brooklyn sections where it was common to find long rows of houses erected by developers for resale to middle-class occupants. Although there are examples of this in the district, particularly on the land originally owned by James R. Sparrow and his son (one of the rows they erected consists of twenty-one buildings), more often it was a single individual who bought one lot and had the house he intended to live in built on it. This is particularly so during the earliest period of growth in the area, prior to the Civil War.

The buildings within the district also reflect the importance of the builder tradition in nineteenth-century American architecture. The role between the builder and the architect was not clearly defined until about the time of the Civil War. When the American Institute of Architects was founded in 1857, its members were the most prominent men in the field in the country. This professionalism did not filter down to less well-known practitioners until later in the century.

The usual practice in Greenpoint and elsewhere in Brooklyn was for the owner of a piece of property to hire a builder, i.e., a mason or carpenter, to erect the house on the site. If the owner made particular design requirements, the builder might hire a draftsman to produce plans from which to work. But, because the vast majority of rowhouses have similar plans and construction, a practiced builder needed little outside aid. Also widely used were builders' guidebooks which gave practical advice on construction techniques to those in the building trade and often included plans for houses and designs for architectural details. Moreover, architectural elements such as foliate brackets, window and entrance enframements, and wooden doors, sashes, and shutters could be mass produced at local lumberyards and foundaries. Hence, many buildings within the district have nearly identical window and door lintels, cornices and iron railings.

The ambiguous distinction between builder and architect is illustrated by two men who lived in the area: Thomas C. Smith and Frederick Weber. Smith, an important figure in the history of the district, had been trained as a builder and worked in that trade for nearly thirty years before retiring to Greenpoint where he had come into possession of a bankrupt porcelain factory. He purchased a large tract of land on Milton Street and over a period of years built on it. Since he retired from tne trade because of ill health, it is improbable that Smith acted as mason or carpenter on these houses but it is evident by comparision of interiorand exterior features that he was the architect who designed them. Frederick Weber, who is responsible for a number of buildings, is listed as a carpenter in the directories of the 1870s but, ten years later, he signs Brooklyn Buildings Department permits as an architect.

Within the designated boundaries for the area, the buildings exhibit the architectural styles popular between 1850 and the end of the centuryT often executed in the vernacular builder tradition. The first buildings were erected in the early 1850s and were designed in the then current Italianate style or in a transitional style that combined elements of both the Greek Revival and the Italianate—a not uncommon practice in the builder tradition. The mixture of stylistic elements is particularly evident in the early tenements with"commercial ground floors on Franklin Street. The ground floors are trabeated granite and brick, based on the prototypical Tappan Store (1829) on Pearl Street in Manhattan that had set the standard for commercial architecture for twenty years. The upper floors are pierced by square-headed windows with two-over-two or six-over-six double-hung sash and cap molded lintels. The roof entablatures are simple, with plain fascias, dentils and diminutive curvilinear brackets carrying the cornice.

The early frame houses were also built in this transitional style. Sheathed with clapboards, they had square-headed windows, possibly with six-over-six sash, and were topped with cap-molded lintels. The simple cornices were carried on delicate curvilinear brackets. Some had erosseted enframements at the windows and entrance. The single, panelled door was enframed by square colonettes carrying an entablature above which was a transom, as can be seen at No. 100 Milton Street. A few of these houses still retain their squared, columned porches. These early frame structures occupy an important place within the district and in the city. Some were built individually by shipwrights and shipcarpenters connected with the nearby shipyards. Although most have now been resurfaced with modern materials, the original mass, size, scale and window arrangement remain as does the underlying framing which tangibly link them with one of New York's most romantic eras, the age of the graceful wooden ships.

The Italianate style, free of elements from the earlier Greek Revival, Is by far the most prevalent mode in the historic district and remained popular with builders in Greenpoint for over twenty years. The typical Italianate rowhouse is usually masonry, either brick or brownstone-faced, rising three or four stories above a basement, and approached by a high stoop. Arched doorway enframements with pilasters topped by triangular or segmental pediments supported on ornate foliate brackets, window enframements with bracketed lintels ana wide projecting sills, plate glass one-over-one or two-over-two window sash and deep wooden cornices with heavy foliate brackets are common on the Italianate houses found throughout New York City. Other typical forms include floor-length parlor windows, rusticated basements with arched openings, deeply inset double doors, heavy cast-iron balusters ana newel posts, and areaway railings with bold curving forms.. Nos. 144 and 146 Kent Street are good examples of the mode.

In Greenpoint, characteristic elements of the style are brick facades, unenframed round-arched doorways topped by round-arched lintels carried on foliate brackets, segmental-arched windows with eyebrow lintels, two-over-two window sash, and roof cornices with foliate brackets and arched fascias. Rows of these houses on Noble Street (Nos. 128-132) and Kent Street (Nos. 112-124) create rhythmically massed and unified block-fronts of great dignity.

A variant of the Italianate is the far less common Anglo-Italianate style. Whereas most Italianate style houses have high stoops leading to ornate doorways, Anglo-Italianate dwellings have low stoops or English basement entrances. The stoops lead to simple round-arched door enframements set into rusticated brownstone ground floors. These houses are often faced with brick above the ground floor and frequently have segmental or round-arched windows. No. 128 Kent Street is an example of the style, and two rows of houses on Milton Street (Nos. 93-109) and Noble Street (Nos. 119-125) are designed with English basements.

Much more common than the Anglo-Italianate is the French Second Empire style, most strongly identified with the decade of the 1860s. As the name implies, this style originated in Paris during the Second Empire period of the 1850s. As interpreted in the builder tradition, French Second Empire style uses all of the forms and details common to typical Italianate rowhouses but has the added feature of a full-story mansard roof placed above the cornice line of the house. These steeply pitched mansards are clad with slate shingles. The mansards are pierced by dormer windows and are frequently crowned by ornate cast-iron crestings. In many areas French Second Empire houses are more ornate than Italianate style residences, but this is not the case in Greenpoint where the two styles co-exist. Usually the Second Empire house displays the features of an Italianate house but is crowned by a mansard as at Nos. 94-100 Kent Street.

In the 1870s, a new style, the neo-Grec, replaced the Italianate and Second Empire in popularity. The basic form for neo-Grec rowhouses is very similar to that for Italianate rowhouses but in its detailing the neo-Grec house differs from those built in earlier styles. The neo-Grec reflects a movement away from the fluid, curvacous forms of the mid-century period to a sharper, more angular and geometric taste, evident not only in architecture, but also in the decorative arts produced in the 1870s.

The most notable attributes of the neo-Grec style are the extensive use of angular forms and stylized incised carving, which are indicative of the machine technology which became prevalent in America in the last half of the nineteenth century. Innovations in technology led to the advent of machines that could cut decorative elements in stone more cheaply than hand carving. Thus the naturalistic foliate detailing of hand-carved Italianate brackets was replaced by crisply cut angular foliate forms or more abstract geometric designs. Also reflecting the advent of mechanization is the replacement of wooden cornices by pressed, galvanized iron ones. The cornices also reflect the new taste for angularity with stylized brackets cut with incised details. There are particularly fine examples of the style at Nos. 110-114 Milton Street, which are also notable for their exceptional ironwork, Nos. 122-130 Calyer Street, and Nos. 1093-1103 Lorimer Street.

The Queen Anne and Romanesque Revival were contemporary styles popular in the 1800s and both are freer in their design than earlier nineteenth-century styles. Picturesque Queen Anne buildings gain their individuality from a sense of asymmetry, subtle textural relationships, and rich, though often eccentric, ornament. Much of the ornament is classical in derivation, but forms such as triumphal arches, pediments, and swags are used in a distinctive unclassical manner. A recurrent motif is the sunflower, a symbol of homevness. The Queen Anne style originated in England during the 1860s when architects led by Richard Norman Shaw began to design houses which combined Classical, Medieval, Renaissance, Flemish, and other forms in a new and highly original manner.

This style became popular in the United States during the 1800s, particularly for freestanding houses. In the district, examples of this style may be seen at No. 143 Kent Street and the pair of houses at Nos. 122 and 124 Milton Street, all designed by architect Theobald Engelhardt. There is also a long row at Nos. 139-151 Milton Street in a late, modified version of the style. Many of the clapboard, frame houses erected in the 1850s and 1860s during the early phases of residential development were re-sided with shingles in the 1880s. These shingles, known as novelty shingles, were cut and laid up in a picturesque manner in keeping with the tenets of the Queen Anne style. Good examples of this siding may be seen at Nos. 109 and 126 Noble Street and No. 156 Cayler Street.

The American Romanesque Revival was initiated by Henry Hobson Richardson in Boston in 1873 and the style quickly spread throughout the United States and Canada becoming the most wide-spread design mode in the 1880s. The Romanesque Revival style broke away from the smooth monochromatic work of the decades between the 1850s and 1870s, developing highly textured and frequently subtle polychromatic designs. Many Romanesque Revival buildings combine rough-faced and smooth-faced stone with Roman brick and terra cotta. The facades are further enlivened by stained-glass windows, galvanized-iron cornices, bays, oriels, and slate-covered sloping roofs. The buildings tend to be massive, but this is tempered by a picturesque asymmetry. Ornament includes round arches, dwarf columns, stone piers, L-shaped stoops, heavy stone transom bars, and elaborate foliate carving modeled after the ornament found in Byzantine structures.

The colors vary from house to house and within each facade, but they are generally limited to earth tones such as red, orange, brown, gray, and buff. The style was not widely used in the district but there are examples at Nos. 168-172 Franklin Street, No. 112 Noble Street, and No. 128-132 Greenpoint Avenue.

The 1800s had been the heyday of romanticism and the picturesque; in the 1890s there was a reawakening interest in a correct classicism. The World's Columbian Exposition of 1893 in Chicago introduced Americans to the grandeur of the architecture and planning of the ancient world and of the Renaissance, and this resulted in a return to classicism. Architecture in this new style ranged from buildings designed in the most academically correct classical manner to the freest interpretation of Renaissance styles. Two excellent examples of the style are represented in the district; the Mechanics and Traders Bank at 144 Franklin Street, and the Greenpoint Savings Bank at 807 Manhattan Avenue. Within the district, there are a number of flathouses and rowhouses in this style including Nos. 159-163 and Nos. 140-144 Milton Street. *

As the population of Brooklyn increased and as residential neighborhoods developed, a need arose for new institutional buildings, particularly churches, to serve the growing communities and to add a requisite moral tone to each neighborhood. As each rural area grew into a new residential section, new church societies were founded, each having the desire to build an imposing church edifice. Greenpoint was no exception to this trend and in the mid-nineteenth century a number of churches of different denominations were erected in the district. Today, there are six church edifices in the district. They range in style from the Gothic Revival Church of the Ascension built in 1866 on Kent Street to the Victorian Gothic Church of St. Anthony of Padua (1873) on Manhattan Avenue to the Early Romanesque Revival Union Baptist Church of 1863 on Noble Street.

Three other important institutions are the St. Elias Greek Rite Catholic Church on Kent Street, originally built in 1869 and 1879 as the Greenpoint Dutch Reformed Church, St. John's Evangelical Lutheran Church of 1897 on Milton Street, and the Greenpoint Home for the Aged of 1887 on Oak Street.

Fortunately, the architectural quality of Greenpoint has been largely undisturbed since its development. The streets present vistas unchanged since the turn of the century. The district has so far largly avoided the rapid pace of rebuilding and alteration so typical of much of the city. Many of the fine old row-houses and flathouses have been preserved with little change. The graceful Italianate, Second Empire and neo-Grec rows create a unified architectural composition that continues to reflect their appearance in the third quarter of the nineteenth century. A cause for concern today is the "modernization" of houses by the application of spurious veneers. The occasional addition of a roof parapet has almost invariably resulted in the loss of a fine cornice. Stoops have sometimes been removed to provide basement entrances. Such changes and "improvements" create jarring notes in otherwise harmonious rows of houses. Ill-conceived improvements almost always result in an erosion of architectural quality.

Historic district designation of Greenpoint will help to insure the protection of the area's distinctive architectural character.

- From the 1982 NYCLPC Historic District Designation Report

{Explore} Highest Position: 169 on Wednesday, May 13, 2009

I drink dew for wine, and hearken to

The voices of the birds, and dance

To the rhythmic swaying of the grass.

~ Kahlil Gibran (Last 3 Verses)

I was introduced to the works of Kahlil Gibran back when I was in high school by a good friend who knew of my passion for good literature. She gave me The Prophet which is a series of philosophical poetic essays written in english prose. Must have read that book a hundred times and had to buy another one in hardbound since the pages of my old one were already falling apart. Gibran's work has been an inspiration in my writings and in mine own poetry... now a mere shadow of my past.

HPPT my flickr friends. Good evening to those who's homes are now blanketed in a veil of night and good morning to the rest who have already glimpsed the smiling rays of the rising sun.

I recently did an identity concept for an art exhibition titled shifting positions. This is the invitation which doubles as a promotional poster. I totally fell in love with Optima while working on this project.

The final version — which was printed in a different colour hue — can be seen here (PDF). A photo of the finished product is coming up.

The exhibition features the duo Prinz Gholam and Franz Erhard Walther. Curated by Christoph Platz.

camera:Roleiflex T

lens:Tessar75mm f3.5

film:Shanghai

An Estonian soldier assumes a firing position during Saber Strike at Camp Adazi Latvian Military Training Center on June 13, 2014. Saber Strike 2014 is a joint, multinational military exercise scheduled from June 9-20. The exercise spans multiple locations in Lithuania, Latvia, and Estonia, and involves approximately 4,500 personnel from 10 countries. The exercised is designed to promote regional stability, strengthen international military partnerships, enhance multinational interoperability and prepare participants for worldwide contingency operations. (U.S. Army National Guard photo by: Sgt. Sara Marchus, 116 Public Affairs Detachment/ Released)

I know they are mating but in such position is my first time encounter

This is the bellows that I installed a few months ago. I didn't remove it again, but I wanted to start the assembly photos here.

DSC_6781NEF

Lighting furthest from subject = light background

Clark has positioned her camera right at the edge of the shore, capturing the reflection of the sunset and creating a dynamic curve in the shoreline. A large limb, or whole tree sits partially above the water's surface.The matte postcard measures 3.5 inches by 5.5. inches. Stamped on the front is "E.M. Clark Ruthven, IA." The caption reads, "Taken right [west? indecipherable] of our house." Circa 1910. SHSI IC E. M. Clark Coll PA 58

Source: State Historical Society of Iowa, Iowa City

Reproductions and permissions: www.iowaculture.gov/history/research/research-centers/cop...

Mohamed Salah’s Lifestyle 2019 ______________________________________________ Salah Lifestyle : youtu.be/IlGXYN8Gss4 _____________________________________________ Salah Full Name : Mohamed Salah Ghaly Salah Nickname : Egyptian Messi Salah Born : June 15, 1992 (age 26 years) Salah Place of birth : Nagrig, Egypt Salah Height : 1.75 m (5 ft 9 in) Salah Wight : 71 kg (160 lbs) Salah Nationality : Egyptian Salah Profession : Egyptian professional footballer Salah Sports Life Salah Playing Position : Forward Salah Current team : Liverpool Salah Number : 11 / 10 Salah Youth Career : 2004–2005 - Ittihad Basyoun, 2005–2006 - Othmason Tanta, 2006–2010 - El Mokawloon Salah Senior Career : 2010–2012 - El Mokawloon, 2012–2014 – Basel, 2014–2016 – Chelsea, 2015→ Fiorentina (loan), 2015–2016→ Roma (loan), 2016–2017 – Roma, 2017–Liverpool Salah National Team : 2010–2011 - Egypt U20, 2011–2012 - Egypt U23, 2011–Egypt Salah Family Salah Father : Salah Ghaly Salah Brother : Nasr Salah Salah Spouse : Yasmeen saeed (m. 2013) Salah Daughter : Makka Mohamed Salah Salah Net Worth : £35 million Salah Salary : $2.25 Million Salah Awards : Salah House : Salah Car Collection : ______________________________________________ Pervious Video: youtu.be/cQxEJF0A4mo ______________________________________________ Popular Videos: 1.neymar `s Lifestyle : youtu.be/EzAH06XoWxk 2.Lione Messi`s Lifestyle : youtu.be/B5O8RdiX0dg 3.Ronaldinho`s Lifestyle : youtu.be/bZ9_FKfm3so 4.KaKa`Lifestyle : youtu.be/Y4ITdli-oRI 5. Cristano Ronaldo `s Lifestyle : youtu.be/cXXjVEfjCjI 6. David Silva`s Lifestyle : youtu.be/vsBXAsk0EI0 7.Luis Nani Income : youtu.be/NhnJEUcus4A 8. Eden Hazard Lifestyle : youtu.be/p9CpzrUycz4 9. john cena lifestyle : youtu.be/BM3s85t6Kto 10. Higuain Lifestyle : youtu.be/e0fFZUSF7fo 11.Nani Car collection : youtu.be/NwlNHEMrZLc 12.Eden Hazard Car Collection : youtu.be/D1ObwYbLEAM 13.top 10 wwe raw : youtu.be/pTmF3n5PnpE 14.John Cena Car Collection : youtu.be/Vp86Khf6V6c 15.Higuain Car Collection : youtu.be/xo-UIDws0Uw 16.Top 10 Richest Wrestlers : youtu.be/_FXgIMdnG5k 17.top 10 wwe female : youtu.be/XY3k4ivTIUs 18.Dybala lifestyle : youtu.be/9dbslqPul6I 19. isco lifestyle : youtu.be/f5xy6Yo8A34 20.iker casillas lifestyle : youtu.be/KjrKV2HFKcE 21.mario balotelli lifestyle : youtu.be/jb3n0U26Dr4 22.Sergio Romero Lifestyle : youtu.be/FEshIfmg86A 23.robinho lifestyle : youtu.be/ysk3OzSfmpc 24.dybala car collection : youtu.be/YAnbdNf1YAc 25.Victor Valdes Best Saves : youtu.be/KmkgbeC4DZc 26.Xavi lifestyle : youtu.be/mgekAHiZkgY 27.brad pitt lifestyle : youtu.be/u9nMeUL57qo 28.mr. Bean lifestyle : youtu.be/HYG6xKy3rCQ 29.Sergio Busquets skills : youtu.be/v5vo3rSIdWA 30.alex oxlade chamberlain : youtu.be/F27_jUKbHdM 31.Alexis Sanchez Lifestyle : youtu.be/8uV1nR9mDxM 32.Anthony Martial Lifestyle : youtu.be/L3kBy-AWfOs 33.antoine griezmann family : youtu.be/qY55IrE3_sI 34.Cavani skills : youtu.be/eYBZNu5Z-8I 35.David De Gea Best Saves : youtu.be/f5CXhwHzb2M 36.Gianluigi Buffon Best Saves : youtu.be/rlaT4yHjqbQ 37.Harry Kane Lifestyle : youtu.be/JM2zZ8Sjns8 38.Henrikh Mkhitaryan Skills : youtu.be/41_AAE4oDC0 39.Joe Hart Lifestyle : youtu.be/_Ze9IB5wxTw 40.Kevin de bruyne best skills : youtu.be/JPODVJy-dEY 41.Drogba New House : youtu.be/P0pww5wixvE 42.Layvin Kurzawa : youtu.be/xIdyEdrDyYM #MohamedSalah2019 #Salah2019 #lifestyletoday ______________________________________________ Follow Me: Face book Page : ift.tt/2AsL4kE Twitter : twitter.com/Sanaullahshame4 Google Plus Page : ift.tt/2i0QkVS Pinterest: ift.tt/2AsL7wQ Instagram : ift.tt/2i0QlZW YouTube Channel : www.youtube.com/channel/UCtZu0zPk_lKfSanIF_4ShRw Subscribe Me : www.youtube.com/channel/UCtZu0zPk_lKfSanIF_4ShRw?sub_conf... ______________________________________________ Thanks for watching. Hopefully you enjoy. Like this video. Give your valuable opinion or suggestion in comment box. Share this video for your friends And Don't forget to Subscribe! You like mohamed salah 2019.

...I try and go inside and they follow me still at it...

My nephew took this trippy picture - he says they are all just laying down, looking at the clouds. I say Willie shared with his little friends!

Original Felt Alive Needle Felted Wool Sculptures by Kay Petal

I sculpt my characters with wool with a single barbed felting needle. They are fully jointed with seamless (no thread) needle felted joints.

They are 100% solid felted wool. I do not use wire armatures yet my characters can be posed and

positioned very easily while always returning to the same position I created them in. Wool is an amazing sculpting medium!

I am totally addicted to needle felting - I create, I teach, I write...Please visit my profile to learn more about

my adventures into sculptural needle felting!

SONY DSC

At Victory Show 2011

Summit light shows the position of the climbers:

After about 3 hours of ascent, the light is already visible below the summit. Between moonset and sunrise. Ascent since 04:00 a.m. with foto-webcam.eu visible!

Gipfelicht zeigt Position Bergsteiger :

Nach ca. 3 Stunden Aufstieg schon unter Gipfelspitze als Licht sichtbar. Zwischen Moonset und Sonnrise. Aufstieg seit 04:00 h mit foto-webcam.eu sichtbar !

The ground to the left of the castle is where Wellington placed his siege guns.

This is a clearer shot of lines for the position of the siege guns

A photo of Wellington's (actual) map of the operation is now in this set (also in my Maps Set)

www.flickr.com/photos/78586478@N06/7468353828/in/set-7215...

Siege of Badajoz 1812

Peninsular War 1808 - 1814

Polaroid 103

Polaroid 125i

Door to a Machine Gun Position located on the inside, Southeast corner of the Mortar Battery, Fort Hancock, New Jersey.

Fort Hancock Mortar Battery

Consisting of Batteries Reynolds and McCook, the Fort Hancock Mortar Battery was equipped with sixteen 12-inch mortars from the late 1880s through the 1920's before advancing technology made the battery obsolete. Today only parts of the battery are open to the public, and only very limited sections of the internal storage; communication and fire direction facilities are open for special events.

@Office, Guangzhou.

Pixy stretched out!

The third of 10 photos of Pixy in different positions.

Pontefract Races 2016

Pas de victoire pour Tim Merieux cette fois, mais tout de même sur le podium avec une troisième place derrière Ilann Dupont et Cédric Couturier ! Bravo :-)

N'hésitez pas à visiter ma Page Facebook et mon compte 500px !

Pour en savoir plus sur Sonick Photographie, mon site web est là !

Unfortunately, there's a post positioned in such a way that obscures the ability to get a straight-on image of the Windows, even at the 12mm end of my 12–40.

In the early 1970s, when Chagall came to Chicago for work related to his mosaic installed outside Chase Tower, The Four Seasons. In response to the city’s enthusiasm for his work and the Art Institute’s great support, the artist offered to create a set of stained-glass windows for the museum. Over the course of three years, plans were clarified, and in the end, Chagall determined that the windows would commemorate America’s bicentennial. The resulting six-panel work celebrates the country as a place of cultural and religious freedom, detailing the arts of music, painting, literature, theater, and dance. Because of his admiration for Chicago and its strong commitment to public art during the 1960s and 1970s, Chagall chose to dedicate the work to Mayor Richard J. Daley, a great supporter of public art projects. The windows were presented with much fanfare at a formal unveiling, hosted by the Auxiliary Board of the Art Institute, on May 15, 1977. Chagall's America Windows

© Web-Betty: digital heart, analog soul

The bottom panels have been properly positioned on the building jig and will be held to the building jib by drywall screws with wooden washers. These screws will be removed later.

Edit 5/2010: When installing longitudinal bulkheads, a couple of these screws had to be repositioned as they were in the way of a longitudinal bulkhead installation footprint. This was a minor problem thus don't fret about about initial placement of these temporary drywall screws.

Crew / Passengers Rank - If Applicable Position e.g. Pilot Status

Elmer D. Pitsenbarger 1st Lieutenant Pilot Killed

James D. Nendel 2nd Lieutenant Co-pilot Killed

Jack M. Bliss Flight Officer Navigator Killed

Frank Cser Flight Officer Bombardier Killed

Presley E. Farris Technical Sergeant Engineer Killed

Zoe W. Zwinge Technical Sergeant Radio Operator Killed

Frank A. Villelli Technical Sergeant Gunner (Tail) Killed

Curtis Anderson Staff Sergeant Gunner (Waist) Injured

Charles T. Lowbald Corporal Passenger Killed

Clarence S. Watson Corporal Passenger Killed (Missing)

The crew were on a cross country training flight from their home station at Harrington, near Kettering. The route was to have been Base - Goole - Huddersfield - Stafford - Builth Wells - Worcester - Banbury - Base. It was flown that day by another crew who reported very poor visibility in the area around where 42-94841 crashed.

After arriving in the Huddersfield area the 1st Lt Pitsenbarger turned the aircraft towards Stafford, it had drifted by half a mile to the west but was otherwise on course. While flying at 1,600ft the aircraft struck the northern edge of Twizle Head Moss above Holmfirth, the aircraft disintegrated over a short distance and caught fire. The centre section was completely gutted by the fire, and such was the severity of the blaze that Cpl Clarence Watson who was flying as a passenger was never found.

S/Sgt Curtis Anderson had been thrown out of the aircraft when it crashed, and although very badly injured survived.

Text by kind permission of Alan L Clark www.peakdistrictaircrashes.co.uk

It was a pretty even game altogether with the charge of the Hussars being the decisive action. The rebels managed to find 30 points worth of goods -one building was empty. Daniel's groups came up with 40 points. Very few casualties on the Crown sides and the Militia took the most hits losing 5 of their numbers along with Capt Riegell. So overall a narrow victory for the Crown.

Brian, the Militia player had this to say about his role in the game from the perspective of one of his charges:

"The mounted militia showed some initial vim, dashing boldly up the road. But naturally, at the first sight of British regulars, they slinked off into the woods rather than reenforce the Continental light infantry to try and drive them off. Once in the woods, they made some progress until -- God's teeth! More British regulars in the way! So they immediately dismounted and cowered behind a large rock. The Continental light infantry moved up to the milita's left and took the real brunt of the skirmish.

One rifleman was lucky enough to wing British officer, but failed to kill him. Minutes later, this rifleman and a neighbor from nearby farm lay dead, cut down by fire from the bloody backs. The commander Lt. Wolfe gamely attempted to hold his small unit together, but they could not regain the initiative. And as the disciplined British fire began to tell, Wolfe noticed his men creeping slowly back toward their mounts. A final redcoat volley dropped another militiaman, and the rest dashed for their horses to make good their mistake.

Meanwhile, the slovenly foot militia fell upon a local farm hoping to "borrow" needed supplies from the locals. They found root cellars and larders well stocked -- as well as a goodly supply of rye whiskey. Celebrating their good fortune, they failed to notice that a patrol of British Hussars had suddenly appeared in their midst. In a quick and brutal charge, four hussars fell dead, along with two militia. But as the Hussars galloped off, it was noticed that their leader Captain Reigell lay dead, brained by a saber gash.

Having seen enough war for one campaigning season, the remaining militia gathered their dead and as much of the whiskey as they could cram into their wagons and quickly made their way back from whence they came."

Positioning the cannons after unhitching.

These canons are 7.7cm Infanteriegeschütze L/27 according to www.landships.info/landships/artillery_articles.html?load...

Taken at Laon traing ground in July 1917.

Photos from this album are gathered here: flic.kr/s/aHBqjA91gZ

REF: 1-30-9

Strobist Lighting 102 Unit 1.2 Position (Distance).

Sequence shows effect when flash moved right in (~0.25m from subject) and power decreased. Background gets progressively darker since light falls off quickly beyond the subject.

Strobist: f6.7, shutter 1/180th, ASA200. 580EXII flash 1/4 > 1/16 > 1/32 > 1/64 > 1/128.

CP Perry at the apex of the wye with NS's Port Road is protected by what Amtrak refers to as "Position Color Light" signals.

Cincinnati Ballet Academy. A. Enns. (12) 2009

Amaricans in remains of a France house