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¤ On Black ¤
Now that it's Christmas, I will share a special photograph with you.
This is a photo of a bison tromping across the bacterial mat in front of the Grand Prismatic Spring--the largest hot spring in North America, and third largest in the world.
The story goes that I was minding my own business, composing images of the Grand Prismatic, when all the tourists started fussing and massing along the boardwalk above the bacterial mat in front of the hot spring. I didn't pay much attention to them at first, but eventually I had to pull away from the viewfinder to see what the commotion was all about. Wow! A bison was leisurely making his way towards the Grand Prismatic, splash-stomp, splash-stomp, splash-stomp through the pungent water. Me, being totally unprepared for this, swung my tripod around and started tracking him and tripping the shutter.
Shooting through a 2-stop graduated neutral density filter and a polarizer really slowed down my shutter, which explains the subject motion in the leg, tail, and back. Upon closer inspection, it's possible to see the water splashing from his front hoof--very cool!
My favorite areas are the reflection of the bison and the rich hues throughout. I love the layered framing--the cornered sky leading into the hills, which offset the steam rising from the spring; on the bottom the bright oranges are nicely divided by parallel reliefs in the bacterial mat, which have a nice diagonal symmetry with the sky and hill lines. I wish I had time to change to a different lens, or at least remove my filers, but in this unique circumstance, I will take what I can get.
For those wondering where I was, follow this Wikipedia link, and click on the overhead image. In the larger sizes a couple is visible walking along the boardwalk found on the bottom of the image. I was located on the left side of the wider area just above the walkers. The bison was walking from upper-right to lower-left--he never stopped or paid any attention to the legions of onlookers, while he made his way to graze in the Midland Geyser Basin.
Manuscrito del cura Párroco de Yaiza, Don Andrés Lorenzo Curbelo, que relata los acontecimientos desde el comienzo de la erupción hasta que la población de la zona emigró entre 1731 y 1732, ante los continuados procesos volcánicos que se sucedieron.
El 1º de Septiembre (de 1730) entre las nueve y diez de la noche la tierra se abrió de pronto cerca de Timanfaya a dos leguas de Yaiza. En la primera noche una enorme montaña se elevó del seno de la tierra y del ápice se escapaban llamas que continuaron ardiendo durante diez y nueve días. Pocos días después un nuevo abismo se formó y un torrente de lava se precipitó sobre Timanfaya, sobre Rodeo y sobre una parte de Mancha Blanca. La lava se extendió sobre los lugares hacia el Norte, al principio con tanta rapidez como el agua, pero bien pronto su velocidad se aminoró y no corría más que como la miel. Pero el 7 de septiembre una roca considerable se levantó del seno de la tierra con un ruido parecido al del trueno, y por su presión forzó la lava, que desde el principio se dirigía hacia el Norte a cambiar de camino y dirigirse hacia el NW y WNW. La masa de lava llegó y destruyó en un instante los lugares de Maretas y de Santa Catalina, situados en el Valle. El 11 de Septiembre la erupción se renovó con más fuerza, y la lava comenzó a correr. De Santa Catalina se precipitó sobre Mazo, incendió y cubrió toda esta aldea y siguió su camino hasta el mar, corriendo seis días seguidos con un ruido espantoso y formando verdaderas cataratas. Una gran cantidad de peces muertos sobrenadaban en la superficie del mar, viniendo a morir a la orilla. Bien pronto todo se calmó, y la erupción pareció haber cesado completamente.
El 18 de Octubre tres nuevas aberturas se formaron inmediatamente encima de Santa Catalina, que arden todavía y de sus orificios se escapan masas de humo espeso que se extienden por toda la isla, acompañado de una gran cantidad de escorias, arenas, cenizas que se reparten todo alrededor, viéndose caer de todos los puntos gotas de agua en forma de lluvia. Los truenos y las explosiones que acompañaron a estos fenómenos, la obscuridad producida por la masa de cenizas y el humo que recubre la isla forzaron más de una vez a los habitantes de Yaiza a tomar la huida, volviendo bien pronto, porque estas detonaciones no aparecieron acompañadas de otro fenómeno de devastación" .
Comentarios
Explore Jun 27 - 2009 - #390
"So, so you think you can tell Heaven from Hell,
Blue skies from pain.
Can you tell a green field from a cold steel rail?
A smile from a veil?
Do you think you can tell?
And did they get you to trade your heroes for ghosts?
Hot ashes for trees?
Hot air for a cool breeze?
Cold comfort for change?
And did you exchange a walk on part in the war for a lead role in a cage?
How I wish, how I wish you were here..."
Pink Floyd
EXPLORE!
Das Inntal (links) zwischen Schärding (OÖ) und Wernstein. Auf der gegenüberliegenden niederbayerischen Seite die Türme der Vornbacher Klosterkirche und gegenüber von Wernstein das Schloss Neuburg. Ganz hinten sind die Alpen zu sehen.
.First of all credit for this shot goes to Mary who took this on Friday morning while I was struggling to get into work. She took it from our bedroom window and I think it’s a really fine shot (had to say that obviously). Looking at the pic it looks like we live in the middle of nowhere in fact we are fairly close to the City centre, Hull University is just behind the trees. We have lived here 20 years and have never seen it look so wintryTHANKS FOR YOUR VISIT HAVE A GREAT DAY
This was used as our poster! =3
And the cupcake business thing? We finished selling the cupcakes before the allocated time. We're really really happy! This module is NEARLY finally over, just a lot of paper work now X_X
Sigh.
NO SLEEP T_T_T_T_T_T_TT_T_T_T Damn
:::: BIGGER ........is BETTER for your eyes and soul!
:::: Click here to view slideshow of my latest!
:::: Click here for my most Interesting images according to Flickr
:::: Click here for a portfolio slideshow....have a coffee... and relax!
:::: Nature morte...reflexions!!!!, Rouge-Mattawin wildlife reserve, Québec, Canada
Copyright © 2009 Gaëtan Bourque. All rights reserved. Use without permission is illegal.
(n.)*Pacidness
1. a feeling of calmness; a quiet and undisturbed feeling.
Moment of Placidness, Unknown Lake, Labelle, Quebec, Canada.
PixQuote:
"Thousands of tired, nerve-shaken, over-civilized people are beginning to find out that going to the mountain is going home; that wildness is necessity; that mountain parks and reservations are useful not only as fountains of timber and irrigating rivers, but as fountains of life."
-John Muir
....................................................................................................Mejor en grande
También de la sesión ayer con luz natural y sin flash, esta es en otro sector de mi casa, había mas luz, lo cual me permitió congelar mejor las gotas, pero también mas reflejos en el vidrio que tuve que clonar... Llevo mas trabajo de edición que la otra.
Espero les guste!
Que tengan una linda noche y un jueves excelente!!
Besote!
♥
Señores de "Duro de Domar", si van a usar una foto mia en sus informes, tengan la honradez de pedir permiso!
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No usar esta imagen en páginas web, blogs u otros soportes sin mi autorización, © Todos los derechos reservados.
Don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved
“Y estos derechos... a respetarlos, ¿eh? ¡No vaya a pasar como con los diez mandamientos!” (Mafalda)
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Por favor no agregues imágenes demasiado grandes en los comentarios
Please do not add images too large in the comments
Each day during the year, Flickr employs a 'secret' algorithm to select five hundred images for a daily-posted Explore page —all exemplifying some sort of 'interestingness.'
▶ During 2024, Flickr selected seventeen of my images for Explore:
☞ Percussionist in the green was my most viewed, at 10,310 views.
☞ Lanceleaf coreopsis (sepals & petals) was my most 'faved', with 282 'faves.'
☞ Tree falls into winter received the highest position (no. 78 out of 500), selected on 12 December 2024.
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THE FULL LIST
● ROW 1
☞ Tree falls into winter (12 December 2024)
8,534 views; 266 'faves'; 78th/500.
---> This image achieved the highest Explore position of any of my seventeen images selected.
☞ Woodland at Glenn Creek (22 November 2024)
8,766 views; 217 'faves'; 102nd/500.
☞ Purple aster (13 October 2024)
8,992 views; 232 'faves'; 150th/500.
☞ Bird of paradise, against blue wall (13 September 2024)
6,177 views; 188 'faves; 313th/500.
☞ Paddleboard morningtide (28 August 2024)
6,632 views; 128 'faves'; 479th/500.
☞ Strasburg pitches (04) (28 August 2024)
6453; 73 'faves'; 186th/500.
☞ Umbrella in the foliage (12 August 2024)
9,728 views; 171 'faves'; 92nd/500.
☞ Moving Keys (24 July 2024)
7,379 views; 103 'faves'; 351st/500.
*****
● ROW 2
☞ Gnomes' back beat on parade (26 June 2024)
8,358 views; 120 'faves'; 216th/500.
☞ Dancing to the tunes (02) (26 June 2024)
8,514 views; 118 'faves'; 157th/500.
☞ Geese, too? (19 June 2024)
6,882 views; 162 'faves'; 269th/500.
☞ Percussionist in the green (3 June 2024)
10,310 views; 119 'faves'; 85th/500.
---> The most viewed of my 2024 images, 'Explored' or not.
☞ Lanceleaf coreopsis (sepals & petals) (10 May 2024)
9,497 views; 282 'faves'; 98th/500.
---> The most 'faved' of my 2024 images, 'Explored' or not.
☞ Arabia Lake (in early spring) (24 April 2024)
7,658 views; 215 'faves'; 230/500.
☞ Arabia Mountain spring landscape (03) (5 April 2024)
8,822 views; 217 'faves'; 104th/500.
☞ Holy hellebore (5 February 2024)
6,921 views; 207 'faves'; 474th/500.
*****
● ROW 3
☞ Winter beech woodland (12 January 2024)
7,873 views; 210 'faves'; 474th/500.
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▶ WHAT IS EXPLORE?
"Explore is a Flickr feature with the intent of showing you 'some of the most awesome photos on Flickr.' Photos are automatically selected by computer according to a secret algorithm called Interestingness. The top 500 photos ranked by Interestingness are shown in Explore.
Flickr has stated that many factors go into calculating Interestingness: a photo's tags, how many groups the photo is in, views, favorites, where click-throughs are coming from, who comments on a photo and when, and more. The velocity of any of those components is a key factor. For example, getting 20 comments in an hour counts much higher than getting 20 comments in a week.
Is Explore a showcase for the top Flickr photographers? No. It's for photo viewers, not the photographers. It exists so that, at any moment, anyone who wants to view interesting photos can go to Explore and have a reasonable chance of seeing something interesting.
Does that imply that photographs not in Explore are uninteresting? Of course not. Many wonderful photos are uploaded to Flickr each day not selected for Explore. But, to serve its purpose, Explore only includes a small sampling of all of the photos on Flickr, showing photos from many different people to create a diverse selection."
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▶ Collage created by Big Huge Labs
▶ Uploaded by: YFGF.
▶ For a larger image, type 'L' (without the quotation marks).
— Follow on Facebook: YoursForGoodFermentables.
— Follow on Instagram: @tcizauskas.
▶ Commercial use requires explicit permission, as per Creative Commons.
Reached front page on Explore. Thank you all!
An old pier by Rock Ferry, Wirral, on the River Mersey, UK.
Long exposure shot just after sunrise.
Exposure- 237 seconds !
Aperture- F11
ISO 100
Focal length- 14mm.
There is a story behind this image. I'd visited this location 3 times after only recently discovering it about 15-20 minutes drive away.
I managed some nice long exposure shots on the first 2 visits(dawn), but the light wasn't that interesting although the tide was right, and the place looked quite clean and interesting.
On this 3rd trip, the light was looking really quite special, but along with the rising tide which was flowing left to right in the picture was masses of dirty brown scummy looking foam floating on the water!
I guessed rightly that with a very long exposure using my 10 stop ND filter, the foam floating past wouldn't show up. That worked very nicely, but a lot of this stuff had collected just to the left of the jetty, and left a blurry mess in the final image! So I had to clone that area out in photoshop to clean up the image! I only took one shot for this image and made adjustments in Camera Raw.
Thank you all again for your support!
“Clearly
This is what happens when the sensitized skin grease comes into contact with the latent emulsion. According to transitory theory, the luminal will be revealed if development takes place under a FULL MOON! (so) Here we can CLEARLY see the evidence of hidden UFOs and the nuclear tipped thought missiles they are sending directly into heaven
Now—I fooled the Secret Police by Pasting the orginal version on top of all the fucking ART (the others made me put that underneath it all)”
Don’t worry this (voice) is not really me—it is JUST the voice I hear AT night from outside the dust filled window—the voices that ONLY SPEAK when the wind blows Rustles in the tree leaves
www.youtube.com/watch?v=FjO0BCmlxIM
((((you have to check every drop of inkd to make sure it is not
1)a secret police micro dot
2)2) a pizeo static listening device
3) (yes 3!) a piece of your hat brain
----------------- ------- )))))
(iiok
(please don’t look at me!)
I want to make it CLEAR this has nothing to do (or very little) to do with my work with and in the perpetual motion syndicate.
ALSO!
I was never abducted in THAT WAY!
NO, NO, NO – NOT nothing happened
(The white OWL is fucking DISS information
secret police control and propeganda
Don't believe me, check the evidence for your self!
Happy Halloween everyone!
I finally have my photoshop back after three weeks without, so I thought I'd try a different way of editing.
too lazy/tired/jetlagged to go outside to take pictures today. I'll go out tomorrow, though!
207/365
july 26, 2010
thank you Lucy for the testimonial, you really did brighten up my day with your words. :)
Fishing boats on the beach at Torup Strand, Nordjylland in Denmark. The boats are hauled on to the beach.
Hebron (A126). Home port: Torup Strand. Build 1962. Hull: wood. LOA: 11.49 m.
Marianne (HM70). Home port: Torup Strand. Build 1977. Hull: wood. LOA: 11.55 m.
Pia (A65). Home port: Torup Strand. Build 1975. Hull: fiber / plastic. LOA: 8.23 m.
Handheld HDR from three exposures. See it on black.
The whole of the Golconda Fort complex and its surrounding spreads across 11 km of total area, and discovering its every nooks is an arduous task. Visit to the fort comprise seeing the architectural beauty in many of the pavallions, gates, entrances and domes. Parted in four district forts, the architectural valour still gleams in each of its apartments, halls, temples, mosques, and even in its stables. The graceful gardens of the fort may seem to be lost its fragrance, for which it was known 400 years ago, yet a walk in the deceased garden has to be inevitable in your schedule to explore the impression of gone glory of Golconda Fort./wiki
Ephesians 2:4-10
But because of his great love for us, God, who is rich in mercy, made us alive with Christ even when we were dead in transgressions—it is by grace you have been saved. And God raised us up with Christ and seated us with him in the heavenly realms in Christ Jesus, in order that in the coming ages he might show the incomparable riches of his grace, expressed in his kindness to us in Christ Jesus. For it is by grace you have been saved, through faith—and this not from yourselves, it is the gift of God— not by works, so that no one can boast. For we are God's workmanship, created in Christ Jesus to do good works, which God prepared in advance for us to do.
Camera: Canon EOS 5D Mark II
Exposure: 0.006 sec (1/160)
Aperture: f/13.0
Focal Length: 24 mm
ISO Speed: 200
LARGE view and read tags at right.
Enjoy and share well this HOLY WEEK, for He died so EACH of us may live.
___________________
Celebrate St. Patrick’s Day today, tomorrow, and Monday 3.17.2008, by blessing your family and yourself at www.e-water.net/viewflash.php?flash=irishblessing_en
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"If ye love wealth greater than liberty, the tranquility of servitude greater than the animating contest for freedom, go home from u s in peace. We seek not your counsel, nor your arms. Crouch down and lick the hand that feeds you. May your chains set lightly upon you; and may posterity forget that ye were our countrymen." -Sam Adams
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Recipient passes on emailed HEARSAY SECRETS
Blushing at this end from the joy of reading your latest epistle. Twas cool. Improving toward Perfection is a life time goal of many. Never achieved but trying, right? Some need so much help. If we each do our part, maybe Hades will be a little less full during that long eternal party without air conditioning.
Though at any party on this planet, I do not hang with every body. I stay in the corner, spy a few prior acquaintances or friends, and talk the night away. I am not too much on meeting and making great new friends from a large crowd. In fact, few parties do I attend. Who needs that or them? I am busy partying on Flickr.
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Scripture Needs to Be Read Spiritually, Says Preacher
Delivers Final Lenten Meditation for Pope and Curia
ROME, MARCH 14, 2008 (Zenit.org).- Scripture is not only inspired by God, but also "breathes forth God," that is, the Holy Spirit inhabits Scripture and animates it, says the preacher of the Pontifical Household.
Capuchin Father Raniero Cantalamessa said this today in the Lenten meditation he delivered to Benedict XVI and the Roman Curia in the Redemptoris Mater Chapel of the Apostolic Palace.
The sermon was the last in a series of meditations the preacher gave this Lent.
The series, titled "The Word of God Is Living and Effective," reflects the theme of the next Synod of Bishops on the word of God, to be held in October.
Father Cantalamessa spoke about the two meanings implied by 2 Timothy 3:16 "all Scripture is inspired by God."
He explained that the more common meaning is the "passive" one, referring to the way that God directed the writers of the holy texts.
The second meaning, the preacher explained, is "active": Scripture, is not only "inspired by God" but also "spirates God." "After having dictated the Scripture, the Holy Spirit is in a way contained within it; he ceaselessly inhabits it and animates it with his divine breath."
Setting him free
Father Cantalamessa then asked, "How do we approach the Scriptures in a way that they truly 'free' the Spirit that they contain?"
He said that "in Scripture, the Spirit cannot be discovered if not by passing through the letter, that is, through the concrete human vesture that the word of God assumed in the different books and inspired authors. In them the divine meaning cannot be discovered, if not by beginning from the human meaning, the one intended by the human author, Isaiah, Jeremiah, Luke, Paul, etc. It is in this that we find the complete justification of the immense effort in study and research that surrounds the book of Scripture."
But, Father Cantalamessa affirmed, there is a "tendency to stop at the letter, considering the Bible an excellent book, the most excellent of human books, if you will, but only a human book. Unfortunately we run the risk of reducing Scripture to a single dimension."
The Pontifical Household preacher pointed to a sign of hope: "That the demand for a spiritual reading of Scripture and one guided by faith is now beginning to be felt by some eminent exegetes."
The Capuchin urged a furthering of this "spiritual reading."
He explained: "To speak of the 'spiritual' reading of the Bible is not to speak of an edifying, mystical, subjective, or worse still, imaginative, reading, in opposition to the scientific reading, which would be objective. On the contrary, it is the most objective reading that there is because it is based on the Spirit of God, not on the spirit of man.
"Spiritual reading is therefore something that is quite precise and objective; it is the reading that is done under the guidance of, or in the light of, the Holy Spirit that inspired Scripture. It is based on a historical event, namely, the redemptive act of Christ which, with his death and resurrection, accomplishes the plan of salvation and realizes all of the figures and the prophecies, it reveals all of the hidden mysteries and offers the true key for reading the Bible."
Toward all truth
Father Cantalamessa said that this "spiritual reading" of Scripture applies to both the Old and New Testaments.
"Reading the New Testament spiritually means reading it in the light of the Holy Spirit given to the Church at Pentecost to lead the Church to all truth, that is, to the complete understanding and actualization of the Gospel," he said.
The preacher affirmed that spiritual reading both integrates and surpassed scientific reading: "Scientific reading knows only one direction, which is that of history; it explains, in fact, that which comes after in light of that which comes before; it explains the New Testament in the light of the Old which precedes it, and it explains the Church in the light of the New Testament.
"Spiritual reading fully recognizes the validity of this direction of research, but it adds an inverse direction to it. This consists in explaining that which comes before in the light of that which comes after, prophecy in the light of its realization, the Old Testament in the light of the New and the New in the light of the tradition of the Church."
Father Cantalamessa contended, then, that "that which is necessary is not therefore a spiritual reading that would take the place of current scientific exegesis, with a mechanical return to the exegesis of the Fathers; it is rather a new spiritual reading corresponding to the enormous progress recorded by the study of 'letter.' It is a reading, in sum, that has the breath and faith of the Fathers and, at the same time, the consistency and seriousness of current biblical science.
The Pontifical Household preacher ended his reflection with a word of hope regarding a return to a spiritual reading like that of the Church fathers.
The Capuchin said "from the four winds the Spirit has begun unexpectedly to blow again" and we "witness the reappearance of the spiritual reading of the Bible and this too is a fruit -- one of the more exquisite -- of the Spirit."
"Participating in Bible and prayer groups, I am stupefied in hearing, at times, reflections on God's word that are analogous to those offered by Origen, Augustine or Gregory the Great in their time, even if it is in a more simple language," he said. "Let us conclude with a prayer that I once heard a woman pray after she was read the episode in which Elijah, ascending up to heaven, leaves Elisha two-thirds of his spirit.
"It is an example of spiritual reading in the sense I have just explained: 'Thank you, Jesus, that ascending to heaven, you do not only leave us two-thirds of your Spirit, but all of your Spirit! Thank you that you did not give your Spirit to just one disciple, but to all men!'"
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EXPLORE # 298, 381, 432 on 3-17-2008, after being on initial list on Sunday, March 16, 2008.
Entrevista no Digiforum:
www.digiforum.com.br/viewtopic.php?t=78078
Paranapiacaba - São Paulo - Brasil
I've been a bokehddict for some time now. I started off just doing the odd one here and there. Nothing dangerous, I thought. I can cope with this. I could stop anytime. I had the right kind of lens, that's all - but when I look back now, I can see that everything was just right to encourage it, to feed the habit.
And then it all started to get more frequent. It might be every other day. Then every day. Then most shots. It was just bokeh, bokeh, bokeh.
Then I fell in with some others. They were addicts too. And it was all good, you know? There wasn't any problem. We would all bokeh together. There was a site for it! We had groups where we'd bokeh. Lots of groups. Special days for special kinds of bokeh. But we thought there was nothing wrong with it! We'd celebrate the really good stuff. Breath it in and inhale it, bokeh after bokeh after bokeh after bokeh! Such a rush when those sparkles just fell into place, when that hazy background smoothly showed just what I wanted.
And now? Now I can't stop. I need that bokeh fix. I have to make those spots show me their worth. I plead with them to give me what I want. I'm dreaming in little dots of light.
My name is harold. I need help.
Best Viewed BLACK
Taken Saturday morning following our temple run.. the B/W mini khlong series . The Prawet Burirom is unique in that it dates back to 1877 and part of a network that extends 46KM..in an around BKK.. The kids we bathing in the khlong and were far from hostile.. as can be seen
Canal life has long been a part of Thai culture. The Europeans used to call Bangkok "Venice of the East". That was fifty years ago, when Bangkok still had hundreds of canals (klongs). In the mid-nineteenth century, the mighty Chao Phraya River flowed through a city with two-thirds of its residents living on floating houses. Then they started filling in and paving over the canals, to make roads.
Today there are many fewer klongs and most people take the roads instead of the waterways, but a klong is still an attraction. The many klongs that snake through Bangkok offer multiple opportunities and provide a unique look into the everyday lives of the population.
Many Thais live along the waterways, in small wooden houses that rise out of the water on wooden stilts. As you pass by, you can see them doing laundry or bathing while small children are playing. They are wonderful people..
Long flat boats can be seen laden with exotic produce and colorful fare plying the waterways as they have done for centuries. This pic depicts in some ways a feel for life as it was decades ago. Truly impressive ... and hot.. :-) enjoy my man in blue (MIB).. LOL..
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Prise lors de ma sortie de Samedi.. cette photo lance une mini serie sur la vie et les images que l'on peut trouver le long des canaux renommes de Bangkok.. On s'est bien amuse a marche sur pres de 6 Km. A vous maintenant de decouvrir et la serie continue.. .. On a rencotrer les gamins qui s'amusaient dans la flotte du canal. Cliche N/B.. d'autres a venir..
Bon Mardi a toutes et a tous.. :-)
I love white roses and so this bouquet made me so happy, so I wish to share with you ...for dear Chris , a great co-adm and flickr friend for her Birthday which falls just on the St. Valentine's day - I wish you the best joy , love, health and serenity .... so to all of you also a very Happy Valentine's Day , full of Happiness and Love as well as nice begging of the week (and do remember EVERYDAY is or can be Valentines Day) ... Do enjoy!
Do enjoy Mozart: www.youtube.com/watch?v=df-eLzao63I&feature=related
Don't use my pictures on websites without prior authorization! They are protected by copywrith ◄
I am sorry but I am a mostly OFF - so I cannot comment on all of you but will catch up as soon as I can,I am so behind and busy -
MY GETTY COLLECTION HERE
www.gettyimages.com/search/search.aspx?assettype=image&am...
VIEW MY WEB SITE AND SHOP HERE
Here is my first published work even though did it as a freebie its great seeing your work on a web site
www.thewhitehartvillageinn.com/index.html
Here is the flickr set
Giralda - Sevilla (Spain).
ENGLISH
The Giralda is the bell tower of the Cathedral of Seville in Seville, Spain, one of the largest churches in the world and an outstanding example of the Gothic and Baroque architectural styles. The tower is a former Almohad minaret which, when built, was the tallest tower in the world at 97.5 m (320 ft) in height. It was one of the most important symbols in the medieval city.
The tower, an ancient minaret from the Almohad mosque of Seville, is constructed in several distinct parts from different cultures. The Islamic body is the oldest part. It was built in 1184 under the orders of the Caliph Abu Yusuf Ya'qub al-Mansur by the architect Ahmad ibn Baso and finished by Abu-l-Laith As-Siqilli in 1198. Several old buildings, including Roman stones from the ruined city of Italica, were reused to provide construction materials. The Giralda has no stairs; instead, 34 ramps are used to ascend the tower. The ramps were sufficiently wide for the muezzin to ride a horse to the top of the tower to recite the Adhan (call to prayer).
The copper sphere that originally topped the tower fell in an earthquake in 1365. Christians replaced the sphere with a cross and bell. Later, in the 16th century, the architect Hernán Ruiz designed an belfry extension to convert the minaret to a bell tower. At the top of the extension stands a statue representing Faith. According to tradition, Saints Justa and Rufina, the patronesses of Seville, are also the protectors of the Giralda.
The statue stands 4 m (13 feet) in height (7 m (23 ft) with the pedestal) and has crowned the top of the tower since its installation in 1568. The statue was originally called the Giralda ("weathervane") since it twists with the wind on a weathervane. With the passage of time, the tower became known as the Giralda while the statue took the name Giraldillo.
The Renaissance section of the tower also contains a large inscription of Seville's motto, NO8DO. Alfonso X of Castile gave the motto to the city when it continued to support his rule during an insurrection. A rebus, the motto means no me ha dejado or "it did not abandon me" in reference to Seville's loyalty during Alfonso's civil war against his son, Sancho IV.
Covering the top of the tower is the "Lily section" of the tower. This surrounds the enclosure with the bell. In this section, located near the top of the tower, each corner has a basin containing bronze lilies. Below the statue of Faith sits a dome covered with stars.
The Giralda has several sister towers. The same architect, Jabir, who built the Giralda also built similar towers in what is now Morocco. The tower of the Koutoubia Mosque in Marrakesh served as a model for the Giralda and its sister, the Hassan Tower in Rabat. Several church towers in the province of Seville also bear a resemblance to the tower, and may have been inspired by the Giralda. These towers, most notably those in Lebrija and Carmona, are popularly known as Giraldillas. Several replicas of the Giralda have been built in the United States: one, now destroyed, in Madison Square Garden in New York and another in Kansas City. The clock tower of the Ferry Building in San Francisco is also based on the Giralda. The clock tower at the University of Puerto Rico's Rio Piedras campus was also inspired by the Giralda.
Source: en.wikipedia.org/wiki/Giralda
----------------------------------
CASTELLANO
La Giralda forma parte de uno de los edificios más representativos de Sevilla, la catedral, la más grande del mundo y verdadera joya del gótico y barroco.
En su día fue la torre más alta del mundo con sus 97,5 m de altura y actualmente es la torre más alta de la ciudad de Sevilla y una de las construcciones más famosas de esa ciudad y de toda Andalucía.
La torre, antiguo alminar de la mezquita almohade de Sevilla, está constituida por varios cuerpos diferenciados aunque perfectamente unidos mostrando un ejemplo perfecto de la riqueza del crisol de culturas existente en la ciudad. El cuerpo musulmán es el más antiguo, fue construido en 1184 por orden de Abu Yaqub Yusuf y para su construcción, tal y como se puede apreciar en su base, se emplearon los restos de algunos edificios y sillerías romanos. Se basó en el alminar de la mezquita Kutubia (70 metros) de Marrakech, (Marruecos) y considerada obra maestra del arte hispano-magrebí. También se la considera hermana de la gran Torre Hasan (60 metros) de Rabat.
Como curiosidad cabe destacar el hecho de que la Giralda no tiene escaleras, sino 35 rampas suficientemente anchas para permitir que el sultán subiera por ellas montado a caballo para ver la bella estampa que se divisa.
A raíz de un terremoto ocurrido en 1365 se perdió la antigua esfera original de cobre que coronaba la torre, que fue sustituida por un sencillo alminar. Posteriormente en el siglo XVI se añadió el cuerpo de campanas. Este cuerpo, a cargo del arquitecto cordobés Hernán Ruiz, fue encargado por el cabildo catedralicio con un remate en forma de estatua que representa la Fe.
Originalmente este era el nombre que tenía la figura de la Fe de más de 4 m de altura (7 con el pedestal) que corona el minarete de la catedral de Sevilla y fue instalado en 1568. El nombre de Giralda proviene de los giros que se producían en la figura con los cambios de viento, pues hace las veces de veleta. Con el paso del tiempo, ese nombre pasó a denominar al propio minarete, conociéndose la figura como el Giraldillo.
El siguiente cuerpo que tiene encima del de campanas es el cuerpo de las azucenas, que cuenta con cuatro jarras de azucenas de bronce, una en cada esquina, obras magistrales del conocido y recientemente fallecido orfebre Fernando Marmolejo Camargo, que incluso tuvo el honor de colocarlas por lo que se le conoce cariñosamente como "el prioste de la Giralda". Y encima de este existe otro cuerpo más de arquitectura renacentista formado por el cuerpo de carambolas, cuerpo de estrellas cúpula y cupulín y sobre éste la estatua de la Fe.
El 29 de diciembre de 1928, fue declarada Patrimonio Nacional; en 1987, integró la lista del Patrimonio de la Humanidad.
Más info: es.wikipedia.org/wiki/Giralda
www.facebook.com/album.php?aid=2078841&id=1057635838&...
KILKENNY CITY, IRELAND.
all rights reserved.
A LINK TO MY GALLERIES WITH KILKENNY PHOTOGRAPHIC SOCIETY.
www.pbase.com/kilkenny_photo_society/edward_dullard
Do not use this image on websites, blogs or other media without my permission.
© All rights reserved.
A LINK TO MY PERSONAL GALLERY ON PBASE
weedle.com/edward.dullard
Ver en grande sobre fondo negro
Pues si, ya de vuelta entre vosotros y con ganas de ponerme al día y ver vuestras tomas y como no, enseñaros la mías. Esta toma es un espectacular ocaso que he tenido la suerte de disfrutarlo con tres grandes personas y mejores amigos en Sanlucar, estas tres grandes personas son Marisa Vicario, Pepe Valencia Trillo y Eduardo de los Reyes. ¿Os imagináis estar en esta compañía y además ver esta atardecer? No se puede pedir más de verdad os lo digo.
Mañana pondré unas fotos de esa QDD que se hizo en Sanlucar y que de verdad ha sido un día que jamás olvidare, al igual que toda mi estancia en Andalucía y Ceuta.
Bueno espero que sea de vuestro agrado.
Un beso para vosotras y un abrazo para vosotros.
Today I began a series at the Riverside Cemetery of Saddle Brook, NJ. I have never done this type of shooting before, and generally try to spend as little time as possible in a cemetery, considering that sooner or later I will do so permanently--anyway. :-)
Unless the light is of dramatic quality, most of the shots are pedestrian and forgettable.
But the beauty of Photoshop lies in its ability to facilitate emotional content in our images. And sometimes an image which finds itself inside the circular file gets a reprieve based on a second, thoughtful look. Such is the case with this one.
I love how the Ivy encroaches on this graveside, but also feel a twinge of sadness for a forgotten person with no more connection to succeeding generations. In many ways that is a more final death.
Excerpt from www.lecinqueterre.org/eng/arte/montebattista.php:
THE CHURCH OF SAINT JOHN THE BAPTIST
The church of San Giovanni Battista was built between 1244 and 1307, the date inscribed on a rock in the second column on the left looking towards the altar. Remodeled in the Baroque period and more recently between 1963 and 1964, it is a splendid example of Genoese Ligurian Gothic.
The façade is made of alternating vestments of white marble and dark green serpentine, with a slightly splayed pointed portal, flanked by a double pair of marble columns and surmounted by a lunette with an 18th century fresco depicting the Baptism of Christ. The splendid central rose window in white marble is a splendid example of ornate Gothic, attributed to Matteo and Pietro da Campiglio. From the central button, eighteen smooth and twisted columns radiate alternating from which intertwined trefoil arches branch off.
With a basilica plan with three naves, it has a progressive narrowing of the width of the aisles towards the entrance, with the dual effect of creating a perspective illusion and favoring the propagation of sound waves. Inside are preserved the baptismal font from 1360, a canvas of the Madonna del Rosario from the school of Luca Cambiaso, a painting depicting the Crucifixion by an unknown artist, probably a Genoese painter from the 17th century and the high altar from 1734. One of the columns bears an inscription engraved in medieval characters.
The bell tower with Ghibelline battlements rises alongside the apse area, an ancient medieval control tower with a rectangular plan, opened by Gothic mullioned windows with arches decorated with denticles, raised in the 15th century and remodeled in the 18th century after an earthquake.
So this field was supposed to be covered in bluebells right now, however, my town seems to be behind with the rest of the UK and is still currently green. I've been wanting to incorporate more movement to my work lately, and this was inspired by a couple of sources:
-the advert for Calvin Klein's "Euphoria"
- Miss Aniela (Nat's) work involving movement in particular
- Season 13 of ANTM when they all did a shoot with scarves
Anyway, hope you like the outcome!
Outtakes, behind the scenes & before/afters can be found on twitter and the blog!
twitter / blog / website! / formspring / facebook
Explored #85. Thanks!
Dear friends, a quick hello from Helsinki where I am traveling now. Yesterday I had a great night photo outing with local flickr buddy and excellent landscape photographer Rob Orthen. We will go out together again for a sunset and sunrise shooting.
I am on a busy schedule here so won't have much time to visit your streams. Sorry about that!
Helsinki Set | Digital Blending Set | Night Photography Set | Most Interesting shots
"Feels like you're miles from here,
in other towns with lesser names.
Where the unholy ghost doesn't tell
Mary or William exactly what they want to hear.
You remember the house on Ridge Road
told you and the Devil to both just leave me alone.
If this is salvation, I can show you the trembling.
You'll just have to trust me. I'm scared.
I am the patron saint of lost causes.
Aren't we all to you just near lost causes?
Aren't we all to you just lost
Tommy, you left behind
something that will mean everything right before you die.
What if you gained the whole world?
You've already lost four little souls from your life.
Widows and orphans aren't hard to find.
They're home missing daddy who's saving the abandoned tonight.
Wish your drinking would hurry and kill you.
Sympathy's better than having to tell you the truth.
That you are the patron saint of lost causes.
All you are to them is now a lost cause.
All you are to them is now, causes.
Billy, don't you understand?
Timothy stood as long as he could and now
you made his faith disappear.
More like a magician and less like a man of the cloth.
We're not questioning God.
Just those he chose to carry on His cross.
We're no better, you'll see.
Just all of us, the lost causes.
Aren't we all to you just lost causes?
Are we all to you lost?
Lost causes
So all we are to you,
Is all we are, is all we are
All we are is all we are
Patron Saint, are we all lost like you?
Take what you will and leave.
Could you kill, could you kill me
If the world was on fire
and nothing was left but hope or desire
And take all that I could require, is this love?
Or am I on the floor over-desperate?
Hold hands streaming of blood again?
And then take full weight of me
Guard my dreams, figure this out,
It's me on my own. Helpless, hurting, hell.
Will you stay strong as you promised?
Cause I'm stranded and bare.
Meanness is washed up and all that I have
is God. Take this and all,
Then grace takes me to a place
Of the father you never had
Ripping and breaking and tearing apart
This is not heaven
This is my hell."
Song: Fin
Played by: Anberlin
Heard this song coming home tonight, and while alot of the words are of Stephen Christian's own personal life experiences, the message and meaning behind this song hit me pretty hard, so i figured instead of going out and ruining it with a self portrait again, ill just do my regular post for today and share the song so you can listen and see if you like it or not. its basically about the dangers of putting your hope in wolves wearing sheep's clothes, and the last few lines are about the pain of purification and the suffering he endured for his faith.
This is another shot from the "secret" spot that John and i went to last week. have a great tuesday everyone!
Caillou de Soques, Pyrénées-Atlantiques (France).
ENGLISH
The vanishing hitchhiker (or phantom hitchhiker) is a reported phenomenon in which people travelling by vehicle meet with or are accompanied by a hitchhiker who subsequently vanishes without explanation, often from a moving vehicle. Vanishing hitchhikers have been reported for centuries and the story is found across the world, in many variants.
The archetypal modern vanishing hitchhiker is a figure seen in the headlights of a car travelling by night with a single occupant. The figure adopts the stance of a hitchhiker. The motorist stops and offers the figure a lift. The journey proceeds, sometimes in total silence, and at some subsequent point the passenger appears to vanish while the vehicle is in motion.
A common variant on the above involves the vanishing hitchhiker departing as would a normal passenger, having left some item in the car, or having borrowed a garment for protection against alleged cold (whether or not the weather conditions reflect this claim). The vanishing hitchhiker can also leave some form of information that allegedly encourages the motorist to make subsequent contact.
In such tellings, the garment borrowed is often subsequently found draped over a gravestone in a local cemetery. In this and in the instance of 'imparted information', the unsuspecting motorist subsequently makes contact with the family of a deceased person and finds that their sometime passenger fits the description of a family member killed in some unexpected way (usually a car accident) and that the driver's encounter with the vanishing hitchhiker occurred on the anniversary of their death.
More info: en.wikipedia.org/wiki/Vanishing_hitchhiker
----------------------------
CASTELLANO
La autoestopista fantasma es una leyenda urbana. Al igual que la mayoría de estas historias, no tiene un origen definido y está dispersa por una extensa área geográfica. Aunque hay muchas versiones del relato, todas coinciden en que gente viajando en vehículos se encuentra con autoestopistas que luego desaparecen sin explicación alguna, generalmente en el propio vehículo en movimiento.
La leyenda circula desde hace siglos, y ha ido adaptándose a los cambios en el sistema de transporte. En las versiones más antiguas, la joven paraba a los jinetes para que la subieran al carruaje, o a la grupa de su caballo.
La leyenda cuenta que una joven vestida de blanco con un vestido rasgado (a veces de novia y otras de luto) se manifiesta frente a los viajeros a la vera de los caminos, por lo general cerca de una curva peligrosa. Les pide a éstos que la lleven; cuando sube, se dice que transcurre un tiempo en absoluto silencio hasta que ella, misteriosamente, desaparece del vehículo en movimiento. Se suele contar luego que el viajero termina enterándose que la mujer había muerto en un accidente o de alguna forma trágica. La versión que la viste con traje de bodas afirma que murió con su novio.
El propósito de la aparición varía: en ocasiones, alerta al conductor sobre una curva peligrosa, precisamente aquella en la que murió; otra veces, causa la muerte del conductor, al no alertarle del peligro de la curva. Actualmente circulan múltiples versiones de la leyenda, identificadas con títulos como La chica de la curva, La curva de la muerte, La muchacha del baile, La mujer de blanco, etc.
Mejor pincha aquí para ver en grande sobre negro o pulsa 'L'.
Better click here to view this large on black or press 'L'.
© Derechos de Autor. Esta fotografía no podra usarse sin mi consentimiento escrito.
© All rights reserved, don´t use this image without my permission.
Huesca: Album/Set
Castillos/castles: Album/Set
Paisajes/landscapes: Album/Set
Panoramics: Album/Set
Explore: 16 Jan 2011 in # 9 [Frontpage]
Canon 450D + CANON EF24-105 4L IS USM, @24mm, 1/40 sec, f/22, ISO 100
No Tripod, Date 04/08/2010 19:28:20
Panoramica compuesta por dos tomas, de la cara oeste del Castillo de Lorarre.
Panoramic of two shots, of the west side of Loare´s castle.
Hoy hace un año de mi comienzo en flickr, comienzos casi siempre duros, sino conoces gente que esté introducida en este pequeño mundo. Yo creo que flickr es un cajón en el que hay miles de buenas fotos y personas, que están por descubrir. Mención especial quiero hacer a mi cuñado Jesús, quien me introdujo en este mundo de flickr y me ayudo en mis comienzos.
Quiero agradecer a todos los que vitáis mi galería con asiduidad, a los que la han visitado en alguna ocasión, a los que os gusta comentar, etc... Porque gracias a todos tengo las fuerzas y la motivación para seguir adelante.
Esta fotografía que os quiero mostrar, posiblemente representa una de las variantes fotográficas que más me gusta. En exteriores, donde en gran medida intervienen las condiciones climatológicas y tienes que conjuntarte con ellos para conseguir algo irrepetible. Llevo un tiempo pensando en la fotografía que quería subir este día, y después de varias candidatas esta ha sido la elegida, el resto de ellas están o estarán pronto en mi galería.
En este tiempo, he tenido encuentros y desencuentros, pero sobre todo buenos momentos. He conocido a un grupo de personas con las que he tenido una mayor afinidad y ha crecido una bonita amistad, de la ahora estoy muy orgulloso. Entre ellos están Gema, Eber, Pilar, Teresa, Toñy, Anna, Nathalie, Javi, Raúl, Juanma, Jesús, Rafael, Jesús CM. Con algunos he compartido técnicas, opiniones o simplemente momentos inolvidables e incluso en algún caso conocernos en persona.
Espero seguir compartiendo con todos mi forma de ver las cosas bajo el prisma de mi cámara. Yo como apasionado de la fotografía, disfruto viendo vuestras fotografías, e incluso en muchos casos aprendo de vosotros.
English:
Today makes it a year since I opened my Flickr account. It is always difficult to begin in a place like this when you don't know anyone who has been around here for a while. I believe Flickr is like a big drawer where there are thousands of good photographs and people to be discovered. I'd like to thank my brother-in-law Jesús, who introduced me to Flickr and helped me in my beginnings.
I would also like to thank all the people who visit my photostream regularly, those who visit it occasionally, those who like leaving comments, etc.... because thanks to all these people I have the strength and the motivation to keep going.
This picture that I want to share with you, possibly represents one of the photographic variations I like the most. It's taken in the open, where the weather conditions play an important part and you have to adjust to them to capture something special. I have been thinking for a while which picture I would like to publish today and this has been my choice; the rest of the pictures that were in my final selection will also be published soon.
In this past year I have had good times and also misunderstandings. I got to know a group of people with whom I've shared more and become friends, of which I am very proud; among these: Gema, Eber, Pilar, Teresa, Toñy, Anna, Nathalie, Javi, Raúl, Juanma, Jesús, Rafael, Jesús CM. With some of them I've shared techniques, opinions or simply special moments and I have even met a few in person.
I hope to be able to go on sharing the world as I see it through my camera lense. Being myself passionate about photography, I enjoy looking at your pictures and in many cases, learning from you.
Happy Furry Friday!
much more fun larger and on black
Harlequin Great Danes
thank you for the spotlight
:)
I've hear a lot of hard luck stories in the past 36 hours. Random interactions with cabbies and short order cooks. People out of jobs, down on their luck, and low on faith. This guy, who mumbled "canyouspare" with such a thick Indian accent that it sounded like a ritual chant, stopped me in my tracks. When he saw me with the camera he stopped his lilting repetitions and shouted, "TAKE MY PICTURE!" Loud. So loud people -- New Yorkers -- up & down the block stopped and held their breath for a second. I stared at him, trying to determine whether he meant to stick a "DON'T" in front of that order. And then he said, "I just want to be remembered. Take it."
And I gave him the change in my pocket.
Explored!
Listen No Te Olvides de Mí - Diana Navarro
¡Ay que ver, como quema la luna¡
cuando tu no estas aquí
como pesa la noche en mi cama
si me acuerdo de ti
¡ay que ver, como duele en mis venas¡
el amor que te dí
el sabor de mis últimas penas
que pené para ti
iaiaiaiaiaaaaaaa
no te olvides de mí
iaiaiaiaiaaaaaaa
aaaaaa
¡ay que ver, como mata el dolor¡
el frio y el calor
como sabe de ingrato el sabor
del amor
aaaaaaaaaaaaay
aaaaaaaaaaaaay
aaaaaaaaaaaaaay
¡ay que ver, como amargan los besos¡
que al final me perdí
como matan aquellos recuerdos
que se acuerdan de ti
iaiaiaiaiaaaaaaa
no te olvides de mí
iaiaiaiaiaaaaaaa
aaaaaa
aaaaaaaaaaaay
aaaaaaaaaaaay
iaiaiaiaiaaaaaaa
no te olvides de mi
iaiaiaiaiaaaaaaa
iaiaiaiaiaaaaaaa
aaaaaa
This woman has to be admired for having one of the most amazing voices in Spain. Traditional Spanish songs are reborn with her incredible range and phrasing. She is a Spanish Nana Mouskouri. God bless her!!
The first news of which has its existence dates back to 978. Around the church of Sant Marti, as documented by the year 1088 began to wake up the first houses in this picturesque town that even today retains all its medieval charm.
Historically, work in the field was the main dedication of its people; particular importance was conreo of grapes, from the eighteenth century shifted more traditional forms of agriculture. This was a particularly arduous task given the characteristics of the mountainous terrain, settled in part by building jars at the foot of vineyards, which were used for the storage of must and grapes. Already into the nineteenth century, the phylloxera conditioned conreo and resulted in a significant decline in population. Another important task, until mid-twentieth century, was the development of charcoal, until such time as the electricity found their disappearance. Since then, its people were devoted to another kind of work in line with the changing times. It set up a textile factory in the early twentieth century, which was in operation until the year 1964. Logically, closing it was important socio-economic consequences on the lives of the people, determining the migration of population towards the industrial cities or to neighboring towns. Since then, the physiognomy of Mura se ha ido transforming into a large number of people with second homes, laying the groundwork for a tradition tourist potential. Precisely for the new work and revenue earned from tourism, was very relevant to the creation of the Natural Park Sant Llorenç del Munt i l'Obac, in 1972. Since then increased the number of tourists and visitors. Nobody is aware that, as in many other municipalities of Catalunya, tourism could ensure the future of the people so that asentare solidly its core population.
In Wordpress In Blogger photo.net/photos/Reinante/ In Onexposure