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On black

Evening jogger refreshing himself under the water sprays at Paris Plages. Inspired by Paris Steve's.

 

Part of "A stroll in Paris"

:: BIGGER is......... largely ......recommended!

 

The Brittany is still commonly referred to as the Brittany Spaniel, despite the AKC's official removal of "Spaniel" from the breed name in 1982 (read more about this in the history section). The Brittany is quick and curious with an abundant love for running, hunting, and playing. The dog’s good nature and natural eagerness to please make it a great companion pet, but potential owners should be aware that the breed requires plenty of exercise – let your Brittany roam in open areas whenever you can, especially with other dogs. The Brittany is highly trainable and obedient but is also very sensitive to reprimand; take care not to chastise your Brittany too roughly, or it may become shy and fearful. The dog is a natural socializer and gets along exceedingly well with other dogs and children, though small children should never be left alone with a Brittany as the dog’s natural energetic play could cause the child accidental harm.

 

:: One by One view on black!

 

My :: MOST INTERESTING images according to Flickr!

 

If you have a few minutes, a slideshow......... :: For your eyes only!

 

:: Brittany / Épagneul Breton

Copyright © 2008 Gaëtan Bourque. All rights reserved. Use without permission is illegal.

   

Excerpt from www.lecinqueterre.org/eng/arte/montebattista.php:

 

THE CHURCH OF SAINT JOHN THE BAPTIST

 

The church of San Giovanni Battista was built between 1244 and 1307, the date inscribed on a rock in the second column on the left looking towards the altar. Remodeled in the Baroque period and more recently between 1963 and 1964, it is a splendid example of Genoese Ligurian Gothic.

 

The façade is made of alternating vestments of white marble and dark green serpentine, with a slightly splayed pointed portal, flanked by a double pair of marble columns and surmounted by a lunette with an 18th century fresco depicting the Baptism of Christ. The splendid central rose window in white marble is a splendid example of ornate Gothic, attributed to Matteo and Pietro da Campiglio. From the central button, eighteen smooth and twisted columns radiate alternating from which intertwined trefoil arches branch off.

 

With a basilica plan with three naves, it has a progressive narrowing of the width of the aisles towards the entrance, with the dual effect of creating a perspective illusion and favoring the propagation of sound waves. Inside are preserved the baptismal font from 1360, a canvas of the Madonna del Rosario from the school of Luca Cambiaso, a painting depicting the Crucifixion by an unknown artist, probably a Genoese painter from the 17th century and the high altar from 1734. One of the columns bears an inscription engraved in medieval characters.

 

The bell tower with Ghibelline battlements rises alongside the apse area, an ancient medieval control tower with a rectangular plan, opened by Gothic mullioned windows with arches decorated with denticles, raised in the 15th century and remodeled in the 18th century after an earthquake.

Olèrdola, Barcelona (Spain).

 

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ENGLISH

Olèrdola is a municipality in the comarca of the Alt Penedès in Catalonia, Spain. It is situated on the northern side of the Garraf massif, and the highest point of the municipality is the Puig de l'Àliga at 468 m.

 

The name of the municipality is derived from the historical castle, not from any modern settlement. Six villages and two industrial zones (poligons industrials) make up the municipality: Can Trabal, Daltmar, Moja, Sant Miquel d'Olèrdola, Sant Pere Molanta, Viladellops, Poligon Industrial de Sant Pere Molanta and Poligon Industrial el Clot de Moja.

 

The old walled city is in the hill of San Miguel de Olérdola, of 358 ms of height. In last times was also known it with place name of Olérdula. In a document of the 979 it is named as civitate Olerdula.

 

The older archaeological findings correspond at the beginning of the Bronze Age (2000-1800 BC), but will not be until the beginning of the next period -Iron Age- that is a town with a wall (centuries 8-7th BC). The iberians, of the tribe of the cosetans, also settled in the mountain taking advantage of the existing wall, and partially constructed trimmed houses on the rock (centuries 6-5th BC).

 

The territorial organization and social begins to change as of century 2th BC and, specially, during the next century, with the arrival from the Romans to the Iberian Peninsula. The iberians do not leave Olèrdola, but, little by little, they adopt the new customs and they coexist with the Roman soldiers.

 

During century 1th BC, coexists in Olèrdola the iberians and the soldiers who take care of the Roman fortification. At this moment, they rise infrastructure works (the wall, the cistern and the watchtower) planned and directed by the Roman authority, that they will have, nevertheless, one short stage of total operation, little more than 50 years, with residual or secondary uses during the high and low empire. Castellum of Olèrdola directly was related to the military protection and the control of the territory and the routes of communication around the capital, Tarraco.

 

The city returned to enter history in year 930 when count Suñer I tried to repopulate the zone and specially this strategic and good position for the defense, that there would be to serve like watchtower outpost against the Muslim invasion and that got to be military enclave until the conquest of Tarragona, gained to the Arabs in 1089.

 

During that period of time it maintained the category of capital of the Penedés and county. After the conquest of Tarragona it lost its strategic importance and later in 1108 it was destroyed by almoravids. It was repopulated again, but their inhabitants began to settle down themselves in more level places, with a view to the development of agriculture and this way the city of Villafranca of the Penedés arose.

 

Source: en.wikipedia.org/wiki/Ol%c3%a8rdola

 

---------------------------

 

CASTELLANO

Olèrdola es un municipio de la comarca del Alto Penedés, provincia de Barcelona, comunidad autónoma de Cataluña, España, y está formado por ocho núcleos o entidades de población: Can Trabal, Daltmar, Moja, Sant Miquel d'Olèrdola, Sant Pere Molanta, Viladellops, Poligon Industrial de Sant Pere Molanta y Poligon Industrial el Clot de Moja.

 

La antigua ciudad amurallada se encuentra en la colina de San Miguel de Olérdola, de 358 m de altura. En tiempos pasados se la conocía también con el topónimo de Olérdula. En un documento del 979 es nombrada como civitate Olerdula.

 

Los hallazgos arqueológicos más antiguos corresponden al inicio de la Edad de Bronce (2000-1800 AC), pero no será hasta el inicio del periodo siguiente -Edad de Hierro- que se encuentra un poblado con una muralla (siglos VIII-VII AC). Los íberos, de la tribu de los cosetanos, se instalaron también en la montaña aprovechando la muralla existente, y construyeron casas parcialmente recortadas en la roca (siglos IV-V aC).

 

La organización territorial y social comienza a cambiar a partir del siglo II aC y, especialmente, durante la centuria siguiente, con la llegada de los romanos a la península ibérica. Los íberos no abandonan Olèrdola, pero, poco a poco, adoptan las nuevas costumbres y conviven con los soldados romanos.

 

Durante el siglo I aC, conviven en Olèrdola los íberos y los soldados que se ocupan de la fortificación romana. En este momento, se levantan obras de infraestructura (la muralla, la cisterna y la torre atalaya) directamente planificadas y dirigidas por la autoridad romana, que tendrán, sin embargo, una corta etapa de pleno funcionamiento, poco más de 50 años, con utilizaciones residuales o secundarias durante el alto y bajo imperio. El castellum de Olèrdola estaba directamente relacionado con la protección militar y el control del territorio y las vías de comunicación alrededor de la capital, Tarraco.

 

La ciudad volvió a entrar en la historia en el año 930 cuando el conde Suñer I trató de repoblar la zona y en especial esta posición estratégica y buena para la defensa, que habría de servir como atalaya avanzada contra la invasión musulmana y que llegó a ser enclave militar hasta la conquista de Tarragona, ganada a los árabes en 1089.

 

Durante ese periodo de tiempo mantuvo la categoría de capital del Penedés y condado. Tras la conquista de Tarragona perdió su importancia estratégica y más tarde en 1108 fue destruida por los almorávides. Fue repoblada de nuevo, pero sus habitantes empezaron a establecerse en lugares más llanos, con miras al desarrollo de la agricultura y de esta manera surgió la ciudad de Villafranca del Penedés.

 

Más info: es.wikipedia.org/wiki/Ol%c3%a8rdola, www.diba.es/parcsn/parcs/p11m114s706.asp

View Large...My 9th Exlore...Thank you!!

This photo was taken at the same time as The Photo when I got up at 4am in the morning to shoot the sunrise. I went with Khalid Sarwar and his verision of the same location is here.

 

The location is Craig Y Llyn near Rhigos, Wales.

Explored Highest position: 56 on Thursday March 25, 2010

View The Tattoo Tat-toe Big On Black

 

I wonder if anybody knows in which country this special tattoo is used. I have never seen this special tattoos on the fingertips, toes and on the sole of the foot.

Best seen large on black

Kids playing volley and basket in the streets of La Havana, late afternoon. For a brief moment, the 2 balls happened to coincide with both hands of the player. The kind of magic which is too fast for the eye to see, only the camera ! No crop.

 

Won 2nd place on the French HP Street Photography contest.

 

Part of Cuba

View On Black

 

(Explore)

 

Buena e iluminada sema os deseo...

Wünsche eine gute und beleuchtete Woche...

 

Palau del Baró de Quadras ( back façade)

History and description:

 

This house was projected by Josep Puig i Cadafalch and built in 1904-1906.

The Baró de Quadras commissioned Puig i Cadafalch in 1900 to build his new house in Barcelona after to finish his palace in Maçanes.

The building is located in a narrow space between two important streets of Barcelona, due to this reason it has two completely different façades.

The main façade on Diagonal Avenue is a mixture of gothic and "plateresc" styles - following Permanyer - whit, as a result, a very rich decoration.

The interior has some Moslem influence and fortunately, don't needed to be strongly modified to adapt it to the Casa Àsia.

The back façade is more conventional with a decoration remembering the Sezesionstyl.

Thank you all my dears Flickr friends for your sweet comments! I do appreciate them very, very much

 

View On Black

 

Listen

Heaven's not enough Kanno Youko

 

My Books:

 

My book "Discover GUIMERÀ" (preview)

 

My book "Discover SANTA PAU" (preview)

 

Heaven's not enough

if when you get there...

just another blue

and heaven's not enough

you think you've found it

and it loses you

 

you've thought of all there is

but not enough

and it loses you in a cloud

 

"there" most everything is nothin'

that it seems

"where" you see the things you only wanna see

 

I'd fly away

to a higher plane

to say words I resist

to float away

to sigh

to breath.... forget

 

and heaven's not enough

if when I'm there I don't remember you

and heaven does enough

you think you know it

and it uses you

 

I saw so many things

but like a dream

always losing me in a cloud

 

cause I couldn't cry

cause I turned away

couldn't see the score

didn't know the pain

of leaving yesterday really far behind

in another life

in another dream

by a different name

gave it all away

for a memory

and a quiet life

and I felt the face

of a cold tonight

still don't know the score

but I know the pain

of leaving everything really far behind

and if I could cry

and if I could live what truth I did then take me there

heaven good by

 

El núcleo de Tarroja de Segarra está situado en la cuesta a la derecha del río Sió, a medio camino entre Cervera y Guissona.

El barrio moderno ha estado edificado hacia el norte, donde la cuesta se transforma en plana, cerca de la carretera, donde también encontramos algunas casas diseminadas. Fuera de los arrabales forma un grupo bastante compacto, casi circular, al abrigo de un cercado más primitivo, que estuvo amurallado, centrado por la plaza de la iglesia, por el que se entra a través de tres portales y callejuelas cubiertas.

La iglesia parroquial de Sant Salvador fue construida durante la segunda mitad del siglo XVIII. Conserva el campanario, edificado durante el siglo XV encima del ábside de la antigua iglesia románica de la cual se conservan unos muros, una portalada y parte de la bóveda de un altar lateral.

Por encima de las murallas, la calle del Raval bordea el camino de Sedó, mientras que a lo largo de la muralla inferior se extiende la calle Gual. En la última línea de casas, al oeste, se ven unos muros que formaron parte del antiguo castillo de los condes de Cardona.

Más allá de la ribera no encontramos población.

A la orilla izquierda del río Sió encontramos la ermita de Sant Julià y, en el sector septentrional del término, la ermita de Sant Antoni.

Tarroja, con su conocida tradición que la relaciona con Colom, cumple quince años de publicación de la revista Terra Rubra, la cual colabora en la investigación de este tema. La Segarra, en donde habitaban familias arraigadas como los Oluja y Sacirera entre otros, muy relacionadas con el descubridor, no defrauda a los historiadores que investigan

Cerca de Tarroja se han producido hallazgos arqueológicos, en el Pla de la Mata cerámica neolítica y en los campos de los Vilassos restos de una villa romana del siglo II.

En Tarroja encontramos ya un polideportivo y unas piscinas municipales.

Tarroja celebra la fiesta mayor el primer fin de semana de agosto, por Sant Salvador. El Lunes de Pascua se hace una reunión en la ermita de Sant Julià y el primer domingo de mayo se celebra la fiesta del Roser.

 

In Wordpress In Blogger photo.net/photos/Reinante/ In Onexposure

please view on black

 

my mom lived in a little apartment in athens. after we lost her, we decided to ship her belongings back to her family's house in chios. they had been delivered to the moving company's warehouse a couple of weeks ago, but i had to go unlock the old, unlived-in, stone house, and let the movers in.

 

i had just visited the place over the summer with my immediate family and mom... i remember thinking that i might not go to chios again. i never thought that it would be mom who would never return.

 

there was no point sleeping tuesday night because i had to start early wednesday morning to catch a 6:15 flight. we landed at 7, i picked up the rented car and started to drive towards vrontados. the cold and rain matched my bitter mood as i followed the east coast. i glanced over towards turkey as the world turned blue. there was to be no glorious sunrise -- just troubled, turbulent sky.

 

i stopped next to the familiar windmills and tried to get a few shots. having no umbrella, i limited my attempts to brief lulls in the rain. finally, it was time for businesses to start their day, so i made my way up to the house and made the phone call to the movers that i'd arrived.

 

the house is on the slopes of mount epos and faces east. it's very old, built in the 1860s, and not the most comfortable of places -- but we sometimes visit in the summer. in fact, i'd never seen it in the winter. it looked different... the colors were dark and rich -- some trees were stark and brittle, but the normally dry wild grass in the yard was lush.

 

the movers came and left.

 

i hugged our neighbor, despina, when i saw her. she had just lost her own mother last year -- and she loved my mom too -- so we had a good deal to talk about, strangely, for the very first time. she was kind to me and even cooked a wonderful lunch. she cried, i cried. it was hard.

 

as evening fell, i took a last look at the house. this time, i wanted to save a mental picture only. i said goodbye to despina and drove back to the airport. i felt shattered but still wanted to stop at the harbor along the way to snap a few -- i haven't even looked at them yet. i doubt they're ok but, if they're even halfway decent, i'll post them.

 

i've placed this on the map.

 

on the blog: toomanytribbles.blogspot.com/2010/01/windmills-of-her-min...

Not just a tree, when seen through the eyes of a photographer!

 

No HDR

 

View On Black

 

Standing Still

 

Cuttin' through the darkest night in my two headlights

Trying to keep it clear, but I'm losing it here to the twilight

There's a dead end to my left, there's a burning bush to my right

You aren't in sight, you aren't in sight

 

Do you want me, like I want you?

Or am I standing still, beneath the darkened sky?

Or am I standing still, with the scenery flying by?

Or am I standing still, out of the corner of my eye?

Was that you passing me by?

 

Mothers on the stoop, boys in souped-up coupes on this hot summer night

Between fight and flight is the blind man's sight and the choice that's right

I roll the window down, feel like I'm gonna drown in this strange town

Feel broken down, I feel broken down

 

Do you need me, like I need you?

Or am I standing still, beneath the darkened sky?

Or am I standing still, with the scenery flying by?

Or am I standing still, out of the corner of my eye?

Was that you passing me by?

 

Sweet sorrow is the call tomorrow

Sweet sorrow is the call tomorrow

 

Do you love me, like I love you?

Or am I standing still, beneath the darkened sky?

Or am I standing still, with the scenery flying by?

Or am I standing still, out of the corner of my eye?

Was that you passing me by?

Are you passing me by? (Passing me by)

Do you want me? (Passing me by)

Do you need me, like I need you too?

And do you want me, like I want you?

Are you passing me by?

 

~ Jewel

On Black

 

I'm amazed I managed to rally in time to get this shot done today before Lost tonight. Let me back up. I went to Urgent Care this morning to get my leg checked out since I still can't walk. Turns out I tore my calf muscle and fascia in my right leg. The good news is that I didn't rupture my achilles tendon, so I won't need surgery. The bad news is that it's going to be 4-6 weeks before I can even think about running, jumping, playing soccer, or anything else that I actually want to do with my leg. But I'm thankful because it could be worse. I have to keep reminding myself of that. Anyway, the doctor gave me a prescription for Percocet to help with the pain. I had some issues with nausea when I took Vicodin a few years back, so he thought Percocet would be a good alternative.

 

WRONG!

 

About forty-five minutes after taking it, I hit a brick wall of nausea and was completely laid up for the rest of the afternoon, petrified that I was going to throw up. Did I mention that I do NOT throw up? I do everything in my power to avoid it at all costs, no matter what. Even when I know I will feel better afterwards. No thank you. Anyway, today sucked. That's pretty much the point of the story. But I managed to get this shot off for this week's Emulation Challenge in My Face is My Canvas. Can you believe this is our 25th week of emulation challenges??? If you haven't already checked out the group and you have even the slightest interest in face art photography, you owe it to yourself to stop by. And for those of you who haven't played in a while...hey, we miss you! ;)

 

Ok, time to watch the rest of last week's Lost in preparation for tonight's episode. Michelle and Daynna, prepare for the onslaught of texts and BBMs.

 

**Explored**

 

365 Days (self portraits): Day 343

My Face is My Canvas: Emulation #25

Rupit, Barcelona (Spain).

 

View Large On White

 

View from the suspension bridge / Vista desde el puente colgante.

 

ENGLISH

Rupit and Pruit (in Catalan Rupit i Pruit) are a municipality of the region of Osona located to the northeast of the region and the east of the Sierra de Cabrera. It is integrated by two urban nuclei: Rupit and Pruit, that they were independent until year 1980. It is the last town of the province of Barcelona in the highway that unites the municipalities of Vic, capital of the region of Osona and Olot, capital of the region of the Garrotxa (Girona).

 

The origin of the town we found in the castle that was constructed around year 1000, replacing the one of Fàbregues, where they went constructing houses around.

 

In 14th century the population underwent a reduction but it recovered, arriving in 17th and 18th centuries at the maximum splendor that has never had the town. The church was possibly built between 13th and 14th centuries, and it was dedicated to San Miguel Arcángel.

 

Pruit already names in year 955, when it belonged to viscounts of Osona. Always there is been united to the castle and jurisdiction of Rupit.

 

Sources: es.wikipedia.org/wiki/Rupit_y_Pruit and pieraedicions.com/rupitpruitbreuhistoria.htm.

 

-------------------------------------

 

CASTELLANO

Rupit y Pruit (en catalán Rupit i Pruit) es un municipio de la comarca de Osona situado al noreste de la comarca y al este de la Sierra de Cabrera. Está integrado por dos núcleos urbanos: Rupit y Pruit, que fueron independientes hasta el año 1977. Es el último pueblo de la provincia de Barcelona en la carretera que une los municipios de Vic, capital de la comarca de Osona y Olot, capital de la comarca de La Garrotxa (Gerona).

 

La iglesia de Sant Joan de Fàbregues y su castillo están documentados desde el año 968. Hacia el siglo XII surgió el pueblo de Rupit habitado por familias nobles. En 1878, la iglesia de Rupit dejó de depender de Sant Joan de Fàbregues y en 1959 el municipio pasó a llamarse Rupit. En 1977 se unieron los municipios de Rupit y Pruit.

 

Más info: es.wikipedia.org/wiki/Rupit_i_Pruit

Book | E-Mail | Facebook | 500px | Getty | Olhares

 

As in previous years, today until 1th I'll reupload my top pictures this year, so everyone can review and new followers enjoy. Hope you enjoy.

--

Tal como em anos anteriores, de hoje até ao dia 1 vou recolocar o meu top de imagens deste ano, assim todos poderão rever e novos seguidores apreciar. Espero que gostem.

 

323/365

 

© Rui Almeida 2014 | All rights reserved.

 

All photos they may not be used or reproduced without my permission. If you would like to use one of my images for commercial purposes or other reason, please contact me. Depending on the situation may have to assign the work as specified by the author.

 

No images in comments please, or you or you can be blocked, but group invites are welcome

Recomiendo verla en grande. Large View.

 

Esta foto se la quería dedicar a aquellos que les gustan las fotos callejeras, que a mi tanto me gustan pero que por mi vergüenza me cuesta tanto practicar. Me siento extraño robando la intimidad de personas que no conozco.

 

Se la dedico especialmente a dos maestros en este arte, a mi paisano Ariasgonzalo y a Wilillo, porque me hacen disfrutar mucho con este tipo de fotos.

 

La foto fue tomada en una callejuela de Segovia y me llamó mucho la atención la forma de la calle y el duro camino que le fataba a la señora por recorrer, con su compra diaria en la mano.

Mejor pincha aquí para ver en grande sobre negro o pulsa 'L'.

Better click here to view this large on black or press 'L'.

© Derechos de Autor. Esta fotografía no podra usarse sin mi consentimiento escrito.

© All rights reserved, don´t use this image without my permission.

 

Ahora puedes seguirme en:/ Now you can follow me in:

500px | Getty | Twitter | Blurb | 123rf | fotolia | Tumblr | Fluidr | Flickriver

 

Puedes adquirir esta foto en: Getty Images

You can buy this photo in: Getty Images

 

Canon 450D + ZEISS Distagon T* 2,8/21, @21mm, 1/500, f/6.3, ISO 100

No Tripod, Manual exposure, Date 07/19/2011 16:09:11

 

Explore: 22 March 2013 in # 6

 

Como se hizo: Procedente de un sólo fichero RAW.

 

Comentario: Espero poder ir volviendo a subir alguna imagen, no dispongo de mucho tiempo y se que no puedo pasar por todas galerias, gracias for vuestro soporte.

 

Agradezco a todos vuestro apoyo y feedbak y sera bien agradecido en cualquier caso. Un fuerte abrazo para todos, espero que la visita haya merecido la pena para usted. Por favor no otorgue logos o me invite a participar en grupos sin hacer un pequeño comentario. Esto hace realmente la diferencia.

 

Por favor, no añadir sus imagenes en los comentarios o seran borrados, gracias

 

English:

Making off: Edited from a one RAW file. No HDR

 

Comment: Sorry for this time out. My thanks to @ll of you for your support and feedback because without them I wouldn't have been able to grow as a photographer, it really does mean a lot to me and I hope the visit has been worth while to you. Please don't leave awards or invite me to join any groups without making even a small comment. It really does make a difference.

 

Please do not add your own images in your comments as they will be deleted. Thank you!

The End.

 

(The colors pop a lot more when you view it on black...)

 

Wow. It’s finished. I don’t really know what to say so now I guess you guys get to listen as I ramble… It’s almost funny to think where I was at the start of the year. I felt pretty uncomfortable in front of the camera and kinda awkward directing people while hiding behind the lens. Besides my family and a few close friends I rarely asked people to model for me and the idea of self-portraiture was quite unfamiliar to me, besides holding a camera up next to me in a mirror to take a picture...

 

I despise sounding cliché but I don’t think it’s possible to get through this little journal entry without that happening. I don’t think I fully understood what I was getting into when I started the project. I didn’t think that it would consume my life quite as much as it did, but it pretty much was my entire life this past year. I would start thinking about my photo for the day as soon as I woke up, throughout the day I would focus on the logistics of collecting props and executing it, and I would fall asleep thinking of the next picture. But this project resulted in a whole lot more than just photography, I figured out a lot about myself, you know how when people are put under pressure you start to see their true character, well I think that is kinda what happens with this project… I went through a lot of transitions this year and it was nice to have something that was so constant.

 

I’ve had lots of people ask me if I will be doing another 365 next year and I’m perfectly fine letting them know that I need a little break... I contemplated following this with a 52 weeks project, but I know I will be taking more than one photo a week and knowing me if I was doing a 52 weeks I would probably end up waiting until the end of each week and I would only put up one photo. So I will just be posting stuff whenever I feel like it, and it will probably be fairly often… Don’t worry I’m not planning on disappearing.

 

There are so many people that I want to thank so you can either bear with me through this paragraph or skip on to the next one. Thank you to all the people who have been with me since the start of this project, and those who hopped onboard somewhere along the journey! Thanks to everyone who has ever commented, favorited or even looked at one of my photos, I really do appreciate the support. I don’t think I would have gotten all the way through the project if I didn’t have you guys there holding me accountable and supporting me! Thanks to John for originally sparking my interest in photography and being such an inspiring figure in my life. Thanks to Chelsea for being the one that supported and pushed me to do this project. Thanks to Cameron and Traci for bearing with me when I had first began photography and was too nervous to ask anyone else to model… Cameron for being the most supportive friend one could ask for and Traci for giving me your honest opinion when I really do need it and for keeping me in check! Thanks to my family for putting up with me as I frantically ran around the house at 11:45 trying to come up with something to photograph, for continuously trying to come up with new ideas and concepts even when I would shoot ‘em down, and for posing for all kinds of ridiculous photos! Thanks to Gina for all of your help with titles. Thanks to all my new friends in the photo program, I can’t wait to get to know you all better! And thanks to everyone who has received the “What should I do for my photo for today?!?!” text message. Thanks to Katie for being there for me and always being willing to model. Thanks to Sam for (many times) helping me choose which picture to post and for letting Cameron and I throw water balloons at your face! Thanks to Alex and Bryan for putting up with me throughout the year and all of my ridiculousness as I started out on the project. Thanks to all my George Fox people (you know who you are!) And thanks to everyone that ever modeled or assisted for me, couldn’t have done it without you! And finally thanks to all the phenomenal photographers on Flickr for providing me with a never ending amazing amount of inspiration! (I tagged you!) I’m sure I have forgotten some people… Sorry, you’ll have to forgive me!

 

I’ve learned to push myself to meet deadlines and I’m so very proud of the fact that I never once skipped or missed a day! To those of you thinking of starting a 365 I highly encourage it, but I think that it is something that you need to seriously consider and not just jump into… There will be days where you will hate your photo and won’t want to show it to anyone, and days that you won’t be able to come up with any worthwhile concept… But there will also be so many amazing opportunities that you never would have had and if you really apply yourself then the amount of growth can be tremendous! And you will have created a visual diary of your entire year… I can look back on every single photograph and remember something about that day!

 

Once again, and I really do mean it.

Thank you.

 

View On Black

  

Etimología

Aún siendo desconocido el origen de la palabra ;azafrán es muy similar su denominación en distintas lenguas habiendo sobrevivido sin casi alteración en árabe (záfaran), inglés (saffron), francés (safran), italiano (zafferano), hindú, griego, etc. Un posible origen es el de la palabra del francés antiguo safran, que deriva del latín safranum y que proviene de la palabra árabe asfar que significa amarillo y es parónimo de záfaran

Orígenes

Existen referencias del azafrán que datan del año 2300 a. C. A partir de esta fecha son variadas y diversas las referencias sobre su uso en ritos y ceremonias religiosas, en medicina, en la gastronomía, etc.

 

Una definitiva identificación del azafrán data de 1.700- 1.600 a. C. en una pintura en el palacio de Minos en Knossos en Creta. Otro fresco data de 1.500 a. C. y presenta a una joven cosechando azafrán ceremoniosamente, ha sido descubierto recientemente en Akrotiri en la isla de There. El azafrán es recolectado, picando la flor entera en Minos mientras que las jóvenes de Teran picán solo los estigmas directamente.

 

En Egipto sobre el 1.000 a.C el azafrán pudo ser usado en embalsamamientos ó más tarde ocasionalmente para colorante de mortajas en donde las momias eran cubiertas, amarillo las hembras y rojo los machos. El azafrán era un importante colorante en la Grecia antigua y en Roma era usado para colorear la ropa de matrimonio. En otro tiempo fue usado como tintes para el pelo por los romanos.

 

Los griegos lo consideraban como un perfume sensual. Fue esparcido en los vestíbulos, patios, y teatros griegos y en baños romanos; las calles de Roma fueron rociadas con un azafrán cuando Nerón entró en la ciudad.

 

El azafrán tuvo extraordinaria importancia en el concepto comercial. Comercialmente sigue siendo un artículo importante (especialmente en España). En la Edad Media era la única especia que se cultivaba en Cataluña (tanto en la parte que actualmente està en España como en el Riberal del Rosellón, actualmente en Francia) y Comunidad Valenciana. El azafrán catalán de la Horta de Sant Joan era reconocido por su alta calidad nacional e internacionalmente y uno de los centros de venta más importantes del mediterráneo tanto en la baja edad media como en la edad moderna. Otro foco comercial era Venecia, cuyos compradores principales eran los alemanes. Empleados especiales que formaban parte del Ufficio dello Zafferano e iban armados, se encargaban de la inspección de los comerciantes de azafrán y de evitar que este fuese falsificado. La importancia del comercio del azafrán en Alemania se deduce ya del hecho de que en 1.448 se registró en Verona una partida de azafrán destinada a Alemania que fue evaluada en 10.000 ducados.

 

Cultivo del azafrán en España

 

El cultivo del azafrán parece haberse extendido del Oriente al Occidente.

 

A mediados del siglo X se cultiva esta planta en España, en donde probablemente fue introducida por los árabes. El consumo del azafrán fue continuamente aumentando en la Edad Media extendiéndose a través de la Europa cristiana hasta Inglaterra.

 

España es actualmente el segundo país productor de azafrán del mundo, y dispone de una denominación de origen protegida para el que se produce en Castilla. Además de en Castilla, se sigue produciendo en Cataluña y en Aragón, donde ya se había cultivado en las edades media y moderna. El azafrán catalán ya tenía por entonces gran prestigio internacional y era la especia más consumida en la cocina tradicional de la época.

 

Se necesitan 85.000 flores para lograr recolectar un kilogramo de azafrán.

 

En Ojos Negros (Teruel) siempre se cultivó este producto. Ahora, por lo laborioso del mismo se ha dejado de producir. Estas flores han crecido en una maceta en Teruel.

  

Para más informacion, WIKIPEDIA

Please View On Black Here This shot was the result of finding some higher ground just as the fog was starting to lift, the sky hadn't been visible all day up to this point, so I wanted to capture both, 10 minutes after this it had all gone, right place, right time, never works like this for me usually....

 

View On Black & LARGE

 

Thanks for the visit, comments, awards, invitations and favorites.

 

Please don't use this image on websites, blogs or other media

without my explicit permission.

© All rights reserved

Contact: quimgranell@cmail.cat

 

Los Mallos de Riglos están situados en la localidad de Riglos, en la provincia de Huesca (España), unos 45 Km. al noroeste de Huesca capital.

Situados en el prepirineo oscense, están formados de conglomerados del mioceno, sedimentos con cantos rodados de tamaño significativo cementados por grava y arena, que tuvieron su origen en los conos de deyección de cauces que vertían hacia la antigua depresión central del Ebro. Estos depósitos aluviales han sido elevados por plegamientos de las capas inferiores y posteriormente erosionados, dando lugar a estas impresionantes paredes, de las que hay otros ejemplos menores en la cercana Agüero y en otros puntos del prepirineo.

Es un paraíso de montañeros, escaladores, y amantes de la naturaleza, con fácil acceso superior para unos y con espectaculares paredes verticales de aspecto redondeado para otros y que inspiraron la asignación de sus nombres: El Puro, El Pisón, Castilla, Volaos, Cuchillo, Frenchín, Visera y Fire. Por sus paredes han pasado la mayor parte de los escaladores españoles, incluyendo a los míticos Alberto Rabadá y Ernesto Navarro que abrieron muchas de las vías de escalada de los Mallos de Riglos.

Una leyenda cuenta que anteriormente había en los Mallos de Riglos una aldea, Foz de Escalete, en la que vivía una anciana bruja gigantesca. Su aspecto y tamaño atemorizaban a los aldeanos y cansada de esto, levantó las inmensas rocas y allí se escondió de todos.

    

View large on black please

 

There are people that lived dramas and situations so intense that most of us will never experience.

Most of these people didn't choose to do so; they just found themselves in the wrong place at the wrong time.

Sometimes I wonder if living these experiences makes you grow, or kills you, or both.

 

Experimenting with pixels some more.

 

I took the photograph (3 hand-held exposures combined into one HDR image) of this alley in Ashland, OR.

The waterfall is from Twin Falls State Park, in Northbend, WA.

The river is the Snoqualmie River, WA.

The sign is a street sign somewhere in California or Oregon.

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Explore

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View on Black

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__________________________________________________________

 

I would Like to Devote this Work to Mr. Rui Estevas ...

A Great Photographer and an Excellent Field-Companion !!!

 

Best Regards, my Friend Rui !!!!!

  

__________________________________________________________

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Sony Cyber-Shot W170

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Each day during the year, Flickr employs a 'secret' algorithm to select five hundred images for a daily-posted Explore page —all exemplifying some sort of 'interestingness.'

 

▶ During 2024, Flickr selected seventeen of my images for Explore:

 

Percussionist in the green was my most viewed, at 10,310 views.

Lanceleaf coreopsis (sepals & petals) was my most 'faved', with 282 'faves.'

Tree falls into winter received the highest position (no. 78 out of 500), selected on 12 December 2024.

 

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THE FULL LIST

 

● ROW 1

 

Tree falls into winter (12 December 2024)

8,534 views; 266 'faves'; 78th/500.

---> This image achieved the highest Explore position of any of my seventeen images selected.

 

Woodland at Glenn Creek (22 November 2024)

8,766 views; 217 'faves'; 102nd/500.

 

Purple aster (13 October 2024)

8,992 views; 232 'faves'; 150th/500.

 

Bird of paradise, against blue wall (13 September 2024)

6,177 views; 188 'faves; 313th/500.

 

Paddleboard morningtide (28 August 2024)

6,632 views; 128 'faves'; 479th/500.

 

Strasburg pitches (04) (28 August 2024)

6453; 73 'faves'; 186th/500.

 

Umbrella in the foliage (12 August 2024)

9,728 views; 171 'faves'; 92nd/500.

 

Moving Keys (24 July 2024)

7,379 views; 103 'faves'; 351st/500.

 

*****

● ROW 2

 

Gnomes' back beat on parade (26 June 2024)

8,358 views; 120 'faves'; 216th/500.

 

Dancing to the tunes (02) (26 June 2024)

8,514 views; 118 'faves'; 157th/500.

 

Geese, too? (19 June 2024)

6,882 views; 162 'faves'; 269th/500.

 

Percussionist in the green (3 June 2024)

10,310 views; 119 'faves'; 85th/500.

---> The most viewed of my 2024 images, 'Explored' or not.

 

Lanceleaf coreopsis (sepals & petals) (10 May 2024)

9,497 views; 282 'faves'; 98th/500.

---> The most 'faved' of my 2024 images, 'Explored' or not.

 

Arabia Lake (in early spring) (24 April 2024)

7,658 views; 215 'faves'; 230/500.

 

Arabia Mountain spring landscape (03) (5 April 2024)

8,822 views; 217 'faves'; 104th/500.

 

Holy hellebore (5 February 2024)

6,921 views; 207 'faves'; 474th/500.

 

*****

● ROW 3

 

Winter beech woodland (12 January 2024)

7,873 views; 210 'faves'; 474th/500.

 

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WHAT IS EXPLORE?

"Explore is a Flickr feature with the intent of showing you 'some of the most awesome photos on Flickr.' Photos are automatically selected by computer according to a secret algorithm called Interestingness. The top 500 photos ranked by Interestingness are shown in Explore.

 

Flickr has stated that many factors go into calculating Interestingness: a photo's tags, how many groups the photo is in, views, favorites, where click-throughs are coming from, who comments on a photo and when, and more. The velocity of any of those components is a key factor. For example, getting 20 comments in an hour counts much higher than getting 20 comments in a week.

 

Is Explore a showcase for the top Flickr photographers? No. It's for photo viewers, not the photographers. It exists so that, at any moment, anyone who wants to view interesting photos can go to Explore and have a reasonable chance of seeing something interesting.

 

Does that imply that photographs not in Explore are uninteresting? Of course not. Many wonderful photos are uploaded to Flickr each day not selected for Explore. But, to serve its purpose, Explore only includes a small sampling of all of the photos on Flickr, showing photos from many different people to create a diverse selection."

Big Huge Labs.

 

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▶ Collage created by Big Huge Labs

▶ Uploaded by: YFGF.

▶ For a larger image, type 'L' (without the quotation marks).

— Follow on Facebook: YoursForGoodFermentables.

— Follow on Instagram: @tcizauskas.

▶ Commercial use requires explicit permission, as per Creative Commons.

View On Black | tumblr | Facebook

 

Kinda similar to this but this but it's a bit warmer.

 

We were clearing away the winter brush in one of our islands of our yard when I noticed how lovely the sunlight looked peering through the smoke. I'm not sure what caused it but the smoke was so white and cloud-like; it was amazing and beautiful! I couldn't resist taking a few shots.

 

The sun was perfect and golden- just another sign that spring is upon us! :)

 

The background is completely real - all I did was add a grainy texture!

:: I really recommend LARGER for this one ..... and see how UNIQUE each bird are!

 

:: PORTFOLIO

 

:: Be yourself....!, Berthierville, Québec, Canada.

Copyright © 2008 Gaëtan Bourque. All rights reserved. Use without permission is illegal.

  

darckr.com/username?username=imapix&format=Thumbnail

 

:: Pixnote:

Starlings are small to medium-sized passerine birds in the family Sturnidae. The name "Sturnidae" comes from the Latin word for Starling, sturnus. Starlings occur naturally in the Old World, from Europe, Asia and Africa, to northern Australia and the islands of the tropical Pacific. Several European and Asian species have been introduced to these areas as well as North America, Hawaii and New Zealand, where they generally compete for habitat with native birds and are considered to be invasive species.

 

I recommend Viewing On Black -- Comments Appreciated.

 

A young buck strolls though the park as the sun breaks though the Pacific fog deep in the redwood forest. My wife and while out driving without knowing where we were going had accidentally discovered a nearby redwood park that was often laden with fog from San Francisco Bay. At the time, all I had was a simple point and shoot Olympus camera and we didn't have all the filters you would have with an SLR camera and I had not yet learned to use the manual modes. The walk through the park remarkable but unfortunately the camera just wasn't up to the task of taking the pictures under these conditions.

 

I never throw away an image and I was glad I held on to this one. As I was digging though my old photographs and realized that this shot had some potential especially given that I've learned a lot about Camera RAW And Photoshop. One of the things I had recently learned was that you could load the old JPEG images in Camera RAW. With a bit of work in Camera RAW and then Photoshop, I had a photograph that reminded me of that day and made hanging on to the image worth it all.

 

Olympus C5050Z

f / 1.8

s 1/30s

ISO 78

A cheap tripod

Processed in:

Adobe Camera RAW 5.5

Photoshop CS4

 

Darv

 

© Darvin Atkeson

LiquidMoonlight.com

Excerpt from www.lecinqueterre.org/eng/arte/manasanlorenzo.php:

 

The parish church of the Nativity of the Virgin Mary is commonly referred to as the church of San Lorenzo, patron saint of the town, celebrated every 10 August. The building dates back to 1338, as indicated by the plaque placed on the right side of the façade, and is a work in Ligurian Gothic style by the Antelami Masters.

 

The façade has a portal with an ogival arch and a lunette with bas-relief depicting the Martyrdom of San Lorenzo. The 1375 Carrara marble rose window is decorated with twelve small columns with foliated capitals and an external crown adorned with human and lion heads. The work is attributed to the authors of the rose window of San Pietro in Corniglia, Matteo and Pietro da Campilio. The fourteenth-century bell tower, with a square plan, separated from the church, was obtained from an ancient watchtower and was therefore raised and spiked.

 

The basilica-style interior with three naves is Baroque with a barrel vault, although a late 20th-century restoration has partially restored the original Gothic forms. Upon entering, on the left there is the baptismal font, against which an ancient marble measure with the coat of arms of the Republic of Genoa and the words "Comunitas Manarolae" is placed. In the window aisle, at the end, a Renaissance tabernacle with bas-relief of the fifteenth century is beautifully displayed, while on the apsidal wall of the central nave there is a crucifix of the fifteenth century.

 

The most important works of art are, at the main altar, a 14th century triptych depicting the Madonna and Child with Saints Lorenzo, Catherine of Alexandria and two other saints and in the left aisle a triptych with a gold background, belonging to the sanctuary of Our Lady of Health of Volastra, which in the central compartment represents San Lorenzo and, in the side panels, the Saints Antonio Abate and Bernardo. The latter has a rectangular frame divided into three parts by twisted columns supporting scalloped arches. San Lorenzo is dressed in a green dalmatic holding a book and the palm of martyrdom, with the grill at his feet.

 

Both works are attributed to the Master of the Cinque Terre.

Rupit, Barcelona (Spain).

 

View Large On White

 

♪♫ Listen / Escuchar ♫♪

 

ENGLISH

The Flintstones is an animated American television sitcom which ran from 1960 to 1966 on ABC.

 

The Flintstones is about a working class Stone Age man's life with his family and his next door neighbor and best friend. The first prime time cartoon geared for adults, the show originally aired from 1960 to 1966, on the ABC network. It was also ABC's first series to be televised in color. While the show was originally syndicated by Screen Gems (until 1981, then DFS Program Exchange from, and then Turner Program Services), Warner Bros. Television later acquired the rights (through parent Time Warner's purchase).

 

The show is set in the town of Bedrock in the Stone Age era. The show is an allegory to American society of the mid-to-late 20th century; in the Flintstones' fantasy version of the prehistoric past, dinosaurs, saber-toothed tigers, woolly mammoths, and other long extinct animals co-exist with barefoot cavemen, who use technology equivalent to that of the 20th century, largely through the use of various animals. The characters drive cars made out of stone or wood and animal skins and powered by foot.

 

More info: en.wikipedia.org/wiki/The_Flintstones

 

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CASTELLANO

Los Picapiedra (en inglés The Flintstones), es una serie animada de la productora Hanna-Barbera Productions, y ha sido una de las series más exitosas de la historia. Apareció por primera vez al aire a través de la cadena estadounidense ABC el 30 de septiembre de 1960 hasta el primero de abril de 1966 con un total de 166 episodios además de algunos especiales y películas que se han hecho.

 

La acción tiene lugar en un pueblo llamado Piedradura ("Bedrock") en la Edad de Piedra, pero con una sociedad idéntica a la de los Estados Unidos a mediados del siglo pasado.

 

Es un mundo fantástico en el que los dinosaurios, los tigres dientes de sable, los mamuts y otros animales hoy extintos coexistían con los humanos, quienes usaban tecnología similar a la del siglo XX, pero en la que los animales sustituian a los aparatos eléctricos. Los personajes conducían automóviles formados por troncos de madera (troncomóviles), ruedas de piedra, en los que el motor era sustituido por el empuje de los pies de sus ocupantes. Las vestimentas eran de piel animal.

 

Más info: es.wikipedia.org/wiki/Los_Picapiedra

Listen Spirit of the sea Blackmore's Night

 

I took a walk along the shore

To clear my mind about the day,

I saw a man I´d seen before

As I approached he slipped away...

I knew his face from years ago,

His smile stays with me ever more

His eyes, they guide me through the haze

And give me shelter from the storm...

As I walk I can feel him,

Always watching over me...

His voice surrounds me,

My Spirit of the Sea...

He went away so long ago,

On a maiden voyage far away

A young man then I did not know,

His life was taken that same day...

And it was almost like he knew

He wouldn´t see me anymore

He looked so deeply in my eyes, and said

"Wait for me along the shore..."

And so I come most every day,

To watch the waves rise and fall,

And as I sit here on the sand,

This ocean makes me feel so small...

But I feel my lover by my side,

And he makes me follow my own heart

We´ll be together some sweet day

When that day comes we´ll never part...

When that day comes we´ll never part...

Wait for me along the shore...

 

In Wordpress In Blogger photo.net/photos/Reinante/ In Onexposure

View On Black

 

In this beautiful "corner" I sat down on the grass and enjoyed the beauty of Nature in all its glory: the sound of the water, the birds, the breeze, the plants all come together in perfect harmony - after a long walk in this unique "park" I rested here and medidated for a while and felt so "at peace"; so as of we are all going through a crisis in this world I hope you will enjoy this beautiful and peaceful place - so listen to the music, be zen (and lets "give peace a chance") ... ENJOY!

  

“Peace comes from within. Do not seek it without.” Buddha(Hindu Prince Gautama Siddharta, the founder of Buddhism, 563-483 B.C.)

 

Listen to: www.goear.com/listen/a9806f2/peace-george-winston

 

Don't use my pictures on websites without prior authorization! They are protected by Copyright All rights reserved◄PLS DO NOT USE THIS PHOTO FOR PROMOTIONAL, ETC NATURE .. thank you.

 

I am sorry but I am a mostly OFF - so I cannot comment on all of you but will catch up as soon as I can,I am so behind and busy -

 

View On Black

 

View On Black

View On Black

 

Funny moments as a child

We've all had them,

Just think back to when you were a child.

The days when you were innocent and didn't know any better

 

view on black

 

FR

Kinderdijk est un village des Pays-Bas, proche de Rotterdam, qui se trouve dans un polder. Pour drainer le polder, un système de 19 moulins à vent a été construit vers 1740. Ce groupe de moulins à vent est désormais le groupe de vieux moulins le plus important et le mieux conservé des Pays-Bas.

 

EN

Kinderdijk is a village in the Netherlands, close to Rotterdam. Kinderdijk is situated in a polder. To drain the polder, a system of 19 windmills was built around 1740. This group of mills is the largest concentration of old windmills in the Netherlands.

 

Please View Large

 

The ‘Bon Ami Point Range Front’ lighthouse was constructed on Inch Arran Point in 1870. It was built to guide steamers and other vessels to safety at night. Prior to the construction of the lighthouse, a woman by the name of Marie-Louise (Landry) Arsenault, the "medicine-woman" whose house was very close to Inch Arran, placed a bright light in one of her windows to guide her sons, who were captains of the boats coming into Dalhousie. Mrs. Arsenault did this for many years before it was decided that an actual lighthouse would be built nearby. Under the Federal Heritage Buildings Policy, the Bon Ami lighthouse became recognized as a Federal Heritage Building on September 5, 1991. To this day the lighthouse remains in operation and in clear weather, can be seen at a distance of 16 miles. It is a perfect spot for panormanic photographs, birdwatching, and it is a stone's throw from the Inch Arran Park campground where you will find a gift shop featuring local crafts and artwork as well as a Visitor Information Centre.

 

View On Black

  

Im not planning any new treks for a while , taking a break !!! unless im tempted by an offer !!!

It would have to be North Wales , Lake distirct or Scotland :-) or the beaches near Newcastle :-)

          

If you cannot find a photo on my webb site for sale please contact me for a private sale !

  

VIEW MY WEB SITE AND SHOP HERE

photographydavidsmith.com/

    

MY GETTY COLLECTION HERE

www.gettyimages.com/search/search.aspx?assettype=image&am...

    

Here is my first published work even though did it as a freebie its great seeing your work on a web site

www.thewhitehartvillageinn.com/index.html

Here is the flickr set

www.flickr.com/photos/10141102@N08/sets/72157623966405344/

Ex #7 First time I had been here when the tide was out, totally different place. I scrambled around for 20mins looking for a spot to get the sunrise, then came back to where I had started.

 

To see the sphinx better look Here

View Macro Focus Large On Black to see the details

 

Macro Focus on MV Zuiderdam from Holland America Line in the Gatun Locks Panama Canal.

some important parts of my life hadn't happened yet.

these trees are non-existant now. strictly a memory.

 

i am very proud that this image features in DOZE mag. Issue*4 SHHH...

 

buy prints of this @ society6

 

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View Large On Black

 

The Grand Tetons from the Snake River Overlook.

 

James Neeley and I visited here after shooting the sunrise at Schawbacher's Landing. We both liked the way the fog was hanging across the valley in a double layer. For my composition, I was torn between placing the bend in the Snake River on the right, leading into the scene and including the two layers of fog also on the right. I chose the fog. I hope that the deep blue of the river carries the viewer's attention to the double layer of wispy fog.

  

La Mussara, Tarragona (Spain).

EnFoCa: 2ª KDD - "Los Castillejos" i La Mussara [22/03/2009].

 

View Large On White

 

ENGLISH

La Mussara is a town in Tarragona that has been left about 50 years ago. It is on the edge of a cornice of the Muntanyes de Prades, at 990m. height, and thence there are spectacular views of all Tarragona.

 

It appears mentioned in documents in 1173 where it states that the town already was inhabited. The church of La Mussara appears mentioned in a bull of Celestine III in 1194. The temple maintained the category of parish until in 1534 it passed to depend on the one on Vilaplana. Nowadays about the church of San Salvador, built on the previous one of gothic style, it only left the four walls and the bell tower of 1859. As peculiar things of this town, it was named ranas to its inhabitants because when it rained a little, it formed a great pool in the only street of the town. Also from here it comes the Catalan saying “baixar de La Mussara” (to lower of La Mussara), equivalent to the Castilian “bajar de la higuera” or “bajar de la parra”.

 

The Mussara gave up exist officially in January 1960, and nobody knows so that of its depopulation. It is attributed mainly to the phylloxera plague, but that is not a zone in which the culture of the grapevine is important, reason why almost surely that the abandonment could have to the water shortage... or simply that the population was scattered and there they lacked the more basic things like a doctor, a rector, electricity or telephone. All this halo of mystery in the disappearance of the town and the place in which it has given cause to a series of histories and legend that borders the fantasy and the superstition, cataloguing La Mussara like a “damn town”.

 

Inside the church and in the cemetery black masses are celebrated. Proof of it is the esoteric symbols that sometimes appear painted in the walls. In many corners of the town also they are deposited branches of flowers. There is one who has heard helmets of horses in the neighborhood of the church, or even chimes of the same church (that does not have bell). There is people who say to feel a species of call that it impels to him to go to La Mussara. A friend mine, who is neighboring of the zone, commented me that some years ago a man raised in his car, stopped minutes next to the pool, and soon he went at full speed to the precipice of the viewpoint.

 

Some hikers who have themselves bold to spend the night there have seen luminous shades, or figures moving between the houses and losing themselves behind the trees. Even there are witnesses of UFO sightings. But in which they agree more most of phenomena it is in the cold fog that appears suddenly and that it disorients people immersed in her, in such a way that what for them can seem minutes, soon they discover in its clocks that have spent hours. The electrical apparatuses also are altered.

 

From remote times to well entered 20th century, that zone has been land of witches. It counts the legend that during the carlists wars soldiers went to the cemetery of La Mussara to unearth a carlist general called Cercós (really Isidre Pàmies i Borràs, named general for a reason or purpose posthumous by Carlos VII) to shoot it (or to hang it, according to other sources), although already was dead. The fog confused to them and unearthed and shot the body of a old witch (l'àvia Boronada). This caused that the fog thickened still more to his around and that the soldiers fled terrified when occurring account of the error. One tells that this unleashed a curse on them.

 

Another legend talks about a rock near, which who steps on it or it jumps it passes to a parallel dimension, “Vila del Sis” (Town of the Six). It is know the case of a pair of “boletaires” (pickers of mushrooms) that went by the zone looking for mushrooms in October 1991. They were speaking one with another one calmly, watching the ground, when one of them, Enrique Martinez Ortiz, it let respond, and until now it has not been known nothing else about him. He was neighboring of the place and he perfectly knew the land, reason why doubt that was had lost. Searches by the zone were organized during days, with the participation of soldiers of a close barracks, with unfruitful result.

 

It is all truth or lie, which is clear is that La Mussara is a place surrounded by natural beauty by its landscape, and of mystery by its undocumented history.

 

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CASTELLANO

La Mussara es un pueblo de Tarragona que lleva unos 50 años abandonado. Está al borde de una cornisa de las Muntanyes de Prades, a unos 990m. de altura, y desde allí hay unas vistas espectaculares de toda Tarragona.

 

Aparece citado en documentos de 1173 donde consta que el pueblo estaba ya habitado. La iglesia de La Mussara aparece citada en un bula de Celestino III de 1194. El templo mantuvo la categoría de parroquia hasta que en 1534 pasó a depender de la de Vilaplana. Hoy en día de la iglesia de San Salvador, construída sobre la anterior de estilo gótico, sólo quedan las cuatro paredes y el campanario de 1859. Como cosas curiosa de este pueblo, a sus habitantes se les llamaba ranas porque cuando llovía un poco se formaba una gran charca en la única calle del pueblo. También de aquí proviene el dicho catalán "baixar de la Mussara" (bajar de la Mussara), equivalente al castellano "bajar de la higuera" o "bajar de la parra".

 

La Mussara dejó de existir oficialmente en enero de 1960, y nadie sabe el por qué de su despoblación. Se atribuye principalmente a la plaga de filoxera, pero aquella no es una zona en que el cultivo de la vid sea importante, por lo que casi seguro que el abandono se pudo deber a la escasez de agua... o simplemente que la población ya estaba muy diseminada y allí faltaban las cosas más básicas, como médico, rector, electricidad o teléfono. Todo este halo de misterio en la desaparición del pueblo y el lugar en que se encuentra han dado pie una serie de historias y leyendas que rozan la fantasía y la superstición, catalogando La Mussara como "pueblo maldito".

 

En el interior de la iglesia y en el cementerio se celebran misas negras. Prueba de ello son los símbolos esotéricos que a veces aparecen pintados por las paredes. En muchos rincones del pueblo también se encuentran depositados ramos de flores. Hay quien ha oído cascos de caballos en los alrededores de la iglesia, o incluso campanadas de la misma iglesia (que no tiene campana). Hay gente que dice sentir una especie de llamada que le impulsa a ir a La Mussara. Un amigo mío, que es vecino de la zona, me comentó que no hace muchos años un hombre subió en su coche, se detuvo unos minutos al lado de la charca, y luego se dirigió a toda velocidad al barranco del mirador.

 

Algunos excursionistas que se han atrevido a pasar la noche allí han visto sombras, o figuras luminosas moviéndose entre las casas y perdiéndose tras los árboles. Incluso hay testigos de avistamientos OVNI. Pero en lo que más coinciden la mayoría de fenómenos es en la fría niebla que aparece de repente y que desorienta a los que se ven inmersos en ella, de tal modo que lo que para ellos pueden parecer minutos, luego descubren en sus relojes que han pasado horas. Los aparatos eléctricos también se ven alterados.

 

Desde tiempos remotos hasta bien entrado el siglo XX, aquella zona ha sido tierra de brujas. Cuenta la leyenda que durante las guerras carlistas unos soldados fueron al cementerio de La Mussara a desenterrar a un general carlista llamado Cercós (realmente Isidre Pàmies i Borràs nombrado general a título póstumo por Carlos VII) para fusilarlo (o colgarlo, según otras fuentes), aunque ya estuviera muerto. La niebla les confundió y desenterraron y fusilaron el cuerpo de una anciana bruja (l'àvia Boronada). Esto provocó que la niebla se espesara aún más a su alrededor y que los soldados huyeran despavoridos al darse cuenta del error. Se cuenta que esto desató una maldición sobre ellos.

 

Otra leyenda habla de una roca cercana, que quien la pisa o la salta pasa a una dimensión paralela, a la "Vila del Sis" (Villa del Seis). Se conoce el caso de una pareja de "boletaires" (recolectores de setas) que iban por la zona buscando setas en octubre de 1991. Iban hablando uno con otro tranquilamente, mirando al suelo, cuando uno de ellos, Enrique Martínez Ortiz, dejó de responder, y hasta ahora no se ha sabido nada más de él. Era vecino del lugar y se conocía perfectamente el terreno, por lo que se duda que se hubiera perdido. Se organizaron batidas por la zona durante días, con la participación de soldados de un cuartel próximo, con resultado infructuoso.

 

Sea todo ello verdad o mentira, lo que está claro es que La Mussara es un lugar rodeado de belleza natural por su paisaje, y de misterio por su historia indocumentada.

 

Más info: ca.wikipedia.org/wiki/La_Mussara, www.franrecio.com/investigaciones/la_mussara_pueblo_maldi...

Sant Jaume de Frontanyà, Barcelona (Spain).

Wiki Loves Monuments Code: RI-51-0000444

 

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ENGLISH

The agustinian Monastery of Sant Jaume de Frontanyà is located in center of the town of the same name, in the Catalan region of the Berguedà.

 

In 11th century it was constructed to welcome the community of Sant Jaume Vell, who was in badly condition at the top of the mountain. One knows that in 1066 already they were in the new construction. The lords of the place made great donations, arriving have six canons and one prior. From the death of its last prior Arnald Fresc, in 1395, its decay began, since the commandatary priors began to adapt rents that had the monastery. The extinction of the monasteries of the order of San Agustín in Catalonia in 1592, caused that it passed to depend on the bishopric of Solsona.

 

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CASTELLANO

El Monasterio agustiniano de Sant Jaume de Frontanyà está situado en el centro del pueblo del mismo nombre, en la comarca catalana del Berguedà.

 

En el siglo XI se construyó para acoger la comunidad de Sant Jaume Vell, que estaba en mal estado en lo alto de la montaña. Se sabe que en el año 1066 ya estaban en la nueva edificación. Los señores del lugar hacían grandes donaciones, llegando a tener seis canónigos y un prior. A partir de la muerte de su último prior Arnald Fresc, en 1395, se inició su decadencia, ya que los priores comendatarios se empezaron a apropiar las rendas que tenía el monasterio. La extinción de los monasterios de la orden de San Agustín en Cataluña en el año 1592, hizo que pasara a depender del obispado de Solsona.

 

Del monasterio solo queda la iglesia de una sola nave, tres ábsides y transepto. La nave y los brazos del transepto tienen bóveda de cañón, sobre el crucero hay una cúpula ochavada, que forma un cimborrio en el exterior de doce caras, único de este periodo en Cataluña. En el ábside central hay cinco hornacinas semicirculares separadas por semicolumnas.

 

En el exterior la fachada presenta una ventana en forma de ojo de buey, sobre la puerta de entrada formada por dos arcos de medio punto en degradación.

 

Los ábsides tienen una decoración de tres series de cinco arcuaciones separadas por lesenas en el central y frisos de arcuaciones en los laterales. En el cimborrio también se encuentra un friso con arcuaciones.

 

El campanario cuadrado, es del siglo XVI, colocado sobre la fachada principal.

 

Fuente: es.wikipedia.org/wiki/Monasterio_de_Sant_Jaume_de_Frontan...

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View On Black

   

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Ultimas noticias de la nieve tras la borrasca

 

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Dans la vocifération blanche

d’une tempête,

on distingue quelquefois un flocon méritant.

Mais le tumulte ne peut se

l’adjoindre.

Délaissé,

il tombera seul, dans la lourdeur tragique

du temps.

  

(François Jacqmin, Belgique, né 1929.

Extrait de Le livre de la neige publié en 1990)

 

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Engtre los gritos blancos

de la tempestad,

se distingue a veces un copo benemérito

aislado.

Pero se pierde en el tumulto .

Abandonado,

se perderá en su soledad

y en la trágica inmensidad

del tiempo.

  

(François Jacqmin, Bélgica, 1929. Sacado de

El libro de la nieve, 1990, versión española K)

      

Photo: Pic du Midi de Bigorre, descente à ski de la face sud. L'oriflamme rouge.

  

Foto: Esperando turno junto al precipicio.

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