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Again this gorgeous library. This time I contacted the Money museum and asked them if I could take photos in their library. Surprisingly, they agreed as long as I did not use flash. So, last Thursday, I visited the museum again and brought my tripod and my fish-eye lens. I was going to try to reproduce the first image I took of this library (The Old Library). I hope you like it...
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...
Tired of lying in the sunshine
Staying home to watch the rain
And you are young and life is long
And there is time to kill today
And then one day you find
Ten years have got behind you
No one told you when to run
You missed the starting gun
And you run, and you run to catch up with the sun, but it's sinking
Racing around to come up behind you again
The sun is the same in a relative way, but you're older
Shorter of breath and one day closer to death
...
View my 'Alέxandros “Mixed Emotions” set Slide Show
Mejor pincha aquí para ver en grande sobre negro.
Better click here to view this large on black.
© Derechos de Autor. Esta fotografía no podra usarse sin mi consentimiento escrito.
© All rights reserved, don´t use this image without my permission.
Canon 450D + CANON EF24-105 4L IS USM, @24mm, 1/60 sec, f/9, ISO 100
No Tripod, Date 19/06/2010 20:54
Panoramica de tres tomas horizontales.
Del castillo queda solamente la parte inferior, pero esta se conserva en buen estado.
Ruinas del Castillo de Chinchon. También llamado castillo de los Condes, se encuentra al sur del casco urbano de Chinchón, en la Comunidad de Madrid (España). Es una de las dos fortalezas del municipio, junto con el castillo de Casasola. Construido en el siglo XV, está constituido por dos cuerpos cuadrangulares imbricados, con esquinas rematadas en torres cilíndricas. Todos los muros exteriores del castillo están realizados en mampostería caliza concertada y rellenos por argamasa y piedras, lo que le otorga un aspecto muy homogéneo.
Ha sufrido constantes modificaciones, hasta llegar a una de principios del siglo XX para acondicionarlo como fábrica de anís.
English:
Panoramic of three shots.
Ruins of Chinchon's Castle. Also so called castle of the Condes, It´s to the south of Chinchón's urban area, in the Community of Madrid (Spain). It is one of two strengths(fortresses) of the municipality, together with Casasola's castle. Constructed in the 15th century, it is constituted by two quadrangular imbricated bodies, with corners finished off in cylindrical towers. All the exterior walls of the castle are realized in limy compound masonry and landfills by mortar and stones, which grants a very homogeneous aspect to his.
It has suffered constant modifications, up to coming to one of beginning of the 20th century to condition it as factory of anise.
Texture by : Leslie Nicole Photography.
Listen Come Tomorrow - BARBRA STREISAND CON BARRY GIBB
BARBRA
Are you ready for the day
That we've prayed for
Already holding what is real
You know the soul finds its own evolution
And this is the only love I feel
Can I tell ya
I'm keeping up the strength
I've gotta try
'Cause you ain't getting past this heart of mine
I'm out here waiting for you
With all I've got to give
And I accept this life we live
BOTH
I'll be your lover
And I'll be your friend
I'm gonna follow you
Right to the end
BARBRA
I wasn't made to tell you lies
I only came to make you realize
BOTH
I'll be your hero
And I'll be your plan
You pick me up
And let me down
BARBRA
Don't make me stumble, don't make me wait
'Cause come tomorrow will be to late
BOTH
Come tomorrow
Come tomorrow
BARRY
I got to turn away my face
'Cause you blind me with your light
Can you catch up to me
You know I love you in the black of night
This sacred bridge you walk
This journey has begun
We try, we try to carry on
Are you listening
You get to find the things in life
That get you through
BARBRA
One more day...
BARRY
And deep inside the things you want love never knew
BARBRA
One less chance...
BARRY
Let me make it happen
This world we have foreseen
BARBRA
Hmmm...
BARRY
And I will tell you how I feel
BOTH
Love will be better for wearing your ring
I'm gonna give you everything
BARRY
I wasn't made to tell you lies
I only came to make you realize
BOTH
I'll be your hero
And I'll be your plan
You pick me up
You let me down
BARRY
Don't make me stumble, don't make me wait
BOTH
'Cause come tomorrow will be to late
Come tomorrow...
Come tomorrow...
Come tomorrow...
Oh! Come tomorrow...
Come tomorrow...
Come tomorrow...
Come tomorrow...
Las casas están construídas con gran armonía entre la montaña y como es natural son calles estrechas y enpinadas. El término se extiende por el altiplano de Collsacabra, las sierras de Tavertet y los riscos de Aiats y Falgars. Si bien en la economía tradicional es la agricultura de secano (cereales, legumbres, forrajes, patatas y maíz) y la ganadería eran las principales actividades, en la actualidad, el turismo constituye la mayor fuente de ingresos. El desarrollo del fenómeno turístico ha conllevado la aparición de numerosos establecimientos comerciales y restaurantes que ofrecen al turista de verano o de fin de semana todos los servicios necesarios, como el Hostal Estrella que se encuentra en el centro de Rupit.
Una carretera local comunica el término con la C-153. En el núcleo urbano pueden admirarse edificios de los siglos XVI y XVII, de piedra, con ventanales de tipo gótico o gótico tardío y portales dovelados con antiguas inscripciones, la calle del Fossar es la más típica. El castillo de Rupit se alza sobre un espolón rocoso. La iglesia de Sant Miquel de Rupit, es de estilo barroconeoclásico. Palacio de la notaría de los Soler, con jardín colgante. Capilla de Santa Magdalena, del siglo XVII. La iglesia románica de Sant Joan de Fábregues, a 4 kilómetros de la población. Las masías son de notable interés (la Sala, el Colell, Mas Corriol). Pruit, cuenta con la iglesia románica de Sant Andreu (de los siglos XII - XIII). Iglesia románica de Sant Lloreno; Dosmunts, cerca del gran Mas de les Viles. Masías del Bac de Collsacabra, la Cassassa de Pruit y Comajoan.
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Amapola - Juan Luis Guerra
The Monastery of Sant Benet de Bagés is a former Benedictine monastery, in the Catalan comarca of Bages. The Romanesque monastery was thoroughly restored at the beginning of the twentieth century by the Catalan architect Josep Puig i Cadafalch.
The monastery was founded about 950 by the noble Salla and his consort Ricarda, of the house of the viscounts of Osona . According to the founding legend, Salla traveled to Rome to have his institution authorized, and to have it depend directly on the Holy See, the usual method for preserving the community from interference from the bishop of Vic, in whose diocese it lay. The abbey church was consecrated 3 December 972, witnessed by a gathering of notables: Borrell II, Count of Barcelona, the bishops Frugifer of Vic, Guisad of Urgell and Pere of Barcelona, the viscount Guadald of Osona, and three of the four offspring of the recently deceased founder, his son Isarn and the sisters Quíxol and Ego, at the head of witnesses both laymen and priests, in a grand ceremonial recorded in the surviving act of consecration.
The community was dedicated to the Holy Trinity and to Benedict of Nursia (Sant Benét in Catalan) founder of the order, and Peter and Andrew, all guarantors of its future orthodoxy. The founder secured dispensations that the future abbots would be chosen from among their descendents, making the abbey a form of proprietary church, an agreement that would soon lead to disputes among the various branches of their lineage as to choice of abbots.
From 965, the abbey church held the supposed relics of Saint Valentine, enclosed in a wooden reliquary with plates of silver depicting miraclesa of Saint Valentine, rediscovered in 1863 in the church of Navarcles.At the beginning of the eleventh century the monastery passed under the direction of the Abbey of Saint Peter of Tomeras at Narbonne, from which the community freed itself in 1108. In 1125 Sant Benet de Bagés suffered from an attack by Moors that required a rebuilding, financed by local nobles who required in return the right to be buried in its consecrated ground.
The most splendid age of Sant Benet de Bagés was in the fourteenth century. The Black Death left the community with only two survivors, in a period that witnessed the beginning of its decline. On 9 November 1593, by order of Pope Clement VIII the community passed under the direction of the Abbey of Montserrat, and remained so until it was suppressed in 1820, serving as a place of retirement for Montserrat's community of monks. By the "law of desamortización" of 1835, all religious orders in Spain were required to render upo their possessions.The crumbling ancient structure attracted the interest of intellectuals who organised visits to it in the late nineteenth century. The architect Puig i Cadafalch and the painter Ramon Casas encouraged the mother of Casas to buy the property in 1907; in 1910 it passed into the hands of Casas, who commissioned Puig i Cadafalch to restore it. Since 2000, when it was purchased from Casas' heirs it has belonged to the Caixa de Manresa, a financial institution that has undertaken its maintenance.
In Wordpress In Blogger photo.net/photos/Reinante/ In Onexposure
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....weird how suddenly you see the colours better.
HDR - took 2 daytime long exposures using the ND110 filter and combined them in Photomatix.
Thanks for your visit! Hope everybody is doing ok! Have a wonderful week!
=)
Elisa
Alexander Beets on the Saxophone. View On Black
Goa is more acclaimed for its flamboyant music and dance and the spirit of happiness then for anything else.
You have all kinds of music permeating the state of Goa from its local Konkani to the international trends of trance and oft times,lamentably, the Britney Spears variety of popular music performed by some Goan bands. Jazz as is usual does not have a vast popular audience but there are some earnest believers in that genre of music.
Jazz in Goa is in a state of creative ferment with the efforts of the Amando Gonsalves and his merry band of jazz organisers
You can read more on them at the Heritage Jazz www.heritagejazz.com/
Artists from around the world arrive and play in and around the heritage area of Campal in Panjim right next door to the heritage Gonsalves Mansion.
Saskia Laroo was performing in Goa on the night of 7th December 2008, soon after the Bombay terrorist carnage on 26the November. She is magic on the trumpet and as I said earlier, a consummate artist.
The line up on that night was the following -
2. Warren Byrd on keyboard and vocals
3. Andy Valkenburg (bass)...(( I better do his shots fast..)
4. Ms. Dorota Piotrowska (Drum)
5. Mr. Alexander Beets (Saxophonist
Some of the shots of that night, in no strict order are here.
_DSC5032 copy hpl 125
INCRIDIBLE STOP MOTION ! ! !
www.youtube.com/watch?v=Rk6_hdRtJOE
www.youtube.com/watch?v=Mmwv94WKmnI
www.youtube.com/watch?v=sBWPCvdv8Bk
Away from the lights of big cities, on top of a mountain over 3,700 meters: this is how the Milky Way appears in the night sky. The Norwegian photographer Tisso spent a week in high mountain El Teide in the Canary Islands, Spanish territory in the Atlantic Ocean. To make the videos, he spent hours taking one photo per minute from the same point in the sky. As the earth rotates, each photo captures a slightly different position of the stars. When you put all images in sequence, Tisso creates a movie from the sky.
He says that the series of photos to create these videos lasted up to six hours, and the result are films of a few seconds, but of indescribable beauty. During the day, he used to do Tisso sequences of the landscapes of the island. He says he spent the whole time on the mountain, almost without sleep to make the maximum possible sequences. Tisso concludes: "Despite all the work, is a wonderful way to enjoy the outdoor life. "
this photograph was taken by my 6 year old daughter, with Canon 5D Mark II and Canon EF 50mm F1.2 IS USM L Lens. Hanheld. can you believe it?
my flickr buddy mahnaz ahmed tagged me. it made me reflect on what things are close to my heart. here are some of what i consider important. it was hard to restrict it to 10 things, as i definitely wanted to share a few more. but here is 10 to start with.
since someone told me i don't need to restrict to 10, i added a couple more.
------
i am a human being essentially, whose heart feels like an artist, whose mind thinks like a scientist. often, they go together, hand in hand, which i love very much. it helps me in my work greatly.
my first romance was in university, which turned out to be "one way" only. a very beautiful woman, with gorgeous dimples. i loved her. she did not. bless her lovely heart. but it was through this failure that i met my wife with whom i live since 1997. together we have a six year old girl, who features often on my photostream.
i am a people person. i have come to a state where i don't judge people, and don't let people judge me. this makes me very approachable to almost anyone in this world, which helps me a lot when i shoot people as my photography subjects. but i do stay away from those with inhumane behavior.
i am an absolute nature lover. i don't like to just see nature. i love to be part of it. i hug trees. i lie on the beaches. i climb mountains. i walk the deserts. love animals of every kind, even if some of them scare me. gratefully, i am an travel-aholic who loves to be on planes, trains, automobiles, and anything else that will take me places. known and unknown. i believe that the joy is definitely in the journey.
i am very open and challenge convention in many ways, as i believe that we live by choice, and not by chance. i believe in individual empowerment, and taking of responsibility for our actions. this gets me in trouble often. but i don't care.
i love photography. it is my third space, my creative retreat. i have been fascinated by light since i can remember, and photography is realizing that dream. i love to collect cameras and lenses, and have a good collection of old and new gear. some of my best photos have been with old lenses on modern digital cameras. i am one of those strange photographers who moved backwards - from digital to film media.
i love writing. i write prose and poetry, though poetry is my favorite. i write in english and sanskrit. though sanskrit is more emotive to me, i write mostly in english now. most of my poetry work remains locked in a few lovely notebooks, only to be shared with some of my very intimate friends who i connect with deeply. in connection to writing, i love to collect notebooks from around the world, as well as fountain pens. yes i am a fountain pen connoisseur. montblanc and faber castell are my favorite, though one day i do dream of owning a namiki. i use only montblanc or caran d'ache inks for these pens. when this passion gets translated into my computer, the form changes to fonts. i collect fonts for my computer.
i love reading. on last count, i think i subscribe to about 50 plus magazines on all topics. general interest, photography, business, healing, medicine, nature, travel, high technology, science, wildlife, etc. very few subjects bores me. i have a huge collection of books that either i have acquired myself, or have been gifted by my family and friends. the god father is my all time favorite.
i love cooking, and am very good at it. only queer thing about this is, i don't like anyone else in the kitchen, when i am cooking. today, i have not much time to cook, as i am consumed by work and responsibilities.
i was part of my university theatre group. we used to put up a lot of comedy plays, especially through mime. i joined this to come out of my shyness. yes, believe it or not, i was bloody shy as a child.
i love colors. which shows through much of my life. be it photographs or my wardrobe, i just love the colors of life.
i am a firm believer of the statement "once you go mac, you never go back." yes, i am a macaholic too. have been using them since 1999, and have never switched. in fact, i have helped many switch to macs over the last decade. definitely over a 100 people have switched because of me.
on a more boring note, i am in the last stages of completing my PHD. duh!!! how boring
ps: and yes...i do want world peace. now, do i get the ms. universe title ;-)
Best large View On Black
This is a stitched panorama of the SunDial Bridge located in Redding, California.
Spanning the Sacramento River, the 700 foot long, 23 foot wide bridge was designed by one of the world’s foremost bridge designers, Santiago Calatrava. The span is supported by 4,342 feet of steel cable suspended from a single, white, 217 foot high pylon that is said to resemble an egret in flight. The pylon is situated at the exact north end of the bridge and acts as a sundial casting its shadow across a grassy plaza. The walkway is made of nonskid glass that is illuminated from underneath at night, and during the daytime casts only a minimal shadow on the water. At no point does it touch the water. This is of environmental importance due to the fact that this particular part of the river is the spawning ground for thousands of Chinook salmon.
View On Blacklarge
Edie Brickell & New Bohemians - Circle
When I'm by myself it's
the best way to be.
chiudo gli occhi e penso
cavalco le onde del tempo
arrivo sulle radure del passato
(jalesh)
Listen Lullaby - Loreena McKennitt
O for a voice like thunder, and a tongue
To drown the throat of war! - When the senses
Are shaken, and the soul is driven to madness,
Who can stand? When the souls of the oppressed
Fight in the troubled air that rages, who can stand?
When the whirlwind of fury comes from the
Throne of God, when the frowns of his countenance
Drive the nations together, who can stand?
When Sin claps his broad wings over the battle,
And sails rejoicing in the flood of Death;
When souls are torn to everlasting fire,
And fiends of Hell rejoice upon the slain,
O who can stand? O who hath caused this?
O who can answer at the throne of God?
The Kings and Nobles of the Land have done it!
Hear it not, Heaven, thy Ministers have done it!
Poem by William Blake (1757-1827)
Music by Loreena McKennitt
Loreena Isabel Irene McKennitt, C.M. (born February 17, 1957) is a Canadian singer, composer, harpist and pianist most famous for writing, recording and performing world music with Celtic music and Middle Eastern themes.
A small town in the province of Lleida which sits at the foot of the Sierra del Tallat mountains, in the valley of Maldanell. Its origins date back to a Cistercian monastery which came to be the most important female monastery of the Catalonian-Aragonese Crown.
The monastery was founded in the 12th century and when the Trento Council decided that female monasteries must not be left abandoned, the inhabitants of the area built a village around it. At present, the monastery of Vallbona de les Monjes houses a significant female community. Its architectural wealth lies in the wide variety of styles on display on its walls and exterior, the best of examples of which are the church door, the cloister and the chapter house. Vallbona de les Monges forms part of the so-called Cistercian triangle, along with the monasteries of Poblet (Conca de Barberà) and Santes Creus (Alt Camp).
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Mejor verla en grande - Best enlarge
Panoramica de 3 fotografias procesadas con PTGui y Photoshop.
La iglesia parroquial de Santa María es una construcción del siglo XV (finalizada en el XVII), actualmente considerada como Bien de Interés Cultural. Fue declarada Monumento histórico-artístico perteneciente al Tesoro Artístico Nacional mediante decreto de 3 de junio de 1931.
Edificación gótica con una imponente portada policromada y claustro gótico, el primero de Guipúzcoa. Imponente interior con sus tres naves y bóvedas de crucería rodeado de capillas que se abren entre los contrafuertes de la nave.
La torre se alza sobre el pórtico al cual se abre en tres direcciones.
En el interior destaca el Retablo Mayor de Nuestra Señora de la Asunción, de Bernabé Cordero de 1662 y armado por Pedro de Alloitiz en 1668.
VIEW MY GETTY COLLECTION HERE
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VIEW MY WEB SITE AND SHOP HERE
Here is my first published work even though i did it as a freebie its great seeing your work on a web site !
www.thewhitehartvillageinn.com/index.html
Here is the flickr set
www.ukbutterflies.co.uk/species.php?species=urticae
Small Tortoiseshell
Aglais urticae
Superfamily: Papilionoidea
Family: Nymphalidae
Subfamily: Nymphalinae
Genus: Aglais
Subgenus:
Species: urticae (Linnaeus, 1758)
Wingspan:-
Male: 45 - 55mm
Female: 52 - 62mm
Introduction
The Small Tortoiseshell is one of our most-familiar butterflies, appearing in gardens throughout the British Isles. Unfortunately, this butterfly has suffered a worrying decline, especially in the south, over the last few years. This butterfly has always fluctuated in numbers, but the cause of the most-recent decline is not yet known, although various theories have been proposed. One is the increasing presence of a particular parasitic fly, Sturmia bella, due to global warming - this species being common on the continent. The fly lays its eggs on leaves of the foodplant, close to where larvae are feeding. The tiny eggs are then eaten whole by the larvae and the grubs that emerge feed on the insides of their host, avoiding the vital organs. A fly grub eventually kills its host and emerges from either the fully-grown larva or pupa before itself pupating. Although the fly attacks related species, such as the Peacock and Red Admiral, it is believed that the lifecycle of the Small Tortoiseshell is better-synchronised with that of the fly and it is therefore more prone to parasitism. This is one of our most widespread butterflies, occurring throughout the British Isles, including Orkney and Shetland.
Aglais urticae
This species was first defined in Linnaeus (1758) as shown here (type locality: Sweden).
Phenology
The adult butterflies can be seen at any time of the year, even on the last days of December or first days of January if the temperature is high enough to wake them from hibernation. However, adults normally emerge from hibernation at the end of March and start of April. There are typically 2 broods each year, except in the north, where there is usually only a single brood. Whether single or double-brooded, the butterfly is a familiar sight in late summer as it takes nectar to build up essential fats in preparation for hibernation.
Habitat
This butterfly can turn up almost anywhere, from city centres to mountain tops. As such, it is one of our most successful butterflies. It is most-often seen, however, where nettles grow in abundance, such as field margins. This butterfly is often encountered while hibernating in an outbuilding, such as a garage, shed or barn, where they may be found in the company of other individuals. Other hibernation sites include hollow trees and wood piles.
Larval Foodplants
The primary larval foodplants are Common Nettle (Urtica dioica) and Small Nettle (Urtica urens).
Nectar Sources
Adults feed primarily on Betony (Stachys officinalis), Bramble (Rubus fruticosus), Carline Thistle (Carlina vulgaris), Dandelion (Taraxacum agg.), Devil's-bit Scabious (Succisa pratensis), Field Scabious (Knautia arvensis), Greater Stitchwort (Stellaria holostea), Hawkweeds (Hieracium/Hypochoeris), Heather (Calluna vulgaris / Erica spp.), Hemp Agrimony (Eupatorium cannabinum), Ivy (Hedera helix), Knapweeds (Centaurea spp.), Marjoram (Origanum vulgare), Primrose (Primula vulgaris), Privet (Ligustrum vulgare), Ragwort (Senecio jacobaea), Thistles (Cirsium spp. and Carduus spp.), Thyme (Thymus polytrichus) and Water Mint (Mentha aquatica).
Imago
The two sexes are almost identical in appearance, with the distinctive yellow and orange uppersides providing a contrast with the drab undersides that provide the butterfly a good deal of camouflage when hibernating.
In the afternoon, males set up territories, usually close to a nettle patch, where they rest of the foodplant or ground with their wings open, waiting for a passing female. When a female enters the territory, a most curious courtship begins. The male approaches the female from behind and starts to "drum" his antennae on the hindwings of the female, making a feint sound that is audible to the human ear. The female may fly a little distance, with the male following, where the process repeats. This can go on for several hours with the couple spending a good amount of time basking together. Eventually, usually in early evening, the female will lead the male into vegetation, often a nettle patch, and crawl between stems with the male following, where they eventually mate. They remain coupled until the following morning.
Aberrations
This species displays considerable variation in both the upperside ground colour and the familiar upperside pattern and markings.
Much work has been carried out in this species to discover how temperature shock in the late larval/ early pupal stage can affect the development of pigments in the imago. These experiments have assisted our understanding of how and when the pigments are 'mapped' in the Vanessid butterflies. The Small Tortoiseshell appears to be particularly sensitive to temperature shock, and this species has been widely bred in the past in the hope of producing extreme environmentally controlled aberrations such as ab. semi-ichnusoides.
Extreme shocks of either heat or cold during the last 24 hours of the larval stage and the first 48 hours of the pupal stage can disrupt the natural process of metamorphosis and inhibit the normal processes in which organic chemicals create the colouration of the wing scales.
The expression of aberration through temperature shock is a graduated process; one level of exposure creates ab. semi-ichnusoides, a little more fuses all three black blotches along the costa of the forewing to create ab. conjuncta, and the most extreme exposure produces an almost entirely melanic form known as ab. osborni. The conditions required to produce the latter forms are thought to be so extreme that they lie right on the very cusp of extremes of temperature that would be fatal to the larva or pupa. Consequently these forms are rare in captivity and extremely unlikely to be met with in the wild.
It is difficult to ascertain how frequently any of these aberration occur in the wild, however it is a rare event that exposes the newly formed pupa or transitional larva to the necessary conditions for metamorphosis to be disrupted in this way, and this is supported by the paucity of historical sightings of the extreme aberrations in the wild. That is not to say that the lesser of the aberrations do not occur however, and an ab. semi-ichnusoides presents a particularly striking sight when nectaring on a garden buddleia amongst typical individuals.
It has been speculated that severe late frosts could possibly cause instances of these aberrant forms, as well as a larva/pupa being exposed to particularly strong sunlight after having the normally sheltered pupation site disturbed in some manner.
Environmental influences are not the sole cause of aberration in this species however, and there are many genetic aberrations which the observer could encounter at any time. Occasionally the orange ground colour is replaced entirely by a pale whitish buff (ab. lutea), as well as various transitional shades leading to this. Similarly, sometimes the orange colour is replaced by a brownish-purple hue and this is known as ab. brunneoviolacea.
There are in excess of 105 named aberrations known to occur in Britain. Click here to see a full list of aberrations for this species.
ab. nigrita (Fickert)
On the forewings the two upper black costal spots are united to form a single black blotch. The twin discal spots are absent. Hindwings entirely black with no marginal lunules.
Ovum
The female is quite choosy about where she lays, which is not surprising since she lays her green eggs in large batches and needs to ensure that the location is just right for the developing larvae. Typical sites are nettle patches containing relatively-new growth, and that receive full sun. Eggs are laid on the underside of a nettle leaf, usually one near the top of the stem and at the edge of the nettle patch. The eggs are not laid in neat rows, but piled on top of one another. Egg batches can contain up to 80 eggs which take some time to lay - typically between 20 and 90 minutes. The egg stage lasts between 1 and 3 weeks, depending on the weather.
Larva
On emerging from their eggs, the larvae build a communal web, usually at the top of the nettle, from which they emerge to bask and feed. As the larvae grow, they move to new plants, building new webs along the way. This leaves a trail of webs, decorated with shed larval skins and droppings, that show the passing of time, and allows the patient observer to trace the larvae all the way back to the plant where the eggs were laid. The first experience that some people have of a Small Tortoiseshell is seeing these webs as they extend over stretches of nettle, with the larvae resting communally and quite visibly on the surface of the web, or feeding from nearby leaves.
Larvae have several techniques to avoid predation. When disturbed, a group of larvae will often jerk their bodies from side to side in unison, which must be a formidable sight to any predator. The larvae will also regurgitate green fluid and will, if necessary, curl up in a ball and drop to the ground. Larvae feed by both day and night and there are 4 moults in total.
Pupa
The larvae disperse as they become fully grown, and eventually wander off to find a suitable pupation site. The pupa is formed head down, attached to a stem or leaf by the cremaster. The colour of the pupa is quite variable, often having a beautiful metallic sheen. This stage lasts between 2 and 4 weeks, depending on temperature.
Sites
Arthur's Seat, Bedfont Lakes Country Park LNR, Bryncelyn Hall, Darley, Devil's Ditch, Dundas Castle, Eakring Meadows Nature Reserve, Glenarm, Horsenden Hill, Hounslow Heath LNR, Howardian Local Nature Reserve, Hutton Roof Crags, Hyde, Kenfig Pool, Kinghorn Loch Path, Lavernock, Mansmead wood, Mayford Pond, Meanwood Park, Moss Field, Mynydd Marian, Old Down, Basingstoke, Rookery, Ryton Woods Meadows, Sutton Bingham Reservoir, Tophill Low, Viking Field/LesleySears, West Williamston Salt Marshes, Winkleigh, Winsdon Hill
Conservation Status
Despite being a widespread and common species in certain areas, the declining fortunes of this butterfly, especially in the south, mean that this butterfly is a species of conservation concern.
Ver en grande sobre fondo negro
en.flickeflu.com/photos/31704300@N05
El sábado último nos juntamos unos amigos para pillar este amanecer en el Fitu, creo con sinceridad que sin ser uno de esos amaneceres espectaculares, ha sido un bonito amanecer y más al tener la compañía de estos amigos a los que se las quiero dedicar. Anusska-Raquel Marquez-Nachocamacho-El magüetu- Nikar- Jesus, Marino en tierra y a Murill@ que no pudo acompañarnos.
Gracias por vuestra compañía y amistad.
Para tod@s vosotros desearos un feliz martes
bighugelabs.com/flickr/onblack.php?id=2620440365&size...
Carcassonne is the "Cité", this very famous and extraordinary architectural monument, unique in Europe, this miracle of stones on a hill, looming over the surrounding vineyards of Minervois or Carcassès, the Black Mountain or the sinuous outlines of the Corbières with towers and ramparts that are centuries old....
An impressive and amazing visit...!
--x--
I was feeling really down last night, as well as this morning right from when I woke up. Things have been really tough over the past year. I was turning the possibility of sharing this with you over in my mind, over, and over, and over... I was not sure whether I had the confidence, and whether it would make any difference.
I've concluded that it does. If I don't address pain, either artistically or verbally, then nothing will change. It is at least worth a try. I think Brad said it best: Flickr is cheap ass therapy.
My father was diagnosed with Alzheimer's Disease right before his 60th birthday, which was this past December. He is already in stage three of seven -- very unusual for someone so young. In addition to the fact that it's a fatal disease, he will soon become someone entirely different, with not a clue who I am, or who he is, who he was, who he will be. I can see changes as the months go by, some months more than others. He was a political science professor at Columbia for most of his career, then was a dean, chief financial officer and provost there as well. His life has been built on his extraordinary intellect -- one that moved me to academia, helped incite my passion for philosophy and dreams of becoming a professor. Now he is on disability and finds himself lonely and listless most days, while everyone else is working and busy. He is rediscovering himself, and the talented parts of him that were latent all these years, but it doesn't take away from the struggle on a day-to-day basis. He has always been humble, frank, moderate, and inward, but he has shed some of his hurtful tendencies -- he is less analytic, more feeling and embracing of everything around him. All too many had accused him, say ten years ago, of being withholding and emotionally unavailable, to his wife (my stepmother) and me and my sister. He is so different now. It is, I supposed, something of a Catch-22: my father has metamorphosed into one of the most beautiful souls I've ever known, but this is all too fleeting.
But perhaps it is this transience that gives it such sweetness and value.
Sweet and low, sweet and low,
Wind of the western sea,
Low, low, breathe and blow,
Wind of the western sea!
Over the rolling waters go,
Come from the dying moon, and blow,
Blow him again to me;
While my little one, my pretty one, sleeps.
Sleep and rest, sleep and rest,
Father will come to thee soon;
Rest, rest, on mother's breast,
Father will come to thee soon;
Father will come to his babe in the nest,
Silver sails all out of the west
Under the silver moon:
Sleep, my little one, sleep, my pretty one, sleep.
-- Tennyson
Best Viewed BLACK
According to many European old maps, the river is named as Menam or Mae Nam, the Thai word for river (Me or Mae is "Mother", Nam is "Water"). The name Chao Phraya is a Thai feudal title, which can be translated as General or Lord. In the English-language media in Thailand the name is often translated as River of Kings.
The cities along the Chao Phraya are Nakhon Sawan, Uthai Thani, Chainat, Singburi, Ang Thong, Ayutthaya, Pathum Thani, Nonthaburi, Bangkok and Samut Prakan, listed from north to south. These cities are among the most historically significant and densely populated settlements of Thailand precisely because of their access to the waterway.
A big thank you to Mr. Wiki.. :-)
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La Chao Praya (thaï แม่น้ำเจ้าพระยา), ou Ménam Chao Phraya, est le plus important fleuve de Thaïlande après le Mékong et la Salween. C'est aussi le seul à couler entièrement dans le pays, dont il constitue encore aujourd'hui l'axe majeur de transport et de commerce. Il se forme au confluent des rivières Ping et Nan et s'écoule vers le sud pendant 372 km, avant de se jeter dans le golfe de Thaïlande. La vallée de la Chao Praya est une grande région productrice de riz.
Le mot Ménam signifie « rivière » en thaï : ce mot est formé de deux éléments : me signifiant « mère » et nam « eau ». Chao Phraya est un terme honorifique thaï, que l'on peut traduire approximativement par « seigneur des eaux ».
Non loin de son embouchure, la Chao Praya traverse Bangkok, où avaient lieu de fameux marchés flottants que l'on ne trouve plus guère qu'en dehors de la ville comme à Damnoen Saduak (80 km de Bangkok).
Merci Mr. Wikipedia.. :-)
Thanks friends for the XPL#353
I've become scared and awkward in front of the camera all over again.
I don't know what I'm doing half the time.
Maybe it's a good thing.
If you have filled a form for prints within the past two months, I have not received them for my link was not working. If you ordered, please try again, I would love to offer what I can.
prices have been reduced because sales keep us humble.
The Very Best View On Black And Large
(Explore) (157)
El interior
Las columnas de la nave central.
Detalle de la bóveda.
Gaudí evolucionó de un primer proyecto gótico hacia un estilo personal, orgánico, inspirado en las formas de la naturaleza: para librarse de los contrafuertes góticos, ideó el uso de columnas en forma de tronco de árbol, que permiten descargar el peso de las cubiertas directamente en el suelo, solución práctica a la vez que estética, ya que convierte el interior de las naves del templo en un espacio orgánico que semeja un bosque. En 1987 se inició la cimentación de las naves; para 1997 se completaron las bóvedas laterales y se empezó la central.
El templo tiene planta de cruz latina, con cinco naves de 90 metros de longitud, y crucero de tres naves de 60 metros; la nave central tiene un ancho de 15 metros, y 7,5 las laterales, haciendo un total de 45 metros; ancho del crucero, 30 metros. La altura es de 45 metros en las bóvedas de la nave central y 30 en las laterales, mientras que las del cimborio central llegarán a los 60 metros. Las naves laterales contendrán las cantorías para los coros. El ábside es lobulado, con deambulatorio entorno del presbiterio. El templo contará con un total de 36 columnas, que oscilarán entre 11,10 y 22,20 metros de altura, con bases de polígonos estrellados de varios lados según su ubicación: 6 (naves laterales), 8 (nave central), 10 (torres de los Evangelistas), 12 (torre de Jesús). Los materiales de construcción varían de la piedra de Montjuïc al granito, basalto o pórfido.
Las bóvedas son hiperbólicas, construidas con baldosas de mosaico veneciano. Gaudí utilizó la técnica de la bóveda catalana o bóveda tabicada, que consistía en la superposición de varias capas de ladrillos con argamasa. Las cubiertas son de forma piramidal, coronadas por una linterna y un farol. Los ventanales están pensados para distribuir una iluminación suave y armónica, creando un efecto de recogimiento, y tienen forma geométrica abstracta; las vidrieras de colores son obra de Joan Vila i Grau. Gaudí realizó profundos estudios acústicos y lumínicos para conseguir una perfecta sonoridad e iluminación en el interior del templo.
The church plan is that of a Latin cross with five aisles. The central nave vaults reach 45 meters while the side nave vaults reach 30 meters. The transept has 3 aisles. The columns are on a 7.5 meter grid however the columns of the apse, resting on del Villar's foundation, do not adhere to the grid, requiring a section of columns of the ambulatory to transition to the grid thus creating a horseshoe pattern to the layout of those columns. The crossing rests on the four central columns of porphyry supporting a great hyperboloid surrounded by two rings of 12 hyperboloids (currently under construction). The central vault reaches 60 meters. The apse will be capped by a hyperboloid vault reaching 75 meters. Gaudi intended that a visitor standing at the main entrance be able to see the vaults of the nave, crossing, and apse, thus the graduated increase in vault loftiness.
The columns of the interior are a unique Gaudi design. Besides branching to support their load, their ever-changing surfaces are the result of the intersection of various geometric forms. The simplest example is that of a square base evolving into an octagon as the column rises, then a 16-sided form, and eventually to a circle. This effect is the result of a three-dimensional intersection of helicoidal columns (for example a square cross-section column twisting clockwise and a similar one twisting counter-clockwise).
(Wikipedia)
¤ On Black ¤
Now that it's Christmas, I will share a special photograph with you.
This is a photo of a bison tromping across the bacterial mat in front of the Grand Prismatic Spring--the largest hot spring in North America, and third largest in the world.
The story goes that I was minding my own business, composing images of the Grand Prismatic, when all the tourists started fussing and massing along the boardwalk above the bacterial mat in front of the hot spring. I didn't pay much attention to them at first, but eventually I had to pull away from the viewfinder to see what the commotion was all about. Wow! A bison was leisurely making his way towards the Grand Prismatic, splash-stomp, splash-stomp, splash-stomp through the pungent water. Me, being totally unprepared for this, swung my tripod around and started tracking him and tripping the shutter.
Shooting through a 2-stop graduated neutral density filter and a polarizer really slowed down my shutter, which explains the subject motion in the leg, tail, and back. Upon closer inspection, it's possible to see the water splashing from his front hoof--very cool!
My favorite areas are the reflection of the bison and the rich hues throughout. I love the layered framing--the cornered sky leading into the hills, which offset the steam rising from the spring; on the bottom the bright oranges are nicely divided by parallel reliefs in the bacterial mat, which have a nice diagonal symmetry with the sky and hill lines. I wish I had time to change to a different lens, or at least remove my filers, but in this unique circumstance, I will take what I can get.
For those wondering where I was, follow this Wikipedia link, and click on the overhead image. In the larger sizes a couple is visible walking along the boardwalk found on the bottom of the image. I was located on the left side of the wider area just above the walkers. The bison was walking from upper-right to lower-left--he never stopped or paid any attention to the legions of onlookers, while he made his way to graze in the Midland Geyser Basin.
Manuscrito del cura Párroco de Yaiza, Don Andrés Lorenzo Curbelo, que relata los acontecimientos desde el comienzo de la erupción hasta que la población de la zona emigró entre 1731 y 1732, ante los continuados procesos volcánicos que se sucedieron.
El 1º de Septiembre (de 1730) entre las nueve y diez de la noche la tierra se abrió de pronto cerca de Timanfaya a dos leguas de Yaiza. En la primera noche una enorme montaña se elevó del seno de la tierra y del ápice se escapaban llamas que continuaron ardiendo durante diez y nueve días. Pocos días después un nuevo abismo se formó y un torrente de lava se precipitó sobre Timanfaya, sobre Rodeo y sobre una parte de Mancha Blanca. La lava se extendió sobre los lugares hacia el Norte, al principio con tanta rapidez como el agua, pero bien pronto su velocidad se aminoró y no corría más que como la miel. Pero el 7 de septiembre una roca considerable se levantó del seno de la tierra con un ruido parecido al del trueno, y por su presión forzó la lava, que desde el principio se dirigía hacia el Norte a cambiar de camino y dirigirse hacia el NW y WNW. La masa de lava llegó y destruyó en un instante los lugares de Maretas y de Santa Catalina, situados en el Valle. El 11 de Septiembre la erupción se renovó con más fuerza, y la lava comenzó a correr. De Santa Catalina se precipitó sobre Mazo, incendió y cubrió toda esta aldea y siguió su camino hasta el mar, corriendo seis días seguidos con un ruido espantoso y formando verdaderas cataratas. Una gran cantidad de peces muertos sobrenadaban en la superficie del mar, viniendo a morir a la orilla. Bien pronto todo se calmó, y la erupción pareció haber cesado completamente.
El 18 de Octubre tres nuevas aberturas se formaron inmediatamente encima de Santa Catalina, que arden todavía y de sus orificios se escapan masas de humo espeso que se extienden por toda la isla, acompañado de una gran cantidad de escorias, arenas, cenizas que se reparten todo alrededor, viéndose caer de todos los puntos gotas de agua en forma de lluvia. Los truenos y las explosiones que acompañaron a estos fenómenos, la obscuridad producida por la masa de cenizas y el humo que recubre la isla forzaron más de una vez a los habitantes de Yaiza a tomar la huida, volviendo bien pronto, porque estas detonaciones no aparecieron acompañadas de otro fenómeno de devastación" .
Comentarios
Explore Jun 27 - 2009 - #390
View Dream with Me On Black and Large
I was never thinking that the seascape shooting can be so adventurous like this morning. I went with Michael to Shelly Beach-Manly to take some shots but I must have misunderstood his email. Seriously, when he told me that this was going to be an adventure, he was right!!
We decided that instead of walking for half an hour to our destination we would take the shortcut via a steep road down to the cliff in pitch black darkness (5.30 am). Well Michael had a flash light and I forgot mine at home, bottom line – we finally reached our destination with some additional scars, bruises and scratches on my legs and feet. I had slipped a couple of times and fell despite my Spiderman powers and my new wet shoes!!
We met Oat ( Hangingpixels) and few more photographers; good thing is to see how many people enjoy photography, sunrise and seascape shooting.
About photo:
Single RAW shot at F: 16 E: 1/60 – filter: Cokin P ND 0.4x and Grey to increase contrast, post processing: Lightroom / Tone Mapping / Photomatix / B&W Styler
i so cant wait to return i could process all day from this beach !!! Gutted our week here was a total wash out got here once .
This image is copyrighted to David Smith; Any users, found to replicate, reproduce, circulate, distribute, download, manipulate or otherwise use my images without my written consent will be in breach of copyright laws. Please contact me at daismiff39@hotmail.com for express permission to use any of my photographs.
....................................................................................................Mejor en grande
También de la sesión ayer con luz natural y sin flash, esta es en otro sector de mi casa, había mas luz, lo cual me permitió congelar mejor las gotas, pero también mas reflejos en el vidrio que tuve que clonar... Llevo mas trabajo de edición que la otra.
Espero les guste!
Que tengan una linda noche y un jueves excelente!!
Besote!
♥
Señores de "Duro de Domar", si van a usar una foto mia en sus informes, tengan la honradez de pedir permiso!
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No usar esta imagen en páginas web, blogs u otros soportes sin mi autorización, © Todos los derechos reservados.
Don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved
“Y estos derechos... a respetarlos, ¿eh? ¡No vaya a pasar como con los diez mandamientos!” (Mafalda)
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Por favor no agregues imágenes demasiado grandes en los comentarios
Please do not add images too large in the comments
Please view large.
(thank you Shannon for this song. I absolutely love it)
I reached a million views a while ago:
And never got to thank every single one of you.
I mean it when I say I cannot put into words how many good people I have met through this site, how much I have learned, and how much I have taken out of this.
You all, every single one of you, do have such a place in my heart.
I can't imagine my life if I have never started putting my work on here.
That may sound odd, but I can't imagine it.
AND IF YOU ARE OUT THERE
I think I ran into someone who knows me from this site today.
I was crossing the cross walk here at school and I passed you, whoever you are, brown haired girl carrying a camera?
I think you must have recognized me or something because of the way you were watching me....so if you read this, hello, and I am really praying I smiled at you as I passed. I know I was on the phone.
:)
(I do apologize for this, I was without a tripod and remote so this was all I could manage)
Happy Easter everyone.
Sonnenuntergang
Die glühend rote Sonne steigt
Hinab ins weitaufschauernde,
Silbergraue Weltenmeer;
Luftgebilde, rosig angehaucht,
Wallen ihr nach; und gegenüber,
Aus herbstlich dämmernden Wolkenschleiern,
Ein traurig todblasses Antlitz,
Bricht hervor der Mond,
Und hinter ihm, Lichtfünkchen,
Nebelweit, schimmern die Sterne.
Einst am Himmel glänzten,
Ehlich vereint,
Luna, die Göttin, und Sol, der Gott,
Und es wimmelten um sie her die Sterne,
Die kleinen, unschuldigen Kinder.
Doch böse Zungen zischelten Zwiespalt,
Und es trennte sich feindlich
Das hohe, leuchtende Ehpaar.
Jetzt am Tage, in einsamer Pracht,
Ergeht sich dort oben der Sonnengott,
Ob seiner Herrlichkeit
Angebetet und vielbesungen
Von stolzen, glückgehärten Menschen.
Aber des Nachts,
Am Himmel, wandelt Luna,
Die arme Mutter,
Mit ihren verwaisten Sternenkindern,
Und sie glänzt in stiller Wehmut.
Und liebende Mädchen und sanfte Dichter
Weihen ihr Tränen und Lieder.
Die weiche Luna! Weiblich gesinnt,
Liebt sie noch immer den schönen Gemahl.
Gegen Abend, zitternd und bleich,
Lauscht sie hervor aus leichtem Gewölk,
Und schaut nach dem Scheidenden, schmerzlich,
Und möchte ihn ängstlich rufen: "Komm!
Komm! die Kinder verlangen nach dir -"
Aber der trotzige Sonnengott,
Bei dem Anblick der Gattin erglüht er
In doppeltem Purpur,
Vor Zorn und Schmerz,
Und unerbittlich eilt er hinab
In sein flutenkaltes Witwerbett.
Böse, zischelnde Zungen
Brachten also Verderben
Selbst über ewige Götter.
Und die armen Götter, oben am Himmel
Wandeln sie, qualvoll,
Trostlos unendliche Bahnen,
Und können nicht sterben,
Und schleppen mit sich
Ihr strahlendes Elend.
Ich aber, der Mensch,
Der niedriggepflanzte, der Tod-beglückte,
Ich klage nicht länger.
Heinrich Heine
Heinrich Heine
Reached front page on Explore. Thank you all!
An old pier by Rock Ferry, Wirral, on the River Mersey, UK.
Long exposure shot just after sunrise.
Exposure- 237 seconds !
Aperture- F11
ISO 100
Focal length- 14mm.
There is a story behind this image. I'd visited this location 3 times after only recently discovering it about 15-20 minutes drive away.
I managed some nice long exposure shots on the first 2 visits(dawn), but the light wasn't that interesting although the tide was right, and the place looked quite clean and interesting.
On this 3rd trip, the light was looking really quite special, but along with the rising tide which was flowing left to right in the picture was masses of dirty brown scummy looking foam floating on the water!
I guessed rightly that with a very long exposure using my 10 stop ND filter, the foam floating past wouldn't show up. That worked very nicely, but a lot of this stuff had collected just to the left of the jetty, and left a blurry mess in the final image! So I had to clone that area out in photoshop to clean up the image! I only took one shot for this image and made adjustments in Camera Raw.
Thank you all again for your support!
Yummy: View On Black
Accompanying music: "Little Wing" - Jimi Hendrix (either the original, or any of the covers done by Stevie Ray Vaughan and Derek & The Dominoes)
I am obviously very interested in props nowadays.
I love my eyes and lips here. My hair could use a brushing.
Secret #8: Ok, this is pretty morbid. When I was three or four, I had a bunch of goldfish. Well, I had ONE goldfish named Swimmy, and he was a cannibal who ate and killed all of his tank mates. We'd keep replacing them and replacing them, and no matter what, Swimmy ended up alone (though sated) in the tank. Anyway, one day I was pissed at Swimmy and wanted to give him a taste of his own medicine. Either that, and I had a really advanced psychology at an early age, or, more likely, I was masochistic. I took Swimmy out of the tank in the little net thing and held him in the air laughing until my aupair came in and made me stop.
I was a devil child. Now I'm an angel :)
*Explored: Reached #74 Yay! I care because this is my favorite SP I've taken yet...!
Listen As I Lay Me Down - Sophie B. Hawkins
Sophie Ballantine Hawkins (born November 1, 1967, in Manhattan, New York City, U.S.) is an American singer, songwriter, musician and painter. Her biggest hits are "Damn I Wish I Was Your Lover," "Right Beside You," and "As I Lay Me Down." Her debut album, Tongues and Tails, was released in 1992. It achieved both worldwide commercial success and critical acclaim, earning her a Grammy nomination for Best New Artist in 1993. The single "Damn I Wish I Was Your Lover" went to #5 on the Billboard Hot 100 singles' chart in the USA. Whaler, her second album, was released in 1994. It also contained a Top 10 hit, the song "As I Lay Me Down." A 1998 documentary by Gigi Gaston, entitled The Cream Will Rise, follows her during one of her tours and captures her struggle to deal with past trouble with her family, including her mother and brother. Music and riffs by Hawkins are included throughout the film. Timbre was re-released in 2001 on her own label, Trumpet Swan Productions. It was bundled with a bonus disc containing new songs, demos, remixes, and videos. Her first independently recorded and released album, Wilderness, was released in 2004. In August 2007, Hawkins headlined the first Los Angeles Women's Music Festival in support of the festival's dual agenda of supporting animal rescue groups and promoting and supporting female musicians. Hawkins is a vegan and a long-time supporter of animal rights. In February 2008, Hawkins re-recorded her hit "Damn I Wish I Was Your Lover" as Damn We Wish You Were President in support of presidential candidate Hillary Clinton. Hawkins wrote, "Hillary Clinton's achievements come from her heart. She has initiated so much positive change for families, children, victims of crime and the environment in her struggle for the forward movement of America and the working people of this nation"
La Costa Brava, el agreste litoral de la provincia de Girona, cuenta con una villa medieval a pocos kilómetros de su perfil marítimo. Su centro histórico se levanta sobre una colina rodeada de llanuras, que en su origen fue zona pantanosa. Hay que remontarse al siglo IX para encontrar los primeros documentos escritos que hablan de esta población, época a la que pertenece su castillo. Continuos enfrentamientos bélicos hicieron que durante siglos sólo se conservase la Torre del Homenaje de esta construcción defensiva. Se trata de una torre románica de planta circular levantada entre los siglos XI y XIII. Sus 15 metros de altura se asientan sobre una plataforma de roca natural, en la que también se encuentran numerosas tumbas visigóticas. Durante el siglo XV fue empleada como campanario, por lo que se la conoce como la Torre de las Horas. En la actualidad, el solar del castillo lo ocupa la casa de la familia Pi i Figueras, promotor de la restauración del Recinto Gótico de Pals. De factura moderna, esta casa mantiene los mismos rasgos arquitectónicos que el resto de la urbe. Calles empedradas interrumpidas por arcos de medio punto, fachadas con ventanas ojivales y balcones de piedra son los signos distintivos de Pals. La muralla es otro de los lugares que transportan al viajero a la Edad Media. Cuatro torres de planta cuadrada se mantienen aún en pie, a pesar de que datan del siglo XII. Torres con nombre propio como Ramonet, Rom, Xinel·lo y Hospital. Otros puntos de interés son el mirador Josep Pla, la Plaza Mayor, las sepulturas de la calle Mayor y la iglesia de Sant Pere. El escritor palafrugellense da nombre a una de las atalayas naturales, desde donde se divisan los campos del Ampurdán y las islas Medes. Arcos góticos y sepulturas medievales son los otros hitos que encontramos en el camino. Parte de los sillares de piedra del castillo fueron empleados en el siglo X para edificar la iglesia de Sant Pere. En su estructura final se distinguen la base románica, el ábside y nave gótica, y el pórtico y campanario barrocos. La mejor manera de recorrer Pals es perderse por su calles medievales, pero antes de esto merece la pena acercarse a una casa fortificada del siglo XV, sede del Museo de Arqueología Submarina. Entre otras curiosidades, podemos conocer la historia de los vinos y cavas de Cataluña, gracias la exposición permanente que exhibe. A las afueras de la villa se extiende otra parte del municipio de Pals, los Masos de Pals, antiguo conjunto de masías (casas de campo catalanas) que actualmente acogen a un nutrido núcleo urbano. Y en la costa, la playa de Pals. Más de cuatro kilómetros de aguas transparentes donde el viajero podrá disfrutar del benigno clima mediterráneo y de todas las oportunidades de ocio que la Costa Brava ofrece. Campos de golf, deportes náuticos y visitas al Parque Natural Illes Medes son sólo algunas de ellas. Pals también se convierte en una excelente oportunidad para acercarnos a la gastronomía del Baix Ampordà, que aúna productos del mar y la tierra. Las habas y los guisantes de la huerta aparecen junto a esqueixadas (ensalada de bacalao), escalivadas (asado de berenjena, cebolla y pimientos) o guisos de pollo o conejo con marisco. Por su parte, gambas, lubinas y doradas se preparan de multitud de maneras. Entre los postres, las frutas tienen una gran importancia (fresas, melocotones, melones, sandías, naranjas...), y se convierten en verano en helados y sorbetes.
In Wordpress In Blogger photo.net/photos/Reinante/ In Onexposure
.First of all credit for this shot goes to Mary who took this on Friday morning while I was struggling to get into work. She took it from our bedroom window and I think it’s a really fine shot (had to say that obviously). Looking at the pic it looks like we live in the middle of nowhere in fact we are fairly close to the City centre, Hull University is just behind the trees. We have lived here 20 years and have never seen it look so wintryTHANKS FOR YOUR VISIT HAVE A GREAT DAY
Fishing boats on the beach at Torup Strand, Nordjylland in Denmark. The boats are hauled on to the beach.
Hebron (A126). Home port: Torup Strand. Build 1962. Hull: wood. LOA: 11.49 m.
Marianne (HM70). Home port: Torup Strand. Build 1977. Hull: wood. LOA: 11.55 m.
Pia (A65). Home port: Torup Strand. Build 1975. Hull: fiber / plastic. LOA: 8.23 m.
Handheld HDR from three exposures. See it on black.