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Macro Focus on MV Zuiderdam from Holland America Line in the Gatun Locks Panama Canal.

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The Grand Tetons from the Snake River Overlook.

 

James Neeley and I visited here after shooting the sunrise at Schawbacher's Landing. We both liked the way the fog was hanging across the valley in a double layer. For my composition, I was torn between placing the bend in the Snake River on the right, leading into the scene and including the two layers of fog also on the right. I chose the fog. I hope that the deep blue of the river carries the viewer's attention to the double layer of wispy fog.

  

La Mussara, Tarragona (Spain).

EnFoCa: 2ª KDD - "Los Castillejos" i La Mussara [22/03/2009].

 

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ENGLISH

La Mussara is a town in Tarragona that has been left about 50 years ago. It is on the edge of a cornice of the Muntanyes de Prades, at 990m. height, and thence there are spectacular views of all Tarragona.

 

It appears mentioned in documents in 1173 where it states that the town already was inhabited. The church of La Mussara appears mentioned in a bull of Celestine III in 1194. The temple maintained the category of parish until in 1534 it passed to depend on the one on Vilaplana. Nowadays about the church of San Salvador, built on the previous one of gothic style, it only left the four walls and the bell tower of 1859. As peculiar things of this town, it was named ranas to its inhabitants because when it rained a little, it formed a great pool in the only street of the town. Also from here it comes the Catalan saying “baixar de La Mussara” (to lower of La Mussara), equivalent to the Castilian “bajar de la higuera” or “bajar de la parra”.

 

The Mussara gave up exist officially in January 1960, and nobody knows so that of its depopulation. It is attributed mainly to the phylloxera plague, but that is not a zone in which the culture of the grapevine is important, reason why almost surely that the abandonment could have to the water shortage... or simply that the population was scattered and there they lacked the more basic things like a doctor, a rector, electricity or telephone. All this halo of mystery in the disappearance of the town and the place in which it has given cause to a series of histories and legend that borders the fantasy and the superstition, cataloguing La Mussara like a “damn town”.

 

Inside the church and in the cemetery black masses are celebrated. Proof of it is the esoteric symbols that sometimes appear painted in the walls. In many corners of the town also they are deposited branches of flowers. There is one who has heard helmets of horses in the neighborhood of the church, or even chimes of the same church (that does not have bell). There is people who say to feel a species of call that it impels to him to go to La Mussara. A friend mine, who is neighboring of the zone, commented me that some years ago a man raised in his car, stopped minutes next to the pool, and soon he went at full speed to the precipice of the viewpoint.

 

Some hikers who have themselves bold to spend the night there have seen luminous shades, or figures moving between the houses and losing themselves behind the trees. Even there are witnesses of UFO sightings. But in which they agree more most of phenomena it is in the cold fog that appears suddenly and that it disorients people immersed in her, in such a way that what for them can seem minutes, soon they discover in its clocks that have spent hours. The electrical apparatuses also are altered.

 

From remote times to well entered 20th century, that zone has been land of witches. It counts the legend that during the carlists wars soldiers went to the cemetery of La Mussara to unearth a carlist general called Cercós (really Isidre Pàmies i Borràs, named general for a reason or purpose posthumous by Carlos VII) to shoot it (or to hang it, according to other sources), although already was dead. The fog confused to them and unearthed and shot the body of a old witch (l'àvia Boronada). This caused that the fog thickened still more to his around and that the soldiers fled terrified when occurring account of the error. One tells that this unleashed a curse on them.

 

Another legend talks about a rock near, which who steps on it or it jumps it passes to a parallel dimension, “Vila del Sis” (Town of the Six). It is know the case of a pair of “boletaires” (pickers of mushrooms) that went by the zone looking for mushrooms in October 1991. They were speaking one with another one calmly, watching the ground, when one of them, Enrique Martinez Ortiz, it let respond, and until now it has not been known nothing else about him. He was neighboring of the place and he perfectly knew the land, reason why doubt that was had lost. Searches by the zone were organized during days, with the participation of soldiers of a close barracks, with unfruitful result.

 

It is all truth or lie, which is clear is that La Mussara is a place surrounded by natural beauty by its landscape, and of mystery by its undocumented history.

 

-----------------------------

 

CASTELLANO

La Mussara es un pueblo de Tarragona que lleva unos 50 años abandonado. Está al borde de una cornisa de las Muntanyes de Prades, a unos 990m. de altura, y desde allí hay unas vistas espectaculares de toda Tarragona.

 

Aparece citado en documentos de 1173 donde consta que el pueblo estaba ya habitado. La iglesia de La Mussara aparece citada en un bula de Celestino III de 1194. El templo mantuvo la categoría de parroquia hasta que en 1534 pasó a depender de la de Vilaplana. Hoy en día de la iglesia de San Salvador, construída sobre la anterior de estilo gótico, sólo quedan las cuatro paredes y el campanario de 1859. Como cosas curiosa de este pueblo, a sus habitantes se les llamaba ranas porque cuando llovía un poco se formaba una gran charca en la única calle del pueblo. También de aquí proviene el dicho catalán "baixar de la Mussara" (bajar de la Mussara), equivalente al castellano "bajar de la higuera" o "bajar de la parra".

 

La Mussara dejó de existir oficialmente en enero de 1960, y nadie sabe el por qué de su despoblación. Se atribuye principalmente a la plaga de filoxera, pero aquella no es una zona en que el cultivo de la vid sea importante, por lo que casi seguro que el abandono se pudo deber a la escasez de agua... o simplemente que la población ya estaba muy diseminada y allí faltaban las cosas más básicas, como médico, rector, electricidad o teléfono. Todo este halo de misterio en la desaparición del pueblo y el lugar en que se encuentra han dado pie una serie de historias y leyendas que rozan la fantasía y la superstición, catalogando La Mussara como "pueblo maldito".

 

En el interior de la iglesia y en el cementerio se celebran misas negras. Prueba de ello son los símbolos esotéricos que a veces aparecen pintados por las paredes. En muchos rincones del pueblo también se encuentran depositados ramos de flores. Hay quien ha oído cascos de caballos en los alrededores de la iglesia, o incluso campanadas de la misma iglesia (que no tiene campana). Hay gente que dice sentir una especie de llamada que le impulsa a ir a La Mussara. Un amigo mío, que es vecino de la zona, me comentó que no hace muchos años un hombre subió en su coche, se detuvo unos minutos al lado de la charca, y luego se dirigió a toda velocidad al barranco del mirador.

 

Algunos excursionistas que se han atrevido a pasar la noche allí han visto sombras, o figuras luminosas moviéndose entre las casas y perdiéndose tras los árboles. Incluso hay testigos de avistamientos OVNI. Pero en lo que más coinciden la mayoría de fenómenos es en la fría niebla que aparece de repente y que desorienta a los que se ven inmersos en ella, de tal modo que lo que para ellos pueden parecer minutos, luego descubren en sus relojes que han pasado horas. Los aparatos eléctricos también se ven alterados.

 

Desde tiempos remotos hasta bien entrado el siglo XX, aquella zona ha sido tierra de brujas. Cuenta la leyenda que durante las guerras carlistas unos soldados fueron al cementerio de La Mussara a desenterrar a un general carlista llamado Cercós (realmente Isidre Pàmies i Borràs nombrado general a título póstumo por Carlos VII) para fusilarlo (o colgarlo, según otras fuentes), aunque ya estuviera muerto. La niebla les confundió y desenterraron y fusilaron el cuerpo de una anciana bruja (l'àvia Boronada). Esto provocó que la niebla se espesara aún más a su alrededor y que los soldados huyeran despavoridos al darse cuenta del error. Se cuenta que esto desató una maldición sobre ellos.

 

Otra leyenda habla de una roca cercana, que quien la pisa o la salta pasa a una dimensión paralela, a la "Vila del Sis" (Villa del Seis). Se conoce el caso de una pareja de "boletaires" (recolectores de setas) que iban por la zona buscando setas en octubre de 1991. Iban hablando uno con otro tranquilamente, mirando al suelo, cuando uno de ellos, Enrique Martínez Ortiz, dejó de responder, y hasta ahora no se ha sabido nada más de él. Era vecino del lugar y se conocía perfectamente el terreno, por lo que se duda que se hubiera perdido. Se organizaron batidas por la zona durante días, con la participación de soldados de un cuartel próximo, con resultado infructuoso.

 

Sea todo ello verdad o mentira, lo que está claro es que La Mussara es un lugar rodeado de belleza natural por su paisaje, y de misterio por su historia indocumentada.

 

Más info: ca.wikipedia.org/wiki/La_Mussara, www.franrecio.com/investigaciones/la_mussara_pueblo_maldi...

Ex #7 First time I had been here when the tide was out, totally different place. I scrambled around for 20mins looking for a spot to get the sunrise, then came back to where I had started.

 

To see the sphinx better look Here

Hilo de la Fotohistoria en Pullip .es: SHIN'S BASS SOLO (1 of 1) /

EL SOLO DE SHIN (1 de 1)

 

(Read in order, this is: SHOT/FOTO 01 of 48) PAG: 01, 02, 03, 04, 05, 06, 07, 08, 09, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 38, 39, 40, 41, 42, 43, 44, 45, 46, 47, 48.

 

LINKS:

- FOTOHISTORIAS en casa de Sheryl en el Foro de Pullips: Pullip .es

- Hilo de las Fotohistorias de Shin y Yashiro en el Foro de Pullips: Pullip .es

- Hilo de la Relación entre Shin y Yashiro en la sección de Penpals de Pullip .es

- Ayrin and Sheryl PHOTOSTORIES at Flickr

- Sheryl Photostories at Flickr

- Ayrin PhotoStories at Flickr

View On Black BG & Large

 

Posting a photograph regularly is very difficult job to a lazy man like me,so I always try to find interesting subject in common material…..

And always consciously looking for good photographs in everyday scenes to open up a whole new source of subject matter….

Here I try to give total pictorial qualities such as shape, form, pattern and texture…In this photograph; I also try to capture the atmosphere….

I use here, feather of a Macau bird with natural light, and a simple white board as a reflector to combines the compositional elements of shape, texture and tone….

Hope you like it……………….

  

For more photos like this one.click MY SITE subirbasak.orgfree.com.....

www.southholdernesscountrysidesociety.co.uk/70163/info.ph...

  

A lagoon is a body of saline water that is partially separated from the adjacent sea and which keeps a proportion of saltwater at low tide. As well as providing an important habitat for seabirds, waterfowl and marshland birds, lagoons also contain unique invertebrates and specialist plants which make this type of habitat important to the UK’s overall biodiversity.

  

37 acres of littoral land and saline lagoons was purchased by the Society in 1991, with assistance from English Nature (now Natural England), after almost four years of fundraising and negotiations with the land owner. This area lies immediately south of a 33 acre area, which includes Easington Lagoon, which is owned by the Environment Agency and leased to the Society. A further 22 acres of land to the direct south of the Lagoons was purchased in 2000. This package of land is know as Beacon Lagoons, though has also variously been known as Beacon Ponds, Kilnsea Lagoons and Easington Lagoons. It was initially purchased primarily because of the Society’s interest in the little tern colony situated there.

 

The BLNR contains a variety of coastal habitats including sand dunes, shingle, salt marsh, saline lagoons and pools. The site is situated on the Holderness coast, 2km north of the Spurn peninsula and south-west of the village of Easington. It holds SSSI designation and is a potential SPA and a proposed Ramsar site because it comprises a variety of important features including:

 

· Its saline lagoons, which are a UK priority Annex 1 habitat under the EC ‘Habitats Directive’

· Its importance for its colony of over 1% of the British breeding population of little terns on its shingle beach and as a feeding and roosting site for important numbers of migratory birds

· Lagoons are included as a priority feature under the UK Biodiversity Action Plan

· Plants and animals which are either mainly or entirely restricted to a lagoonal habitat. These species include flora and fauna protected under schedules 5 and 8 of the Wildlife and Countryside Act (1981).

 

The SHCS is responsible for the management of the BLNR, with the Spurn Bird Observatory involved in the organisation of the Little Tern Protection Scheme. A Tern warden (kindly funded by BP Exploration) is employed during the breeding season to help protect the birds against predation and from the accidental intrusion of beach users.

  

The water in the lagoons is strongly saline but not tidal, though storm surges may occasionally temporarily connect the lagoons with the sea. These breaches introduce marine organisms that may survive in the lagoons for several years. There is also an area of non-tidal salt marsh and some low dunes.

 

The main threat to the flora and fauna of the lagoons is the erosion of the beach by the North Sea and by the rise in sea levels. This ultimately threatens the site with ‘coastal squeeze’ whereby the lagoons will become tidal, eventually eliminating them altogether. It is expected the southern addition will eventually acquire a similar aspect to the present lagoons, which will prolong the life of the habitat and its associated flora and fauna.

 

Some vulnerable plant species such as Divided Sedge (Carex divisa) and Saltwort (Salsola Kali) occur here, along with Spiral Tasselweed (Ruppia cirrhosa) which is close to qualifying as a threatened species in the near future, and Sea Wormwood (Seriphidium maritimum) which is an Internationally important species.

  

Invertebrates characteristic of such lagoons as these are found here. Species include the mollusc Ventrosia ventrosa, the crustaceans Palaemonetes varians and Idotea chelipes, and the bryozoans Conopeum seurati. These are just a small example of the many different species in the lagoons.

King Neptune and his court BIG On Black

 

King Neptune and his court ready to begin the ceremony.

 

King Neptune, Queen, five Police, Barber, Astronomer, Doctor and Nurse

 

Baptism on the line, also called equatorial baptism, is an initiation ritual sometimes performed as a ship crosses the Equator, involving water baptism of passengers or crew who have never crossed the Equator before. The ceremony is sometimes explained as being an initiation into the court of King Neptune.

The ritual is the subject of a painting by Matthew Benedict named The Mariner's Baptism and of a 1961 book by Henning Henningsen named Crossing the Equator: Sailor's Baptism and Other Initiation Rites.

 

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The Moon does not orbit Earth in a perfect circle. Instead, it follows an elliptical path that brings it 50,000 kilometres closer to our planet on one side of its orbit. On 12 December, the Moon will enter its full phase, when its disc appears completely illuminated by the Sun, just four hours after reaching its closest point to Earth. This will make it 14% bigger and 30% brighter than other full Moons in 2008. It will be eight years before the Moon appears so big again. Also it is expected to have an effect on Earth's tides.

 

Photo of the moon taken at its closest point to Earth in the northern hemisphere on 12 December 2008 around midnight. The full Moon will also appear higher in the sky than any other year. At this time the moon will shine down from nearly overhead. The landscape of Château de Peyrepertuse is a PS composite. Photo properties ISO100, 1/400s, f/7.1, zoom 648mm and spot metering

 

Op 12 december bereikt de maan tevens de kleinste afstand tot de aarde in 356.567 kilometer. De Volle Maan van deze avond dan ook de grootste van het jaar. De maan is 14% groter en 30% lichter als normaal. 's Nachts kunnen we de maan vaak zien. Overdag staat ze ook wel eens aan de hemel, maar dan is ze minder opvallend omdat de zon schijnt. In de avond, de nacht, of in de vroege ochtend zie je haar des te beter. Het lijkt alsof ze licht geeft, net als de zon. Maar de maan geeft geen licht. Ze wordt beschenen door de zon, net als de aarde. Het licht weerkaatst en daarom lijkt het of de maan schijnt. Toch is het zonder maan 's nachts een tikje donkerder dan met de maan. Met een heldere, volle maan kun je 's nachts zelfs een schaduw van jezelf op de grond zien! De maan hoort bij de aarde. Met z'n tweeën suizen ze door het heelal, ieder jaar een rondje om de zon. De maan draait ook nog een ander rondje; ze draait om de aarde. Ze doet er bijna een maand over om één rondje te gaan. De maan is zelf natuurlijk ook heel groot. Ze heeft dus ook haar eigen zwaartekracht. Sterker nog; de maan trekt een beetje aan de aarde. Dat merk je aan het water van de zee. Als het vloed wordt, wil de maan het water als het ware naar zich toe trekken. Dat lukt natuurlijk niet, want de aarde trekt veel harder. Maar je merkt het wel! Het water komt dan veel verder op het strand. Dat gebeurt elke dag twee keer. De maan trekt niet alleen aan het water, zelfs de bergen zijn een paar millimeter hoger als de maan boven hun toppen staat! Het maanlandschap bestaat uit heuvels, kraters, zand en rotsen. Waar de zon schijnt is het gloeiend heet; 100 graden Celsius boven nul. Waar geen zon komt vriest het 150 graden Celsius onder nul.

sooc.

well doesn't this look familiar?

no good unless you view here

 

Can you guess the movie?:

 

When you're young, everything feels like the end of the world.

But it's not.

It's just the beginning.

You might have to meet a few jerks,

but one day,

you're gonna meet a boy

who treats you the way you deserve to be treated.

Like the sun rises and sets with you.

   

Ok, so the real reason I uploaded this is because i was tagged by sara.kross. She's amazing! Check out her stream! I love all her photos so much :)

 

I know I did this before, but I've changed a lot since then. I thought I'd be a little more serious with this one and answer some questions i've gotten in my flickrmail. Maybe even ask you a few...hmmm?

  

1. I got the question "why don't you upload more pictures of yourself?" The answer to that is actually really simple. It's because I don't have a remote and I get tired of the ten second dash and the inability for my camera to focus is i'm not standing there the whole time. But hopefully, Christmas will be the time to fix that problem...

 

2. Someone also asked me where I got the models. My models are actually just friends from school. I live in an area where it seems like everyone is super skinny and gorgeous so it's not hard to find someone who looks like one, but i really love taking photos of girls that don't have that perfect body. I just wish that people would find a photo of someone they considered unattractive to be just as interesting as the ones of someone they do.

 

3. Another question was do you want to do this professionally. Um...i don't know yet...I know I probably wouldn't do it full time, even though I would like too. But my mom doesn't particularly approve of being a photographer, so i think i really want to be a third or fourth grade teacher and maybe take pictures during the summer?

 

Here come the facts and questions for you...

4. I'm adopted. Now tell me an interesting fact about you.

 

5. I greatly enjoy photography because the view from my side of the lens is only my own and no one else can see through it unless I allow them to through the photograph. What's your favorite part about photography?

 

6. I love love love getting together with other photographers and attempting to see their visions. I would love to do more of this (anyone live around here?). Do you prefer to work by yourself or with someone? Not necessarily in photography, just in general.

 

7. Music is a good escape for me. I love the sound of acoustics. In fact, I play/played the acoustic guitar. Not so much anymore, but I still play the piano quite often. Who/what's your favorite type of music, artist, etc.

 

8. Wow this is long. When I was reading through it I know I only read the bold parts. Are you only reading the parts that are bolded?

 

9. For Christmas, I would like a remote, money, a new journal for my overflowing quote book, a new living translation bible, and an air freshener for my car. It smells like something died in the back seat. Even if something did, i wouldn't notice because my car is so messy. For example, in my trunk, there is a cot, a guitar, a ton of fake flowers, lots of schoolwork, glitter, an easter basket, a basketball, costume jewelry, a fiddler on the roof record, a cowboy hat, lots and lots of clothes, etc. Seriously, there is a LOT of stuff in my car. So I have two questions...What do you want for Christmas? and What's weird in your car?

 

10. I enjoy solitude almost more than I enjoy being with people. I'm usually happier with people, but it doesn't give me time to think. Would you rather be alone in this world or constantly surrounded by people?

  

If you haven't entered my print giveaway, enter now! :))

 

The Night Porter... As U Like IT

 

Considered The Most Controversial Picture Of Our Time!

 

Set in 1957 Vienna, Liliana Cavani's film, The Night Porter is a disturbing, mesmerizing drama that viewers seem either to love or loathe. To be sure, this is not a film for everyone. Its subject matter is dark and difficult. The fascinating, if twisted, story is about the revival of an intense relationship that had started in a Nazi concentration camp – between Max, an SS officer and Lucia, one of the inmates.

 

Max is now, in 1957, a night porter in a hotel – the hotel that Lucia happens to visit with her. But when, at the opera, he looks at Lucia, and Lucia cannot resist turning her head to meet his gaze (and at a point in the opera where the words being sung are about how love sweetens troubles and all creatures sacrifice to love), Max, too, is drawn inexorably.

 

Despite what some reviewers seem to think, The Night Porter is absolutely not a skin flick, and nor is it a Nazi exploitation flick. It is a film about a relationship. It is about the power of a human connection and a little tenderness in an extreme situation – and about the power of extreme situations to create passion. It is about how intoxicating relationships having an element of control/power can be – and how intoxicating a mixture violence and loving tenderness can be. It is perhaps a warning about the all-consuming and potentially self-destructive power of an intense relationship.

 

The Night Porter has some very memorable scenes, and the acting of the main characters is superb. The subtlety and complexity of Charlotte Rampling's Lucia is staggering. It could have been played so badly, but Charlotte Rampling had the courage and the insight and the ability to give a breathtakingly brilliant performance, conveying strength as well as vulnerability, peacefulness as well as terror, intense desire as well as numbness, power and control as well as submission, lightness as well as darkness, heaven as well as hell.

Liliana Cavani has an eye for psychologically difficult and tension-increasing juxtapositions. In one scene, we hear Mozart's pure and heavenly music about the higher purpose of love and man and wife, while a concentration camp guard buggers a male prisoner, presumably not entirely consensually! In another scene, there is the eroticism of a topless dance together with the ghastly truth that the woman is dancing for the concentration camp guards who hold her and may one day execute her. In another, there is extreme violence mixed with passionate love.

 

Charlotte Rampling: www.imdb.com/name/nm0001648/

 

Dirk Bogarde: www.imdb.com/name/nm0001958/

 

A Short Extract:

au.youtube.com/watch?v=TfSdXK5sMM4

 

David Gregory-Interviews on The Night Porter with Liliana Cavani:

 

au.youtube.com/watch?v=_fhG12j9D6g

 

au.youtube.com/watch?v=L8gW7IDG1DU

 

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View On Black =) =)

 

There's a whole year of my life, captured in photographs. There it is. It seemed like such a daunting task at the start, but so very exciting. Things like that are probably the best, though. Things so potentially scary, you just have to go for it, and you know that you're going to finish it, know that you have what it takes to see it through. I've stumbled along the way, I've taken some bad, no, terrible photos, I've missed a few days, but I've tried my hardest to make up for them. There aren't 365 photos in the group though, due to some files having multiple days in, and there are two images I haven't uploaded yet. So there should be 361 in total.

 

Looking back through the images is so strange. They bring back a lot of memories. Good ones, bad ones. A lot of good ones, though. Snow Day. Seeing so many bands that I love, such as The Flaming Lips, Amanda Palmer, Queens of The Stone Age, Rage Against The Machine, Patrick Wolf, Yeah Yeah Yeahs, Nine Inch Nails, Mogwai, Mono, Holy Fuck, Adam Green, Animal Collective, Seasick Steve, and that's just to name a few. Photographing my friends for my University coursework. Hanging out and relaxing with the people I love. Kissing someone for the first time. You probably know who you are. I hope you do.

 

I can pretty much remember how I felt when I took each photo.

 

Then, there were also the times where I had too much work to take a decent photo. Where I had done something stupid and didn't know how to make it better (this probably happened more times then it should have done). Bad times. But I cannot stress how much of a fantastic year I've had, really. So much fun. I've made some amazing friends that I probably don't deserve, and kept old friendships going strong.

 

I was going to try and summarise all of my photos into sections, but there's just too much variety to do that. So here are a few:

 

I've used ten different cameras. I'm in about sixty of the photos. There are ten shoe/foot photos (so much less than I thought there would be). About seventy one shots are of my friends. Fifty three were shot on film. A bunch were of animals <3. I've broken two lenses in the space of one year.

 

I've had so much fun doing this project. I don't think it would have been so good if it wasn't for the constant encouragement from my family and friends, both online and offline. This project was as much about me as it was about the people around me. If you've given me positive or negative criticism, feedback, been a model, been an inspiration, helped me with an idea or even just briefly commented on one of my photos in passing, then I cannot thank you enough.

 

I think I've written too much. I don't really mind. This project has been a major part of my life for an entire year. There is a bug on the inside of my laptop screen.

Here are ten of my favourite photos from my year:

 

Miranda

Forgotten

Forbidden Colours

Three Studies for Figures at the Base of a Crucifixion

Vintage Rocks

A Lovely Day

We Shall Call Him The Man With No Face

They Have A Baby

There Are No Monsters

Rock-ola

The Real Elm Groovers

Back To The Past

 

I'm well aware that there are twelve choices there. I like them too much.

 

 

Right, time for a rest. See you soon, Flickr.

 

 

mirandakarlifranjackjohnabbykatyukacrazybobinncourtsylviealiceetoileallansorryifImissedoutanyonesnames youallhelpedmealotthankyou

 

 

 

For the benefit of anyone who reads this, Miranda and I are not on good terms. I just thought it would be nice to say thanks to someone who helped me along the way at the start, even though we're not on good terms now

 

View Large On Black

View Large On White

 

A shot of a water bottle reflecting flickr from my pc monitor.

 

An idea probably subconciously inspired by Jane In Colours excellent work on Cross Polarisation (set) (please check it out if you haven't already!) .

I have also experimented with light through plastic water bottles (with water in them) in one of my earlier (Flickr infancy) shot CD Water Drops #2.

 

A cousin shot to abstract #8

 

Part of my bottles (Set)

 

© Jon Downs 2010 All Rights Reserved.

  

:::: BIGGER ....... is a MUST for your eyes and soul!

 

:::: Click here for a slideshow of my latest!

:::: Click here to view my Most Interesting according to Flickr!

:::: Have a coffee.... click here ....... and relax!

 

:::: Resting Marina! , Iles de la Madeleine, Québec, Canada. Copyright © 2010 Gaëtan Bourque. All rights reserved. Use without permission is illegal.

  

View On Black

 

This fishing boat, Sea Breeze, suddenly appeared out of the fog from the ocean into the Noyo Harbor weighed down with the day's catch. I was a bit intriqued with what was in the baskets in back so zoomed in as he passed by. He was loaded with Sea Urchins, a delicacy of the ocean. After reading about Sea Urchins and their culinary contribution, I'm afraid I'm not a fan. I'll remember them more for the beautiful little sea creatures we found in the tide pools at McKerrichter State Beach.

 

Sea Urchins View On Black

 

Tide Pool-McKarrichter State Beach View On Black

View On Black

 

How cool is this!

 

This morning I had the honour of driving this beauty through the streets of Blyth Ontario, as part of the FFAO's (Fire Fighters Association of Ontario) annual convention.

 

This is a 1949 Mack, purchased by the City of Milwaukee and began its service on February 28, 1949. This truck answered thousands of fire calls and was taken out of service in September 1997, and used at a driving school until 1986. From 1986 to 1996 the truck rested in a private museum.

 

Today, Milwaukee Engine 25 rests in another private museum in southwestern Ontario.

Hilo de la Fotohistoria en Pullip .es: THAT'S HOW I MET HIM (1 of 2) /

ASÍ LO CONOCÍ (1 de 2)

 

(Read in this order) PAG: 01, 02, 03, 04, 05, 06, 07, 08, 09, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33.

 

PHOTOSTORY: In English / En Español

Valo: To go out, it was all straight and then the right door, isn't it?

Morgana: …. eeeeeeem... yes, yes, all straight... #ó___ò#

/

Valo: Para salir, era todo recto y la puerta de la derecha, no?

Morgana: …. eeeeeeem... si, si, todo recto... #ó___ò#

 

COLLABORATION:

- Miercole's Morgana Collaboration

- Morgana y Valo en el Foro de Pullips: Pullip .es

 

SHERYL LINKS:

- Pullip .es: Las Fotohistorias de Sheryl

- Sheryl's Flickr: Photostories 2011 - Sketches 2011 / Photostories 2012 - Sketches 2012

+++

 

Monday morning wake up knowing that youve got to go to school

Tell your mum what to expect, she says its right out of the blue

Do you went to work in debenhams, because thats what they expect

Start in lingerie, and doris is your supervisor

 

And the head said that you always were a queer one from the start

For careers you say you went to be remembered for your art

Your obsessions get you known throughout the school for being strange

Making life-size models of the velvet underground in clay

 

In the queue for lunch they take the piss, youve got no appetite

And the rumour is you never go with boys and you are tight

So they jab you with a fork, you drop the tray and go berserk

While your cleaning up the mess the teachers looking up your skirt

 

Youve been used, youre confused

Write a song, Ill sing along

Are you calm? settle down

Soon you will know that you are sane

Youre on top of the world again

 

Monday morning wake up knowing that youve got to go to school

Mum said she had little choice when she was young, so why should you?

Do you went to work in c&a, cause thats what they expect

Move to ladieswear and take a feel off joe the storeman

 

Tell veronica the secrets of the boy you never kissed

Shes got everything to gain cause shes a fat girl with a lisp

She sticks up for you when you get aggravation from the snobs

cause you cant afford a blazer and youre always wearing clogs

 

At the interval you lock yourself away inside a room

Heed of english gets you, asks you, what the hell do you think youre doing?

Do you think youre better then the other kids? well get outside.

Youve got permission, but youve got to make the bastard think hes right

 

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I got out of school early today to go to an orthodontist appointment to make a date to get my braces off!

I'm getting them off in 6 weeks :]

Very exciting. Which means theyll be off by HALLOWEEN! :D

I just have to wear 6 rubber bands for 6 weeks straight :p

Whatever, its worth it :]

Explore July, 22 - 2013

 

But it was lovely on the beach, almost no wind and 23ºC

 

Thanks for your visit and comments, I appreciate that very much!

Please don't use this image on websites, blogs or other media without my explicit permission. © all rights reserved.

 

Regards, Bram (BraCom)

 

My Homepage | Facebook

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Home MTV

 

Another summer day

Has come and gone away

In Paris and Rome

But I wanna go home

Mmmmmmmm

 

May be surrounded by

A million people I

Still feel all alone

I just wanna go home

Oh, I miss you, you know

 

And I’ve been keeping all the letters that I wrote to you

Each one a line or two

“I’m fine baby, how are you?”

Well I would send them but I know that it’s just not enough

My words were cold and flat

And you deserve more than that

 

Another aeroplane

Another sunny place

I’m lucky, I know

But I wanna go home

Mmmm, I’ve got to go home

 

Let me go home

I’m just too far from where you are

I wanna come home

 

And I feel just like I’m living someone else’s life

It’s like I just stepped outside

When everything was going right

And I know just why you could not

Come along with me

'Cause this was not your dream

But you always believed in me

 

Another winter day has come

And gone away

In even Paris and Rome

And I wanna go home

Let me go home

 

And I’m surrounded by

A million people I

Still feel all alone

Oh, let me go home

Oh, I miss you, you know

 

Let me go home

I’ve had my run

Baby, I’m done

I gotta go home

Let me go home

It will all be all right

I’ll be home tonight

I’m coming back home

 

Copyright© 2009 Kamoteus/RonMiguel RN

This image is protected under the United States and International Copyright laws and may not be downloaded, reproduced, copied, transmitted or manipulated without written permission.

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Originally named Misión San Antonio de Valero, the Alamo served as home to missionaries and their Indian converts for nearly seventy years. Construction began on the present site in 1724. In 1793, Spanish officials secularized San Antonio's five missions and distributed their lands to the remaining Indian residents. These men and women continued to farm the fields, once the mission's but now their own, and participated in the growing community of San Antonio.

 

San Antonio and the Alamo played a critical role in the Texas Revolution. In December 1835, Ben Milam led Texian and Tejano volunteers against Mexican troops quartered in the city. After five days of house-to-house fighting, they forced General Martín Perfecto de Cós and his soldiers to surrender. The victorious volunteers then occupied the Alamo — already fortified prior to the battle by Cós' men — and strengthened its defenses.

 

On February 23, 1836, the arrival of General Antonio López de Santa Anna's army outside San Antonio nearly caught them by surprise. Undaunted, the Texians and Tejanos prepared to defend the Alamo together. The defenders held out for 13 days against Santa Anna's army. William B. Travis, the commander of the Alamo sent forth couriers carrying pleas for help to communities in Texas. On the eighth day of the siege, a band of 32 volunteers from Gonzales arrived, bringing the number of defenders to nearly two hundred. Legend holds that with the possibility of additional help fading, Colonel Travis drew a line on the ground and asked any man willing to stay and fight to step over — all except one did. As the defenders saw it, the Alamo was the key to the defense of Texas, and they were ready to give their lives rather than surrender their position to General Santa Anna. Among the Alamo's garrison were Jim Bowie, renowned knife fighter, and David Crockett, famed frontiersman and former Congressman from Tennessee.

 

The final assault came before daybreak on the morning of March 6, 1836, as columns of Mexican soldiers emerged from the predawn darkness and headed for the Alamo's walls. Cannon and small arms fire from inside the Alamo beat back several attacks. Regrouping, the Mexicans scaled the walls and rushed into the compound. Once inside, they turned a captured cannon on the Long Barrack and church, blasting open the barricaded doors. The desperate struggle continued until the defenders were overwhelmed. By sunrise, the battle had ended and Santa Anna entered the Alamo compound to survey the scene of his victory.

 

Texans consider the Alamo to be hallowed ground and a shrine to liberty. It is the most popular attraction in San Antonio. Several Hollywood movies have been made depicting the "Battle of the Alamo" and the phrase "Remember the Alamo" is still used in conjunction with this site

 

© Lawrence Goldman 2011, All Rights Reserved

This work may not be copied, reproduced, republished, edited, downloaded, displayed, modified, transmitted, licensed, transferred, sold, distributed or uploaded in any way without my prior written permission.

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Well it looks like I will be moving out of the Bay Area and it's looking more and more likely I will be returning to the foothills near Yosemite. We are excited about it but man I hate moving so I decided to bum this one back up on my photostream. This is one of my first and still most popular shots. Can't wait to be back in the woods.

 

If you have chosen to enter Yosemite from the south entrance along Highway 41 you will first get a few fleeting glimpses around the bends of the Valley that will cause you to wonder if what you just saw was real. It seems too big, too distant. Surely your eyes are just playing tricks on you. The trees will quickly obscure your view and you will drive along directly into the face of the mountains via Yosemite's longest tunnel. Because it's such a long tunnel and you may begin to relax but grip the wheel tight as you approach the exit for the view you are about to see will wrench your eyes from the road in disbelief!

 

There is good reason for the flashing yellow light warning you to slow. Suddenly before you lies an impossibly massive scene of snow topped granite towers, soaring waterfalls and pristine forests. Possibly the most photographed icon of nature lies before you an impossible view simply called Inspiration Point though some refer to it as the tunnel view. A "U" shaped glacier valley lies a thousand feet below you. To the left of the image, the impressive, largest single piece of exposed granite called El Capitan is the most dominate object in Yosemite Valley. Early explorers, unable to believe their eyes, estimated the rock at only 900ft above the valley floor. They simply could not fathom it's real height. Modern measurements eventually put it well over three times that height at nearly 3000 feet above Yosemite Valley. To the right, a towering waterfall whipped by the blowing winds in the narrow canyon appropriately named Bridal Veil Falls. While not the tallest, it is definitely one of the more beautiful waterfalls in Yosemite. In the far distance, another seemingly impossible large chunk of granite cut in half by the glaciers appropriately named Half Dome rises above the valley. But it's not over yet, you have only begun the start of a dream like drive that will take you all the way up the valley past numerous waterfalls, the meandering Merced River and lead you to Yosemite Falls which will makes Bridal Veil Falls look like a tiny trickle of water. If you are a photographer, you could easily spend your day at the entrance as the scene will change by the minute, especially in winter, but push on, as there is much to see.

 

Winter and early spring in Yosemite are a quiet time and possibly the best for photography if you don't mind driving on cliff walls in the snow. The summer crowds have yet to arrive. The campgrounds are empty and except for a few cars driving though the valley the roads are clear. And though you may stick to the outhouse seats there are few drawbacks to visiting during this time of year provided you bring the proper gear for you and your car. If you can, plan your visits to coincide with the breaking of a winter storm. Yosemite staff are good at keeping the roads open and you have a good chance of getting the proper conditions for some stunning photography as the clouds break. I spent 5 years of my life living just outside the park. My only regret is that digital photography was only in its infancy at the time.

 

Darv

 

© Darvin Atkeson

darvin@liquidmoonlight.com

YosemiteLandscapes.com

 

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~This is one of the most picturesque churches I have ever seen. It sits on top of a hill overlooking the small and quaint town of Bodega. Bodega is where Alfred Hitchcock's novel The Birds was filmed in 1963. Ansel Adams photographed this church ten years prior.

 

Here is Mr. Adams' version Church and Road, Bodega, CA.

    

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It was probably one of the most beautiful winter-days I've ever seen yesterday. We walked to a lake - Østernvann - that was covered with ice, and the sun was just about to set behind the tree-line. The colors, the light, the pure white snow, the crisp cold air biting my nose; I literally walked around with my jaws dropped for about five minutes.

 

We lit a fire, made hot chocolate, and watch the sun set. This was the view from the log I was sitting on, in front of the fire. I never thought I would say this - 'cause I'm really a summer-type of person - but I'm loving winter right now. It really is magical.

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AMPARO JUDICIAL

 

Foto: Propia (cualquier copia o reproducción requiere del previo permiso y/o consulta al autor).

Si querés la foto, primero consultame por correo a nicofoxfiles@hotmail.com

Texto: Clarín.com

  

Los legisladores Aníbal Ibarra y Eduardo Epszteyn, de Diálogo por Buenos Aires, y Martín Hourest, de Igualdad Social, presentaron un recurso de amparo para que se suspenda la licitación para construir un túnel debajo de la 9 de Julio, iniciativa que impulsa el Ejecutivo porteño.

 

El Gobierno de la Ciudad, a través de su empresa AUSA, tiene prevista la apertura de sobres de la licitación el 15 de setiembre. Pero, afirman los legisladores, la gestión de Macri "se extralimitó al permitir que AUSA licite obligaciones que son propias del Gobierno central y no de una empresa del Estado". De esta manera, conseguiría evitar el control de la Legislatura, no pasaría por Audiencia Pública y eludiría otros controles.

 

Por otra parte, los diputados opositores cuestionaron que se dispongan recursos de AUSA en un fideicomiso para financiar esa obra, lo que comprometería fondos para otras obras. "Mientras Macri pretende emitir bonos para endeudar a la Ciudad, licita obras faraónicas sin planificación alguna y con serias irregularidades. Es un despropósito y se decidió llevar este tema a la Justicia porque es inconstitucional el tipo de obra que se plantea, y es absurdo pensar en un proyecto de estas características en medio de la crisis que atraviesa la Ciudad", agregaron.

 

Este recurso, presentado ante la Justicia Contencioso Administrativa de la Ciudad, es el segundo por el mismo tema. El primer amparo fue presentado por María José Lubertino, titular del INADI y legisladora electa por el kirchnerismo. También reclamó que el proyecto pasara por una Audiencia Pública, y cuestionó que no se haya presentado un estudio de impacto ambiental.

  

Arriba: Uno de los tantos tubos fluorescentes que iluminan el túnel del subterráneo. En este caso, uno de los tantos que está ubicado en el tramo Puan - Carabobo de la línea A.

  

________________________________________________________________________

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Maiti Nepal was born out of a crusade to protect Nepali girls and women from crimes like domestic violence, trafficking for flesh trade, child prostitution, child labor and various forms of exploitation and torture. A group of socially committed professionals like teachers, journalists and social workers together formed Maiti Nepal in 1993 to fight against all the social evils inflicted upon our female populace. Most of all, its special focus has always been on preventing trafficking for forced prostitution, rescuing flesh trade victims and rehabilitating them. This social organisation also actively works to find justice for the victimized lot of girls and women by engaging in criminal investigation and waging legal battles against the criminals. It has highlighted the trafficking issue with its strong advocacy from the local to national and international levels.

 

Maiti has no literal translation but it denotes a girl's real family, where she was born into. The word has a sentimental value especially for a married Nepali woman who has no longer any right towards her parents or their property. She then becomes an outsider belonging solely to her husband and her family forever. The famous song, Maiti ghar timro haina paryi ghar jao--meaning "this is not your home, you belong to an outsider (husband)" says it all.

 

Maiti Nepal however is home to all women and girls—whether married or not—who are exploited, their rights grossly violated and neglected by family and society likewise. It was a crusade to find such victims a home for their protection from social evils that gave birth to this NGO in November 1993.

 

It was started by a handful of conscious professionals like teachers, journalists, and social workers committed towards combating the social crimes like domestic violence, girl trafficking, child prostitution, child labour and various forms of female exploitation.

 

Maiti's focus has always been on prevention of girl trafficking, a burning issue for Nepal. Rescuing girls forced into prostitution and helping to find economic alternatives have been our key struggle. Rehabilitation, although not literally possible especially with former prostitutes, is one major challenge we have accepted in our work. The practical steps would be to counsel them and provide non-formal education on health, laws, basic reading and writing. They are also trained to develop income-generation skills and provided Maiti's shelter until they are ready to stand on their feet. The sexually abused girls, abandoned children, potential victims of trafficking, destitute women, prisoner's children, returnees from Indian brothels, girls and children infected with HIV and Hepatitis B, intercepted girls are the major target groups or say, beneficiaries of our programs.

 

www.maitinepal.org

• Maiti Nepal’s Facebook page

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This lovely sculpture is by the muse of Rodin, Camille Claudel. It has been widely described as a minor masterpiece and was conceived and executed while she and Rodin were lovers, though the affair ended badly and was a tragic foretelling of her future life. There was a beautiful orchestral piece of the same name written some 30 years later that expresses the piece quite well, though there is no link or view of any connected inspiration.

 

La Valse, un poème choréographique (a choreographic poem), is an orchestral work written by Maurice Ravel In his tribute to Ravel after the composer's death in 1937, Paul Landormy described the work as follows:

 

"....the most unexpected of the compositions of Ravel, revealing to us heretofore unexpected depths of Romanticism, power, vigor, and rapture in this musician whose expression is usually limited to the manifestations of an essentially classical genius".

 

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Once upon a time Courtney and Ashlie randomly started talking on myspace. they were both sad because they just recently lost their bestfriends because people suck. They started talking and realized they had lots in common so Ashlie was all like "Hey let's be bestfriends!" and courtney was all like "ok!" and they were bestfriends. Then they talked on the phone and stuff every day. One day Ashlie called Courtney and told her to come over and watch Twilight and she did! They hung out and were the bestest friends ever! But one day, the evil ecomony made Ashlie move to Kansas! Courtney cried and cried and the last day they saw eachother was the day this picture was taken. Courtney and Ashlie still talk almost every day. They can't wait for Ashlie to move back to Ohio so they can get an apartment together and be bestfriends again.

  

I love you Ashlie!

    

Pink hair, that's meee (:

I gave her that necklace,

she gave me that headband, which I still have!

      

twitter.com/OpenEyesPhoto

www.myspace.com/calamity_photography

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En el Gobierno nacional amenazan a Mauricio Macri con responder a sus reclamos para que les traslade la jurisdicción sobre el Transporte en la Ciudad, con entregarle el Subte, pero sin los 400 millones de subsidios. Lo concreto es que más allá de las chicanas, acordaron crear una comisión que por 60 días evalúe y trate de acordar los temas en discusión. El Paseo del Bicentenario que reclamó Cristina.

 

Foto: Propia (cualquier copia o reproducción requiere del previo permiso y/o consulta al autor).

Si querés la foto, primero consultame por correo a nicofoxfiles@hotmail.com

Texto: Por Ignacio Fidanza para La Politica Online.

  

“Si querés el Subte no hay problema, te lo damos ya, pero sin los subsidios”, cruzó al jefe de Gobierno porteño un ministro, en la reunión que mantuvo con la presidenta Cristina Kirchner, el ministro del Interior Florencio Randazzo y el jefe de Gabinete, Aníbal Fernández.

 

Como era previsible Macri se negó, pero la idea quedó rebotando en los principales despachos de Bolívar 1. Es que todas las líneas del subte porteño, que opera Metrovías, reciben un subsidio anual de unos 400 millones de pesos. Si se les quitara este auxilio la tarifa pasaría de $ 1,10 a 2,45 mínimo.

 

Pero en el gobierno porteño hay quienes se entusiasman con la idea y –halcones de la popularidad ajena- hasta se arriesgan a proponer una tarifa de $ 3, para hacer obras. No es poco dinero. El Subte mueve 1,5 millones de personas por día, a 50 personas por pasajeros por día, no cuesta imaginar la masa de dinero que rápidamente Macri podría conseguir para empezar a cumplir su promesa de extender la red de subtes, y que hoy le traba la Nación. El costo político de triplicar la tarifa es obvio.

 

“Esto tiene dos lecturas, sería una jugada demasiado audaz, no es del estilo de Macri. Pero un político transgresor podría aceptar los subtes sin subsidio, subir las tarifas, hacer las obras y quizás termina de Presidente”, arriesgó un experimentado operador del sector del Transporte.

 

En el gobierno nacional también hay halcones y palomas en este asunto. Medio en serio medio en broma, algunos proponer “tirarle el Subte por la cabeza a Macri”, sin subsidios, y luego que el jefe de Gobierno se vea obligado a subir la tarifa; hacer lo propio con colectivos y trenes de manera de empezar a aligerar la cada vez más insostenible carga fiscal de la montaña de subsidios que armó Ricardo Jaime.

 

Frente a esta posición, sectores mas moderados proponen ir aligerando por motus propio la carga de subsidios, de manera consensuada con Macri, combinándolo con graduales aumentos de tarifa, hasta llegar a un mix de tarifa y subsidios que sea aceptable para el jefe de Gobierno y ahí sí concretar la transferencia.

 

En esta línea se inscribe la decisión de crear una comisión mixta entre el gobierno nacional y el porteño, para intentar acordar en el término de 60 días la mayoría de los temas de competencias que enfrentan a ambas jurisdicciones, entre ellos el Subte.

 

Por parte del Gobierno de la Ciudad participarán de esta negociación que se está empezando a delinear, el jefe de Gabinete Horacio Rodríguez Larreta, y el ministro de Desarrollo Urbano, Daniel Chaín, del otro lado del mostrador lo esperará un viejo conocido, el actual secretario de Transporte, Juan Pablo Schiavi.

  

Arriba: Formación ingresando a la estación Boedo - Línea E.

 

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A calm snowfall loaded these apple tree branches with beautiful white snow, just wish there would have been apples left of the trees!

   

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Thanks to

FLOR

 

This is a series of the famous "Victoria Reggia" the biggest Nymphaea in the world (apart from the Botanical Gardens in Rio de Janeiro (which entrance was in my previous picture - you can only find it in the Amazones) ... its most " peculiar" for it is white ... however if you get during the day somehow it turns into this pink colour - alias I did not know that ... I ran a lot and got this just before it was "closing" for the day; I cannot describe to you its beauty for its a huge lake with leaves heart-shapped and the water lilies popping up .. all is as it should be in Nature;

 

Legend has it that, a long time ago, the Tupis-Guaranis, indigenous people from Northern Brazil, told that every night, when the moon hid behind the hills far off on the horizon, it was going to live together with its favorite young ladies. They used to say that, if the moon could like one single girl, it would transform her into a star of the sky.

 

One night, the princess saw, in the clear waters of a lake, the image of the moon. The innocent girl wondered if the moon had come down to take her away, so she jumped in the deep waters to join the moon and its lovely young ladies. She was never seen again.

 

The moon, in return for the beautiful princess's sacrifice, transformed her into a different star, different from the all the others whose light lit up the night sky. So, the moon transformed the princess into a "Star of the Waters", whose flower is the "Vitória Régia".

 

At that moment, a new plant was born, whose scented white flowers blossom and unfurl only at night. And, when the sun appears in the early morning, the flowers change their color to soft pink:

 

This photo is dedicated to; my dear friend Irene for her belated birthday and wishing the best recuperation (and the water lilies are her favourites)

 

To another dear friend Beckie Child of God for her birthday(late) .

 

To dear Anna Maria also hopping all will be well soon, who loves History and Nature.

 

This is for dear Ellen for I "took her along" she loves flowers so much ...

 

and to dear friend ITALA whose hospitality I thank again

 

Of course to all of you my dear Friends and Contacts .. if you can go and see it its amazing. Of course also an homage to my Brazilian friends.

 

Pls if you have time do read all the info and Listen to the Music ..it's most relaxing... ENJOY!

   

Listen to: www.youtube.com/watch?v=xjutQ97DRhw&feature=related

 

Info see : en.wikipedia.org/wiki/Victoria_amazonica

 

pt.wikipedia.org/wiki/Vit%c3%b3ria-r%c3%a9gia

 

Don't use my pictures on websites without prior authorization! They are protected by copywrith ◄

 

I am sorry but I am a mostly OFF - so I cannot comment on all of you but will catch up as soon as I can,I am so behind

 

Another Point of View

 

A zoomed 400mm telephoto' shot, taken from West Kirby beach with Hilbre Island to the right and the Point of Ayr on the Welsh coast to the left !

Shot in Raw with a daylight setting when it should have been sunny the whole image has been ' cooled ' down ! Just increased the contrast and added shadow ~ I like it, and I'm here to share it, but it is all subjective !

 

The two f*****g a*******s, in an attepmt to get to the island, despite warning signs saying not to cross at this point, walked right thro' all the feeding, wading birds, constantly disturbing them as they did so !

 

A few minutes after this shot was taken the couple were removed from the beach by a Ranger in a Land-Rover and taken to the correct starting point for crossing to the island a mile or so away ! Chatting to him a couple of hours later on my way home, he just shook his head saying the couple were completely indifferent to the birds plight and never even bothered to then cross to the island !

aumentar

 

Ahora en Biodiversidad virtual y en la Fundación Biodiversidad

*

*

Pompholyxophrys es una ameba de nombre difícil y con aspecto de planeta marciano por su forma esférica y sus vivos colores de tierra.

 

A diferencia de Amoeba y de Mayorella de cuerpo informe y cambiante, Pompholyxophrys siempre es redonda. Ellas caminan echando todo su cuerpo a tierra y engullen así lo que encuentran a su paso cubriéndolo con su cuerpo de lava fría, sin embargo, Pompholyxophrys pasea de puntillas sobre sus pies-manos -filópodos- , como hilos de aire que apenas se ven.

 

El caminar de Pompholyxophrys es un caminar ingrávido, flotante… y no por su cuerpo de planeta. Su secreto está en el vestido que la adorna. Son burbujas de espuma, pero una espuma insólita de pompas de cristal. Las pequeñas esferas huecas de sílice recubren el cuerpo de Pompholyxophrys en varias capas y la hacen levitar sobre el fondo de las charcas donde vive al mismo tiempo que protegen su delicado cuerpo rojizo y blando.

 

Con frecuencia las amebas tienen que buscar protección recubriendo su cuerpo, unas veces lo hacen modelando una cubierta con partículas de mineral que encuentran en los fondos sobre los que pasean, en otras ocasiones fabrican una malla de escamas que les sirve de coraza. La Naturaleza nos sorprende en Pompholyxophrys, la ha vestido con un traje de pompas de cristal, que siendo más pesado que ella, la hace más ligera en los fondos del agua, incluso con finísimos pies de hilo esta ameba consigue caminar.

 

Pompholyxophrys vive en charcas y lagunas y se alimenta de pequeñas algas. Los colores rojizos y marcianos del interior de su cuerpo proceden de la degradación de los pigmentos de la fotosíntesis de estas algas que forman parte de su dieta.

 

Pompholyxophrys punicea ha sido hallada en las muestras recogidas en las inmediaciones de la Laguna de Peñalara durante el “Testing” organizado en Lozoya en homenaje a Félix Rodríguez de la Fuente y va dedicada a todos estos amigos con quienes tuve la suerte de compartir este maravilloso proyecto de Biodiversidad virtual. La fotografía se ha tomado a 400 aumentos empleando la técnica de contraste de interferencia.

  

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☁ la nube negra de una justicia pervertida en nuestro país, movida por la envidia y la venganza, permanecerá aquí, hasta que soplen otros vientos limpios. La Justicia es uno de los cimientos necesarios para la Paz. Desde aquí todo nuestro apoyo al Juez Baltasar Garzón -el buen Juez de Saramago- y a las personas de buena voluntad como él que trabajan por la Justicia.

 

José Saramago: Ni leyes ni Justicia

Martín Pallín

Firmas de apoyo en Facebook

Radio Nacional Holandesa

   

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EXPLORED

 

En-route to Haystack from the summit of Warnscale. It is difficult to imagine how strong the wind was from this tranquil view! With my 6 feet 1 inch and 200 pounds frame I could lean against the wind ! :) But the climb was worth every ATP !

Canon 5D, 17-40L @29mm, f/10, 1/8 seconds, ISO-100,used a 2 stop SE GND and CPL.

If you like my work you can view my images for sale at Getty images

 

Copyright © Suddhajit Sen Photography.

This photo may not be used in any form without prior permission. All rights reserved

 

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www.suddhajitsen.com

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I had no idea what to do for today's SP....well, actually I didn't have much time for creativity... This morning I woke up to a car that wouldn't run... At first it looked like I need to replace the alternator...at $350+... I am also dealing with transmission problems. So the place that was looking into the alternator problem took the van over to the transmission place. At this time I do not know what the situation is with the transmission... but I do know that the alternator is alright... whew! But, let me tell you about my van... it is a 98 Dodge Caravan. I have had it since my son was 2 months old...he will be 8 next week... nearly 8 years I have had this van. In that 8 years this van has taken myself and my kids on a round trip vacation from Tennessee to Utah... and then it moved myself and my kids back to Utah in March of 2005 (wow, it is so hard to believe that it has almost been three years since I moved back to Utah). I don't recall exactly how many miles the van had on it when I bought it... something like 60,000... It now has 210,000+ miles on it. It has been a good van. A pretty reliable form of transportation. Many people ask me why I, a mother of only 2, drive a van. Well at the time I purchased it I actually had 4 kids in my family... I had 2 stepsons... we needed the space. Before I purchased my van, my oldest stepson would ask me what my dream car was...my answer was "a minivan". Seriously, it was my dream car... From the time I found out that I was pregnant with my daughter I wanted a minivan. So, yeah, my van has served its purpose and has served me well. In recent years I have put at least $2,000 dollars in it and I have said that if the transmission goes it will be time to say good bye. So today, without knowing the state of the transmission, I did go ahead and test drive some cars. I drove an Explorer (my current dream car) and a Fusion. I love both. I love the feeling of driving an SUV... the feeling of sitting higher... I do not care for the feeling of driving a car... that is until I drove the Fusion. My friend Greg just recently bought a Fusion, and I have thought it was nice to ride in...but wow! What a treat to drive one.... I love it. I do not feel like I am driving a car. The better gas mileage is a major plus...as is the fact that I can buy a newer (2007) Fusion with 5 year warranty for the same price that I can buy an older (2004) Explorer. Anyhow, I was able to drive the Fusion home for the next 2 days and get a real feel for it. Tomorrow I should hear about the transmission. If things are somewhat alright (meaning I can still drive it for a while longer before it completely goes out) I have the decision of whether to go ahead and get rid of the van or drive it to its death.... hmmm, a new car sounds so nice!

 

The title of this SP, "someone to look up to" is in reference to my mother. She has always been such a help to me... a major help in the past few years. When I called her and told her I was leaving my ex, she flew out to help me move...and let me tell you, if you need someone to help you move (especially in a hurry), it's my mom... she figured out ways to pack every square inch of that van... she stuffed clothing in empty spaces EVERYWHERE!!! She is there when I need her. I am very independent but it is nice to know that I can receive help from her when I need it. And today, she was able to come help me after school with getting around and going to the car dealership to look at cars. So this is to mom.... I love you. You are the greatest, you have gone through a lot in life and have never given up! I appreciate everything you are and everything you do. When I grow up, I want to be like you!

 

My mom is the smartest woman in the world in my eyes LOVE's to you MOM!!!

By Catedrales e Iglesias

 

© Álbum 0527

By Catedrales e Iglesias

Arquidiócesis de Morelia

 

Sitio Oficial de la Arquidiócesis de Morelia

www.arquidiocesismorelia.com.mx/inicio.php

 

Santa Iglesia Catedral

Av Madero Poniente

Col Centro

Apdo Postal 17

C.P.58000

Morelia,Estado de Michoacán

(443) 312-29-36

  

La Catedral de Morelia es un recinto religioso sede de la Arquidiócesis de Morelia de la Iglesia católica en México. Se encuentra ubicada como su nombre propiamente lo dice en la ciudad de Morelia, capital del estado de Michoacán, México. La catedral se localiza en el primer cuadro de la ciudad, conformando la traza del Centro Histórico de Morelia. El edificio fue construido en el siglo XVIII en la época de la Colonia Española, es de estilo barroco y esta realizado en cantera rosada que le da un color peculiar y característico.

# Arquitectónicamente la Catedral de Morelia comparándose con otras Catedrales de México, es similar a la Catedral Metropolitana de la Ciudad de México, Catedral de Puebla, e inclusive en su interior a la Catedral de Guadalajara.

# La catedral es la edificación más emblemática y representativa de Morelia dada su altura, ya que cuenta con dos altas torres, que se divisan por todo el valle de la ciudad. Por su altura, las torres de la Catedral de Morelia (66.8 m) son las cuartas más altas de México, después de las torres del Santuario Guadalupano (Catedral Inconclusa) en Zamora de Hidalgo (105 m), de la catedral de Villahermosa (80 m) y del Santuario de Guadalupe, en San Luis Potosí (68 m).

# Cuenta con una Iluminación escénica de singular belleza colocada por la empresa que iluminó la Torre Eiffel de París. Los fines de semana la catedral ofrece un espectáculo de luz y sonido con esta iluminación.

# La catedral está dedicada a la Transfiguración y en su interior alberga dos imágenes muy veneradas, Sagrado Corazón de Jesús que es el santo patrono de la ciudad, y el Señor de la Sacristía un Cristo muy antiguo realizado en pasta de caña de maíz. El cual es muy visitado y querido por la feligresía.

# Su belleza arquitectónica y su historia son otras razones por las cuales se ha convertido en un icono de la ciudad.

# En su interior este recinto dada su belleza, sonorización acústica y espaciosidad, figura como escenario de diversos eventos artísticos y culturales como el Festival Internacional de Órgano de Morelia, y el Festival Internacional de Música de Morelia.

La actual catedral de Morelia no ha sido la única catedral que ha tenido la ciudad, ya que en 1580, cuando los poderes civiles y eclesiásticos de Michoacán fueron trasladados de Pátzcuaro a Valladolid (anterior nombre de Morelia), se inauguró una catedral, muy inferior a la actual en tamaño y valor artístico. Esa construcción se ubicaba en la esquina de las actuales calles de Corregidora y Abasolo. Sin embargo, debido al crecimiento que experimentó la ciudad a finales del s. XVI e inicios del XVII, así como por causa de un incendio que en 1584 afectó severamente el anterior edificio catedralicio, se hizo necesario pensar en otro templo, más grande, sólido e importante. Por ello es que a inicios del s. XVII el cabildo catedralicio comenzó las gestiones para la construcción de la nueva catedral.

 

Muchos proyectos fueron propuestos, pero hasta mediados de ese siglo fue aceptado el proyecto del arquitecto italiano Vicenzo Barrochio, también conocido como Vicente Barroso de la Escayola por parte del Virrey Francisco Fernández de la Cueva, Duque de Alburquerque el 22 de marzo de 1660 concluyendo continuos trámites y proyectos de construcción durante un largo período de casi 80 años.

 

El día 6 de mayo de 1660 la primera piedra de la construcción fue colocada por el obispo Fray Marcos Ramírez del Prado. La construcción estuvo a cargo del propio Vicenzo Barrochio hasta el año de su muerte, acaecida en 1692, razón por la cual el gran arquitecto no pudo ver concluida su obra monumental. Sin embargo, solo 52 años después del deceso del maestro, sus discípulos lograron terminar la titánica tarea arquitectónica, por lo que la magnífica obra fue concluida en 1744.

 

La catedral sufrió diversos saqueos por parte del ejército independentista, en el año de 1810. Hacia fines del siglo XIX se construyó la reja perimetral que delimita el atrio. A finales de los años 90 del siglo XX se efectuaron diversas obras de restauración exteriores e interiores, con lo cual se preservó mejor la belleza del edificio. También, en los primeros años del siglo XXI, se inauguró la nueva iluminación escénica de esta catedral de Morelia.

 

The Cathedral of Morelia is a religious compound headquarters of the Archdiocese of Morelia of the Catholic Church in Mexico. It is located as the name itself says it in the city of Morelia, capital of Michoacan, Mexico. The cathedral is located on the first frame of the city, forming the trace of the Historic Center of Morelia. The building was built in the eighteenth century the Spanish colonial times, is in Baroque style and is made of pink quarry which gives it a distinctive and characteristic color.

# Architecturally, the Cathedral of Morelia compared against other Cathedrals in Mexico is similar to the Metropolitan Cathedral in Mexico City, Puebla Cathedral, and even inside the Cathedral of Guadalajara.

# The cathedral is the most emblematic and representative buildings of Morelia given their height, since it has two tall towers that can be seen throughout the valley of the city. For his height, the towers of the Catedral de Morelia (66.8 m) are the fourth highest in Mexico after the towers of the Sanctuary of Guadalupe (Cathedral Unfinished) in Zamora de Hidalgo (105 m) of the cathedral in Villahermosa (80 m) and the Sanctuary of Guadalupe, San Luis Potosi (68 m).

# Has a unique scenic beauty lighting placed by the company that lit the Eiffel Tower in Paris. On weekends, the cathedral offers a sound and light show with this lighting.

# The cathedral is dedicated to the Transfiguration and its interior houses two highly venerated image, Sacred Heart of Jesus who is the patron saint of the city, and the Lord of the Sacristy a Christ very old paste made of cornstalks. Which is much visited and loved by the congregation.

# Its beautiful architecture and history are other reasons why it has become an icon of the city.

# Inside this enclosure because of its beauty, sound and spacious sound, set for a variety of artistic and cultural events as the International Organ Festival in Morelia, and the International Music Festival of Morelia.

The current cathedral of Morelia was not the only cathedral in the city has had since 1580, when civil and ecclesiastical powers were transferred from Patzcuaro Michoacan to Valladolid (Morelia previous name), opened a cathedral, much lower the current size and artistic value. That building was located on the corner of the present streets of Corregidor and Abasolo. However, due to growth experienced by the city at the end of s. Sixteenth and early seventeenth centuries, and because of a fire in 1584 severely affected the former cathedral building, it became necessary to think of another temple, larger, robust and important. That is why at the beginning of s. XVII the cathedral chapter began efforts to build the new cathedral.

 

Many projects were proposed, but until mid-century the project was accepted by the Italian architect Vincenzo Barrochio, also known as the Plaster Vicente Barroso by the Viceroy Francisco Fernandez de la Cueva, Duke of Albuquerque on March 22, 1660 concluding continuous procedures and construction projects over a long period of almost 80 years.

 

On May 6, 1660 the first stone of the building was laid by Bishop Fray Marcos Ramírez del Prado. The building itself was given by Vicenzo Barrochio until his death in 1692, why the great architect could not see completed his monumental work. However, only 52 years after the death of the teacher, his pupils got through the daunting task of architecture, so that the magnificent work was completed in 1744.

 

The cathedral suffered several raids by the army for independence, in the year 1810. By the end of the nineteenth century built the perimeter fence that marks the atrium. In the late 90s of the twentieth century restoration work carried out various internal and external, thereby better preserved the beauty of the building. Also, in the early twenty-first century, opened the new stage lighting of the cathedral of Morelia.

> cambiar

 

Digital Accession Number: 1981:0955:0023.0001

 

Maker: Eugène Atget (French, 1857-1927)

 

Title: Coin Eglise St. Nicolas des Champs Rue Gunin Gridaine (3e arr)

 

Date: 1908

 

Medium: albumen print

 

Dimensions: 21.9 x 17.9 cm. (trimmed)

  

George Eastman House Collection

 

General – information about the George Eastman House Photography Collection is available at http://www.eastmanhouse.org/inc/collections/photography.php.

 

For information on obtaining reproductions go to: www.eastmanhouse.org/flickr/index.php?pid=198109550023.

www.southholdernesscountrysidesociety.co.uk/70163/info.ph...

  

A lagoon is a body of saline water that is partially separated from the adjacent sea and which keeps a proportion of saltwater at low tide. As well as providing an important habitat for seabirds, waterfowl and marshland birds, lagoons also contain unique invertebrates and specialist plants which make this type of habitat important to the UK’s overall biodiversity.

  

37 acres of littoral land and saline lagoons was purchased by the Society in 1991, with assistance from English Nature (now Natural England), after almost four years of fundraising and negotiations with the land owner. This area lies immediately south of a 33 acre area, which includes Easington Lagoon, which is owned by the Environment Agency and leased to the Society. A further 22 acres of land to the direct south of the Lagoons was purchased in 2000. This package of land is know as Beacon Lagoons, though has also variously been known as Beacon Ponds, Kilnsea Lagoons and Easington Lagoons. It was initially purchased primarily because of the Society’s interest in the little tern colony situated there.

 

The BLNR contains a variety of coastal habitats including sand dunes, shingle, salt marsh, saline lagoons and pools. The site is situated on the Holderness coast, 2km north of the Spurn peninsula and south-west of the village of Easington. It holds SSSI designation and is a potential SPA and a proposed Ramsar site because it comprises a variety of important features including:

 

· Its saline lagoons, which are a UK priority Annex 1 habitat under the EC ‘Habitats Directive’

· Its importance for its colony of over 1% of the British breeding population of little terns on its shingle beach and as a feeding and roosting site for important numbers of migratory birds

· Lagoons are included as a priority feature under the UK Biodiversity Action Plan

· Plants and animals which are either mainly or entirely restricted to a lagoonal habitat. These species include flora and fauna protected under schedules 5 and 8 of the Wildlife and Countryside Act (1981).

 

The SHCS is responsible for the management of the BLNR, with the Spurn Bird Observatory involved in the organisation of the Little Tern Protection Scheme. A Tern warden (kindly funded by BP Exploration) is employed during the breeding season to help protect the birds against predation and from the accidental intrusion of beach users.

  

The water in the lagoons is strongly saline but not tidal, though storm surges may occasionally temporarily connect the lagoons with the sea. These breaches introduce marine organisms that may survive in the lagoons for several years. There is also an area of non-tidal salt marsh and some low dunes.

 

The main threat to the flora and fauna of the lagoons is the erosion of the beach by the North Sea and by the rise in sea levels. This ultimately threatens the site with ‘coastal squeeze’ whereby the lagoons will become tidal, eventually eliminating them altogether. It is expected the southern addition will eventually acquire a similar aspect to the present lagoons, which will prolong the life of the habitat and its associated flora and fauna.

 

Some vulnerable plant species such as Divided Sedge (Carex divisa) and Saltwort (Salsola Kali) occur here, along with Spiral Tasselweed (Ruppia cirrhosa) which is close to qualifying as a threatened species in the near future, and Sea Wormwood (Seriphidium maritimum) which is an Internationally important species.

  

Invertebrates characteristic of such lagoons as these are found here. Species include the mollusc Ventrosia ventrosa, the crustaceans Palaemonetes varians and Idotea chelipes, and the bryozoans Conopeum seurati. These are just a small example of the many different species in the lagoons.

 

Please 'click' on link to view large and'Ovidio Statue 1' On Black

"Never speak to a woman about her defects; many a lover has had occasion to congratulate himself on having observed this very profitable reticence. The wingèd-footed hero, Perseus, never found fault with Andromeda for her swarthy skin. Andromache was, in everyone's opinion, far too tall; Hector was the only one who considered her of the average height. Accustom yourself to the things you don't like; you'll learn to put up with them; habit makes a lot of things acceptable. At first, Love will be put off by the merest trifle. A freshly-grafted branch that is just beginning to draw the sap.

from the green bark will fall off if the slightest breath of wind disturbs it; but if you give it time to grow strong, it will soon resist the winds and, developing into a sturdy branch, enrich the tree that bears it with its alien fruit. Time effaces everything, even bodily defects, and what we once looked upon as blemishes will one day cease to seem so. At first, our nostrils cannot bear the smell of the hides of bulls; they grow used to it in time and bear it without distress.

 

Moreover, there are words you can employ to palliate defects. If a woman's skin is blacker than Illyrian pitch, tell her she's a brunette. If she squints a little, tell her she's like Venus. If she's carroty, tell her she's like Minerva. If she's so skinny you would think she was at death's door, tell her she has a graceful figure. If she's short, so much the better, she's all the lighter. If she's thick-waisted, why she's just agreeably plump. Similarly, you must disguise every defect under the name of its nearest quality. Never ask her how old she is, or who was consul when she was born. Leave it to the Censor to perform that uncomfortable duty, especially if she has passed the flower of her youth, if the summer of her days is over, and if she is already compelled to pull out her grey hairs. My young friends, that age, and even an older one than that, is not without its pleasures. It is a field that you should sow and one day You will reap your harvest. Labour while your strength and your youth allow. All too soon tottering eld, with noiseless tread, will be upon you. Cleave the waters of the ocean with your oar, or the glebe with your slough; wield with warlike arm the deadly sword, or devote to women your vigour and your care. ’Tis but another kind of military service, and in it, too, rich trophies may be won.

 

Nor should it be forgotten that women, who are getting on in years, have experience, and it is only experience that sets the seal of perfection on our natural."

 

Unfortunately this english translation of Ovid's ars amandi by y J. Lewis May in year 1930 is very victorian, epurated of every reference to sex. Here he talks about woman's defects instead of translating it "Believe me you must not accelerate to get the extreme pleasure". Mr. Puritan lives just in another world! Here the link to his translation www.sacred-texts.com/cla/ovid/lboo/

This BlueJay had landed on the deck and proceeded to jump to the railing, he did this three time in a row

 

Check Him Out Large

 

Larger version on black Background

 

a 3D rendering I made for a small competition with the title "Sustaining Infrastructure"

 

Only the blurred background is a photo. Everything else is pure 3d.

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