View allAll Photos Tagged parallax
This photo’s from a month or two ago at the Pasco Invite, the biggest single day track meet in the nation. Now that I think about it, the Tri-Cities holds a lot of world records that nobody cares about; biggest single day meet, tallest treeless mountain, etc. We probably hold the record for most street names that start with ‘W’ too, but who cares.
This photo isn’t that great as far as creativity goes, but I thought you guys might appreciate the crazy sky. I shot another pano which I put in the comments below. You just couldn’t capture these clouds with one shot it seems like.
[et_pb_section admin_label=”section” fullwidth=”on” specialty=”off” background_color=”#d96c22″ inner_shadow=”off” parallax=”off” background_image=”http://poly-coach.com/wp-content/uploads/2015/09/header-bk2.jpg”...
poly-coach.com/2015/10/27/discovering-the-sweet-spot-in-o...
Stian Omenås – trumpet and percussion
Are Lothe Kolbeinsen – guitar
Ulrik Ibsen Thorsrud – drums
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Capta 'Objetivo especial'
TMAX400 in XTOL
Epson V700
A view of the interchange at Paral-lel metro station in Barcelona, looking towards the platforms for Mont Juif.
Yashica Mat 124G | TMax 100
La Tuna Canyon trail, Verdugo Mountains. Los Angeles, CA.
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Roll #97, Frame 8. 1/125; f/16 [ev 15]
Dev: Rodinal 1:50 (425mL), 12 min @ 20°C (2 agit / min)
Parallax. From a commissioned shoot.
Parallax: Alys Snuggiemouse Adamantium
Lighting: Twin speed lights in a Buff 51-inch extreme silver PLM, at between 9 and 10 o'clock. Snooted speed light between 2 and 3 o'clock.
TMB LZOS 152 + Riccardi Reducer @ F/6
Atik 460EX + Astrodon LRGB E series gen 2 + Astrodon Ha 5nm
Parallax Instruments HD200c
6 Panels:
Ha: 30x300s bin 1x1
SQM: 21.5-21.7
FWHM: 2.0-2.2"
Total exposure: 15h
Captured with Sequence Generator Pro
Processed with Pixinsight
I had a devil of a time dealing with the parallax exacerbated by the little close up filter on my Instax. I used up nearly a whole back chasing after the elusive, "just right" framing. In the end I gave up (and went on to other cameras :) ). Viewed as a group, though, this reminds me of trying to photograph a quickly moving jelly under the water!
Another test of cutting up images into planes for simulated motion and depth. This time with prettier source material, like the Ziegfeld Follies girls!
Each image cut is created from single photographs/images. I hand-masked each image in GIMP, then brought each layer as a new image on a plane in Blender 3D. I then arranged the planes and animated the camera and each of the meshes to provide the sense of depth and movement.
I'll probably write a quick tutorial before long...
*CINELLI* mash 10year parallax
Stem: *THOMSON* elite x2 stem
Seat post: *THOMSON* elite
Handle: *THOMSON* carbon riser bar
Wheels: *VELOCITY* A23 × *PHILWOOD* hight flange track hub
Tire: *FREEDOM* thickslick tire
Brakes: *PAUL* racer midum
Brake lever:*PAUL* e-lever
Crankset: *SRAM* omunium
Chainring: *AARN* track chainring
Saddle: *SELLE SAN MARCO×MASH* concor racing urban saddle
Bartape: *BROOKS* cambium
BLUE LUG custom
SPEC
Frame: *CINELLI* mash parallax
Handle:*3T* rotundo
Brake Levers:*SRAM* s900 brake lever
Stem:*3T*
Wheels: *VELOCITY* A23 rim × *PHILWOOD* high flange track hub (silver)
Brake: *SRAM* red22
Seatpost:*THOMSON* elite seat post (black)
Saddle:*FIZIK* antaress
Crankset:*SRAM* omnium crankset
Chainring:*AARN* track chainring (black) 51T
Bartape:*CINELLI* mash parallax bartape (black)
Bell:*SPURCYCLE* black bell (black)
Playing with motion parallax for fun. No photoshopping. Just physics....
For more images like this you can go to my Parallax Set flic.kr/s/aHsjC5GgNN
Copyright Wes Taylor Photography
Playing with motion parallax for fun. No photoshopping. Just physics....
For more images like this you can go to my Parallax Set flic.kr/s/aHsjC5GgNN
Copyright Wes Taylor Photography 2012